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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Great early work by jazz vibes guru Bobby Hutcherson – recorded early in his tenure in NYC in the early 60s – backed up by trombonist Al Grey and tenor sax man Billy Mitchell! Of course Hutcherson would go on to spin out all those great records for Blue Note, and these early recordings ... CD
One of the greatest Bobby Hutcherson albums for Blue Note – a classic session recorded in quartet form, with a style that seems to set a whole new standard for the vibes in modern jazz! The group here is sublime – Herbie Hancock on piano, Bob Cranshaw on bass, and Joe Chambers on drums ... CD
One of the most sophisticated albums that Bobby Hutcherson recorded with reedman Harold Land – a very hip session that features the arrangements of piano player Todd Cochran – also known as Bayete for a pair of early 70s albums on Prestige! The sound here is more farther-reaching than ... CD
Bobby Hutcherson breaks it down in two different ways – solo on the first half of the record, and in a quartet on the rest! The set begins in a very spare way – Bobby playing vibes, marimba, xylophone, and bells – often a bit overdubbed, so that although alone, Hutcherson fills ... CD
One of the greatest Bobby Hutcherson albums for Blue Note – a classic session recorded in quartet form, with a style that seems to set a whole new standard for the vibes in modern jazz! The group here is sublime – Herbie Hancock on piano, Bob Cranshaw on bass, and Joe Chambers on drums ... CD
One of Bobby Hutcherson's most important albums ever – and an essential piece of "new thing" jazz that ranks up there with such key Blue note sessions of the genre as Tony Williams' album Life Time, Dolphy's Out To Lunch, and Jackie McLean's One Step Beyond! Hutcherson's sound on ... CD
Two great Bobby Hutcherson albums – both recorded at the end of the 60s, but not released by Blue Note until years later! Both records – Medina and Spiral – give you a glance at the early years of Bobby's famous association with tenorist Harold Land. The Land/Hutcherson combo ... CD
One of Bobby Hutcherson's greatest records ever – and a session that never got released at the time! The album's an excellent quartet session, one that's very much in the best spirit of Bobby's great Happenings album on Blue Note – and it features a similar group that includes ... CD
A partner album of sorts to Jimmy Smith's classic Midnight Special album – recorded during the same sessions as that one, and also featuring Stanley Turrentine on tenor and Kenny Burrell on guitar! The sound here is almost even more open and stretched out – with only 4 long tracks on ... CD
A rare gem of a session – live material recorded by the Voice Of America in 1957, and featuring a unique Thelonious Monk quartet with John Coltrane on tenor! The performance is contemporaneous with Coltrane's appearance on the legendary Monk's Music album for Riverside – and the ... CD
One of the more avant-oriented 60s sessions cut by Wayne Shorter for Blue Note – a record that's not entirely part of the "new thing" generation, but which definitely has Shorter pushing the boundaries from his previous records for the label! The lineup here is a key batch of ... CD
A funky nugget from the second Blue Note chapter of guitarist Grant Green – that wonderful point when he shifted into more funk-based styles from his hardbop work at the start – and found a way to unlock a whole new side of his talents! The approach here is similar to some of the funky ... CD