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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The Hi Fi in the title might imply that there's a bit more going on here arrangement-wise than on some of Dinah's other albums – but the scoring by Hal Mooney is still pretty straight, in a sophisticated jazzy mode that works best with the vocals, and which never overwhelms the singing for ... LP, Vinyl record album
Excellent small group jazz work from Dinah – of the sort that's often quite tough to find on vinyl, and which represents some of her best work of all time! The album's got a good group of Mercury jazz players – like Clark Terry, Paul Quinichette, Cecil Payne, Wynton Kelly, and Jimmy ... LP, Vinyl record album
Classic late work from Dinah Washington – arranged and conducted by Belford Hendricks with a sublime feel that's perfect for her vocals! Titles include "This Bitter Earth", "Unforgettable", "When I Fall In Love", "The Song Is Ended", "This Love Of ... LP, Vinyl record album
Twelve tracks, including "You've Got Me Crying Again", "Out Of Sight, Out Of Mind", "Stardust", "Harbor Lights", "You Taught Me", "Don't Go To Strangers", and "I Wish I Didn't Love You So". LP, Vinyl record album