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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great early CTI session by George Benson, and one of the most stripped-down, straight-ahead funky records he did for the label! There's a sharpness here that's different than the larger feel of some of Benson 's later records – a sound that almost links back to his soul jazz roots in the ... LP, Vinyl record album
Pretty mellow stuff from George Benson, but with some nice moments! Don Sebesky handled the arrangements for this set of larger backings – but Benson's guitar is right out front, hitting some super-dope lines at the best moments, stretching out from the warm Fender Rhodes or horn heavy ... LP, Vinyl record album
Sweet fusion from Earl Klugh – playing jazzily here over some soundtrack backings penned by the mighty Pat Williams! The album's got a laidback feel that works great with Earl's trademark smooth lines on the guitar – and maybe just a bit more diversity than usual for Klugh at the time, ... LP, Vinyl record album
One of the best records that Chico Hamilton cut during the 50s – and one that features Eric Dolphy, who was with Chico's group for a short while! The record's got the quintet (which also includes the excellent Dennis Budimir on guitar) fronting larger string arrangements by Fred Katz (no ... LP, Vinyl record album
A very cool mixing of acoustic modes – a set that features the famous jazz violin of Stephane Grappelli joining the rootsy group of mandolin man David Grisman! The mix of modes is quite haunting – and Grappelli's old school lines really do a lot in the company of Grisman's new acoustic ... LP, Vinyl record album
The start of funky funky Herbie Hancock! This album's the first to feature Herbie really breaking away from his straight jazz work – moving into a groove that's nice and funky, using electric piano along with acoustic, to forge the sound that he'd develop famously over the 70s. The album's ... LP, Vinyl record album
Big ol' bass from Marcus Miller – but also some sweet keyboards and great vocals too – all wrapped up in a set that's really got Miller at the height of his powers! Marcus wonderfully skirts the worlds of soul and fusion for the record – and mostly creates a tight groove on his ... LP, Vinyl record album
One of the few albums issued under the name of bassist Slam Stewart – and a great testament to the genius of the player on his instrument in the days after his work with Slim Gaillard! The style here is much straighter jazz than Slam's work with Slim – and the numbers are mostly in a ... LP, Vinyl record album
An overdue reunion for Brian Auger and Julie Driscoll (now billed as Tippetts) – and a late 70s session that sounds quite a bit different than their mod soul of the 60s! The format here is still somewhat in a soul-based vein – but the sound is much more 70s, and much more "adult&qu ... LP, Vinyl record album
Baritone madness, and a lot more too – a set that's full of surprises, and which may well be one of the most striking records on the Beehive label from Chicago! The date not only features twin terrors on baritone sax – Nick Brignola and Pepper Adams, both blowing at the height of their ... LP, Vinyl record album