Mindblowing music from the great Don Cherry – quite a statement, given how much fantastic sounds Cherry had already given us by this point in his career! In the years before this set, Don had worked in some very free, avant modes – and also explored a fair bit of global styles too – yet this set has this great electric vibe – one that mixes the freedom of Cherry's trumpet with spacey instrumentation and really great production – almost even funky at points! Players include Ricky Cherry on electric and acoustic piano, Charlie Haden on bass, Billy Higgins on drums, and Frank Lowe on tenor – and one cut has Bunchie Fox on electric bongos and Verna Gillis on voice. All tracks are nice and long – and titles include "Degi Degi", "Brown Rice", "Malkauns", and "Chenrezig". LP, Vinyl record album

Later work from trumpeter Don Cherry – and a great a showcase for the globe's worth of musical influences Cherry picked up over the years! Features Don Cherry on pocket trumpet, melodica, and vocals, plus contributions from Ed Blackwell on drums, Carlos Ward on alto sax, Nana Vasconcelos on percussion , Bob Stewart on tuba, and Karl Berger on marimba. CD

Titles include "Making Contact", "Peggy's Kitchen Wall", "Nicaragua", "Dust & Diesel", "If I Had A Rocket Launcher", "Lovers In Dangerous Time", and "Maybe The Poet". CD

This album set a new level for live music at the time – and is quite possibly one of the greatest presentation of Cocker's talents on record – a set that gives him plenty of space to open up, let loose, and really dig into his repertoire of soul-drenched work. The group on the album's quite tight – with Leon Russell on piano and guitar, Don Preston on rhythm guitar, Bobby Keys on tenor, and Chris Stainton on piano and organ – as well as a huge backing choir of musicians and soul singers backing Joe up, plus solo vocal performances by Leon Russell, Rita Coolidge, Don Preston, and others. Titles include a number of soul, rock, and R&B classics, plus originals by Russell and others. LP, Vinyl record album

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One of the few standout 70s sessions by Ornette Coleman – a wonderfully rhythmic record that shows Ornette's expanding musical vision at the time! Most of the record is dominated by the guitar-heavy "Theme From A Symphony" – a very harmelodic number that takes up all of side one and most of side two – and which features the twin guitars of Bern Nix and Charlie Ellerbee dancing alongside drums of Ronald Shannon Jackson while Ornette blows an elliptically grooving lead line on alto sax. Side two then closes with the far different "Midnight Sunrise" – an earthy improvisation that features Ornette's alto alongside the Master Musicians Of Joujouka, who use an array of percussion and reed instruments to create a dark tapestry of sound! CD

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A sublime little set – quite possibly the greatest album ever from Brazilian keyboardist Manfredo Fest! Manfredo first cut his teeth on the bossa scene of the 60s – but by the time of this rare indie session, he'd moved up to the US – and was working with sweet keyboards to really electrify his groove! The record's a wonderful blend of 70s Brazilian fusion modes and just a dash of American soul – and in addition to Manfredo's wonderful work on Fender Rhodes, the set also has these brilliant vocals from Roberta Davis – a singer who works wordlessly, using her voice as an instrument in this really cool way – sliding along with the grooves, and making the album sound unlike anything else we can think of. The overall feel is a bit like Joao Donato's excellent Quem E Quem album – and titles include "Jungle Cat", "Facing East", "Who Needs It", and "Brazilian Dorian Dream". CD

Arguably one of the most successful double live albums ever! Includes the classic "Baby I Love Your Way", and "Show Me The Way". LP, Vinyl record album

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A really wild little funky record – one that's got very obscure origins on the Argentine scene of the 70s, and which serves up an unusual blend of soul, funk, and sound library modes! The tunes have plenty of wicked basslines, heavy drums, and riffing guitar – all of which draw inspiration from American funk of the time – yet there's also weird use of processed vocals, sound samples, moogy keyboards, and other elements that continue to keep things interesting – sometimes with this fake urban vibe that can feature spoken parts that are really cool – augmented even more on a few funky edits that are added to the original album. Titles include "Inspector Jones", "4:00 In The Morning", "Bermilyia Avenue", "Arroz Con Leche", and "Adults Edit" – plus "Inspector Jones (John is missing edit)", "Adults Only (juicy edit)", "Bermilyia Avenue (light touches edit)", and "Arroz Con Leche (stripped extended edit)". CD

A really wild little funky record – one that's got very obscure origins on the Argentine scene of the 70s, and which serves up an unusual blend of soul, funk, and sound library modes! The tunes have plenty of wicked basslines, heavy drums, and riffing guitar – all of which draw inspiration from American funk of the time – yet there's also weird use of processed vocals, sound samples, moogy keyboards, and other elements that continue to keep things interesting – sometimes with this fake urban vibe that can feature spoken parts that are really cool – augmented even more on a few funky edits that are added to the original album. Titles include "Inspector Jones", "4:00 In The Morning", "Bermilyia Avenue", "Arroz Con Leche", and "Adults Edit" – plus "Inspector Jones (John is missing edit)", "Adults Only (juicy edit)", "Bermilyia Avenue (light touches edit)", and "Arroz Con Leche (stripped extended edit)". LP, Vinyl record album

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A work of understated brilliance from guitarist Jim Hall – and one of our favorite records by him! The setting is simple – Hall plays live with a trio, on a set of familiar standards – but the results are remarkable, as both Hall and the rhythm section manage to bring a hell of a lot of swing and imagination into such a tiny space! Hall's always had a rhythmic approach to his work, but here, playing with drummer Terry Clarke and bassist Don Thompson, he really opens into a great groove – stretching things past his usual standard, and bringing a lot more soul into the set than you might expect. The tunes are ones you'll recognize – "Angel Eyes", "Round Midnight", and "The Way You Look Tonight" – but the real charm is what Hall and the trio do with them! LP, Vinyl record album

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A masterpiece of synth pop – and a landmark album for the Human League! The record took the group from the Brit post-punk underground to the charts of the world – with a stark blend of noisy keyboards, spare beats, and Phil Okey's wonderfully flat and monotone vocals. And although the record is a bit of a departure from the group's noisier first few albums, it's also still got a dark edge that we'd kind of missed the first time around. Includes a nice remake of the theme from "Get Carter", plus loads of little great synth tunes like "I Am The Law", "Seconds", "The Sound Of The Crowd", and "Darkness" – as well as the hits "Love Action", "Don't You Want Me", and "The Things That Dreams Are Made Of". LP, Vinyl record album

Some of the most hard-hitting work ever recorded by Humble Pie – and that's saying a lot, given the power of the group on other albums! The performance is very unbridled – really open-ended, at a level that showcases not just the mindbending early guitar talents of Peter Frampton (something you'd never guess if you only knew his hits), but also the raw power that Steve Marriott could unleash in the group – quite a change from his work with the Small Faces. The tunes include a number of non-Humble Pie tracks, given a raw bluesy workout on extended versions – and titles include "Four Day Creep", "Stone Cold Fever", "I'm Ready", "Rollin Stone", and "I Walk On Gilded Splinters". LP, Vinyl record album

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Not the first album from Janet Jackson, but definitely the one that put her over the top – and a record that also set the standard for so much more soul music to come – thanks to the production efforts of Jimmy Jam and Terry Lewis! Jam and Lewis had been doing some great work for other artists in the years before this set – and here, they bring an extra special sort of punch to the music – almost a sense of "blast" in the rhythms, which makes the rising talents of the young Janet sound even better than they would have otherwise – creating a style that's badass, but also perfect for the crossover fame that this classic album attained! The set's overflowing with classics – and titles include "Control", "Nasty", "What Have You Done For Me Lately", "The Pleasure Principle", "He Doesn't Know I'm Alive", "You Can Be Mine", "When I Think Of You", and "Funny How Time Flies". CD

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Three solo albums from Jesse Johnson – plus bonus tracks too! First up is Jesse Johnson's Revue – a killer solo debut from guitarist Jesse Johnson, who was easily one of the most driving forces in The Time after leader Morris Day – and an artist who can definitely stand strongly here on his own! With great basslines at the core, Jesse's definitely cutting a groove that's in the Prince side of the spectrum – yet he's also got a more understated vocal style, and a way of tying things to more mainstream R&B at points too – all of which really help him make his own mark with the album! Titles include "She Won't Let Me Go", "Be Your Man", "Can You Help Me", "She's A Doll", "Special Love", "Let's Have Some Fun", "I Want My Girl", and "Just Too Much". Next up is Shockadelica – an 80s funk classic from Jesse Johnson – one that features a title that was Jesse's own creation, even though Prince stole the term and recorded a song with the name for himself! Yet that hardly keeps the album from being a winner – as Johnson's very much at the top of his game here – maybe emerging as the third major star from the Minneapolis scene after Morris Day and Prince – working in a very guitar-heavy mode that reflects his command of the instrument, which maybe sets Jesse apart from the others in the way that Bootsy Collins set himself apart from the P-Funk empire with his solo work in the previous decade. Sly Stone makes a great guest appearance on the cut "Crazay" – and other cuts include "Change Your Mind", "She", "Black In America", "Burn You Up", "Do Yourself A Favor", and "A Better Way". Every Shade Of Love is the last solo album that Jesse Johnson cut on his own before returning to The Time – and a record that shows that he would have been a heck of a solo artist in the 90s had he kept on going in this direction! There's plenty of Twin Cities-inspired funk in the mix – fast-riffing basslines to match Jesse's guitar and pump on the vocals – on titles that include "Love Struck", "I'm The One", "Color Shock", "I'm Just Wanting You", and "Stop Look Listen". 2CD set features bonus tracks – including a duet with Stephanie Spruill on "Heart Too Hot To Hold" from The Breakfast Club soundtrack – and "Drive Yo Cadillac", "Love Struck (dance mix)", "Crazay (ext version)", and "She (rmx)". CD

An 80s funk classic from Jesse Johnson – one that features a title that was Jesse's own creation, even though Prince stole the term and recorded a song with the name for himself! Yet that hardly keeps the album from being a winner – as Johnson's very much at the top of his game here – maybe emerging as the third major star from the Minneapolis scene after Morris Day and Prince – working in a very guitar-heavy mode that reflects his command of the instrument, which maybe sets Jesse apart from the others in the way that Bootsy Collins set himself apart from the P-Funk empire with his solo work in the previous decade. Sly Stone makes a great guest appearance on the cut "Crazay" – and other cuts include "Change Your Mind", "She", "Black In America", "Burn You Up", "Do Yourself A Favor", and "A Better Way". LP, Vinyl record album

One of our favorite-ever keyboard albums – a rare lost session from pianist Pete Jolly – one of his only electric dates, and a completely improvised set of grooves! Pete plays electric piano, organ, and even a bit of musette – jamming in the studio with help from Chuck Berghofer on bass, Paul Humphrey on drums , John Pisano on guitar, and Milt Holland and Emil Richards on percussion – all of whom bring in some sly, subtle touches to the grooves that are totally great! The album's much more open than other keyboard dates from the time – almost in the territory of some of Herbie Hancock's most experimental work, but a fair bit more groove-based too – given that the album's filled with short, funky tracks all the way through. There's some echoes of Bob James work to come – and given the 1970 date of the record, it could almost be said that Jolly predates a whole host of 70s keyboard talents – setting his mark with this uniquely laidback set of tracks. Titles include the classic "Plummer Park", plus "Rainbow", "Seasons", "Indian's Summer", "Pete Jolly", "Leaves", "Springs", "Bees", and "Sand Storm". LP, Vinyl record album

A killer set from those magical 70s years when Quincy Jones was effortlessly blending jazz, soul, and contemporary R&B – all to come up with a genre that's almost completely his own! In the early 70s, Quincy Jones surrounded himself with some of the best young soul and jazz talent he could find, plus a few older pros – and the result was a great series of albums that spanned genres and created a whole new approach to modern R&B. This gem of an album was put together with a young Leon Ware and an older Ray Brown – and it features some killer mellow soul tracks that rank with Quincy's best work – with especially strong contributions from Ware, who'd yet to really shine on his own! Titles include the sublime version of "If I Ever Lose This Heaven", plus "Body Heat", "Soul Saga", "Everything Must Change", "One Track Mind", and "Along Came Betty". CD

Quincy Jones may be best remembered for his funky soundtrack work of the 70s – but the man can also hit a deeper, more serious vein when he wants – as he does on this ambitious album-length project inspired by the landmark Roots mini-series! The music isn't a straight soundtrack from the program, but instead evokes the longer narrative over the passage of its different selections – working as its own "saga of an American family", as it moves from African roots, through years of oppression, to moments of pride and power – amidst larger orchestrations from Jones, with help from Letta Mbulu on some key vocals, and more help from Bill Summers, James Cleveland, and even Lou Gossett. Titles include "Many Rains", "Free At Last", "Jumpin De Broom", "Ole Fiddler", "Boyhood To Manhood", "Oluwa", and "Motherland". LP, Vinyl record album

A pivotal album not just in the career of Quincy Jones, but in the development of the CTI Records sound as well – as this all-star effort is a perfect blend of all the hippest currents that were cooking up in the scene at the time! At one level, the record has Quincy taking back some of the sophisticated currents he was developing in soundtrack work of the 60s, but moving back to jazz – more groove than before, and more of a sense of space and timing – which is carried off by an excellent lineup that features plenty of electric piano from Bob James, plus work from Hubert Laws on flute, Eric Gale on guitar, Freddie Hubbard on trumpet, and Toots Thielemans on guitar and harmonica. There's also added soulful vocals at a few points too – more chorus than lyrics, at a level that hints at the jazz/soul crossovers that Quincy would do in the 70s – on a set of tracks that's completely sublime, with titles that include "Killer Joe", "Dead End", "Walking In Space", and "Love & Peace". CD

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A standout set from keyboardist Neil Larsen – a record that crossed over big back in the 70s, and which still sounds pretty darn great in the 21st Century! Larsen's keys here are kind of a more mainstream take on territory Bob James was exploring a few years before – arguably hipper at this point that some of James' own recordings, and recorded in a relatively lean setting with guitar, bass, drums, and percussion – plus a bit of tenor or trumpet from time to time. The keyboards glide along gently on the spacey numbers, and get a bit more bite on some of the funkier ones – always with a good sense of space that means that Neil's never jamming too much, or getting in the way of his groove. Titles include the classic "Sudden Samba" – plus "Jungle Fever", "Red Desert", "Emerald City", "Last Tango In Paris", "Windsong", and "Promenade". CD

A standout set from keyboardist Neil Larsen – a record that crossed over big back in the 70s, and which still sounds pretty darn great in the 21st Century! Larsen's keys here are kind of a more mainstream take on territory Bob James was exploring a few years before – arguably hipper at this point that some of James' own recordings, and recorded in a relatively lean setting with guitar, bass, drums, and percussion – plus a bit of tenor or trumpet from time to time. The keyboards glide along gently on the spacey numbers, and get a bit more bite on some of the funkier ones – always with a good sense of space that means that Neil's never jamming too much, or getting in the way of his groove. Titles include the classic "Sudden Samba" – plus "Jungle Fever", "Red Desert", "Emerald City", "Last Tango In Paris", "Windsong", and "Promenade". CD

Arthur Lee left his group Love behind for this early 70s debut as a solo act – but the record also seems to have Lee returning to some of the heavier blues-inspired sounds of that group's early years too! Lee is a monster here in the spotlight – fantastic guitar lines effortlessly flying from his fingers, vocal power that's more varied and dynamic than some of his later Love performances, and a sense of occasional wit that's echoed by the cover. Arthur also wrote, produced, and arranged the whole thing – which was recorded in Hollywood with help from some of his friends – on titles that include "Hamburger Breath Stinkfinger", "He Knows A Lot of Good Women", "You Can Save Up To 50% But You're Still A Long Ways From Home", "He Said She Said", "Love Jumped Through My Window", "Everybody's Gotta Live", and "You Want Change For Your Rerun". LP, Vinyl record album

An incredible album from Peggy Lee – baroquely beautiful, in a way that builds massively off of her "Is That All There Is Period" – and take her into territory that's almost equal to Lotte Lenya! The whole album was written by the team of Lieber & Stoller, in a sad, boozy, faded style that's quite different than any of their earlier pop hits – and arrangements by Johnny Mandel and Perry Botkin are handled in a style that goes more for the emotive depths than the poppy hooks – really allowing Peggy to sing in a mature style that really befits her voice at the time. The record's incredibly dark – and is the kind that probably killed her career at the time, but which now stands above most other other records of the 60s and 70s. Titles include "Some Cats Know", "Ready To Begin Again", "A Little White Ship", "Tango", "Say It", and "I Remember". LP, Vinyl record album

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Featuring Dizzy Gillespie on trumpet, Chick Corea on iano, Steve Gadd on drums, Kathryn Moses on flute, and Gap Mangione on piano, and Ralph MacDonald on percussion. LP, Vinyl record album

A late 70s electric effort from McCann, not quite as sublime as some his records from a few years before this, but with some funky bits, and some vocals from Les. The best moments are the laidback mellow tracks, which have sort of a smooth Bobby Lyle feel to them. These titles include "The Blue Dot", and "Para Ti, Para Mi". LP, Vinyl record album

The second album by Sergio and crew – and a real push forward for the group! The basic format of two-female harmony leads is still in place – but for some reason, this album gives a bit more of a nod to Brazilian roots than before, and really spices things up with an even more interesting array of songs! There's a bit less of the pop/cover style than before, and a bit more of a nod towards the hipper side of Brazilian music – especially the modernists of the bossa nova generation. Brazilian tunes include versions of "Constant Rain", "Cinnamon & Clove", "Bim Bom", and "Wave" – and there's also a few nice English numbers, like their hit version of "Night & Day", and a great reading of "Watch What Happens"! LP, Vinyl record album

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Mindblowing! This is when Wes Montgomery really starts to get interesting to us – when he's working with a top-line arranger like Don Sebesky, crafting some incredibly compelling chords over lightly jazzy arrangements and soaring strings, in a whole new mode of expression that would go onto transform a generation of guitar players! And sure, this album sold a gazillion copies – but we'll be honest in saying that we think it's loads more complex and mature than some of Wes' straight jazz sides from earlier years – light years away from the small combo dates of the early years, both in conception and sound. Titles include "Day In The Life", "Watch What Happens", "California Nights", "Windy", "Trust In Me", and "The Joker". LP, Vinyl record album

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Extremely early work from the great Milton Nascimento – one of his first albums ever, and oddly recorded in America, not Brazil! The set was done in the A&M studios, with production by Creed Taylor – but has a spacious, soulful sound that's a lot like Milton's first few records from Brazil. The album is a huge meeting of talents – and features Herbie Hancock and Deodato on keyboards, plus a host of excellent other jazz players who give Milton's music a nice lyrical edge. The record features that classic Nasicmento mix of soulful vocals, baroque songwriting, and incredible jazz-tinged arrangements – and a few tracks have lyrics in English, too! Tracks include classics like "Bridges", "Vera Cruz", and "Gira Girou" – plus "Tres Pontas", "Rio Vermelho", and "Catavento". CD

One of Milton's last of the 70s – and a darn nice album recorded in the US. The arrangements are larger than ever, with beautifully baroque vocal choruses, strangely orchestrated instrumental passages, and Milton's wonderfully soulful vocals soaring out amidst the whole thing. Milton arranged all the material – and tracks include "Pablo", "Maria Maria", "Unencounter", and "Credo". LP, Vinyl record album

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Includes the songs "Roxanne", "Can't Stand Losing You", "Message In A Bottle", "Walking On The Moon", "Don't Stand So Close To Me", "De Do Do Do, De Da Da Da", "Every Little Thing She Does Is Magic", "Invisible Sun", "Spirits In The Material World", "Every Breath You Take", "King Of Pain", "Wrapped Around Your Finger", "Don't Stand So Close To Me '86", and "Message In A Bottle (New Classic Rock Mix)". CD

Titles include "Spirits In The Material World", "Hungry For You", "Demolition Man", "Too Much Information", and "One World". LP, Vinyl record album

Everybody likes some kind of music – and on this record, Billy Preston delivers up jazz, gospel, blues, and rock – all styles that influence his sound strongly, and which are tied together nicely in one righteous blend! The album's not as schizophrenic as you might expect from the promised styles – as Preston's got a starpower here that pulls things together beautifully – a high-steppingly righteous feel that makes his music much more than the disparate sum of its parts. Titles include "You're So Unique", "Space Race", "Sunday Morning", "My Soul Is A Witness", and "Do You Love Me?". LP, Vinyl record album

A fantastic fifth album from Procol Harum – one that really demonstrates the ever-changing energy of the group, and the way they seemed to find a fresh new focus with each of their early albums! The vocals of Gary Brooker are even more wonderful than ever – rejoined here with the talents of organist Keith Reid, who is back in the group – cementing a musical partnership that pushes forward with stronger, more rockish modes throughout – a lean quality that really seems to bring out the best in everyone! The set begins with the fantastic "Simple Sister" – the moves on through other great numbers that include "Luskus Delph", "Power Failure", "Memorial Drive", "Song For A Dreamer", "Broken Barricades", and "Playmate Of The Mouth". LP, Vinyl record album

A fantastic fifth album from Procol Harum – one that really demonstrates the ever-changing energy of the group, and the way they seemed to find a fresh new focus with each of their early albums! The vocals of Gary Brooker are even more wonderful than ever – rejoined here with the talents of organist Keith Reid, who is back in the group – cementing a musical partnership that pushes forward with stronger, more rockish modes throughout – a lean quality that really seems to bring out the best in everyone! The set begins with the fantastic "Simple Sister" – the moves on through other great numbers that include "Luskus Delph", "Power Failure", "Memorial Drive", "Song For A Dreamer", "Broken Barricades", and "Playmate Of The Mouth". CD

Maybe our favorite album from Procol Harum – a set that adds in some wonderful use of strings to the group's unique style – almost moving forward on the promise of the earlier single "Whiter Shade Of Pale", moving into much deeper territory overall! There's something about Procol Harum on their early album's that's really indescribable – certainly an influence from blues and roots, but this really striking step forward with their song ideas and overall construction – not into jamming or progressive modes, like some of their contemporaries – although they're certainly never afraid to rock – but almost this balance between personal poetry and brashness, with kind of a slightly creepy current at times – as illustrated beautifully by the image on the cover. Titles include the completely wonderful "A Salty Dog", p0lus "Wreck Of The Hesperus", "Boredom", "The Devil Came To Kansas", "Too Much Between Us", "All This & More", and "The Milk Of Human Kindness". LP, Vinyl record album

The stunning second album from Procol Harum – a record that takes everything that's wonderful about their debut, and pushes it even farther – to a very unique space that's completely the group's own! The songcraft here is magical – with great work from the team of vocalist Gary Brooker and Keith Reid – and the production continues the group's unusual blend of bluesy elements with these dramatic, ambitious arrangements – never pop orchestrations, but just these ways of putting together a tune that make familiar fuzz guitar, piano, and organ explode in really new sort of ways. The whole thing's wonderful – hardly any hits, but all wonderful songs throughout – and titles include "Quite Rightly So", "Shine On Brightly", "Skip Softly", "Magdalene", "Glimpses Of Nirvana", "Grand Finale", and "In The Autumn Of My Madness". LP, Vinyl record album

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A pair of early albums from soul singer Rockie Robbins – back to back on a single CD! First up is his self-titled record from 1979 – a really nice album of smooth soul tracks – the first set by singer Rockie Robbins, and a masterful effort from the Chicago soul production team of Richard Evans and Johnnie Pate! Evans and Pate handle the work with their best care of the 70s – fitting the tunes to the modern soul style demanded by the material, but also keeping things real at every level, and throwing in that nice little Chicago swing that always makes their best work bounce! Titles include "I Can Hardly Wait", "If I Ever Lose You", "When I Think Of You", "I Love You Only", "Be Ever Wonderful", and "Don't Deny Me". Next is You & Me – great work from the wonderful Rockie Robbins – a smooth soul singer who cut some great sides at the start of the 80s, but who hardly ever gets his due! Bobby Martin's working with Rockie on this effort – giving the set that warmly gliding mode that made Martin's productions some of the best in late 70s mainstream soul – a sound that's clearly informed by Philly, but which also has room for mellower, and more sophisticated modes as well. Tracks include a number of Sam Dees compositions – "Hang Tough", "After Loving You", "Girl I'm Gonna Get Ya", and "For The Sake Of A Memory" – plus the tracks "Together", "Point Of View", "Lost In Love Again", and "I Never Knew". CD

Great work from the wonderful Rockie Robbins – a smooth soul singer who cut some great sides at the start of the 80s, but who hardly ever gets his due! Bobby Martin's working with Rockie on this effort – giving the set that warmly gliding mode that made Martin's productions some of the best in late 70s mainstream soul – a sound that's clearly informed by Philly, but which also has room for mellower, and more sophisticated modes as well. Tracks include a number of Sam Dees compositions – "Hang Tough", "After Loving You", "Girl I'm Gonna Get Ya", and "For The Sake Of A Memory" – plus the tracks "Together", "Point Of View", "Lost In Love Again", and "I Never Knew". CD

The landmark first album from The Sandpipers – a set that not only sent big ripples through 60s pop in general, but which also really transformed the sound of male harmony groups at the time! The trio have a great way of mixing together jazz harmonies learned in the generation of the Four Freshmen and The Hi-Los with some of the folksy modes used by 60s groups of the folk revival – yet also manage their own weird dark space too, partly through the use of some slight Latin and Spanish touches that resonate perfectly with the A&M Records aesthetic of the time! The approach is heard famously in their sublime reading of "Guantanamera" – but the whole album is wonderful, and other tracks include "La Mer", "Things We Said Today", "Strangers In The Night", "What Makes You Dream, Pretty Girl?", and a sublime vocal rendition of "Cast Your Fate To The Wind". Arrangements by Mort Garson and Nick DeCaro, too! LP, Vinyl record album

A record that has the Sandpipers moving even deeper into the heady brew of A&M at the end of the 60s – that unusual, yet always-perfect blend of sounds that the label, and these guys, seemed to do better than anyone else! Tracks are a mix of Brazilian, soundtrack, and sweet easy numbers – all recast in the slightly-Latin mode of The Sandpipers' backings, and sung with a harmony sound that's never too sweet, and not nearly as cloying as some of their contemporaries! Arrangements are by Nick DeCaro – and titles include a great version of Baden Powell's "Song Of Ossanha", retitled "Let's Go" – plus versions of "Windmills Of Your Mind", "Wave", "Yellow Days", "The Wonder Of You", "That Night", and "If I Were The Man". LP, Vinyl record album

Easy going soul from Esther Satterfield – a session that has some righteous undertones, but which comes off with a smooth contemporary feel overall. As with her first album, Chuck Mangione is arranging and producing – giving the whole thing a warmly jazzy feel that's similar to his own work, but which might stand a bit more trumpet to spice things up (Chuck plays piano and keyboards on the set.) Titles include "Chase The Clouds Away", "Bird Of Beauty", "He's Gone", "The Need To Be", "If You Know Me Any Longer Than Tomorrow", and "New World Comin". LP, Vinyl record album

A sweet bit of Island-inspired pop – recorded here by an LA group of the late 60s, with inspirations drawn from the Carribean sands and the California sun! The group use a style that mixes together bits of late 60s South African pop, ala Hugh Masekela, a touch of steel band funk, and elements of other pop groups on A&M at the time – coming up with a sound that's happy and groovy, maybe not as totally Afro-thentic as their name might imply, but filled with good spirits and some nice grooves. Titles include "Mescalito", "Mama Lion", "Day After Day", "Hey Jude", "Sunshine Superman", "Cowboys & Indians", and "Ljuba Ljuba". CD

A sweet bit of Island-inspired pop – recorded here by an LA group of the late 60s, with inspirations drawn from the Carribean sands and the California sun! The group use a style that mixes together bits of late 60s South African pop, ala Hugh Masekela, a touch of steel band funk, and elements of other pop groups on A&M at the time – coming up with a sound that's happy and groovy, maybe not as totally Afro-thentic as their name might imply, but filled with good spirits and some nice grooves. Titles include "Mescalito", "Mama Lion", "Day After Day", "Hey Jude", "Sunshine Superman", "Cowboys & Indians", and "Ljuba Ljuba". CD

... LP, Vinyl record album

A wonderful album for all those folks who ever crabbed about Shepp going back "inside" during the late 70s! The record is straight jazz – not as righteous as Attica Blues or some of the other Impulse albums, yet done with a wonderfully soulful quality that shows that even without a large group backing him up, Shepp could blow wonderfully on the sax. Most tunes feature him on soprano, and the album also features a bit of tenor – and the group is a quartet with Walter Bishop on piano, Sam Jones on bass, and Joe Chambers on drums. Tracks are all long, and Shepp's got this great laidback and mellowly searching tone. Titles include "In A Mellow Blues", "Enough", "The Scene Is Clean", and "On Green Dolphin Street". CD

Spooky Tooth have grown their hair since the cover of their first album – and they've also grown their sound a bit too – into a brew that's even headier and more powerful than before! The album's still got an undercurrent of soul – and begins with a fantastic drumbreak on the first cut – but these guys are also swirling their basslines, guitars, and keyboards into territory that's unabashedly hard rock – a mode that really has singer Gary Wright opening up with soaring vocals on most of the tracks! The album really represents that full turning of the UK scene from beat group modes into badass territory that's completely unique – a sound that Island Records was perfect to usher in for the group – and the whole thing's got an instant classic sort of vibe, and we've always wondered why it never had a greater place in the rock canon of the period. Titles include "That Was Only Yesterday", "Waiting For The Wind", "Feelin Bad", "Evil Woman", "Lost In My Dream", and "Hangman Hang My Shell On A Tree". LP, Vinyl record album