This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A rare early trio set from Jim Hall – especially noteworthy because Jim rarely worked in the format as a leader! The album's got Hall working with Carl Perkins on piano and Red Mitchell on bass – in a mode that slightly recalls some of Barney Kessel's mid 50s recordings over at ... CD
A work of understated brilliance from guitarist Jim Hall – and one of our favorite records by him! The setting is simple – Hall plays live with a trio, on a set of familiar standards – but the results are remarkable, as both Hall and the rhythm section manage to bring a hell of a ... CD
Jim Hall on guitars, Derek DiCenzo on steel drum, Terry Clark on drums, Scott Colley on bass, Ryan Kisor on trumpet, Joe Lovano on soprano saxophone, Jim Pugh on trombone, Claudio Roditi on flugelhorn and Gil Goldstein conducting. CD
Later work from trumpeter Don Cherry – and a great a showcase for the globe's worth of musical influences Cherry picked up over the years! Features Don Cherry on pocket trumpet, melodica, and vocals, plus contributions from Ed Blackwell on drums, Carlos Ward on alto sax, Nana Vasconcelos on ... CD
Johnny Griffin on tenor sax, Roy Hargrove on trumpet and flugelhorn, Kenny Barron and Peter Martin on piano, Christian McBride and Rodney Whitaker on bass, and Victor Lewis or Gregory Hutchinson on drums. CD
A great session from 1959 – one that features John Coltrane playing tenor in a combo that's billed as being led by altoist Cannonball Adderley – but which is really more of a Miles Davis combo, without Miles! The set was recorded in Chicago when both were stopping through the city ... CD
Cole Porter's tunes are great enough on their own, but Oscar really opens them up on this set – picking up the inherent rhythms in the numbers and really working them over – in a way that makes the outing one of the most lively in Peterson's songbook series for Verve! Oscar's fluid ... CD
Kurt Rosenwinkel on guitar and vocals, Joshua Redman on tenor saxophone, Brad Mehldau on piano, Larry Grenadier on drums, and Jeff Ballard and Ali Jackson on drums. CD
Features Japanese reedman Sadao Watanabe with a great group of younger musicians including Nicholas Payton on trumpet, Cyrus Chestnut on piano, Christian McBride on bass, and others. CD