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LP (Item 507316) Concord, 1981 — Condition: Near Mint-
$4.99 ...

LP, Vinyl record album

(€4.71 || £3.30 || ¥609) (approx.)
4.90 5

One of the best later moments from the great Stan Getz – a set we might even place on the same level as his 60s work for Verve – and certainly at the same par as his records in the 70s for Columbia! Yet this set is quite different than that latter batch – as it has Getz really going back to basics – hitting an open, flowing vibe that shows all the best elements he picked up from 60s changes – including bossa, traces of Coltrane, and more – but delivered with a wonderfully understated style throughout. The tracks are long, and have a magnificent flow – and Getz works with a great quartet that includes Lou Levy on piano, Monty Budwig on bass, and Victor Lewis on drums. Titles include a sublime reading of Luiz Eca's "The Dolphin", plus "The Night Has A Thousand Eyes", "Joy Spring", "A Time For Love", and "Close Enough For Love". (Cover has a light stain on the bottom 4 inches.)  © 1996-2015, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.

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