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Joe Williams Edit search Phrase match

 
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Exact matches: 9
Exact matches1
CD, LP, Vinyl record album cover art
Count Basie & Joe WilliamsCount Basie Swings, Joe Williams Sings ... CD
Clef/Verve, 1955. Used ... Just Sold Out!
Count Basie plays the piano and Joe Williams sings in his bluesy way and they are backed by a slew of musicians who include Thad Jones on trumpet, Ben Powell on trombone, Frank Foster on tenor saxophone, Sonny Payne on drums and many, many others. Frank Foster did all of the arrangements and the tracks include Williams' "My Baby Upsets Me", "Ev'ry Day", and "Please Send Me Someone To Love". CD
(Out of print, BMG music club pressing.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Count Basie with Joe WilliamsCount Basie Band With Joe Williams & The Dizzy Gillespie Band At Newport ... LP
Verve, 1957. Very Good ... Just Sold Out!
One side of prime Count Basie, with Joe Williams on vocals – another side of Dizzy Gillspie working here with a sweet large group, and arrangements from Quincy Jones and Ernie Wilkins! LP, Vinyl record album
(MGM pressing.)

Exact matches3
CD, LP, Vinyl record album cover art
Dinah Washington, Joe Williams, & Sarah VaughanWe Three – Dinah, Joe, & Sarah ... LP
Roulette, Early 60s. Near Mint- ... $3.99
... LP, Vinyl record album
(Emus pressing.)

Exact matches4
CD, LP, Vinyl record album cover art
Big Joe Williams, Memphis Slim, Little Brother MontgomeryUnissued Chicago Blues Of The 50s – From Cobra & JOB ... LP
Flyright (UK), Mid 50s. Near Mint- ... $4.99
Excellent postwar Chicago blues – from two labels that are a lot rarer than Chess or Vee Jay! LP, Vinyl record album

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Count Basie with Joe WilliamsEveryday I Have The Blues (Roulette) ... LP
Roulette, 1959. Very Good+ ... Temporarily Out Of Stock
One of Joe Williams' standout classics from the 50s – just the sort of record that put him on top of his game at the time! The album's one of Joe's classic outings with Count Basie – one recorded for Roulette with a slightly looser, slightly rawer feel than their work together on Verve. Joe's rendition of "Everyday I Have The Blues" is a near-definitive one – tight, syncopated, and grooving in a style that stretches back to its roots, but which also steps out with a fresh sort of groove that points the way towards changes in soulful vocal styles during the 60s. Other titles work equally well in the mode – bluesy, but never hokey, all freshened up by the Basie approach of the time – and titles include "Baby Won't You Please Come Home", "Going To Chicago", "Joe Sings The Blues", and "What Did You Win". LP, Vinyl record album
(Emus pressing. Cover has light wear.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Joe WilliamsExciting Joe Williams ... LP
RCA, 1965. Very Good+ ... Temporarily Out Of Stock
Great bold arrangements from Frank Hunter – perfect for the magnificent voice of Joe Williams! LP, Vinyl record album
(Mono Dynagroove pressing with deep groove. Cover has light wear.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Joe Williams & Harry Sweets EdisonHave A Good Time (plus Together) ... CD
Roulette, 1961. Used ... Temporarily Out Of Stock
... CD
(Out of print.)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Junior Wells/Big Joe Williams/JB Hutto/Jimmy JohnsChicago Blues Bash ... CD
Laser Light, 1950s/1960s/1970s. Used ... Out Of Stock
... CD

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Joe WilliamsI Just Want To Sing – Joe Williams & Friends June 1985 ... LP
Delos, 1985. Near Mint- ... Out Of Stock
... LP, Vinyl record album
(Japanese pressing.)
 
Possible matches: 55
Possible matches10
CD, LP, Vinyl record album cover art
Joe FarrellJoe Farrell Quartet/Outback/Moon Germs ... CD
BGO (UK), Early 70s. New Copy 2CD ... $14.99
A trio of classic LPS by Joe Farrell – in a 2CD set! The self-titled quartet set is one of his first LPs as a leader – and a stellar session that's easily one of the early high points for the legendary CTI label! It features a key quintet of like-mined up-and-comers that includes Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Jack DeJohnette on drums – players who definitely know the farther reaches of jazz, yet hang just on the inside here with Joe – providing some amazing accompaniment for his lines on soprano, tenor, and flute. Titles include "Molten Glass", "Song Of The Wind", "Motion", "Follow Your Heart", and "Circle In The Square". Outback is another killer set – a drawn-out quintet side – with Chick Corea on electric piano, Buster Williams on bass, Elvin Jones on drums, and Airto on percussion. It's got some strong choppy reed/percussion interplay – but with a sharpness and focus that you don't always hear – and the are all nice & long. Titles include "Outback", "Sound Down", "November 68th" and "Bleeding Orchid". Moon Germs is one of the best records ever cut by funky sax man Joe Farrell! The album's virtually the blueprint for later 70s funk of this type, and played perfectly by Farrell and a very hip quartet lineup! Players include Joe on soprano and tenor sax, Herbie Hancock on keyboards, Stanley Clarke on bass, and Jack DeJohnette on drums – playing with a very angular sense of rhythm that really dives the record! Titles include the great cut "Great Gorge", which has a tight modal sample groove, plus "Times Lie", "Bass Folk Song", and "Moon Germs". CD

Possible matches11
CD, LP, Vinyl record album cover art
Joe FarrellOutback ... LP
CTI, 1971. Very Good+ Gatefold ... $19.99
A killer set from Joe Farrell – one of the 70s greatest reed players, and an always-exciting talent who was one of the first artists to really use the extended CTI format to break into a whole new level! The set's a drawn-out quintet side, with Chick Corea on electric piano, Buster Williams on bass, Elvin Jones on drums, and Airto on percussion. Farrell was playing with Jones at the time, and the album's got some of their strong choppy reed/percussion interplay – but with a sharpness and focus that you don't always hear on Elvin's records! Tracks are all long – and titles include "Outback", "Sound Down", and "Bleeding Orchid". LP, Vinyl record album
(Original pressing with Van Gelder stamp.)

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Joe FarrellJoe Farrell Quartet/Outback/Moon Germs ... CD
BGO (UK), Early 70s. Used 2 CDs ... Temporarily Out Of Stock
A trio of classic LPS by Joe Farrell – in a 2CD set! The self-titled quartet set is one of his first LPs as a leader – and a stellar session that's easily one of the early high points for the legendary CTI label! It features a key quintet of like-mined up-and-comers that includes Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Jack DeJohnette on drums – players who definitely know the farther reaches of jazz, yet hang just on the inside here with Joe – providing some amazing accompaniment for his lines on soprano, tenor, and flute. Titles include "Molten Glass", "Song Of The Wind", "Motion", "Follow Your Heart", and "Circle In The Square". Outback is another killer set – a drawn-out quintet side – with Chick Corea on electric piano, Buster Williams on bass, Elvin Jones on drums, and Airto on percussion. It's got some strong choppy reed/percussion interplay – but with a sharpness and focus that you don't always hear – and the are all nice & long. Titles include "Outback", "Sound Down", "November 68th" and "Bleeding Orchid". Moon Germs is one of the best records ever cut by funky sax man Joe Farrell! The album's virtually the blueprint for later 70s funk of this type, and played perfectly by Farrell and a very hip quartet lineup! Players include Joe on soprano and tenor sax, Herbie Hancock on keyboards, Stanley Clarke on bass, and Jack DeJohnette on drums – playing with a very angular sense of rhythm that really dives the record! Titles include the great cut "Great Gorge", which has a tight modal sample groove, plus "Times Lie", "Bass Folk Song", and "Moon Germs". CD
Also available Joe Farrell Quartet/Outback/Moon Germs ... CD 14.99

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Joe FarrellOutback (second pressing) ... LP
CTI, 1971. Very Good ... Out Of Stock
A killer set from Joe Farrell – one of the 70s greatest reed players, and an always-exciting talent who was one of the first artists to really use the extended CTI format to break into a whole new level! The set's a drawn-out quintet side, with Chick Corea on electric piano, Buster Williams on bass, Elvin Jones on drums, and Airto on percussion. Farrell was playing with Jones at the time, and the album's got some of their strong choppy reed/percussion interplay – but with a sharpness and focus that you don't always hear on Elvin's records! Tracks are all long – and titles include "Outback", "Sound Down", and "Bleeding Orchid". LP, Vinyl record album
(White label promo, in cover with black border on top. Cover has a promo stamp, light wear, and light staining on the bottom seam.)

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Brandon WilliamsLove Factor ... CD
Soulasis, 2019. New Copy ... Out Of Stock
We loved Brandon Williams the last time around, and we love him even more here – a richly talented artist with an equal ear for jazz and soul – and a warmly collaborative spirit that makes room for great guests who include Jabari Johnson, Eric Roberson, Joe Pore, Marcus Miller, Taylor Eigisti, and others! The music has a sensual flow that lives up to its cover, but never in a way that's forced or fake at all – and which instead marks Williams as a contemporary master of the mellow soul masterpiece – heavy on keyboards, but equally linked to the strong lineup of singers who really help shape the sound – all of whom are really organically placed in the mix, and come across with a unified style that's very different than just a guest singer making an appearance for a producer. Titles include "Let It Go", "Don't Give Up On Love", "You're Mine", "In Their Shoes", "Deeper", "Love Dance", "The Future", and "Say You Love ME". CD

Possible matches15
CD, LP, Vinyl record album cover art
Cannonball AdderleyBig Man ... LP
Fantasy, 1975. Near Mint- 2LP Gatefold ... $9.99
One of the last albums ever issued by the great Cannonball Adderley – and one of the most ambitious, too! The set's a concept album – done in close collaboration with David Axelrod, in a similar spirit to some of Cannon's projects on the zodiac or the bible – but this time turned towards the legend of John Henry! The set's got some fuller orchestrations than some of the others – a bit of strings and a chorus, which sometimes gives the record the feel of a blacksploitation album, sometimes more of a Melvin Van Peebles project. Lead vocals are by Joe Williams, Randy Crawford, and Robert Guillaume – and the core combo features work from Cannonball on alto sax, Dawili Gonga on keyboards, Airto on percussion, and George Bohannon on trombone – on titles that include "Hundred an One Year", "Poundin", "The Steamdrill", "New Star Risin", "On His Bones", "Anybody Need A Big Man", "The Broomstick Song", and "Ten Mile Of Mountain". LP, Vinyl record album
(Cover has a cut corner.)

Possible matches16
CD, LP, Vinyl record album cover art
Count BasieBasie In London ... LP
Verve, 1956. Very Good+ ... $11.99
Basie was getting all over the place during the 50s – and this set's a great little concert recorded in London! The album's classic Basie for Verve – with Joe Williams on vocals on 3 tracks, and a tight group that includes Thad Jones, Joe Newman, Benny Powell, Matthew Gee, and Frank Foster. Titles include "Flute Juice", "Nails", "Blues Backstage", "Corner Pocket", "Roll Em Pete", and "Well All Right Okay You Win". LP, Vinyl record album
(Verve Inc pressing, with trumpeter logo and deep groove.)

Possible matches17
CD, LP, Vinyl record album cover art
Count Basie & Billy EckstineBasie/Eckstine Incorporated ... CD
Roulette, 1959. Used ... $9.99
Billy Eckstine gets a new lease on life – working here with great backings from the Count Basie band, in a mode that's a bit like some of Billy's own large ensemble recordings of the mid 40s! The sound is a bit more Basie-inflected than before, but that also unlocks some great swinging, soulful currents in Eckstine's vocals – modes that maybe weren't coming through as strongly in some of his pop material of the time, but which are right at home in the company of the Count! The material's great, too – darker, more brooding tunes – of the sort that Joe Williams might sing with the group – and the balance of presentation often gives equal time to vocals and instrumental passages in the spotlight. Titles include "Blues The Mother Of Sin", "Lonesome Lover Blues", "Drifting", "I Want A Little Girl", and "Song Of The Wanderer". CD
(Out of print.)

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Peter Brotzmann Chicago TentetImages ... CD
Okka Disk, 2004. Used ... $7.99
A fantastic testament to the genius of the transatlantic meeting that is the Peter Brotzmann Chicago Tentet – a group that manages to bridge the sometimes-unwieldy modes of the improvising orchestra, and the energy of a smaller free jazz combo! All the players seem tied together perfectly – both at an emotional level, and a musical one – so that the combination of energy is way more than the sum of its mighty parts – a real accomplishment, given that the "parts" include Ken Vandermark, Peter Brotzmann, Marts Gustafsson, and Mars Williams on reeds – plus Joe McPhee on trumpet, Jeb Bishop on trombone, Fred Lonberg-Holm on cello, Kent Kessler on bass, and both Michael Zerang and Hamid Drake on drums. The set begins with a searing 37 minute piece dedicated to Robert Rauschenberg – Vandermark's "All Things Being Equal", which almost has a Mingus-like combination of structure and solo. "Images" follows, and is a more freewheeling piece – but completely wonderful too! CD
Also available Images ... CD 9.99

Possible matches19
CD, LP, Vinyl record album cover art
Peter Brotzmann Chicago TentetImages ... CD
Okka Disk, 2004. New Copy ... $9.99 13.99
A fantastic testament to the genius of the transatlantic meeting that is the Peter Brotzmann Chicago Tentet – a group that manages to bridge the sometimes-unwieldy modes of the improvising orchestra, and the energy of a smaller free jazz combo! All the players seem tied together perfectly – both at an emotional level, and a musical one – so that the combination of energy is way more than the sum of its mighty parts – a real accomplishment, given that the "parts" include Ken Vandermark, Peter Brotzmann, Marts Gustafsson, and Mars Williams on reeds – plus Joe McPhee on trumpet, Jeb Bishop on trombone, Fred Lonberg-Holm on cello, Kent Kessler on bass, and both Michael Zerang and Hamid Drake on drums. The set begins with a searing 37 minute piece dedicated to Robert Rauschenberg – Vandermark's "All Things Being Equal", which almost has a Mingus-like combination of structure and solo. "Images" follows, and is a more freewheeling piece – but completely wonderful too! CD
Also available Images ... CD 7.99

Possible matches20
CD, LP, Vinyl record album cover art
Peter Brotzmann Chicago TentetSigns ... CD
Okka Disk, 2004. New Copy ... $9.99 13.99
A masterful statement from the Peter Brotzmann Tentet – a large group, but one that's capable of a rich array of sounds and sentiments – maybe given best exposure here in this key recording from the prime years of the ensemble! Ten players can be a huge number, especially when improvising so much – but these guys all have ears that are beautifully tuned to each other, and which really seems to not only bring out the best in each member, but also push the whole group together with a style that none of them could have hit on their own. Reeds are handled by the heavyweight quartet of Brotzmann, Ken Vandermark, Mats Gustafsson, and Mars Williams – and other group members include Joe McPhee on trumpet, Jeb Bishop on trombone, Fred Lonberg-Holm on cello, Kent Kessler on bass, and both Michael Zerang and Hamid Drake on drums. Titles include "Bird Notes", "Six Gun Territory", and "Signs" – the last of which is live. CD

Possible matches21
CD, LP, Vinyl record album cover art
Peter Brotzmann Chicago Tentet + 2Broken English ... CD
Okka Disk, 2002. Used ... $7.99
There's nothing broken about this set – as the album's one of the strongest, most spiritual sessions we've ever heard from the Chicago Tentet of Peter Brotzmann – a really great group who gave us some amazing albums on the Okka Disk label! The set features two great guests – trumpeter Roy Campell and bassist William Parker – and at some level, the rest of the lineup seem to be opening up into modes that welcome the territory of both jazz giants – especially on the long first track, which is a very different reworking of a composition the group explored on another album! As usual, reedman Peter Brotzmann is at the helm – on tenor, alto clarinet, and tarogato – with Ken Vandermark, Mars Williams, and Mats Gustafsson on other reeds – plus Joe McPhee on trumpet and valve trombone, Jeb Bishop on trombone, Fred Lonberg-Holm on cello and violin, Kent Kessler on bass, Michael Zerang on drums, and Hamid Drake on drums and frame drum, plus some great vocalizations. Titles include "Stonewater" and "Broken English". CD
Also available Broken English ... CD 9.99

Possible matches22
CD, LP, Vinyl record album cover art
Peter Brotzmann Chicago Tentet + 2Broken English ... CD
Okka Disk, 2002. New Copy ... $9.99
There's nothing broken about this set – as the album's one of the strongest, most spiritual sessions we've ever heard from the Chicago Tentet of Peter Brotzmann – a really great group who gave us some amazing albums on the Okka Disk label! The set features two great guests – trumpeter Roy Campell and bassist William Parker – and at some level, the rest of the lineup seem to be opening up into modes that welcome the territory of both jazz giants – especially on the long first track, which is a very different reworking of a composition the group explored on another album! As usual, reedman Peter Brotzmann is at the helm – on tenor, alto clarinet, and tarogato – with Ken Vandermark, Mars Williams, and Mats Gustafsson on other reeds – plus Joe McPhee on trumpet and valve trombone, Jeb Bishop on trombone, Fred Lonberg-Holm on cello and violin, Kent Kessler on bass, Michael Zerang on drums, and Hamid Drake on drums and frame drum, plus some great vocalizations. Titles include "Stonewater" and "Broken English". CD
Also available Broken English ... CD 7.99

Possible matches23
CD, LP, Vinyl record album cover art
Randy Crawford, Flora Purim, Eddie Harris, et alSharky's Machine ... LP
Warner, 1981. Near Mint- Gatefold ... $7.99
One of the coolest soundtracks ever for a Burt Reynolds film – an a hip mix of soul and jazz tracks that's gone onto become a classic over the years! The album's a compilation of sorts, but most of the material was recorded fresh for the film – and the different artists really work together here to forge some great backdrops for the action on the screen! Al Capps handled the larger charts, but most numbers really spotlight an individual artist – and highlights include Randy Crawford singing a new version of "Street Life" – different than the one with The Crusaders – Sarah Vaughan singing "Love Theme From Sharky's Machine", Peggy Lee vocals on "Let's Keep Dancing", and Julie London singing "My Funny Valentine" – as one of the first recordings after many years of retirement. Other great numbers include "Dope Bust" by Flora Purim & Buddy DeFranco, "Sharky's Theme" by Eddie Harris, "Before You" by Sarah Vaughan & Joe Williams, "8 To 5 I Lose" by Joe Williams, and the instrumental cuts "Sexercise" and "High Energy" by Doc Severinsen. LP, Vinyl record album
(Cover has a cutout notch.)

Possible matches24
CD, LP, Vinyl record album cover art
Miles DavisIn A Silent Way ... CD
Columbia, 1969. Used ... $3.99
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! CD
(Out of print.)

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Miles DavisIn A Silent Way ... LP
Columbia, 1969. Near Mint- ... $29.99
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! LP, Vinyl record album
(70s pressing. Cover has light aging.)

Possible matches26
CD, LP, Vinyl record album cover art
Ella FitzgeraldLive At Mister Kelly's (previously unreleased) ... CD
Verve, 1958. Used 2 CDs ... $16.99
A real treasure from Ella Fitzgerald – a huge batch of previously unreleased live recordings from the 50s, all done at the legendary Chicago nightclub Mister Kelly's! However, the set's noteworthy not just because it's rare, but also because it offers Ella up in a relaxed, unfettered setting – a nice contrast to the smoother sound of the Verve studio albums of the time – or some of the more hyped-up festival appearances too – and instead, there's a personal, intimate sound here that's quite wonderful throughout, and which has really re-ignited our love of Ella's music! The sound quality is great – no dodgy crowd recording here – and the backing is by a trio that includes Lou Levy on piano, Max Bennett on bass, and Gus Johnson on drums. 2CD set is divided up into a "main show" and a "late show" – and titles include "Perdido", "Your Red Wagon", "I'm Glad There Is You", "Bewitched", "The Lady Is A Tramp", "Joe Williams Blues", "Witchcraft", "In The Wee Small Hours", "Exactly Like You", "S'Wonderful", and "My Funny Valentine". CD
(Out of print.)

Possible matches27
CD, LP, Vinyl record album cover art
Herbie HancockFat Albert Rotunda ... LP
Warner, 1969. Very Good ... $18.99
The start of funky funky Herbie Hancock! This album's the first to feature Herbie really breaking away from his straight jazz work – moving into a groove that's nice and funky, using electric piano along with acoustic, to forge the sound that he'd develop famously over the 70s. The album's got a harder, heavier sound than some of his straight electric ones – and it features a larger group with soloists that include Johnny Coles on trumpet and Joe Henderson on tenor – plus some sweet basslines from Buster Williams – all led by Herbie into a tight soul jazz flurry of excellent tracks! Includes the cuts "Fat Mama" and "Wiggle Waggle", both sample favorites, plus "Tell Me A Bedtime Story" and "Lil Brother". Classic stuff, and one of his best records ever! LP, Vinyl record album
(Green label pressing. Cover has a center split spine with some splitting in the bottom seam.)
Also available Fat Albert Rotunda ... LP 22.99

Possible matches28
CD, LP, Vinyl record album cover art
Herbie HancockFat Albert Rotunda ... LP
Warner/Antarctica Starts Here, 1969. New Copy (reissue)... $22.99 24.98
The start of funky funky Herbie Hancock! This album's the first to feature Herbie really breaking away from his straight jazz work – moving into a groove that's nice and funky, using electric piano along with acoustic, to forge the sound that he'd develop famously over the 70s. The album's got a harder, heavier sound than some of his straight electric ones – and it features a larger group with soloists that include Johnny Coles on trumpet and Joe Henderson on tenor – plus some sweet basslines from Buster Williams – all led by Herbie into a tight soul jazz flurry of excellent tracks! Includes the cuts "Fat Mama" and "Wiggle Waggle", both sample favorites, plus "Tell Me A Bedtime Story" and "Lil Brother". Classic stuff, and one of his best records ever! LP, Vinyl record album
Also available Fat Albert Rotunda ... LP 18.99

Possible matches29
CD, LP, Vinyl record album cover art
Andrew HillPoint Of Departure (RVG remaster edition) ... CD
Blue Note, 1964. Used ... $6.99
A classic "new thing" album recorded with the cream of Blue Note's avant 60s players – like Eric Dolphy, Joe Henderson, and Tony Williams – standing out with Hill as some of the most adventurous players for the label at the time! The album's awash with jagged piano likes from Hill – supported by a modernist 3 horn frontline of Henderson, Dolphy, and Kenny Dorham – skittishly working their way into territory that's never truly free, but wonderfully expressive and exploratory – a clear summation of the sense of "modern" in modern jazz! The set features 5 excellent Andrew Hill compositions, including "New Monastery", "Flight 19", and "Spectrum". CD reissue also features 3 bonus alternate takes of some of these, for a total of 8 tracks in all. CD
Also available Point Of Departure (RVG remaster edition) ... CD 8.99

Possible matches30
CD, LP, Vinyl record album cover art
Andrew HillPoint Of Departure (RVG remaster edition) ... CD
Blue Note, 1964. New Copy ... $8.99 11.98
A classic "new thing" album recorded with the cream of Blue Note's avant 60s players – like Eric Dolphy, Joe Henderson, and Tony Williams – standing out with Hill as some of the most adventurous players for the label at the time! The album's awash with jagged piano likes from Hill – supported by a modernist 3 horn frontline of Henderson, Dolphy, and Kenny Dorham – skittishly working their way into territory that's never truly free, but wonderfully expressive and exploratory – a clear summation of the sense of "modern" in modern jazz! The set features 5 excellent Andrew Hill compositions, including "New Monastery", "Flight 19", and "Spectrum". CD reissue also features 3 bonus alternate takes of some of these, for a total of 8 tracks in all. CD
Also available Point Of Departure (RVG remaster edition) ... CD 6.99

Possible matches31
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonDialogue (non-RVG remaster edition) ... CD
Blue Note, 1965. Used ... $6.99
One of Bobby Hutcherson's most important albums ever – and an essential piece of "new thing" jazz that ranks up there with such key Blue note sessions of the genre as Tony Williams' album Life Time, Dolphy's Out To Lunch, and Jackie McLean's One Step Beyond! Hutcherson's sound on the vibes is amazing – metallic, yet melodic – in a sublime blend of the modern and the soulful, all wrapped up in tones and colors that few other players have ever managed to get from the instrument! All the other players on the session really rise to the occasion too – and the album features tremendous work from Sam Rivers, Freddie Hubbard, Andrew Hill, and Joe Chambers. Titles include "Ghetto Lights", "Catta", and "Idle While". CD also features the bonus track "Jasper" – not on the original LP! CD

Possible matches32
CD, LP, Vinyl record album cover art
✨✧ Elvin JonesNew Agenda ... CD
Vanguard/Wounded Bird, 1975. New Copy ... $10.99 11.98
The mighty drummer Elvin Jones is working here with a very hip group – in a mode that's maybe a nice extension of his Blue Note material at the start of the 70s, in a style that shows that he definitely still has all of his groove! As with those records, there's a key reedman in place here – the young Steve Grossman, whose sharp lines are balanced with round basswork from David Williams, and excellent guitar from Roland Prince – who almost sets these chromatic fires along the way! There's also plenty of strong guest help – reeds from Frank Foster, Joe Farrell, and Azar Lawrence, piano from Kenny Barron, and percussion from the great Candido. Titles include "Haresah", "Someone's Rocking My Jazzboat", "Agenda", "Anti Calypso", and "My Lover". CD

Possible matches33
CD, LP, Vinyl record album cover art
Yusef LateefMany Faces Of Yusef Lateef (The Three Faces Of Yusef Lateef/The Centaur & The Phoenix) ... LP
Riverside/Milestone, 1960. Very Good+ 2LP Gatefold ... $14.99
A 70s Milestone 2-fer reissue collecting two great 60s sides from Yusef Lateef. The Three Faces Of Yusef Lateef is a sublime piece of work, proof that he could be exotic and swinging at the same time. The three "faces" of the set are Lateef's work on tenor, flute, and oboe – each of which get a few tracks to themselves – as Lateef works with a core Detroit group of Hugh Lawson on piano, Herman Wright on bass, and Lex Humphries on drums – to further refine the already great sound of his earlier albums for Savoy! Tunes are set up in such a way as to vary the instrumentation without varying the mood too much – making for a record with many voices, but a really unified sound overall – and one that's incredibly soulful on the best numbers. Ron Carter joins the group on cello on a few tracks, and Lawson even plays a bit of celeste on the set as well. Titles include "Lateef Minor 7th", "Salt Water Blues", "Adoration", and "Quarantine". The second LP, The Centaur & The Phoenix is an ambitious larger group album, one that's carried off with all the genius of his smaller group sessions from the time. Yusef is working again with a variety of reed instruments – including tenor sax, oboe, flute, and argol – amongst a larger horn section that also features Josea Taylor on bassoon, Tate Houston on baritone sax, Curtis Fuller on trombone, and Clark Terry and Richard Williams on trumpet. Rhythm is by the trio of Joe Zawinul piano, Ben Tucker bass, and Lex Humphries drums – and although the horn arrangements are complicated, they're always soulfully swinging – never too academic, and really done on a way that just expands the mixture of exoticism and hardbop expressed on other Lateef albums! Titles include "Iqbal", "Apathy", "Summer Song", "Revelation", and "The Centaur & The Phoenix". LP, Vinyl record album
(Cover has some surface wear.)

Possible matches34
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Makaya McCravenWhere We Come From (Chicago x London Mixtape) ... LP
International Anthem, 2019. New Copy ... $21.99 22.99
Makaya McCraven pushes his unique jazz genius even further – by serving up a completely groundbreaking remix of live jazz performance on the London scene! McCraven's already stood out from the pack in the way that he breaks down jazz norms by playing with a recorded performance later in the studio – but this time around, he really pushes that approach to the forefront – working in a mode that really lives up to the "mixtape" of the title – but which also still has everything that we love from his other records too! Makaya's on drums – and plays with a massively heavy groove – and he plays here with some of the leading lights of the contemporary London scene – Soweto Kinch and Nubya Garcia on saxes, Joe Armon Jones on Fender Rhodes, Kamaal Williams on keyboards, and Theon Cross on tuba – in amazing performance activity which is then brought home to Chicago, where the music gets additional remix and overdub help from LeFto, Don Leisure, Earl Jeffers, Ben LaMar Gay, Emma Jean Thackray, Quiet Dawn, and Lexus Blondin. Clearly, Makaya's one hell of a collaborative spirit – yet he also manages to make this record his boldest personal statement to date – as you'll hear on titles that include "Halls", "Suite For Artis Gilmore", "Ox Tales", "The Bounce", "Oracle", "Run Dem", "Too Shy", and "Drums & Bruk & Feel The Vibe". LP, Vinyl record album

Possible matches35
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✨✧ Steve ReidNova ... LP
Mustevic Sound, 1976. Near Mint- ... Just Sold Out!
An underground soul jazz classic – massive grooves from drummer Steve Reid, and exactly the kind of set that's gotten him so much attention in recent years! There's a mixture of freedom and tightness here that's really wonderful – some of the looser elements of the loft jazz generation, mixed with an inherent sense of rhythm that always set Reid's records apart from the rest – a groove that comes not just from his own pulsations on the drum kit, but also from the elliptical basslines of Richard Williams on electric and Luis Angel Falcon on acoustic, and the mixed organ and piano lines of keyboardist Les Walker. Joe Rigby brings some really sharp-edged sax work to the record, alongside the trumpet of Ahmed Abdullah, who really sounds wonderful here – bringing a spirituality to the album that's clearly borrowed from his time with Sun Ra. The album includes the great groover "Lions of Judah" – which has a very Ra-like quality – plus other great cuts "Long Time Black", "Sixth House", "Nova", and "Free Spirits Unknown". LP, Vinyl record album
(Recent black vinyl reissue on Universal Sound.)
Also available Nova (with bonus download) ... LP 28.99

Possible matches36
CD, LP, Vinyl record album cover art
Steve ReidNova (with bonus download) ... LP
Mustevic Sound/Soul Jazz (UK), 1976. New Copy (reissue)... $28.99 29.99
An underground soul jazz classic – massive grooves from drummer Steve Reid, and exactly the kind of set that's gotten him so much attention in recent years! There's a mixture of freedom and tightness here that's really wonderful – some of the looser elements of the loft jazz generation, mixed with an inherent sense of rhythm that always set Reid's records apart from the rest – a groove that comes not just from his own pulsations on the drum kit, but also from the elliptical basslines of Richard Williams on electric and Luis Angel Falcon on acoustic, and the mixed organ and piano lines of keyboardist Les Walker. Joe Rigby brings some really sharp-edged sax work to the record, alongside the trumpet of Ahmed Abdullah, who really sounds wonderful here – bringing a spirituality to the album that's clearly borrowed from his time with Sun Ra. The album includes the great groover "Lions of Judah" – which has a very Ra-like quality – plus other great cuts "Long Time Black", "Sixth House", "Nova", and "Free Spirits Unknown". LP, Vinyl record album
(First 1000 copies pressed on limited edition colored vinyl! Includes download.)

Possible matches37
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VariousAnn Arbor Blues Festival 1969 ... CD
Third Man, 1969. New Copy 2 CDs ... $18.99 19.98
A fantastic document of the first-ever Ann Arbor Blues Festival – the start of a great event that would blossom into other styles of music in the 70s, but which stood as a strong blues-based event in its initial year of 1969! In some ways, the three day series of concerts is a roots answer to Woodstock – which took place just a few weeks before – as the festival featured a great scope of blues talents, from the rootsier sort of artists who were recording for labels like Folkways or Arhoolie, to some of the sharper modern talents rising to the top on Chess or Delmark! The package alone is almost worth the price of admission – beautiful photographs of the event, detailed notes, and the first-ever release of this music – which has sat in the vaults for decades, finally to see the light of day. Titles include "Dirty Mother For You" by Roosevelt Sykes, "So Glad You're Mine" by Arthur Big Boy Crudup, "Everybody Must Suffer/Stone Crazy" by Luther Allison & The Blue Nebulae, "Help Me" by Junior Wells, "I Wonder Why" by Jimmy Dawkins, "Too Much Alcohol" by JB Hutto & His Hawks, "So Many Roads So Many Trains" by Otis Rush, "Long Distance Call" by Muddy Waters, "Off The Wall" by James Cotton Band, "Juanita" by Big Joe Williams, "Jelly Jelly Blues" by Shirley Griffin, "I Feel So Good" by Magic Sam, "Call It Stormy Monday" by T-Bone Walker, "Death Letter Blues" by Son House, "Key To The Highway" by Sam Lay, and "Mojo Hand" by Lightnin Hopkins. CD
Also available Ann Arbor Blues Festival 1969 – Vol 1 ... LP 22.99

Possible matches38
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VariousAnn Arbor Blues Festival 1969 – Vol 2 ... LP
Third Man, 1969. New Copy 2LP Gatefold ... $22.99 27.98
A fantastic document of the first-ever Ann Arbor Blues Festival – the start of a great event that would blossom into other styles of music in the 70s, but which stood as a strong blues-based event in its initial year of 1969! In some ways, the three day series of concerts is a roots answer to Woodstock – which took place just a few weeks before – as the festival featured a great scope of blues talents, from the rootsier sort of artists who were recording for labels like Folkways or Arhoolie, to some of the sharper modern talents rising to the top on Chess or Delmark! The package alone is almost worth the price of admission – beautiful photographs of the event, detailed notes, and the first-ever release of this music – which has sat in the vaults for decades, finally to see the light of day. Titles on this second volume include "Long Distance Call" by Muddy Waters, "Off The Wall" by James Cotton Band, "Juanita" by Big Joe Williams, "Jelly Jelly Blues" by Shirley Griffin, "I Feel So Good" by Magic Sam, "Call It Stormy Monday" by T-Bone Walker, "Death Letter Blues" by Son House, "Key To The Highway" by Sam Lay, and "Mojo Hand" by Lightnin Hopkins. LP, Vinyl record album

Possible matches39
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VariousJumpin' Jive – Jump Blues Essentials ... CD
Hip-O, 1940s/1950s. Used ... $7.99
Music from Erskine Hawkins & His Orchestra, the Hal Singer Sextette, Roy Milton & His Solid Senders, Paul Williams & His Hucklebuckers, Roy Brown, Ruth Brown, Jackie Brenston & His Delta Cats, Big Mama Thornton, Joe Turner, Louis Prima & more. CD
(Out of print.)

Possible matches40
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VariousModel T Boogie Vol 1 – 20 Fantastic Low Down Boogie Blues 1935 to 1952 ... CD
Black Rhythm, 1930s/1940s/Early 50s. Used ... $6.99
Features music byRobert Parkway, Louie Lasky, Dennis McMillion, Pinetop Slim, Wright Holmes, Carolina Slim, LC Green, Memphis Minnie, Joe Williams, Johnny Beck, the Swing brothers & more. CD
(Out of print, CDr pressing.)

Possible matches41
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VariousRockin The Groove – When Groove Was More Than Just A Habit ... CD
Bear Family (Germany), Mid 50s. New Copy ... $15.99 25.99
A massive amount of great groovers from the Groove Records subsidiary of RCA in the 50s – home to a hotbed of R&B, early soul, and other killer cuts from the postwar underground of the 45 rpm single! Nobody's ever dug so deeply into the Groove catalog before – and Bear Family have done a wonderful job of unearthing rare nuggets we've never heard before, and mixing them with other Groove gems that are still mostly on the obscure side of the 50s R&B spectrum – all to make a killer assortment that has plenty of greatness to offer, even if you've already got lots of jump blues and R&B in your collection! The music is as lively as the look of the package – and the booklet features over 60 pages of track by track notes on the selections – 35 titles that include "Charmaine" by Frank Brunson, "Big Foot Mammy" by Paul Williams, "Where Is Joe" by Emmett Hobson, "Doo Ba Dee" by Maymie Watts, "Shake Till I'm Shook" by Beverly Wright, "Love Ya Like Crazy" by Chris Powell & The Blue Flames, "A Little Boy's Dream" by George Benson, "Bye By Baby" by Clayton Love, "Hoodoo" by Roy Gaines, "Right Now" by Zilla Mays, and "My Head Goes Round" by Oscar Black. CD

Possible matches42
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✨✧ Miles DavisIn A Silent Way ... CD
Columbia/Legacy, 1969. Used ... Temporarily Out Of Stock
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! CD
Also available In A Silent Way ... LP 29.99

Possible matches43
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✨✧ Andrew HillPoint Of Departure ... LP
Blue Note, 1964. Near Mint- ... Temporarily Out Of Stock
A classic "new thing" album recorded with the cream of Blue Note's avant 60s players – like Eric Dolphy, Joe Henderson, and Tony Williams – standing out with Hill as some of the most adventurous players for the label at the time! The album's awash with jagged piano likes from Hill – supported by a modernist 3 horn frontline of Henderson, Dolphy, and Kenny Dorham – skittishly working their way into territory that's never truly free, but wonderfully expressive and exploratory – a clear summation of the sense of "modern" in modern jazz! The set features 5 excellent Andrew Hill compositions, including "New Monastery", "Flight 19", and "Spectrum" LP, Vinyl record album
(80s pressing. Cover has a light stain on the bottom right corner, but looks great otherwise!)
Also available
Point Of Departure (RVG remaster edition) ... CD 8.99
Point Of Departure (RVG remaster edition) ... CD 6.99

Possible matches44
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✨✧ Bobby HutchersonDialogue ... LP
Blue Note, 1965. Sealed ... Temporarily Out Of Stock
One of Bobby Hutcherson's most important albums ever – and an essential piece of "new thing" jazz that ranks up there with such key Blue note sessions of the genre as Tony Williams' album Life Time, Dolphy's Out To Lunch, and Jackie McLean's One Step Beyond! Hutcherson's sound on the vibes is amazing – metallic, yet melodic – in a sublime blend of the modern and the soulful, all wrapped up in tones and colors that few other players have ever managed to get from the instrument! All the other players on the session really rise to the occasion too – and the album features tremendous work from Sam Rivers, Freddie Hubbard, Andrew Hill, and Joe Chambers. Titles include "Ghetto Lights", "Catta", and "Idle While". LP, Vinyl record album
(Recent reissue. Shrinkwrap has small holes in front.)
Also available Dialogue (non-RVG remaster edition) ... CD 6.99

Possible matches45
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✨✧ Thad Jones & Mel LewisThad Jones & Mel Lewis Live At The Village Vanguard (with bonus tracks) ... CD
Blue Note/EMI (UK), 1967. Used ... Temporarily Out Of Stock
One of the first albums in a long line of successes from the Thad Jones/Mel Lewis Orchestra – recorded live in their home turf at the Village Vanguard! The group at this point was a freshly-created outfit filled with some of the best large group jazz soloists of the time – players that included Jerome Richardson, Joe Farrell, Eddie Daniels, Pepper Adams, Richard Williams, and Bob Brookmeyer – not to mention Jones and Lewis themselves! The style here is very much in the mode that the Clarke Boland Band was crafting in Europe during the same period – a redefinition of the larger jazz group, in a way that allowed it to swing with the dynamic energy and soul of some of the smaller combos of the 60s. And while the Jones/Lewis group had many years over which to hone their craft, they've never sounded better than on these initial recordings – as you'll hear on tracks that include "Samba Con Getchu", "A That's Freedom", "Bachafillen", and "Little Pixie". CD features 3 bonus tracks too – "Lover Man", "The Second Race", and "Quietude". CD

Possible matches46
CD, LP, Vinyl record album cover art
✨✧ Yusef LateefCentaur & The Phoenix ... LP
Riverside, 1960. Very Good ... Temporarily Out Of Stock
An ambitious larger group album from Yusef Lateef – and one that's carried off with all the genius of his smaller group sessions from the time! Yusef himself is working with a variety of reed instruments – including tenor sax, oboe, flute, and argol – amongst a larger horn section that also features Josea Taylor on bassoon, Tate Houston on baritone sax, Curtis Fuller on trombone, and Clark Terry and Richard Williams on trumpet. Rhythm is by the trio of Joe Zawinul piano, Ben Tucker bass, and Lex Humphries drums – and although the horn arrangements are complicated, they're always soulfully swinging – never too academic, and really done on a way that just expands the mixture of exoticism and hardbop expressed on other Lateef albums! Titles include "Iqbal", "Apathy", "Summer Song", "Revelation", and "The Centaur & The Phoenix". LP, Vinyl record album
(Blue label Bill Grauer Productions pressing, with microphone logo & deep groove. Cover has light wear.)

Possible matches47
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✨✧ VariousBlue Break Beats 3 ... CD
Blue Note, Late 60s/Early 70s. Used ... Temporarily Out Of Stock
A really wonderful collection of grooves that first came to light in the 90s – one that had the Blue Note label digging back in their catalog and completely re-thinking their approach to reissues – given the new popularity of jazz in the hip hop sample world! As you'd guess from the title, the music here is very strongly oriented in the mode of "breaks", or tracks that were sampled for later hip hop and club recordings – classic jazz tunes from the glory days of Blue Note that have gone onto live again, thanks to the keen ears and inventive work of more contemporary DJs and producers. After all these years, The Blue Breakbeats series still stands as one of the best illustrations of the funkier side of the label – and titles on this third volume "Howling for Judy" by Jeremy Steig, "Mystic Brew" by Ronnie Foster, "Get Out Of My Live Woman" by Joe Williams, "Soul" by Jackie McLean, "Put On Train" by Gene Harris & The Three Sounds, "Light My Fire" by Shirley Bassey, "Ode To Billie Joe" by Lou Donaldson, "You've Made Me So Very Happy" by Lou Rawls, "Walk Tall" by Cannonball Adderley, "Sho-Nuff Mellow" by Reuben Wilson, "Don't Call Me N*gger Whitey" by Gene Harris, "Blacks & Blues" by Bobbi Humprhey, "Dominoes" by Donald Byrd, "Ground Hog" by Duke Pearson, "Goin Down South" by Bobby Hutcherson, "Down Here On The Ground" by Grant Green, "It's Your Thing" by Lou Donaldson, and "Flat Backin" by Blue Mitchell. CD
(Out of print.)

Possible matches48
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✨✧ VariousMidwest Funk – Funk 45s From Tornado Alley ... CD
Jazzman/Stones Throw, Late 60s/1970s. Used ... Temporarily Out Of Stock
Quite possibly one of the greatest funk compilations ever – and we're not just saying that because we're from the Midwest! The genius compilers at Jazzman spent years scouring the smaller cities of the American hinterlands – tracking down obscure musicians, long-lost labels, and nearly-gone master tapes – all to bring together 23 bits of rare funk that bristle with the same energy and excitement as the day they were first recorded! The package is incredible – not only filled with incredible tunes that somehow manage to push the boundaries and redefine our understanding of classic funk from the time, but also doing so in a package that's filled with liner notes that offer more information on the artists than probably their own mothers know! Plus, the set's also got some previously unissued numbers as well – making it a must-have for any funk fan, even if you've somehow managed to track down original copies of some of these choice bits! Titles include "Whip It" by The New Establishment In Soul, "Let's Do It Today (full version)" by The Us, "Pushin To The Top" by Markus Kelly & The Impassions, "Sissy Walk" by Billy Ball & The Upsetters, "Tell Her" by Fred Williams & The Jewels Band, "The Hatch" by The TMGs, "Boots Groove" by The Soul Tornados, "Po Boy's Dream" by Illinois Connection, "It's Not You For Me (live)" by Billy Joe Holloman, "Funky In Here" by Dayton Sidewinders, "Master Groove" by Henry Peters & The Imperials, and "A Day In The Life" by Chocolate Snow. CD

Possible matches49
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✨✧ VariousRoot Hog Or Die – 100 Years, 100 Songs – An Alan Lomax Centennial Tribute (6LP box set) ... LP
Mississippi, 1940s/1950s/1960s. Near Mint- 6LP Box Set ... Temporarily Out Of Stock
A stunning tribute to the great Alan Lomax – the legendary musicologist, historian, and recording engineer who captured so many wonderful American sounds in the 20th Century! Lomax's work has been crucial to both the Library Of Congress and Smithsonian/Folkways Records – yet there's also a fair bit that has never seen the light of day before – amazing recordings that make up a surprisingly large part of this box set – which compiles work in many different styles recorded by Alan in the field – blues, folk, gospel, and global modes, plus compelling regional genres – all presented here in a special 6LP set. The box features 55 never-issued tracks, and lots more great ones too – with music by Shirley Collins, Fiddlin Joe Martin, Compagna Sacco, Calvin Frazier, Sonny Boy Williamson, Jelly Roll Morton, Ernest Williams, Neal Morris, Skip James, Son House, Elmer Barton, Brendan Behan, George Sea Island Singers, Big Bill Broonzy, Elizabeth Austin, Jean Ritchie, Bascomb Lamar Lunsford, Bessie Jones, Duke Of Iron, Charles Barnett, and many others. The box features a nice booklet of notes, too – and some rare photos from the archive! LP, Vinyl record album

Possible matches50
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✨✧ Peter Brotzmann Chicago Tentet + 2Short Visit To Nowhere ... CD
Okka Disk, 2002. New Copy ... Out Of Stock
A set that's a bit of a companion to the Brotzmann Chicago Tentet album Broken English – as it was recorded with the same lineup, on the same days – but a record that's also got a very different vibe of its own, thanks to the never-ending imagination of all the members of the group! As on the afore-mentioned record, the group here is expanded by two key guests – bassist William Parker and trumpeter Roy Campbell – east coast heavyweights brought in to an already great lineup that features reeds from Peter Brotzmann, Mars Williams, Mats Gustafsson, and Ken Vandermark – plus Joe McPhee on trumpet and valve trombone, Jeb Bishop on trombone, Kent Kessler on bass, Fred Lonberg-Holm on cello and violin, and both Michael Zerang and Hamid Drake on drums. Yet even with the two guests musicians, the Tentet manages to really feel the space around each individual musician in the lineup – working with amazing sensitivity, instead of overdone bombastic energy – creating sounds of chance and change on titles that include "Lightbox", "Short Visit To Nowhere", "Ellington", and "Hold That Thought". CD

Possible matches51
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✨✧ Charles Brown & FriendsMerry Christmas Baby (Jewel) ... CD
Fuel 2000, 1974. New Copy ... Out Of Stock
A surprisingly cool collection of tracks that hides under the "Merry Christmas Baby" title of Charles Brown's big postwar Holiday hit – but which instead includes a fair bit of later soul, blues, and gospel numbers recorded for Jewel and Paula Records! The package mixes things up nicely – and has a deeper sense of soul than you might expect – and the CD track listing is a bit different than the original Jewel Records LP. Titles include the jazzy "Silent Night" by The Ronnie Kole Trio, the soulful "The Bells" by Bobby Powell, "Lonesome Christmas (parts 1 & 2)" by Lowell Fulsom, "White Christmas" and "Little Jesus Boy" by The Violinaires, "Christmas Blues" by Big Joe Williams, and "Merry Christmas Baby", "Please Come Home For Christmas", "Just A Blessing", and "Christmas In Heaven" by Charles Brown. CD

Possible matches52
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✨✧ Mulgrew MillerCountdown ... LP
Landmark, 1989. New Copy ... Out Of Stock
The great Joe Henderson joins pianist Mulgrew Miller for this wonderful album – lending his sharp-edged tenor tone to really make the session stand out from Miller's more common trio dates! Henderson and Miller both have a great ear for the darker side of the spectrum – hitting notes that are never too far out, nor too modern – but which have a rich sense of color that's really wonderful – a bottom-searching sort of feel that gives the album a hell of a lot of feeling! The rest of the quartet features Ron Carter on bass and Tony Williams on drums – beautiful partners who are matched with years of experience, which they're only happy to bring to the date. Henderson sits out two numbers – "Ambrosia" and "Exact Change" – but sparkles strongly on the tracks "The Countdown", "Tetragon", "What The World Needs Now Is Love", "Crystal Palace", and "August Afternoon". LP, Vinyl record album
(Original pressing – in limited supply!)

Possible matches53
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✨✧ New MastersoundsShake It ... CD
Color Red, 2019. New Copy ... Out Of Stock
The New Mastersounds shake it strongly here – still with all the great core energy of their classic quartet lineup – but further expanded with excellent lead vocals from Lamar Williams, plus a bit of tenor and trumpet too! The group have always been funky, but they've got a nicely different focus here when working with a singer – maybe more snapping and sock-soul, yet still driven strongly by the excellent guitar solos of Eddie Roberts too – not to mention Joe Tatton on keyboard, Pete Shand on bass, and Simon Allen on drums! Titles include "Life Life Free", "Lovely Daze", "Kings & Queens", "Love They Deserve", "Shake It", "Let's Go Back", and "Too Late To Worry". CD

Possible matches54
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✨✧ Wayne Shorter5 Original Albums (Night Dreamer/Soothsayer/Etcetera/Adam's Apple/Schizophrenia) (5CD set) ... CD
Blue Note (Germany), Mid 60s. New Copy 5CD ... Out Of Stock
Five very different albums from the great Wayne Shorter – all from a time when he was really taking off with his music! Night Dreamer is one of the greatest Wayne Shorter albums for Blue Note, and one of our favorite jazz albums ever! The record is a masterpiece of lyrical delight – soul jazz mixed with slight touches of experimentalism – but still warm, swinging, and personal enough to captivate even the most novice jazz listener. A players are at the top of their game – and in addition to Shorter's tenor, the group features Lee Morgan on trumpet, McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums. The tracks unfold in lyrical, modal beauty in a really wonderful way that was barely ever duplicated again – and titles include "Night Dreamer", "Oriental Folk Song", "Virgo", "Charcoal Blues", "Armageddon", and "Black Nile". Soothsayer is a great Wayne Shorter session from the mid 60s – recorded then, but not issued until 1979, for some incredibly unexplained reason – especially given the strength of the set! The group is distinctly modern, and features Freddie Hubbard on trumpet, James Spaulding on alto, and McCoy Tyner on piano – all of who were committed to heavily pushing the boundaries of their playing at the time. Added to the mix is the youthful Tony Williams on drums, fresh from work with Miles Davis, and playing with an incredibly free hand on the kit – plus the great Ron Carter on bass. The resulting mix of tracks is a beautiful example of how these mid-60s Blue Note sessions could keep firmly in touch with modern developments in jazz, yet never lapse into the kind of sloppiness that could sometimes ruin sets like these on other labels – always with a keen sense of timing and rhythm, and a sharpness that made Blue Note's "new" newer-sounding than most. Titles include "Lost", "Angola", "The Big Push", and an amazing jazz take on Sibelius' "Valse Triste"! Etcetera has a very sharp-edged quartet sound – a bit modern and edgey at times, with sharp tenor lines from Shorter, piano from Herbie Hancock, bass from Cecil McBee, and drums from Joe Chambers. Wayne recorded the date in 1965, but the material wasn't issued by Blue Note until 15 years later – a delay that somehow made the whole thing even more of a gem, especially at a time when Shorter wasn't blowing this strongly on record. Tracks include four originals "Toy Tune", "Penelope", "Etcetera", and "Barracudas" – plus the Gil Evans number "Barracudas (General Assembly)". Adams Apple is an incredible album – one of our favorite Blue Notes ever! Despite the fact that the album's a spare quartet session, the record is one of Wayne Shorter's richest – and features his gutsy young tenor soloing insanely with a rhythmically intense combo that includes Herbie Hancock on piano, Reggie Workman on bass, and Joe Chambers on drums – a wonderfully free-thinking rhythm trio! Workman's bass is especially strong, and it underpins the cuts with a throbbing pulse that takes them past any simple hardbop conventions. Every cut's a winner – and this is one album we reach for time and time again over the years! Titles include "Adam's Apple", "El Gaucho", "Footprints", and "Teru". Schizophrenia is a session from the late 60s that has Wayne Shorter pushing into a searching, spiritual groove, but one that's still filled with all the taught electricity of his earlier recordings on Blue Note! Shorter's accompanied by youthful modernists like James Spaulding on alto, Herbie Hancock on piano, Ron Carter on bass, and Joe Chambers on drums – plus the mighty Curtis Fuller on trombone, whose instrument here proves to be the same key extra ingredient that it was on the best Art Blakey sextet sessions of the 60s. There's a tight, soulful feel here that's sublime – an Adams Apple sort of groove, but a bit fuller – and titles include the classic "Tom Thumb", plus "Playground", "Schizoprhenia", "Kryptonite", "Miyako", and "Go". CD

Possible matches55
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✨✧ Allen Toussaint & OthersArtist Producer Songwriter ... CD
Sansu/Sunset Blvd, Late 60s/Early 70s. New Copy ... Out Of Stock
A tremendous tribute to the genius of Allen Toussaint – the man who almost single-handedly shaped the sound of New Orleans soul in the 60s! As the title implies, Toussaint is featured here as an artist, producer, and songwriter – and most tracks were issued on his Sansu Records label, and recorded in his Sea Saint studios – a spot that was as important to New Orleans as Chess was to Chicago, and Stax was to Memphis! The singers vary here, but the songs and instrumentation have a very unified vibe – plenty of Nola funk at the bottom, and some killer lyrics that often have a lot of sharpness and wit. Tracks include "So Good" by Ernie K Doe, "Sneakin Sally From The Alley" by Lee Dorsey, "Hercules" by Aaron Neville, "Gone Gone Gone" by Eldridge Holmes, "Don't Pity Me" by Curly Moore, "Bad Luck" by Betty Harris, "All I Want Is You" by Zilla Mayes, "Wheel Of Fire" by Etta Jones, "If You Love Her" by Benny Spellman, "Omar Khayyam" by The Rubiyats, "Here Come The Girls" by Ernie K Doe, "How To Pick A Winner" by Maurice Williams, "Star Revue" by Warren Lee, "Greatest Love" by Willie West, "The Book" by Eldridge Holmes, "Wait A Minute Baby" by Diamond Joe, and "We Are The People" and "Working In A Coal Mine" by Toussaint himself. CD

Possible matches56
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✨✧ Miles DavisEarly Minor – Rare Miles From The Complete In A Silent Way Sessions (with download) (2019 Black Friday Release) ... LP
Columbia/Legacy, Late 60s. New Copy ... Out Of Stock
Grat Miles Davis material – three long tracks that were never issued on vinyl back in the 60s! The recordings are all from the sessions for In A Silent Way – and feature Miles at a time when he was really giving the keyboards an increased role in the music – as the tracks feature both Chick Corea and Herbie Hancock on electric pianos, plus Joe Zawinul on organ too – all at a level that really points the way forward to Bitches Brew! John McLaughlin is on two of the tracks on guitar, Dave Holland plays bass on all of them, and drums are by Joe Chambers and Tony Williams. Titles include the 26 minute long "The Ghetto Walk" – plus "Splashdown" and "Early Minor". LP, Vinyl record album

Possible matches57
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✨✧ Kenny DorhamUna Mas ... LP
Blue Note (Czech Republic), 1963. New Copy (reissue)... Out Of Stock
An excellent groover from Kenny Dorham – possibly one of his best ever albums for Blue Note – a record that shows how much he was pushing past his bop roots in his later years! The tracks are extremely long, and done with a complexity in rhythms that mixes Latin elements with hardbop modes – all set up in a style that really stretches out, and drives Dorham's trumpet with a fire he'd hardly had before. The rest of the group is super-sharp – key young players who really help keep an edge the the whole thing – with Herbie Hancock on piano, Joe Henderson on tenor, Butch Warren on bass and Tony Williams drums. Tracks are all long, incredible Dorham originals – "Una Mas" fills up side one, and "Straight Ahead" and "Sao Paulo" cover the flip. LP, Vinyl record album

Possible matches58
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✨✧ Makaya McCravenWhere We Come From (Chicago x London Mixtape) ... CD
International Anthem, 2019. New Copy ... Out Of Stock
Makaya McCraven pushes his unique jazz genius even further – by serving up a completely groundbreaking remix of live jazz performance on the London scene! McCraven's already stood out from the pack in the way that he breaks down jazz norms by playing with a recorded performance later in the studio – but this time around, he really pushes that approach to the forefront – working in a mode that really lives up to the "mixtape" of the title – but which also still has everything that we love from his other records too! Makaya's on drums – and plays with a massively heavy groove – and he plays here with some of the leading lights of the contemporary London scene – Soweto Kinch and Nubya Garcia on saxes, Joe Armon Jones on Fender Rhodes, Kamaal Williams on keyboards, and Theon Cross on tuba – in amazing performance activity which is then brought home to Chicago, where the music gets additional remix and overdub help from LeFto, Don Leisure, Earl Jeffers, Ben LaMar Gay, Emma Jean Thackray, Quiet Dawn, and Lexus Blondin. Clearly, Makaya's one hell of a collaborative spirit – yet he also manages to make this record his boldest personal statement to date – as you'll hear on titles that include "Halls", "Suite For Artis Gilmore", "Ox Tales", "The Bounce", "Oracle", "Run Dem", "Too Shy", and "Drums & Bruk & Feel The Vibe". CD
Also available Where We Come From (Chicago x London Mixtape) ... LP 21.99

Possible matches59
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✨✧ New MastersoundsShake It (180 gram orange vinyl pressing) ... LP
Color Red, 2019. New Copy ... Out Of Stock
The New Mastersounds shake it strongly here – still with all the great core energy of their classic quartet lineup – but further expanded with excellent lead vocals from Lamar Williams, plus a bit of tenor and trumpet too! The group have always been funky, but they've got a nicely different focus here when working with a singer – maybe more snapping and sock-soul, yet still driven strongly by the excellent guitar solos of Eddie Roberts too – not to mention Joe Tatton on keyboard, Pete Shand on bass, and Simon Allen on drums! Titles include "Life Life Free", "Lovely Daze", "Kings & Queens", "Love They Deserve", "Shake It", "Let's Go Back", and "Too Late To Worry". LP, Vinyl record album

Possible matches60
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✨✧ David Weiss & Point Of DepartureWake Up Call ... CD
Ropeadope, 2017. New Copy ... Out Of Stock
Trumpeter David Weiss never fails to give us amazing music, no matter what the setting – and here, he's working with his Point Of Departure group – an ultra-hip lineup that features Myron Waldon and JD Allen on tenor sax, each taking on different parts of the record – plus guitar, bass, and drums – as well as a bit of extra Fender Rhodes from Weiss himself! As with some of David's other projects, the music is a look back at the future of modern jazz in the late 60s and early 70s – with a spotlight on amazing compositions by artists like Wayne Shorter, Kenny Cox, Joe Henderson, Tony Williams, Charles Moore, and John McLaughlin – music that was years ahead of its time when written, and which gets even more forward-thinking treatment here by the group. Rhythms are tentative and angular at some points – really allowing for shades of color between the trumpet and tenor – and other points are bolder, and unlock some deeper righteous power in the compositions. Titles include "Sanctuary", "Noh Word", "Two Faced", "Pee Wee", "Gazelle", "The Mystic Knights Of The Sea", and "Sojourn". CD

Possible matches61
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✨✧ VariousJazz Club – Swinging Christmas ... CD
Jazzclub (Germany), 1950s/1960s. New Copy ... Out Of Stock
Sometimes swinging, sometimes a bit more mellow, but a really great collection overall – one that's filled with plenty of great holiday gems from years back – all put together with the same great feel as other titles in the Jazzclub series! Some of the tracks are familiar, but others are nicely obscure – and the package is a nice antidote to some of the overdone holiday collections you'll find on the market – proof that there's still some great Christmas tunes out there, just so long as you know where to look! Titles include "You're All I Want For Christmas" by Brook Benton, "A Christmas Toast" by Bing Crosby, "Blue Christmas" by Billy Eckstine, "Christmas Waltz" by Joe Williams, "Let It Snow" by Les Brown, "Swingle Jingle" by Lionel Hampton, "Ring Those Christmas Bells" by Peggy Lee, "Blue Christmas" by Billy Eckstine, "Sleigh Ride" by Jack Jones, "Silent Night" by Dinah Washington, "Santa Claus Is Coming To Town" by Wayne Newton, "Frosty The Snowman" by Roy Hargrove & Christian McBride, and "White Christmas" by Jimmy Smith. CD

Possible matches62
CD, LP, Vinyl record album cover art
✨✧ VariousMartin Freeman & Eddie Piller Present Jazz On The Corner ... LP
Acid Jazz (UK), Late 50s/1960s/Early 70s. New Copy 2LP Gatefold ... Out Of Stock
There's two stylish British hipsters on the cover, but the album's filled with classic American jazz tracks – each hand-picked by Martin Freeman and Eddie Piller, and served up with plenty of soul! The work here begins in hardbop territory, and moves through 60s soul jazz and more righteous moments in the 70s – and while there's a few more recent tracks, the vibe of the record is very vintage throughout – and really reflects that longtime London love of obscure American records – sounds from a scene that has really taught us a lot over the decades! There's a few tracks here we haven't seen in years, and some great old favorites too – and titles include "Now At Last" by Blossom Dearie, "Trees & Grass & Things" by Charles Williams, "The Hipster" by Harold McNair, "Chains" by Blacks & Blues, "Bend Your Head Down Low" by Geoffrey Stoner, "Sphynx" by Brand New Heavies, "Look At Me Look At You" by Marlena Shaw, "Get Up Off Your Knees" by David Axelrod, "Psychedelic" by Lee Morgan, "Terra Firma Irma" by Joe Gordon,"The Rhythm Changes" by Kamasi Washington, "Just In Time To See The Sun" by Leon Thomas, "Mother Of The Future" by Norman Connors, and "Mi Hermano" by Blue Mitchell. LP, Vinyl record album

Possible matches63
CD, LP, Vinyl record album cover art
✨✧ Kenny DorhamUna Mas ... LP
Blue Note, 1963. Sealed ... Out Of Stock
An excellent groover from Kenny Dorham – possibly one of his best ever albums for Blue Note – a record that shows how much he was pushing past his bop roots in his later years! The tracks are extremely long, and done with a complexity in rhythms that mixes Latin elements with hardbop modes – all set up in a style that really stretches out, and drives Dorham's trumpet with a fire he'd hardly had before. The rest of the group is super-sharp – key young players who really help keep an edge the the whole thing – with Herbie Hancock on piano, Joe Henderson on tenor, Butch Warren on bass and Tony Williams drums. Tracks are all long, incredible Dorham originals – "Una Mas" fills up side one, and "Straight Ahead" and "Sao Paulo" cover the flip. LP, Vinyl record album
(Recent reissue.)

Possible matches64
CD, LP, Vinyl record album cover art
✨✧ Steve ReidNova ... CD
Mustevic Sound/Soul Jazz (UK), 1976. New Copy ... Out Of Stock
An underground soul jazz classic – massive grooves from drummer Steve Reid, and exactly the kind of set that's gotten him so much attention in recent years! There's a mixture of freedom and tightness here that's really wonderful – some of the looser elements of the loft jazz generation, mixed with an inherent sense of rhythm that always set Reid's records apart from the rest – a groove that comes not just from his own pulsations on the drum kit, but also from the elliptical basslines of Richard Williams on electric and Luis Angel Falcon on acoustic, and the mixed organ and piano lines of keyboardist Les Walker. Joe Rigby brings some really sharp-edged sax work to the record, alongside the trumpet of Ahmed Abdullah, who really sounds wonderful here – bringing a spirituality to the album that's clearly borrowed from his time with Sun Ra. The album includes the great groover "Lions of Judah" – which has a very Ra-like quality – plus other great cuts "Long Time Black", "Sixth House", "Nova", and "Free Spirits Unknown". CD
Also available Nova (with bonus download) ... LP 28.99
 
Partial matches: 4
Partial matches65
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✨✧ Stahls Trio (Mattias Stahl)Kallthorp Sessions Vol 1 ... CD
Moserobie (Sweden), 2019. New Copy ... Temporarily Out Of Stock
Incredible work from one of the hippest vibists working on the planet today – the great Mattias Stahl, one of the few players to really bring something new to the instrument over the past few decades! Stahls has this very rich sound, but also a very unique sense of timing too – which means that he can ring out with notes that are very seductive, while also pulling you into a space that's very much his own – fresh rhythms, different progressions, and moments of mindblowing intensity – all given fantastic support here by bassist Joe Williamson and drummer Christopher Cantillo! The group are as revolutionary as any of the Bobby Hutcherson "new thing" recordings of the 60s, or as Gary Burton's key combos at their best – and there's a sense of new imagination that matches that of the contemporary, but very different, vibist Jason Adasiewicz – maybe the only other player besides Stahl who's done so much with the instrument in recent years. Titles include "Vi Gar Till Skolan", "Morgon Pa Torpet", "Elmers", "Diagram", "Lennart Jernestrand", "Ordning Pa Torpet", and a surprising take on John Lennon's "Jealous Guy". CD

Partial matches66
CD, LP, Vinyl record album cover art
✨✧ VariousBest Of Disco Spectrum – Presented By Joey Negro & Sean P (3LP set) ... LP
BBE (UK), Late 70s/Early 80s. Near Mint- 3LP Gatefold ... $24.99
A fantastic tribute to the legendary Disco Spectrum series of compilations – a run of records that first burst forth at the end of the 90s, and showed the world that there was a huge amount of underground music to discover from the mainstream disco years! Disco Spectrum cuts aren't the ones you'll know from Saturday Night Fever – or from K-Tel compilations of the time – and instead, they represent the much deeper current of groove that was still burning bright away from the limelight, even while the more commercial disco crumbled into dust – music that was sometimes cut by artists who disappeared quickly, sometimes by older masters, and sometimes by talents who never fully got the respect they deserved. Both Joey Negro and Sean P have given us some great sets before, but this one is right at the top of their talents – filled with gems that include "Let Me Down Easy" by Rare Pleasure, "Spread Love" by Al Hudson & The Soul Partners, "Can't Shake Your Love (Larry Levan 12" mix)" by Syreeta, "Trinidad (special disco mix)" by John Gibbs & US Steel Orchestra, "Isabelle & The Rain" by Jo Boyer, "Don't Let My Rainbow Pass Me By (club 12" mix)" by Cloud One with Margo Williams, "Could Heaven Ever Be Like This" by Idris Muhammad, "I Don't Want You Back" by Ramona Brooks, "Hot To Trot" by Alfredo De La Fe, "Out Of My Hands" by Omni, "Under The Skin" by The Brothers, "Let Me Love You" by Bunny Mack, "Can You Get Down" by Universe City, and "I Want You For Myself" by George Duke with Lynn Davis. LP, Vinyl record album

Partial matches67
CD, LP, Vinyl record album cover art
Bud ShankBud Shank & Three Trombones (10 inch LP) ... LP
Pacific Jazz, 1954. Very Good ... $11.99
Original 10" LP featuring the great alto player amidst a lineup that includes 3 west coast trombonists, and a west coast rhythm section with Claude Williamson, Joe Mondragon, and Shelly Manne. Bob Cooper did the arrangements, and the sound's got that nice measured feel that he gets, but with nice space for Shank to cut around on the solos. LP, Vinyl record album
(Cover has light wear.)

Partial matches68
CD, LP, Vinyl record album cover art
✨✧ VariousMiami Sound – Rare Funk & Soul From Miami Florida 1967-1974 ... CD
Soul Jazz (UK), Late 60s/Mid 70s. Used ... Temporarily Out Of Stock
A much-needed look at the funky Miami scene of the late 60s and early 70s – the new powerhouse of southern soul, after the slowdown in the scenes in Memphis and Muscle Shoals! The Miami sound was harder, tighter, rawer, and faster than that of other southern outlets – based around a really strong ability to pick up a little riff, cook it up nicely, and create the perfect backdrop for sock-soul vocals. By the mid 70s, Miami was topping the charts with disco tunes that sprung out of this energy – but the tracks on this set are all heavy-hitters from the pre-disco years – kickass funky tunes that burn like a box full of rare funky 45s! Titles include "You Got To Be A Man" and "The Spanish Flyer" by Frank Williams & The Rocketeers, "Do It To Me One More Time" and "Somebody Done Took My Baby & Gone" by Joey Gilmore, "Cadillac Annie" by Clarence Reid, "You Got To Be A Man" and "A Woman Will Do Wrong" by Helene Smith, "Funky Cat", "Save Me", and "Fantasy World" by James Knight & The Butlers, "Funky Me" by Timmy Thomas, "Funkadelic Sound" by Little Beaver, "Don't Make The Good Girls Go Bad" by Della Humphrey, "I Get Lifted" by George McCrae, and "Cramp Your Style" by All The People. CD
(Out of print.)
 
 
 



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