This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his ... CD
Very early work from Cannonball Adderley – recorded way before the funky years, when he was a hard-wailing soulful soloist with a lot of bop in his style! Cannon's paired here with brother Nat, a good companion even at this early stage – and the two of them solo in front of a large ... CD
Rock-solid live material from the classic Cannonball Adderley Sextet – a combo who could usually groove even better on a concert date then they could in the studio! The album's one of a number of key live sides from Cannon in the 60s – and although it pre-dates his work on Capitol, it's ... CD
A hardbop classic from Cannonball Adderley – and one of his harder to find albums from the Riverside days! The set has Cannon playing without his usual group, in the context of an all-star batch of players that includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – who he worked with ... CD
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing trumpet in a cool tone that's a ... CD
Titles include "74 Miles Away", "Country Preacher", "Work Song", "Jive Samba", "Mercy Mercy Mercy", "Walk Tall", and "Why Am I Treated So Bad" – lots of classics produced by David Axelrod! CD
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and ... CD
Sunny and swinging – an overlooked Capitol Records treasure from George Shearing – and one with a group that really helped set the sound of groovy jazz in the 60s! The players here are all wonderful – Emil Richards on vibes, Toots Thielemans on guitar, and Al McKibbon on bass ... CD
One of the hippest Stan Kenton albums of the 60s – a set of original compositions by Dee Barton – Stan's drummer at the time, and a composer to rival the great ones who contributed to the Kenton group of the 40s and 50s! Barton's work here is totally great – modern, but never too ... CD
19 songs from Glen Gray & The Casa Loma Orchestra With Jonah Jones, Ray Anthony & His Orchestra, Billy May And His Orchestra, Benny Goodman And His Orchestra, Les Brown And His Orchestra, Harry James And His Orchestra, Count Basie Orchestra, and Duke Ellington And His Orchestra. CD
A classic pairing of the guitar of Earl Klugh and the keyboards of Bob James – and a set that really makes some great steps forward out of a blend of the acoustic and electric sounds from each player! Earl's strings sound especially nice over James' Fender Rhodes – but even cuts with ... CD