This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
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then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A beautiful record – but that's no surprise, since most of the later work of Coleman Hawkins tends to be great! The setting is quite laidback – and Hawkins' time-weathered tenor is placed in a perfect setting with Tommy Flanagan on piano, Major Holley on bass, and Eddie Locke on drums. ... CD
Fantastic work from Hawkins – recorded for a small label at a time when his star had fallen a bit, but with some AMAZING tone that really makes the album cook! The group's a combo that features piano and organ by Earl Knight, trumpet by Ernie Royal, trombone by Eddie Bert, and guitar by ... CD
Includes the songs "Juicy Fruit", "Blues For Tomorrow", "Blues Wail", "Soul Blues", "Skronk", "Stealin' The Bean", "Foot Pattin'", "Blues For Ron", and "Pedalin'". CD
Titles include "La Rosita", "Picasso", "Bean At The Met", "Cattlin' At Keynote", "Night And Day", "Hallelujah" – 16 tracks total, all selected by Sonny Rollins. CD
Wonderful late work by Coleman Hawkins – a player who was very much "at ease" with himself at the time, and opened up tremendously on albums like this. The format is beautiful – simple small group backings by Tommy Flanagan, Wendell Marshall, and Osie Johnson – with ... CD
Features work with Fletcher Henderson And His Orchestra, the Mound City Blue Blowers, Ben Webster, Thelonious Monk, Sonny Rollins, Benny Carter, Max Roach, and Duke Ellington. CD
Tracks include "Movin Wes - Parts 1 & 2", "Green Peppers", "Boss City", "Impressions", "In And Out", "Willow Weep For Me", and "Bumpin" – 16 tracks in all. CD
Milt Jackson joins the Oscar Peterson Trio – helping the group to hit some great new space with his magical work on vibes! Jackson's got an open, airy feel – an approach that almost lets Peterson punctuate the tunes a bit more with his piano – while the pair get strong rhythmic ... CD
Beautifully laidback blowing from the great Ben Webster – captured here in perfect late 50s formation, with wonderful rhythm support from the Oscar Peterson Trio! The tunes aren't super-long, but still have a relatively open feel – possibly improvised in the studio, with a mellow but ... CD
The great bassist Ray Brown proves that any instrument can swing – here picking up a cello, and grooving wonderfully in a very warm setting! The album features arrangements by Russ Garcia – slightly modern, and with lots of space, so that Ray can play both bass and cello with room to ... CD
Small group sides with either Ray Brown, Percy Heath, or Curly Russell on bass – plus Art Blakey, Kenny Clarke, Buddy Rich, Max Roach, or Art Taylor on drums. CD