This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A groundbreaking album from Sonny Rollins, largely for the extended track "Tenor Madness", which runs on for 13 minutes, and features him and Coltrane blowing head to head – redefining the sound of the tenor sax in jazz through the course of that amazing track! Backing is by the ... CD
An overlooked gem from Rollins – and a record that has him playing with a bit of an electric feel, in a style that's similar to some of Joe Henderson's early 70s Milestone sessions! Similar to Henderson's albums, George Cables plays a bit of electric piano on the set – grooving nicely ... CD
Notable sidemen include Stanley Cowell, Stephen Scott, Clifton Anderson, Jerome Harris, Mark Soskin, Mtume, and Jack DeJohnette. Tracks include "Autumn Nocturne", "Mava Mava", "Harlem Boys", "Cabin In The Sky", "Lucky Day", "Someone To Watch ... CD
One of Sonny Rollins' best albums of the 70s – a Japanese-only live date that features some excellent work on both tenor and soprano sax! The group has a really great feel – thanks to congas by Mtume and guitar from Yoshiaki Masuo – both of whom bring some new elements to Rollins' ... CD
Quite possibly THE greatest Sonny Rollins album of the early years – or at least the one that has received the most accolades over the years! The record is a brilliant batch of quartet tracks that reinvents bop through Sonny's complicated, yet seemingly automatic solos – an excellent ... CD
An incredibly strong set by McCoy Tyner – one of his best late 60s sides for Blue Note – and a record that really hints at the majesty he'd attain on record in the 70s! The album features Tyner's piano at the head of a large group that includes Lee Morgan on trumpet, Julian Priester on ... CD
One of the few rare non-trio recordings done by Powell from around this time. Bud plays with a trio (Paul Chambers bass, Art Taylor drums) on the whole first section of the record, but the group's then joined by Curtis Fuller for the rest of the set. Fuller's deep trombone makes for a different ... CD
An amazing album – simply groundbreaking, and a key turn for Jackie McLean! The record features a group of hip young players – including a very young Tony Williams, plus Grachan Moncur III, Bobby Hutcherson, and Eddie Kahn – all playing in a spare contemplative modernist mode ... CD
A wonderfully free-thinking set by Kenny Dorham – and a record that really breaks from his earlier work! The album's not exactly experimental, but it features longer tracks with a looser approach than some of Dorham's sweeter shorter work – more in a rhythmically progressive mode that ... CD