CD, LP, Vinyl record album cover art
View larger image       Image note

Life, Love & Faith (180 gram pressing)

LP (Item 601312) Warner/4 Men With Beards, 1972 — Condition: New Copy
$18.99 ...

LP, Vinyl record album

List Price: 21.98
(€17.26 || £15.44 || ¥1960) (approx.)

Excellent work from New Orleans soul legend Allen Toussaint – and a set that may well be his funkiest album ever! The set features 12 tracks from the early 70s – a time when Toussaint was mixing a bit of funk into the heavy soul mix that he'd had from his early days in the Crescent City scene – coming up with a blend that's even darker, and more powerful than all his famous production and projects of the 60s! And while some of Allen's later work tended towards cliche, this record captures him right at that perfect point when all of this was totally fresh – delivered with a razor-sharp edge, and with great instrumental help from New Orleans legends like Leo Nocentelli, Zig Modeliste, and George Porter Jr – all of whom make the album groove harder than most of the other soul albums on Warner at the time. Titles include "Soul Sister", "Victims Of The Darkness", "Am I Expecting Too Much", "Out Of The City", "Goin Down", "Electricity", "Fingers & Toes", and "On Your Way Down".  © 1996-2016, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:


This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.


  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.


This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.


Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.

Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.

You might be interested

CD, LP, Vinyl record album cover art
Nonesuch, 2016. New Copy 2LP Gatefold
The last album that New Orleans soul legend Allen Toussaint ever recorded – and a set that's maybe more jazz-oriented than most of his other work! The album mostly features Toussaint as an instrumentalist – playing piano, and working through songs by Bill Evans, Duke Ellington, Earl ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Reprise, 1975. New Copy
A rare live performance from the late, great Allen Toussaint – served up here on vinyl for the first time ever! The record captures Toussaint in Philly – working in front of a very lively crowd, during a time when his star was shining especially bright, thanks to a series of recordings ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Reprise/4 Men With Beards, 1975. New Copy (reissue)
Damn great work from Allen Toussaint – a record that was cut at a time when he'd really made his way into the mainstream of American music, yet could still come across with a hard New Orleans groove! The title cut, "Southern Nights", is a perfect illustration of this fact – ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Westbound/4 Men With Beards, 1970. New Copy (reissue)
One of the darkest records to ever come out of the Detroit soul scene! As you might guess from the title, the album is Funkadelic's first – and it's a swirling mass of psychedelic guitars, echoey drums, and bass-heavy riffing, all topped off by the band's harmony vocals, which sound like a ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Westbound/4 Men With Beards, 1976. New Copy Gatefold
An oft-overlooked gem by Funkadelic – the group's last album for Westbound, and a record that really has them growing into a great new groove! Bootsy and Eddie Hazel have stepped aside for the set, but that gives Bernie Worrell plenty of room to work his magic on keyboards – in a way ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Westbound/4 Men With Beards, 1972. New Copy 2LP Gatefold (reissue)
A massive double length set from Funkadelic! As if the group's vision wasn't already expansive enough in their early Westbound years, they really make incredible use of the space of this 2LP set to show off their talent for funky invention, fuzzed-out guitar, and mind-bending look at the world ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Westbound/4 Men With Beards, 1973. New Copy Gatefold (reissue)
One of our favorite early Funkadelic albums – and a real turning point for the group! Gone are the trippier guitar solos of earlier days, and in their place is a tighter approach to funk – one that has the band grooving hard and soulfully on shorter tracks that perfect the dark vision ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Stax/4 Men With Beards, 1973. New Copy (reissue)
The one-time obscure, now straight-up classic funky soul record by 24-Carat Black! This beautiful LP was released by Stax in the early 70s, but somehow got lost in the shuffle. Fortunately, it was rediscovered by the international groove community in the years to come, and it's been at the top of ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Enterprise/4 Men With Beards, 1973. New Copy (reissue)
Excellent heavy funk from Stax! Black Nasty were one of the heaviest groups on the label – with a rock-solid guitar-based groove that went even farther than the Bar-Kays, who were no slouch in the guitar department themselves! The grooves are all slow to midtempo, with the band coming down ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Westbound/4 Men With Beards, 1975. New Copy Gatefold (reissue)
A tasty little album from Funkadelic – one that has Bootsy Collins joining the group, and really hitting the unique approach that would become the definitive P-Funk groove! And although tracks are shorter and even more focused, there's still a fair bit of guitar in the set – keeping ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Paisley Park/Warner, 1987. New Copy 2LP (reissue)
A sprawling classic from Prince – full of songs perfecting the pop, funk & soul kaleidoscope of his best 80s jams, and adding a remarkable, previously unexplored depth and breadth of styles! A lot of folks tried to designate Prince's massive, fearless, beginning-of-the-end-of-the-80s ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Need Of Love
Warner, 1971. New Copy (reissue)
One of the two early Earth Wind & Fire LPs recorded for Warner – and the one that shows their amazing roots in the avant-garde jazz scene in Chicago! At the forefront, the record's a righteous soul album with an ensemble funk sound – but deeper in, there's a lot of jazz-based ... LP, Vinyl record album

⇑ Top