This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
The Euro (€), Pound (£), and Japanese Yen (¥) prices listed here are all approximate prices,
to be used for comparison purposes only.
They are updated every day based on currency rates quoted to us by our bank —
please understand that the final rate charged to you by your bank may differ.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
One of the greatest records that Charlie Haden ever did, and a record that stands as sort of a bookend to his Liberation Music album on Impulse. As with that record, he's got a large group on here, and also like that one, he's playing a batch of tracks that have a definite political bent. Players ... CD
Nobody deserves the title of King Of the Tenors more than Ben Webster – as his warm soulful style influenced countless players in his day, and stil sounds pretty darn great today! This early Verve LP features some excellent small combo work by Ben, playing as the main soloist in smaller ... CD
Once an overlooked late Verve album, now a solid classic – and easily one of the funkiest albums ever from organist Jimmy Smith! The groove here is far different than the more familiar Jimmy Smith Verve sessions of the 60s – and the tracks open up in a really extended mode – ... CD
2 of the grooviest Verve 60s jazz funk sessions on one CD! Grant Green's His Majesty King Funk is a tight quintet session with Larry Young on organ and Harold Vick on tenor, and it grooves with a tightness that matches Green's best Blue Note sessions. The album is reissued here with the tracks in ... CD
An early leader session for Jimmy Cleveland – one that pulls him out of the Lionel Hampton group, and puts him in the company of a number of different all-stars – top level players that Mercury brought together in three different sessions for the album. Players include Lucky Thompson, ... CD
The second great session from two of Verve's biggest jazz stars of the 60s – organist Jimmy Smith and guitarist Wes Montgomery – an unlikely pair, to be sure, but one who work great together on the set! The real change here is in Wes' playing – as it's shifted from the mellower ... CD
A great later example of the genius of Mingus with Eric Dolphy – a performance done shortly before Dolphy left on his tragic last visit to Europe in 1964, and which features both him and Mingus at their freest together! Don't mistake the album for the similarly-titled Town Hall album on ... CD
A fantastic lost set from Evans – one that features Mingus trumpeter Johnny Coles as the lead soloist in front of Evans-led modern groups that include players like Elvin Jones, Ray Crawford, Steve Lacy, Budd Johnson, Rod Levitt, and Chuck Wayne. Despite the "standards" in the title ... CD