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then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Two great albums from 1959! The first features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since ... CD
Cannonball Adderley with David Axelrod production – a combination that couldn't miss back in the 60s! In keeping with the success of the Mercy Mercy Mercy album done with Axelrod, Capitol did everything they could to catch Cannonball in a live setting – a great move, given the open, ... CD
Very early work from Cannonball Adderley – recorded way before the funky years, when he was a hard-wailing soulful soloist with a lot of bop in his style! Cannon's paired here with brother Nat, a good companion even at this early stage – and the two of them solo in front of a large ... CD
A great session from 1959 – one that features John Coltrane playing tenor in a combo that's billed as being led by altoist Cannonball Adderley – but which is really more of a Miles Davis combo, without Miles! The set was recorded in Chicago when both were stopping through the city ... CD
If the 60's ever had a "hit" jazz record, it was probably this one! The album's a sparkling live session featuring the trademark soul jazz sounds of the Cannonball Adderley group with Joe Zawinul on acoustic and electric piano, and brother Nat Adderley on cornet. The tracks have a long ... CD
A swingin' Japanese concert by one of Cannonball's best groups from the 60's. Joe Zawinul's on piano, brother Nat's on cornet, Sam Jones is on bass, and Louis Hayes is on drums. But the real treat here is Yusef Lateef, who does some excellent reed work on tenor, flute, and oboe – and who's ... CD
A rare live set by Cannonball Adderley – unreleased in America at the time, and performed with the style of Cannon's best work for Riverside! The album's very similar to some of the group's best live sets for Riverside – like the San Francisco or other Tokyo recording – done with ... CD
A funky nugget from the second Blue Note chapter of guitarist Grant Green – that wonderful point when he shifted into more funk-based styles from his hardbop work at the start – and found a way to unlock a whole new side of his talents! The approach here is similar to some of the funky ... CD
One of the crowning moments of genius from pianist Robert Glasper – a set recorded early in his career, and one that set the tone for all the greatness to come! Glasper's already a completely unique musician on his instrument – moving with these flowing waves of sound that turned out ... CD
A stunning set from overlooked tenor genius Tina Brooks – a musician who recorded for Blue Note during the key years of Hank Mobley and Johnny Griffin, but whose music was mostly un issued at the time! This rare set is a great second chapter to Tina's True Blue album – material ... CD
Classic Blue Note work by Horace Silver – the stuff that soul jazz legends are made of, and an album that showed he was destined to be a huge force away from the Jazz Messengers! Blue Mitchell and Junior Cook hold down the frontline with Horace – playing in a mellifluous style that ... CD
Rarely are such "meeting of the minds" sessions worth any fuss at all – but in this case, the masterful talents of the players turn what should be a snoozy "common denominator" session into a modernist classic that still crackles with excitement after all these years! The ... CD