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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Webster Lewis is working with Michael on both of these tracks – giving the grooves a slightly jazzy bounce that's similar to Lewis' own club work for Columbia! "Still Got The Magic" is a thumping midtempo number that's heavy on the bottom, but soars a bit on the top with Wycoff's ... 12-inch, Vinyl record
One of the first great moments of pop house to come out of Chicago – a single that took JM Silk out of their roots in the indie side of the scene, and firmly pushed them towards the airwaves with this hook-heavy little number! We'll be honest in saying we thought they'd gone a bit soft back ... 12-inch, Vinyl record
Quite possibly one of the greatest southern soul singles of all time! Sure, you know Loleatta best for her disco work – but "Cry To Me" is a wonderful weepy ballad, done with these haunting strings that literally "cry" with the song, and written by Sam Dees with that ... 12-inch, Vinyl record
A great release of the song that really put Prince over the top – a song that got him maybe more play on rock and pop stations than he was ever getting on soul radio – and which for years became an anthem for folks who never would have touched his music in years before! The version ... 12-inch, Vinyl record
Prince is looking mighty ready for the get down on the cover – and he's sounding the same on the single, too – serving up one of his slinkiest funky cuts of the early 80s – backed with the non-LP b-side "Irresistible Bitch" – which is maybe even better! "Let's ... 12-inch, Vinyl record