This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Swingin is right – as Dinah lets go with Quincy Jones orchestra, singing strong and hard in a set that's one of her best jazz sides from the 50s! Quincy knows how to mix just the right doses of straight jazz and tighter vocal arrangements – and Dinah's very comfortably at home in the ... LP, Vinyl record album
A great little small group session for Dinah Washington – more jazz-based than some of her earlier or later work, sung with a small combo that includes Wynton Kelly on piano, Georgie Auld on tenor, and Herb Geller on alto. Tracks include "Look To The Rainbow", "Goodbye", ... LP, Vinyl record album
One of Vaughan's nice jazz sides from the 50s on EmArcy, but cut with slightly larger backing, almost in the vein of some here concurrent pop oriented work at the Mercury parent label during the same time. Arrangements are by Hal Mooney, and Vaughan takes an approach that showcases how she ... LP, Vinyl record album
Kitty White's first album for Mercury – a sublime set recorded right at the height of Mercury's jazz years – and done in a personal, unfettered style that's really great – right up there with more famous albums for the label by Dinah Washington or Sarah Vaughan from the same time. ... LP, Vinyl record album
One of the fullest-staffed albums ever recorded by Kitty White – but a set that still gives her plenty private, personal space! The album features different groupings of players who include Benny Carter on alto, Ted Nash on tenor and flute, Harry Edison on trumpet, Larry Bunker on vibes, ... LP, Vinyl record album
That's "gone" – as in the way June Christy really sends us – vocals that take us to a place that few other 50s singers could ever hope to reach! June's work here is a masterpiece of melancholic understatement – far less overblown than some of her pop contemporaries, but ... LP, Vinyl record album
The cover's a bit goofy, but the album's a standout in the 70s career of Sarah Vaughan – one of those sets in which she tried out newer, more contemporary material – and found that both her voice and the new style of arranging were a surprisingly good fit! Vaughan has help here from ... LP, Vinyl record album
A great cooker from the glory days of Ernestine Anderson on Concord Records – a time when the singer was rediscovered, and revamped in a bit of a bluesy mode – reaching a wide new audience at the time! Her vocals really shine at this point in her career, as she lets loose with a bit ... LP, Vinyl record album
Sweet soul from Carmen McRae – a great 70s album for Blue Note, and one that has the classic singer moving into some very groovy material! The feel here is much more soul than jazz – at least the jazz of the torchy style from Carmen's roots – but as you'd guess from McRae, the ... LP, Vinyl record album