This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
The Euro (€), Pound (£), and Japanese Yen (¥) prices listed here are all approximate prices,
to be used for comparison purposes only.
They are updated every day based on currency rates quoted to us by our bank —
please understand that the final rate charged to you by your bank may differ.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A smoking live set from Cannonball Adderley – one recorded in a space between his famous concert albums for Riverside and Capitol Records – and equally as great as any of them! The group's got a slightly unique lineup – in that Charles Lloyd is in the combo on tenor sax – ... CD
One of Cannonball Adderley's first albums – recorded for Savoy way back in 1955, and done with a free and open style that's a nice contrast to his tighter sides for Mercury! The album's very relaxed – that hardbop blowing session mode that Savoy virtually pioneered – letting the ... CD
A huge amount of early material by Cannonball Adderley – 3 full albums for Mercury Records, plus live material from a variety of different settings! First in the set is the album Sophisticated Swing, a record that swings all the way – and it features a young Cannon blowing hard with a ... CD
A rare live set by Cannonball Adderley – unreleased in America at the time, and performed with the style of Cannon's best work for Riverside! The album's very similar to some of the group's best live sets for Riverside – like the San Francisco or other Tokyo recording – done with ... CD
Groove and Jug wail away in this classic set of tenor/organ tracks recorded for Pacific Jazz in the early 60s. The backing is spare, with only Gene Edwards on guitar and Leroy Henderson on drums, and tracks include "Morris The Minor", "Good Vibrations", "Hey You, What's ... CD
Wonderful late 50s jazz from the LA scene – not just because singer Dakota Staton is at the best of her youthful prime, but also because the Shearing group on the set is great too! George is working here with one of his best lineups – a group that includes Latin-inflected Al McKibbon ... CD
Legendary work from Miles Davis – large group sessions that virtually define the "cool" in cool jazz! The work's quite different from Davis' earlier bop sides with Charlie Parker – and show a distinct influence from modernists like Gerry Mulligan (who is on the recordings) ... CD
Classic trumpet-heavy jive from Jonah Jones – reissued here with a number of bonus tracks pulled from other albums from the late 50s. The focus is on Jonah's gutbucket swinging style, with his trumpet up front in the mix in post-KC swing-type tunes. Things get a bit campy at times, but this ... CD
Seminal west coast modern work from Jimmy Giuffre – both of his mid 50s classics for Capitol Records, back to back on one CD! The self-titled album Jimmy Giuffre is from 1954 – and was incredible work from one of the freshest new voices in jazz at the time! The album takes tracks from ... CD
Smooth fusion from one of the greats – and although an 80s set, a record that still holds onto most of the best warmth of Earl Klugh's earlier years! The production is surprisingly laidback at points – never too many 80s gimmicks or easy attempts at a hit – and Earl plays with ... CD