This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
Quite a different album than usual for John Coltrane, but a classic one too – and a set that has the great one exploring his ideas in a set of longer tracks recorded with an expanded jazz orchestra! The format's hardly the mainstream big band of the time – as Coltrane's filled the ... CD
This is a repackaged version of an album that was originally issued under Cecil Taylor's name, under the title Hard Drive (and later Stereo Drive) during the late 50s. The record brings together two of the late 50's most promising modernists – Cecil Taylor and John Coltrane – in a ... CD
One of the best posthumous releases by the legendary John Coltrane Quartet – and a set that really captures the group at a perfect moment – when they were really beginning to stretch out a lot, yet still in a style that was mostly inside! The material was recorded in Berlin and ... CD
A really unique little small group effort from the team of Thad Jones and Pepper Adams – one that predates Jones' bigger band work with Mel Lewis (also part of the group here), and offers one of the few chances to hear him in a small group in the late 60s! The record's got a care and charm ... CD
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the ... CD
A nice straight batch of tracks from Pepper – and a record that we like more than some of the more "classic" ones on Contemporary! The album's got quite a strange title – Smack Up, a very strange choice, given Pepper's well-known experience as a junkie – and features ... CD
One of the few US releases by 50s Belgian reedman Bobby Jaspar – a talent who graced countless European sessions at the time, but who's working here in a rare date with an American group! As on other albums from the period, Jaspar plays both tenor and flute – alternating between ... CD
Classic Jug, playing in a laidback open-ended blowing session, with other strong Prestige players – like Coltrane, Jerome Richardson, Paul Quinichette, Art Taylor, and Mal Waldron, who always seems to be the driving force between most Prestige sides like this. The album has only 4 tracks, ... CD
An album that's quite different than you might expect from the title – one of the most adventurous records issued on Impulse during the life of John Coltrane! The tracks here are all quite free and far-reaching – hardly the mellow "meditations you might expect – and more the ... CD
A sweet Tommy Flanagan trio date – recorded live at the Montreux Jazz Festival in 1977, but with a warmth and intimacy that's like catchy Tommy at a small club date! Trio members include Keter Betts on bass and Bobby Durham on drums – but the focus is very strongly on Flanagan's piano ... CD