CD, LP, Vinyl record album cover art
Enlarge       Note

Sweet N Sassy

CD (Item 510534) Roulette, 1963 — Condition: Used
Out Of Stock

CD


An overlooked vocal gem from Sarah Vaughan – recorded in the early 60s with some sweet arrangements by a young Lalo Schifrin! Schifrin was just getting his start on the US scene at the time – and for the set, he's working in a mode that has some of the fuller, richer orchestrations used on other Vaughan albums of the period – but which also breaks out into some leaner and jazzier moments that remind us of his later work. Sarah herself is great – singing with that mature and almost world-weary tone that made so many of her Roulette sides so memorable. Titles include "More Than You Know", "Thanks For The Ride", "Just Married Today", "I Wish I Were In Love Again", "This Can't Be Love", and "Slowly". (Out of print.)  © 1996-2017, Dusty Groove, Inc.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Drive, Late 40s. Used
... CD
Mercury (Japan), 1958. Used
The title's a bit of a joke – because the record features a batch sidemen from the Count Basie band – Thad Jones, Joe Newman, Freddy Green, Billy Mitchell, Frank Foster, and others – all working with Sarah, but the Count's name is missing, due to contractual obligations! Despite ... CD
Crazy & Mixed Up
Pablo, 1982. Used
Nothing crazy and mixed up here, but a wonderful later date from Sarah Vaughan – one that's recorded with subtly sophisticated brilliance! The setting is easygoing and relaxed – far more so than most of Vaughan's records from many years past – and backing is provided by Roland ... CD
EmArcy/Mercury, Late 50s. Used 2CD
... CD
EmArcy, 1950s. Used
One of the fuller-sounding albums recorded by Sarah Vaughan for Emarcy in the 50s – a set of George Gershwin numbers, mostly set to large studio backings directed by Hal Mooney! The lush approach is a nice one for Vaughan, and an early hint of her talents in such a setting – one that ... CD
In The City Of Lights
Justin Time, 1985. Used 2 CDs
... CD
I Love Brazil
Pablo, 1977. Used
Sarah does love Brazil – and the album's one of a number recorded in a Brazilian mode later in her career – in a way that really helped her breathe new life into her music by finding a different groove to work with! The arrangements here are relatively full – handled by Edson ... CD
Mercury, Late 50s. Used
... CD
Sony (UK), Late 50s/1960s. Used 3CD
... CD
Roulette/EMI, Early 60s. Used 3CD
... CD
Roulette, 1957. Used
A vocal jazz classic! Joe Williams had come to great fame as the singer with the Basie band during the 50s, but this beautiful album is unlike his usual work with the group – and shows a sophisticated vocal side of Joe that's really amazing. The album was arranged by Jimmy Mundy, with lush ... CD
Roulette/Fresh Sound (Spain), 1962. Used
A wonderful live set from Joe Williams – recorded at Birdland, as you'd guess from the title – and done with a raw depth that surpasses much of his studio work from the time! Joe's really moving past cliche here – using his voice with a power that hadn't been heard since his ... CD
 



⇑ Top