This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A collection of recordings accompanied by Dale Sherman and his orchestra in 1965, The Joe Williams Trio with Harold Mabern, Herbert Brown, and Robert Thompson in 1966, and with Ray Bloch and his orchestra from 1962 through 1964. LP, Vinyl record album
Joe Williams was really reviving his career as a vocalist at this point – working with the Thad Jones/Mel Lewis big band on a few well-selling records, and on this smoother set with arrangements by Horace Ott. The overall feel is kind of in a swinging Grady Tate mode, with jazziness ... LP, Vinyl record album
One of the nice records made by Joe during his funky comeback of the late 60s/early 70s. He's singing here in a setting that's decidedly hipper than on earlier albums – with the early 70s Nat/Cannonball Adderley collective that includes George Duke on piano, Carol Kaye on bass, and ... LP, Vinyl record album
Something of an addition to the Verve "songbook" mode of the 50s – but it's also one that's a lot more dynamic than the others, thanks to some very jazzy arrangements from Billy May! The groove here is very upbeat and jazzy – hard-swinging in the manner that May forged with ... LP, Vinyl record album
Very cool work from Anita O'Day – a session cut with Jimmy Giuffre arrangements, in a style that's a bit different than some of her other 50s work for Verve! Jimmy brings a nice touch of modernism to the record – casting the horns in ways that show his own love of creative colors and ... LP, Vinyl record album
(Mono Verve pressing with deep groove. Vinyl has light sleeve marks. Cover has light surface wear & aging, small splits on the top seam & spine.)LP, Vinyl record album
A very unusual concert from Billie Holiday – one that features narration by Gilbert Millstein, telling the story of Billie's life! The format is quite unusual – almost a live documentary, with the subject of the documentary there in person herself! Millstein narrates from the start, ... LP, Vinyl record album
One of the hippest takes ever on the Porgy & Bess score – done in duet format by Ella Fitzgerald and Louis Armstrong, in a fuller spirit than their other albums for Verve! Like many late 50s albums of Gershwin's score, this one was issued in advance of the film with Sidney Poitier – ... LP, Vinyl record album
A superstar performance from the Antibes jazz festival at Cote D'Azur – one that features Ella Fitzgerald and Duke Ellington sharing the stage, in a concert that was also recorded for a film! Most numbers here feature the full Ellington orchestra backing Ella up – but a few other ... LP, Vinyl record album