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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Later Bar-Kays at their best – still plenty funky, but also working in a smoothly soulful style that became the group's trademark sound at Mercury! The album's got a real bass-heavy appeal from the start – working in a mode that shares a lot with Cameo, The Gap Band, and some of the ... LP, Vinyl record album
The start of the legendary second chapter for the Gap Band – the point when the group had reemerged as the tight funky trio of the Wilson Brothers, with a groove that would really set them up nicely for the 80s! This first album in the new format has a wonderfully tight feel – still ... LP, Vinyl record album
Duets between Jerry Butler and Brenda Lee Eager – done as serious, adult oriented soul tracks, one side of the album in an optimistic "The Love We Have" setting, the other in a sadder "The Love We Had" setting – both of them handled in a mode that's far far different ... LP, Vinyl record album
Smooth jazzy soul, with excellent production by Wayne Henderson and his At-Home Productions team. David Oliver's got a deep baritone voice, and it slithers sexily through tracks like "Private Secretary", "Who Are You", "Take My Emptiness", and the great mellow groover ... LP, Vinyl record album
A great set from Clyde – quite different than his Atlantic work, but in a wonderful way! The album's arranged and conducted by Belford Hendricks, in a jumping early uptown soul kind of vein, similar to work on Mercury by Brook Benton, but with more of an R&B edge. The tracks are all ... LP, Vinyl record album
One of the most full-on funk albums that Bohannon recorded for Mercury – a set done with a sextet of additional players, in a groove that's much more in the ensemble mode of other funk acts on the label! The usual Bohannon drive is still in full effect, though – and Hamilton's rhythms ... LP, Vinyl record album
Cut on the heels of Melba's run in the musical Hair, this early set features versions of the tunes "The Flesh Failures", "Easy To Be Hard", and "I Love Making Love To You", all from the Rado/Ragni/MacDermot team. Arrangements are by Charlie Calello and Jimmy Wisner,and ... LP, Vinyl record album
A sweet album of ballads and late nite love songs from Clyde McPhatter – one that has him going head to head with other 50s balladeers, like Jesse Belvin, Tony Wilson, or maybe even Johnny Mathis! That great McPhatter rasp is still nicely present, even amidst the strings and fuller backings ... LP, Vinyl record album
Nice lost bit of Chicago female soul, produced by the Ohio Players, and with a sound that sounds a lot like their Mercury albums of the time – that is, with some hard slap-bass funk on most cuts, and some slower spacier sounds on others. Includes one of our fave tracks these days, the spacey ... LP, Vinyl record album