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Bobby Hutcherson Edit search Phrase match

 
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Exact matches: 29
Exact matches1
CD, LP, Vinyl record album cover art
Freddie Hubbard, Joe Henderson & Bobby HutchersonKeystone Bop Vol 1 – Sunday Night ... CD
Prestige, 1981. Used ... $18.99
Keystone bop indeed – a smoking little set from Freddie Hubbard, recorded during his great back-to-basics years of the early 80s! The tracks here are all quite long, and informed by a strong sense of hardbop – but they also open up with some sharper, more modern moments at times – of the sort that keenly reflect Freddie's best roots during his early years at Blue Note. The other players here are all quite strong – especially well-matched for the energy of such a record – with Bobby Hutcherson on vibes and Joe Henderson on tenor, plus rhythm from Billy Childs on piano, Larry Klein on bass, and Steve Houghton on drums. The CD presents all tracks in long, unedited takes – and this Sunday Night volume features 5 tracks that include "Birdlike", "The Littlest One Of All", "The Intrepid Fox", "Sky Dive", and "Body & Soul". CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
Bobby HutchersonColor Schemes ... LP
Landmark, 1986. New Copy ... $4.99
A great title for this album from Bobby Hutcherson – given the way he commands such great tones from his work on the vibes! The album's a real gem from his Landmark Records years – that great back-to-basics point when Bobby was almost doing more by doing less – especially in a record with understated brilliance like this. The group's a warmly sensitive one – with Mulgrew Miller on piano, John Heard on bass, Airto on percussion, and Billy Higgins on drums – a perfect rhythmic accompaniment for Hutcherson's hip vibes. Titles include "Rosemary Rosemary", "Remember", "Never Let Me Go", "Recorda Me", "Bemsha Swing", and "Whisper Not". LP, Vinyl record album
(Original pressing – in limited supply!)

Exact matches3
CD, LP, Vinyl record album cover art
Bobby HutchersonCruisin The Bird ... LP
Landmark, 1988. New Copy ... $4.99
An incredible record from Bobby Hutcherson – easily one of his best of the 80s, and with some great touches that recall his best 70s work! The album title might fool you into thinking that Bobby's working in Charlier Parker territory here – but he's not, and is instead grooving in a mellow and soulful west coast mode – working with a totally great group that includes Ralph Moore on tenor and soprano sax, Buddy Montgomery on piano, Rufus Reid on bass, and Victor Lewis on drums. The whole album's a magical picture of tone, color, and light – but the especially standout track is "Sierra" – a totally killer number that has these arch angles and edges that rival the best sounds heard on Hutcherson's Montara album! Other titles include "On The Delta", "Crusisin The Bird", "Imminent Treasures", and "All Or Nothing At All". LP, Vinyl record album
(Original pressing – in limited supply!)

Exact matches4
CD, LP, Vinyl record album cover art
Bobby HutchersonGood Bait ... LP
Landmark, 1984. Near Mint- ... $3.99
One of Bobby's great back to basics albums for Landmark in the mid 80s – a "return" to straight jazz and bop, oddly territory that Bobby never traveled much in the first place – given his "new thing" status in the 60s! The record features Bobby working with a core quintet that includes Philly Joe Jones on drums, George Cables on piano, and Ray Drummond on bass – with some additional tenor and soprano sax work by Branford Marsalis. Titles include McCoy Tyner's "Love Samba", Hutcherson's "Highway One" and "Montgomery", and a nice take on "Israel". LP, Vinyl record album
(Cover has pen on both sides and a promo stamp.)
Also available Good Bait ... LP 4.99

Exact matches5
CD, LP, Vinyl record album cover art
Bobby HutchersonGood Bait ... LP
Landmark, 1984. New Copy ... $4.99
One of Bobby's great back to basics albums for Landmark in the mid 80s – a "return" to straight jazz and bop, oddly territory that Bobby never traveled much in the first place – given his "new thing" status in the 60s! The record features Bobby working with a core quintet that includes Philly Joe Jones on drums, George Cables on piano, and Ray Drummond on bass – with some additional tenor and soprano sax work by Branford Marsalis. Titles include McCoy Tyner's "Love Samba", Hutcherson's "Highway One" and "Montgomery", and a nice take on "Israel". LP, Vinyl record album
(Original pressing – in limited supply!)
Also available Good Bait ... LP 3.99

Exact matches6
CD, LP, Vinyl record album cover art
Bobby HutchersonHead On ... LP
Blue Note, 1971. Very Good+ ... $39.99
One of the most sophisticated albums that Bobby Hutcherson recorded with reedman Harold Land – a very hip session that features the arrangements of piano player Todd Cochran – also known as Bayete for a pair of early 70s albums on Prestige! The sound here is more farther-reaching than before for the team of Hutcherson and Land – a deepening of the soulful spirits first cooked up on their earlier collaborations, stretched out to farther-reaching territory in the hands of Cochran's arrangements and compositions. The group's got a full sound too – with trumpet and flugelhorn from Oscar Brashear, trombone from George Bohannon, and added reeds from players who include Ernie Watts, Fred Jackson, and Charles Owens. Harold Land plays tenor and flute, Hutcherson vibes and marimba, and Cochran is on acoustic piano throughout – but the record also features some electric keys from William Henderson. Titles include the 3 part suite "At The Source", plus "Many Thousands Gone", "Clockwork Of The Spirits", and "Mtume". LP, Vinyl record album
(UA pressing. Cover has a cut corner, some ringwear, and splitting in the spine.)

Exact matches7
CD, LP, Vinyl record album cover art
Bobby HutchersonIn The Vanguard ... LP
Landmark, 1986. New Copy ... $4.99
A subtle gem from Bobby Hutcherson's wonderful years on Landmark Records – a point when he was really getting back to basics, and cutting some great straight work that almost hearkened back to his 60s gems on Blue Note! The set's recorded live at the Village Vanguard – and Bobby swings soulfully in a great quartet with Kenny Barron on piano, Buster Williams on bass, and Al Foster on drums. Hutcherson's playing both vibes and marimba – and the scope of his playing here has both grown from earlier years, awash with tones, colors, and light – which Barron and Williams are only happy to fill in more deeply. Titles include "I Wanna Stand Over There", "Little Niles", "Estate", "Well You Needn't", and "Young & Foolish". LP, Vinyl record album
(Original pressing – in limited supply.)

Exact matches8
CD, LP, Vinyl record album cover art
Bobby HutchersonIn The Vanguard (32 Jazz pressing with bonus track) ... CD
Landmark/32 Jazz, 1986. Used ... $16.99
A subtle gem from Bobby Hutcherson's wonderful years on Landmark Records – a point when he was really getting back to basics, and cutting some great straight work that almost hearkened back to his 60s gems on Blue Note! The set's recorded live at the Village Vanguard – and Bobby swings soulfully in a great quartet with Kenny Barron on piano, Buster Williams on bass, and Al Foster on drums. Hutcherson's playing both vibes and marimba – and the scope of his playing here has both grown from earlier years, awash with tones, colors, and light – which Barron and Williams are only happy to fill in more deeply. Titles include "I Wanna Stand Over There", "Little Niles", "Estate", "Well You Needn't", and "Young & Foolish". Includes CD only bonus track "Young & Foolish". CD
(Out of print.)

Exact matches9
CD, LP, Vinyl record album cover art
Bobby HutchersonLive At Montreux ... CD
Blue Note (Japan), 1973. New Copy ... $15.99
One of the most wonderful 70s albums from Bobby Hutcherson – and one of the most deeply spiritual, too! As with others in Blue Note's Montreux series, the tracks are long and very open – with a different flavor than the artists' studio work. Hutcherson works with a hip small group that includes excellent trumpet from Woody Shaw, piano from Hotep Cecil Bernard, bass from Ray Drummond, and drums from Larry Hancock – all snaking out beautifully on these long, spiritual tunes – very much shaped by Woody's presence. Titles include a great take on Shaw's classic track "The Moontrane", as well as "Song Of Songs". Hutcherson's own "Anton's Bail" rounds up the set, and the whole thing's a beautiful batch of soaring modal grooves, caught live before a very enthusiastic audience! CD
(Part of the Blue Note LA Revivals series!)

Exact matches10
CD, LP, Vinyl record album cover art
Bobby HutchersonNatural Illusions ... CD
Blue Note (Japan), 1972. Used ... $11.99
Vibes and orchestrations – a combination that makes for one of the coolest Bobby Hutcherson albums of the 70s – a really magical set that expands the sound of Bobby's work in ways we wouldn't have expected! The style is similar to that used with Grant Green and Lou Donaldson at the time on Blue Note – a style that's clearly trying for the more sophisticated sounds of CTI, and which beautifully balances the modes of presentation – so that there's still plenty of soulful moments and slyly funky bits alongside the strings and woodwinds in the orchestrations – proof that a record like this can be really brilliant if scored properly! Some moments get a bit modern and dark – almost in a William S Fischer kind of way – and titles include the great track "Rain Every Thursday", which begins with an excellent break – plus "The Folks Who Live On The Hill", "Sophisticated Ladies", "When You're Near", "Shirl", and "Lush Life". CD
(Includes obi.)

Exact matches11
CD, LP, Vinyl record album cover art
Bobby HutchersonSan Francisco ... CD
Blue Note (Japan), 1970. New Copy ... $19.99
Genius, pure genius! This album's possibly the most perfectly realized set from the team of Bobby Hutcherson on vibes and Harold Land on reeds – a pair who work here with an electric bass player and a bit of electric piano (the latter from Joe Sample) – hitting territory that's slightly funky, but which is also still touched by the modal spiritualism of some of their earlier work together! The album has an approach that we've not heard on other sides from the time – in that it takes its time to build the grooves up slowly, layering element over element as the songs unfurl, crafting some killer numbers that make the album incredibly strong as a whole. Includes the classics "Ummh" and "Goin' Down South", which have been made famous over the years, thanks to the magic of sampling technology – plus the tracks "Jazz", "Night In Barcelona", and "Procession". CD
(Part of the "Blue Note 80 – The 80 Works" series! Ultimate HQ CD pressing.)

Exact matches12
CD, LP, Vinyl record album cover art
Bobby HutchersonView From The Inside ... LP
Blue Note, 1977. Very Good ... $5.99
Sweet 70s grooves from Bobby Hutcherson – an overlooked mid 70s gem for Blue Note – done in a style that's a bit more laidback than some of his other work for the label! The group here is similar to that used on the Waiting album – and Emmanuel Boyd turns in some great tenor and soprano sax, really underscoring the deeper sounds of Bobby's vibes. But this time around, there's also lots of sweet keyboards from Larry Nash – who plays Fender Rhodes with some warmer elements that unlock a great mellow side of Hutcherson's playing – almost giving the record a Roy Ayers vibe at times! Titles include "Later Even", "Same Shame", "Love Can Be Many Things", and "Song For Annie". LP, Vinyl record album
(Cover has heavy ring & edge wear and a cut corner.)

Exact matches13
CD, LP, Vinyl record album cover art
Bobby Hutcherson, Karin Krog, Archie SheppLive At The Festival ... LP
Enja (Germany), 1970/1972/1973. Very Good+ ... $9.99
A very interesting batch of tracks – one tune apiece by each of the artists named in the title, recorded between the years 1970 and 1973 at the Festival Ljublijana, in Yugoslavia. Bill Evans performs a long, and straight reading of Miles Davis' "Nardis" with a trio that includes Eddie Gomez on bass and Tony Oxly on drums; Karin Krog sings a spare version of "Round Midnight", with only the bass of Arild Andersen for accompaniment; and Archie Shepp blows freely on a version of Grachan Moncur III's "Sonny's Back", in a group with Dave Burrell, Don Garrett, and Muhammad Ali. Perhaps the most striking track, though, is "The Creators" by Bobby Hutcherson – played with his group that included Harold Land and Hal Galper, and performed in an 18 minute reading that builds beautifully, into the dancing soul jazz sound that was Hutcherson's best contribution to jazz at the time! LP, Vinyl record album
(Green label pressing. Cover has a cut corner and split top seam.)

Exact matches14
CD, LP, Vinyl record album cover art
Timeless All Stars (Bobby Hutcherson/Harold Land)Timeless All Stars – At Onkel Po's Carnegie Hall Hamburg 1982 ... LP
Jazz Line (Germany), 1982. New Copy 2LP Gatefold ... $19.99
Hard-burning work from the Timeless All Stars – a group named after their record label, but who have a heck of a lot more going on at the core! This isn't just jam session material, as is often the case with an "all stars" group – but instead really well-matched, well-conceived performances by a group who are almost an extension of the earlier pairing of vibist Bobby Hutcherson and tenorist Harold Land – augmented here with the fantastic presence of Curtis Fuller on trombone, Cedar Walton on piano, Buster Williams on bass, and Billy Higgins on drums! All players are wonderful – really bringing their a-list game to the performance – which was captured at the Onkle Po club in Hamburg, with very long tracks that spin out in even more space than on the group's albums for Timeless Records. Titles include "Clockwise", "Mapenzi", "Tokudo", and "My Foolish Heart". LP, Vinyl record album

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonIn The Vanguard ... LP
Landmark, 1986. Near Mint- ... Temporarily Out Of Stock
A subtle gem from Bobby Hutcherson's wonderful years on Landmark Records – a point when he was really getting back to basics, and cutting some great straight work that almost hearkened back to his 60s gems on Blue Note! The set's recorded live at the Village Vanguard – and Bobby swings soulfully in a great quartet with Kenny Barron on piano, Buster Williams on bass, and Al Foster on drums. Hutcherson's playing both vibes and marimba – and the scope of his playing here has both grown from earlier years, awash with tones, colors, and light – which Barron and Williams are only happy to fill in more deeply. Titles include "I Wanna Stand Over There", "Little Niles", "Estate", "Well You Needn't", and "Young & Foolish". LP, Vinyl record album
Also available In The Vanguard ... LP 4.99

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonMedina ... LP
Blue Note, 1969/1980. Sealed ... Temporarily Out Of Stock
A lost set of work from the team of Bobby Hutcherson and Harold Land – recorded right around the same time as their famous San Francisco album! The album's overflowing with the soulful, righteous tones the pair could create together – sublime vibes from Hutcherson, both tenor and flute from Land – and a top-shelf supporting cast that includes Stanley Cowell on piano, Reggie Johnson on bass, and Joe Chambers on drums! Like others of this nature, Blue Note never issued the material at the time – but wisely released it as an album at the start of the 80s – a great contribution to Hutcherson's catalog for the label – of which we can never get enough! Titles include "Ungano", "Avis", "Comes Spring", and "Orientale". LP, Vinyl record album
(Original 80s pressing.)

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonNatural Illusions (Applause pressing) ... LP
Blue Note, 1972. Very Good+ ... Temporarily Out Of Stock
Vibes and orchestrations – a combination that makes for one of the coolest Bobby Hutcherson albums of the 70s – a really magical set that expands the sound of Bobby's work in ways we wouldn't have expected! The style is similar to that used with Grant Green and Lou Donaldson at the time on Blue Note – a style that's clearly trying for the more sophisticated sounds of CTI, and which beautifully balances the modes of presentation – so that there's still plenty of soulful moments and slyly funky bits alongside the strings and woodwinds in the orchestrations – proof that a record like this can be really brilliant if scored properly! Some moments get a bit modern and dark – almost in a William S Fischer kind of way – and titles include the great track "Rain Every Thursday", which begins with an excellent break – plus "The Folks Who Live On The Hill", "Sophisticated Ladies", "When You're Near", "Shirl", and "Lush Life". LP, Vinyl record album
(Cover has light wear.)

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonSan Francisco ... LP
Blue Note, 1971. Very Good+ ... Temporarily Out Of Stock
Genius, pure genius! This album's possibly the most perfectly realized set from the team of Bobby Hutcherson on vibes and Harold Land on reeds – a pair who work here with an electric bass player and a bit of electric piano (the latter from Joe Sample) – hitting territory that's slightly funky, but which is also still touched by the modal spiritualism of some of their earlier work together! The album has an approach that we've not heard on other sides from the time – in that it takes its time to build the grooves up slowly, layering element over element as the songs unfurl, crafting some killer numbers that make the album incredibly strong as a whole. Includes the classics "Ummh" and "Goin' Down South", which have been made famous over the years, thanks to the magic of sampling technology – plus the tracks "Jazz", "Night In Barcelona", and "Procession". LP, Vinyl record album
(Liberty/UA pressing with Van Gelder stamp. Cover has light wear, a name in pen, and a sticker spot.)
Also available San Francisco ... CD 19.99

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonStick-Up! ... CD
Blue Note (Japan), 1966. New Copy ... Temporarily Out Of Stock
The sticks are up, and Bobby Hutcherson is at the top of his game – hitting a whole new groove here in this sublime session of modal numbers for Blue Note – a slightly warmer set than his more modern albums of the "new thing" years, and a great indication of the directions he'd take in the 70s! Bobby's vibes are set up wonderfully here in a quintet that includes Joe Henderson on tenor sax, McCoy Tyner on piano, Herbie Lewis on bass, and Billy Higgins on drums – all players who bring key elements to the groove. Tyner's got an obvious ear for the modal rhythms that Hutcherson's heading for; Higgins' drum work is freely lyrical in all the best ways; and Henderson's horn sharpens the edges of the tunes a bit, bringing in some nice darker sounds. The kickoff track is an amazing modal reading of Ornette's "Una Muy Bonita", and the rest tracks are all Hutcherson originals, including "Summer Nights", "8/4 Beat", "Black Circle", "Verse", and "Blues Mind Matter". CD
(Part of the "Blue Note 80 – More 60 Works" series!)

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Woody Shaw with Bobby HutchersonMaster Of The Art ... LP
Elektra, 1982. Near Mint- ... Temporarily Out Of Stock
A brilliant date from the later years of Woody Shaw – an album that equally shows Woody's own talents, and those of his key group of younger players too! Shaw's trumpet is perfect in both modes here – the hard-blown righteous numbers Woody first gave the world from his start, and the warmer, more sensitive ballads he was crafting a bit later in his career – never too smooth or mellow, but showing a nice link to tradition in his tone. All tracks are longish, and the group features Steve Turre on trombone, Mulgrew Miller on piano, Stafford James on bass, and Tony Reedus on drums – all familiar players to Shaw, working tightly together on the date. As an added bonus, Bobby Hutcherson joins the group for most of the set – ringing out a strongly soulful tone on his vibes, on titles that include "Misterioso", "400 Years Ago Tomorrow", "Diane", and "Sweet Love Of Mine". The album also features a bonus interview track with Woody too! LP, Vinyl record album
(Cover has light wear and a promo stamp.)

Exact matches21
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonComponents ... CD
Blue Note (Japan), 1965. New Copy ... Out Of Stock
An essential Blue Note album by the great vibist Bobby Hutcherson, and a record that's split into 2 different sides, each of which display different aspects of Hutcherson's talents. The first four tracks are mellow and lyrical, with the kind of lovely melodic writing that is best illustrated by the cut "Little B's Poem" – included here, and still one of Hutcherson's most enduring works. The next four tracks show Hutcherson more as the accomplished modernist, working with edgey talents like James Spaulding on alto and flute, Freddie Hubbard on trumpet, Herbie Hancock on piano, Ron Carter on bass, and the great Joe Chambers on drums – who also wrote all 4 of the tracks in this segment. The work is a key example of Hutcherson's devotion to the Blue Note "new thing" sound, and titles include "Air", "Juba Dance", and "Pastoral". CD
(Part of the "Blue Note 80 – The 80 Works" series! Ultimate HQ CD pressing.)

Exact matches22
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonCruisin The Bird ... LP
Landmark, 1988. Near Mint- ... Out Of Stock
An incredible record from Bobby Hutcherson – easily one of his best of the 80s, and with some great touches that recall his best 70s work! The album title might fool you into thinking that Bobby's working in Charlier Parker territory here – but he's not, and is instead grooving in a mellow and soulful west coast mode – working with a totally great group that includes Ralph Moore on tenor and soprano sax, Buddy Montgomery on piano, Rufus Reid on bass, and Victor Lewis on drums. The whole album's a magical picture of tone, color, and light – but the especially standout track is "Sierra" – a totally killer number that has these arch angles and edges that rival the best sounds heard on Hutcherson's Montara album! Other titles include "On The Delta", "Crusisin The Bird", "Imminent Treasures", and "All Or Nothing At All". LP, Vinyl record album
Also available Cruisin The Bird ... LP 4.99

Exact matches23
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonHappenings ... CD
Blue Note (Japan), 1966. New Copy ... Out Of Stock
One of the greatest Bobby Hutcherson albums for Blue Note – a classic session recorded in quartet form, with a style that seems to set a whole new standard for the vibes in modern jazz! The group here is sublime – Herbie Hancock on piano, Bob Cranshaw on bass, and Joe Chambers on drums – all working with Bobby in cool, blocky chords, with a sound that lies somewhere on the road to "out", but has more of a swing than Hutcherson's "new thing" recordings! The balance is a perfect one – exciting and fresh, but still always soulfully grooving – and titles include a sublime version of Herbie's "Maiden Voyage" – plus originals by Hutcherson that include "The Omen", "Aquarian Moon", "Rojo", and "Head Start". CD
(Part of the "Blue Note 80 – The 80 Works" series! Ultimate HQ CD pressing.)

Exact matches24
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonMontara (180 gram pressing) ... LP
Blue Note/Elemental (Spain), 1975. New Copy (reissue)... Out Of Stock
One of our favorite Bobby Hutcherson albums ever – and a magical session filled with electric Latin vibes! The album's quite a different one for Bobby at the time – as it has him working with some larger arrangements, in a soulful west coast groove that's almost got the feel of a hip 70s soundtrack. Bobby's vibes are nicely set up against Fender Rhodes on most tracks – and the group's got some added Latin percussion that really opens up the rhythms. The whole thing's totally wonderful – brimming over with sun and soul, the kind of magic record that will never be made again! Tracks include "Camel Rise", "Yuyo", "Montara", "La Malanga", "Little Angel", and "Love Song". LP, Vinyl record album
(Limited edition!)

Exact matches25
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonNatural Illusions ... CD
Blue Note (Japan), 1972. New Copy ... Out Of Stock
Vibes and orchestrations – a combination that makes for one of the coolest Bobby Hutcherson albums of the 70s – a really magical set that expands the sound of Bobby's work in ways we wouldn't have expected! The style is similar to that used with Grant Green and Lou Donaldson at the time on Blue Note – a style that's clearly trying for the more sophisticated sounds of CTI, and which beautifully balances the modes of presentation – so that there's still plenty of soulful moments and slyly funky bits alongside the strings and woodwinds in the orchestrations – proof that a record like this can be really brilliant if scored properly! Some moments get a bit modern and dark – almost in a William S Fischer kind of way – and titles include the great track "Rain Every Thursday", which begins with an excellent break – plus "The Folks Who Live On The Hill", "Sophisticated Ladies", "When You're Near", "Shirl", and "Lush Life". CD
(Part of the "Blue Note 80 – More 60 Works" series!)
Also available Natural Illusions ... CD 11.99

Exact matches26
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonTotal Eclipse ... CD
Blue Note (Japan), 1968. New Copy ... Out Of Stock
A brilliant collaboration between vibist Bobby Hutcherson and reedman Harold Land – the first Blue Note album to feature the talents of the pair together, and a stone classic from the very first note! Hutcherson had already been making big waves for the label with his earlier sides – some avant, some soulful, all great – but adding Land's magical tenor and flute to the mix really opens his sound up a lot, and unlocks a lyrical quality in Bobby's music that really points the way to his flourishing years in the 70s! Yet all is not totally sweet – as both Land and Hutcherson maintain an edginess on the record that makes it more of a progression from the "new thing" years than a break – and pianist Chick Corea is on hand, moving through a very similar path in his own music too. Other players include Reggie Johnson on bass and Joe Chambers on drums – and the tracks are nice and long, with that free-wheeling soulful sound that Land seemed to nicely bring to Hutcherson's playing. Titles include "Herzog", "Same Shame", "Maxtrix", "Total Eclipse", and "Pompeian". CD
(Part of the "Blue Note 80 – More 60 Works" series!)

Exact matches27
CD, LP, Vinyl record album cover art
✨✧ Timeless All Stars (Bobby Hutcherson/Harold Land)Timeless All Stars – At Onkel Po's Carnegie Hall Hamburg 1982 ... CD
Jazz Line (Germany), 1982. New Copy ... Out Of Stock
Hard-burning work from the Timeless All Stars – a group named after their record label, but who have a heck of a lot more going on at the core! This isn't just jam session material, as is often the case with an "all stars" group – but instead really well-matched, well-conceived performances by a group who are almost an extension of the earlier pairing of vibist Bobby Hutcherson and tenorist Harold Land – augmented here with the fantastic presence of Curtis Fuller on trombone, Cedar Walton on piano, Buster Williams on bass, and Billy Higgins on drums! All players are wonderful – really bringing their a-list game to the performance – which was captured at the Onkle Po club in Hamburg, with very long tracks that spin out in even more space than on the group's albums for Timeless Records. Titles include "Clockwise", "Mapenzi", "Tokudo", and "My Foolish Heart". CD
Also available Timeless All Stars – At Onkel Po's Carnegie Hall Hamburg 1982 ... LP 19.99

Exact matches28
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonColor Schemes ... LP
Landmark, 1986. Near Mint- ... Out Of Stock
A great title for this album from Bobby Hutcherson – given the way he commands such great tones from his work on the vibes! The album's a real gem from his Landmark Records years – that great back-to-basics point when Bobby was almost doing more by doing less – especially in a record with understated brilliance like this. The group's a warmly sensitive one – with Mulgrew Miller on piano, John Heard on bass, Airto on percussion, and Billy Higgins on drums – a perfect rhythmic accompaniment for Hutcherson's hip vibes. Titles include "Rosemary Rosemary", "Remember", "Never Let Me Go", "Recorda Me", "Bemsha Swing", and "Whisper Not". LP, Vinyl record album
Also available Color Schemes ... LP 4.99

Exact matches29
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonHighway One ... LP
Columbia, 1978. Near Mint- ... Out Of Stock
A wicked post-Blue Note session from Bobby Hutcherson – one that's put together in a different way than his previous work, but still completely sublime throughout! The feel is almost to Hutcherson's earlier work what Woody Shaw's Columbia recordings were to his – tighter, with sharper production – yet still wonderfully soulful and with a strong sense of spirit. Key soloists include Freddie Hubbard on trumpet and Hubert Laws on flute – and the record also features George Cables on acoustic and electric piano, Cedar Walton on acoustic piano, and Eddie Marshall on drums. Includes the lovely "Sweet Rita Suite", plus "Circle", "Secrets Of Love", and "Bouquet". LP, Vinyl record album
(Includes the printed inner sleeve.)
 
Possible matches: 57
Possible matches30
CD, LP, Vinyl record album cover art
Dee Dee BridgewaterLittle B's Poem/People Make The World Go Round ... 7-inch
Trio (Japan), 1974. New Copy (pic cover, reissue)... $24.99
A unique Japanese-only single – one that features two of the best tracks from the legendary Afro Blue album by Dee Dee Bridgewater! First up is her take on the Bobby Hutcherson classic "Little B's Poem" – a completely wonderful vocal version that, to us, even blows away the well-known take on the tune by Doug and Jean Carn! The flipside features this great vocal jazz remake of the Stylistics hit "People Make The World Go Round" – served up with lots of spirit at the core, in a way that really changes things up! 7-inch, Vinyl record
(Part of the Deep Jazz Reality series!)

Possible matches31
CD, LP, Vinyl record album cover art
Gary BurtonTime Machine ... LP
RCA, 1966. Sealed ... $18.99
Beautiful sounds from Gary Burton – a seminal 60s session that really has the vibist coming into his own, and finding that new path towards musical expression that would flower even more strongly in the 70s! The album has Burton really strengthening up his sense of chrome – matching the boldness of other important 60s vibes players on the rise – like Karel Velebny or Bobby Hutcherson – but also working this really special magic in the way he lets each note resonate in the air – often with a much longer decay on the sound than the actual moment of its creation! Burton also plays a bit of piano on the record, overdubbed with his vibes – but in a way that's quite different than the vibes/piano combo of earlier acts – like the MJQ, or George Shearing Quintet – thanks to work from Steve Swallow on bass and Larry Bunker on percussion. Tracks include "Six Nix Quix Flix", "The Sunset Bell", "Deluge", "Chega De Saudade", and "Falling Grace". LP, Vinyl record album
(Sealed 70s pressing.)

Possible matches32
CD, LP, Vinyl record album cover art
Donald ByrdEthiopian Knights (180 gram pressing) ... LP
Blue Note, 1972. New Copy (reissue)... $22.99 24.99
Sweet electric funk – in a very trippy style, and very different than the later funky fusion from trumpeter Donald Byrd! Before Byrd hooked up with Larry Mizell and started recording his smooth fusion grooves of the mid 70s – on records like Blackbyrd and Street Lady – he recorded this gem, kind of a "lost" album that has Donald working in an open-ended electric sound – one that's clearly inspired by the experiments of Miles Davis, but which has a generally funkier feel overall! The tracks are very long – with lots of spiraling keyboard and trumpet solos – and the hip players on the set include Bobby Hutcherson on vibes, David T Walker on guitar, Harold Land on tenor, and Joe Sample on organ – a very cool combo that's got a cross between The Crusaders and the Hutcherson/Land quintet! We love the tracks on this set – especially "The Emperor" and "The Little Rasti", which are both over 15 minutes long, and have a haunting spacey sound that's a departure from Donald's usual work! LP, Vinyl record album

Possible matches33
CD, LP, Vinyl record album cover art
Teddy CharlesTeddy Charles Tentet (Jazzlore) ... LP
Atlantic, 1956. Near Mint- ... $3.99
Sublime modern jazz from Teddy – right up there with the best mid 50s work of other groundbreakers like Charles Mingus or George Russell, to whom Charles acknowledges more than a bit of inspiration! Charles plays vibes like no one else – especially at this point in his career, when he's moving into offbeat chromatic ranges that wouldn't be duplicated for another decade, in the work of players like Bobby Hutcherson or Gary Burton. His players on this set include Art Farmer, JR Monterose, Gigi Gryce, and Mal Waldron – and the album includes the original tracks "Green Blues", "The Emperor", and "Vibrations", plus a great version of "Nature Boy". LP, Vinyl record album
(80s pressing. Cover has a cutout notch and a promo stamp.)

Possible matches34
CD, LP, Vinyl record album cover art
Bruce FormanThere Are Times ... LP
Concord, 1986. Near Mint- ... $6.99
The special guest here is Bobby Hutcherson, whose vibes really make the album sound great – in a quintet with George Cables on piano, Jeff Carney on bass, and Eddie Marshall on drums! LP, Vinyl record album

Possible matches35
CD, LP, Vinyl record album cover art
David FriedmanOf The Wind's Eye ... LP
Enja (Germany), 1981. Near Mint- ... $9.99
Spacious vibes and soulful marimba from the great Dave Friedman – a player who's really hitting his stride at this point in his career – and finding a way to set his music apart from all previous vibesmen who've come before! Friedman's got the sense of tone and timing that you might hear in Gary Burton, but also a tighter, harder hit to the notes – ala Bobby Hutcherson – yet his way of mixing his own instrument with the bass of Harvie Swartz and drums of Daniel Humair is something else entirely – especially when the soulful soprano sax of Jane Ira Bloom is part of the mix. Most tracks have an open feel – but in a way that's very different than similar material over at ECM – and titles include "Mr Close", "Fonque", "A Swiss Celebration", and "A Unicorn In Captivity (part 2)". LP, Vinyl record album
(Cover has a cutout notch.)

Possible matches36
CD, LP, Vinyl record album cover art
Grant GreenIdle Moments ... LP
Blue Note, Early 60s. Sealed ... $19.99
A warmly melodic session from Blue Note's greatest guitarist! The sound of the set's as evocative as the title – an idle moment of space between the notes, explored by Green's tight single-note work on guitar – and wonderfully supported by a lineup that includes Joe Henderson, Bobby Hutcherson, and Duke Pearson. Hutcherson and Pearson are always a treat together – bringing out the best exotic side of each other, and crafting a set of spiritually soulful grooves that are really great! The album's got 4 long tracks – exploratory and open, in the best manner of Green's mid 60s work – and titles include "Nomad", "Idle Moments", and "Jean De Fleur". LP, Vinyl record album
(75th Anniversary pressing.)
Also available Idle Moments ... LP 20.99

Possible matches37
CD, LP, Vinyl record album cover art
Grant GreenIdle Moments ... LP
Blue Note, 1963. New Copy (reissue)... $20.99
A warmly melodic session from Blue Note's greatest guitarist! The sound of the set's as evocative as the title – an idle moment of space between the notes, explored by Green's tight single-note work on guitar – and wonderfully supported by a lineup that includes Joe Henderson, Bobby Hutcherson, and Duke Pearson. Hutcherson and Pearson are always a treat together – bringing out the best exotic side of each other, and crafting a set of spiritually soulful grooves that are really great! The album's got 4 long tracks – exploratory and open, in the best manner of Green's mid 60s work – and titles include "Nomad", "Idle Moments", "Django" and "Jean De Fleur". LP, Vinyl record album
Also available Idle Moments ... LP 19.99

Possible matches38
CD, LP, Vinyl record album cover art
Grant GreenIdle Moments (RVG remaster edition) ... CD
Blue Note, 1963. Used ... $6.99
A warmly melodic session from Blue Note's greatest guitarist! The sound of the set's as evocative as the title – an idle moment of space between the notes, explored by Green's tight single-note work on guitar – and wonderfully supported by a lineup that includes Joe Henderson, Bobby Hutcherson, and Duke Pearson. Hutcherson and Pearson are always a treat together – bringing out the best exotic side of each other, and crafting a set of spiritually soulful grooves that are really great! The album's got 4 long tracks – exploratory and open, in the best manner of Green's mid 60s work – and titles include "Nomad", "Idle Moments", and "Jean De Fleur". Also includes bonus tracks that are alternate takes of some of the cuts on the album! CD
Also available Idle Moments ... LP 19.99

Possible matches39
CD, LP, Vinyl record album cover art
Andrew HillJudgment! ... CD
Blue Note (Japan), 1964. New Copy ... $14.99
A seminal "new thing" session from pianist Andrew Hill, and one of the greatest performances ever from a young Bobby Hutcherson! The record features a stunning quartet that includes Hill on piano, Hutcherson on vibes, and Richard Davis and Elvin Jones on rhythm – coming together with the stark, raw energy that made the key Blue Note modern sides from this time so great. Hutcherson hits these amazing tones on the vibes, similar to those that he uses on some of the Jackie McLean albums from the same time – and those tones work perfectly with Hill's fractured piano lines. Titles are all originals by Hill, including "Alfred", "Reconciliation", "Yokada Yokada", and "Flea Flop". CD
(Part of the "Blue Note 80 – More 60 Works" series!)

Possible matches40
CD, LP, Vinyl record album cover art
Osamu KitajimaEarly Years (Shinchugoku/Benzaiten/Osamu/Masterless Samurai/Dragon King) (180 gram 5LP set) ... LP
Everland (Netherlands), 1970s/Early 80s. New Copy 5LP ... About October 15, 2019 (delayed)
A special box set that collects all the key early albums from guitarist Osamu Kitajima – including a few rock moments too! First up is Shinchugoku – the earliest album we've ever seen from legendary guitarist Osamu Kitajima – a set that's a bit more pastoral and down to earth, as you might guess from its cover image! The work is a mellow take on folksy psych modes – electric and acoustic guitars mixed together on a set of songs that are hauntingly tuneful, with these evocative lyrics in Japanese that really fit the melodies – and which somehow have an appeal that goes way beyond the boundaries of language, thanks to a style that's expressive, but never overdone. A few tunes are a bit harder rocking, but the record's a pretty laidback affair overall – and titles include "Inchunfa", "Ronshuiko", "Tohoko", "Ketsumazuitemo", "Takai Takai Koanryo", and "Hyakusho Wa Tanoshi". Next is Benzaiten – a really unique project from guitarist Osamu Kitajima – a player you might know from his smoother fusion sets at the end of the 70s – but who works here in a very trippy blend of Japanese instrumentation and electric jazz! Kitajima handles a heck of a lot of strings – both acoustic and electric guitars, bass, and even the biwa – a Japanese style of lute, which appears to be electrified on the record. There's also work on hayashi-bue, narimono, and shakuhachi – other Japanese instruments folded into the album's mix of fuzz and keyboards – which are often used sparely, but in ways that bring a nicely psychedelic vibe to the album at times. Osamu vocalizes a bit – but mostly in ways that just go along with the music – and titles include "Benzaiten", "Tengu", "Whoma", and "Taiyo". The Osamu album follows – a set that's still got some of the exotic elements of his other material, but which also brings in a stronger fusion component too – mixing Kitajima's work on guitar and koto with plenty of Fender Rhodes and other great electric touches! The set was recorded in LA, and definitely has some warm Cali fusion elements – but Osamu also still hangs on to some "eastern" flavor with his own instrumentation – which is echoed by a bit of shakuhachi and nohkan by Tatsuya Sano. There's vocals on a few tracks, but they don't get in the way much, and with the cool banks of keyboards and nice drums, you hardly notice them at all! Sweet and breezy – in the best Japanese 70s fusion mode – and with tracks that include "Frost Flowers", "Elemental Spirits", and "Fur, Fin & Feather". Minnie Riperton also sings vocals on the track "Yesterday & Karma"! Masterless Samurai is a record that mixes together LA electric with some folksier elements, in the continuing exploration of cross cultural patterns that drifted across Kitajima's work from this time. The album's got a compelling blend of electric and acoustic instrumentation, and features work by players that include Clare Fischer, Victor Feldman, Stix Hooper, John Klemmer, and Bobby Hutcherson. Titles include "Floating Garden", "Wild Monk", "Golden Mean", and "Whoga". Dragon King is a great record from Osamu Kitajima – one of his most soulful ever! The record features some additional production and arrangements by Richard Evans – who takes Osamu's Japanese fusion style, and gives it a sparkling modern soul groove that's perfect for US audiences. In fact, Osamu's frequent use of eastern instrumentation – koto, biwa, and other instruments – works perfectly with the flair for the exotic that Evans always had during his years at Cadet. Includes the smooth stepper "Say You Will" with vocals by Phil Perry and Rena Scott – plus the tracks "Yamame", "Dragon King", "Willow Pattern", and "Share My Love". LP, Vinyl record album

Possible matches41
CD, LP, Vinyl record album cover art
Osamu KitajimaEarly Years (Shinchugoku/Benzaiten/Osamu/Masterless Samurai/Dragon King) (5CD set) ... CD
Everland (Netherlands), 1970s/Early 80s. New Copy 5CD ... $69.99 84.99
A special box set that collects all the key early albums from guitarist Osamu Kitajima – including a few rock moments too! First up is Shinchugoku – the earliest album we've ever seen from legendary guitarist Osamu Kitajima – a set that's a bit more pastoral and down to earth, as you might guess from its cover image! The work is a mellow take on folksy psych modes – electric and acoustic guitars mixed together on a set of songs that are hauntingly tuneful, with these evocative lyrics in Japanese that really fit the melodies – and which somehow have an appeal that goes way beyond the boundaries of language, thanks to a style that's expressive, but never overdone. A few tunes are a bit harder rocking, but the record's a pretty laidback affair overall – and titles include "Inchunfa", "Ronshuiko", "Tohoko", "Ketsumazuitemo", "Takai Takai Koanryo", and "Hyakusho Wa Tanoshi". Next is Benzaiten – a really unique project from guitarist Osamu Kitajima – a player you might know from his smoother fusion sets at the end of the 70s – but who works here in a very trippy blend of Japanese instrumentation and electric jazz! Kitajima handles a heck of a lot of strings – both acoustic and electric guitars, bass, and even the biwa – a Japanese style of lute, which appears to be electrified on the record. There's also work on hayashi-bue, narimono, and shakuhachi – other Japanese instruments folded into the album's mix of fuzz and keyboards – which are often used sparely, but in ways that bring a nicely psychedelic vibe to the album at times. Osamu vocalizes a bit – but mostly in ways that just go along with the music – and titles include "Benzaiten", "Tengu", "Whoma", and "Taiyo". The Osamu album follows – a set that's still got some of the exotic elements of his other material, but which also brings in a stronger fusion component too – mixing Kitajima's work on guitar and koto with plenty of Fender Rhodes and other great electric touches! The set was recorded in LA, and definitely has some warm Cali fusion elements – but Osamu also still hangs on to some "eastern" flavor with his own instrumentation – which is echoed by a bit of shakuhachi and nohkan by Tatsuya Sano. There's vocals on a few tracks, but they don't get in the way much, and with the cool banks of keyboards and nice drums, you hardly notice them at all! Sweet and breezy – in the best Japanese 70s fusion mode – and with tracks that include "Frost Flowers", "Elemental Spirits", and "Fur, Fin & Feather". Minnie Riperton also sings vocals on the track "Yesterday & Karma"! Masterless Samurai is a record that mixes together LA electric with some folksier elements, in the continuing exploration of cross cultural patterns that drifted across Kitajima's work from this time. The album's got a compelling blend of electric and acoustic instrumentation, and features work by players that include Clare Fischer, Victor Feldman, Stix Hooper, John Klemmer, and Bobby Hutcherson. Titles include "Floating Garden", "Wild Monk", "Golden Mean", and "Whoga". Dragon King is a great record from Osamu Kitajima – one of his most soulful ever! The record features some additional production and arrangements by Richard Evans – who takes Osamu's Japanese fusion style, and gives it a sparkling modern soul groove that's perfect for US audiences. In fact, Osamu's frequent use of eastern instrumentation – koto, biwa, and other instruments – works perfectly with the flair for the exotic that Evans always had during his years at Cadet. Includes the smooth stepper "Say You Will" with vocals by Phil Perry and Rena Scott – plus the tracks "Yamame", "Dragon King", "Willow Pattern", and "Share My Love". CD
(In a very cool cloth-covered box!)

Possible matches42
CD, LP, Vinyl record album cover art
Harold LandChoma (Burn) ... LP
Mainstream, 1970. Near Mint- Gatefold ... Just Sold Out!
One of the hippest albums ever from the team of Harold Land and Bobby Hutcherson – and a set that's even more open than some of their other records on Blue Note or Chess! This set's a bit more electric than some of the other records from the pair – with these drawn-out Fender Rhodes lines from Bill Henderson – who comps and vamps with modal energy that really draws out some searing, searching solos from Land's tenor! Bobby's vibes are maybe a bit more restrained, but offer a key element in the overall soundshape of the record – and the rest of the lineup includes Reggie Johnson on bass, Ndugu and Woody Theus on drums, and Harold Land Jr on additional piano. All tracks are long – and titles include "Black Caucus", "Our Home", "Up & Down", and "Choma". LP, Vinyl record album
(Original pressing!)

Possible matches43
CD, LP, Vinyl record album cover art
Harold LandDamisi ... CD
Mainstream/Ultra Vybe (Japan), 1972. New Copy ... About December 18, 2019
Harold Land at his most spiritual – recording solo after a set of great albums with Bobby Hutcherson as a partner – but still very much in the same sort of unbridled energy! The tracks are soaring and open – and have Land's tenor really sounding nice and raw – amidst a lineup that includes Oscar Brashear on trumpet, Bill Henderson on piano, Buster Williams on bass, and Ndugu Chancler on drums and percussion! Henderson picks up Fender Rhodes at points – especially on the great funky cut "In The Back In The Corner In The Dark", which is one of the best-remembered tracks on the set. And Land also plays a bit of oboe on the cut "Pakistan", almost in a Yusef Lateef sort of style. Other cuts include "Chocolate Mess", "Damisi", and "Step Right Up To The Bottom" – all great too! CD

Possible matches44
CD, LP, Vinyl record album cover art
✨✧ Harold LandXocia's Dance ... LP
Muse, 1981. Near Mint- ... Just Sold Out!
A great late set from Harold Land – a reunion with his old partner Bobby Hutcherson, in a hip soul jazz session with work from other great west coast talents like Oscar Brashear, George Cables, and Billy Higgins. The tracks aren't as leapingly modal as the pair's earlier work for Blue Note or Cadet, but still have that deeply soulful quality – especially as most numbers are over 8 minutes long, spiralling out into some well-placed, well-evolved solos that make the record one of the strongest sides on Muse from the time. Titles include "Ah I See", "Dark Mood", "Daisy Forever", and "Xocia's Dance". LP, Vinyl record album
(White label promo. Cover has a Factory Sealed sticker.)

Possible matches45
CD, LP, Vinyl record album cover art
Jackie McLeanDestination Out ... CD
Blue Note (Japan), 1963. New Copy ... $14.99
A modernist classic from 60s Blue Note! The album's one of Jackie McLean's greatest from the time – and one of his seminal "new thing" sessions cut with young modernists Grachan Moncur III on trombone and Bobby Hutcherson on vibes – both young players who were really finding the sharper edges of their sound at the time! Three of the four long tracks on the record were written by Moncur, and have a similar approach to his own recordings for Blue Note – moody and introspective, in a style that's as concerned with sound and space as it is jazz and rhythm – and Hutcherson's vibes are beyond compare here, with have a sinister metallic quality that he only used briefly in his early career! The whole record's a gem, and one not to pass up! Titles include "Kahlil The Prophet", "Riff Raff", and "Love & Hate". CD
(Part of the "Blue Note 80 – More 60 Works" series!)

Possible matches46
CD, LP, Vinyl record album cover art
Frank Morgan AllstarsReflections ... LP
Contemporary, 1988. Very Good ... $1.99
Excellent later work from Frank Morgan – the legendary LA altoist who first burned brightly in the bop generation, then came back to make really rich recordings like this! The set's got Frank in some really great company – a hip sextet that features Joe Henderson on tenor, Bobby Hutcherson on vibes, Mulgrew Miller on piano, Ron Carter on bass, and Al Foster on drums – a sweet modern jazz lineup that ensures that the record's filled with sharp changes and deep colors – arguably a lot more so than some of Morgan's later revival sessions – with a vibe that's much more like some of Hutcherson or Henderson's best from the 80s. Titles include "Old Bowl New Grits", "Starting Over", "Reflections", "OK", and "Black Narcissus". LP, Vinyl record album

Possible matches47
CD, LP, Vinyl record album cover art
John PattonLet 'Em Roll ... CD
Blue Note (Japan), 1965. New Copy ... $19.99
A wonderfully wicked meeting of the minds – and a legendary bit of soul jazz from organist Big John Patton! The core of the record features the usual Patton groove – with John on Hammond, Grant Green on guitar, and Otis Finch on drums – but added to that mix is Bobby Hutcherson on vibes, making a rare appearance on an organ jazz session, with some wonderful results! The combination of vibes and organ is especially haunting – jangling a groove with a really modal feel, and creating a sound that instantly made this one stand out from the pack! The whole thing's great, and tracks include "The Turnaround", "Let Em Roll", "Latona", and "One Step Ahead". CD
(Part of the "Blue Note 80 – The 80 Works" series! Ultimate HQ CD pressing.)

Possible matches48
CD, LP, Vinyl record album cover art
Duke PearsonI Don't Care Who Knows It (180 gram pressing) ... LP
Blue Note/Wallen Bink (UK), 1968/1969/1970. Near Mint- 2LP Gatefold ... $39.99
One of the greatest albums ever from pianist Duke Pearson – recorded at a time when the musician was taking a bigger role at the Blue Note label, and started exploring some great musical territory in the process! The tracks here were all recorded in the late 60s – but not issued by the label until decades later, when they were pulled together in this fantastic double-length set – a record that comes as a real revelation. The work's quite different than Pearson's big band recordings, or his earlier soul jazz ones – and is a brilliant mix of Brazilian styles, electric instrumentation, complicated arrangements, and some of the more head-oriented jazz that was cropping up on Blue Note at the time – particularly some of the United States Of The Mind albums by Horace Silver! Silver's musical partner Andy Bey sings on the album's title cut – and other musicians include Frank Foster on tenor, Bobby Hutcherson on vibes, Wally Richardson on guitar, Jerry Dodgion on flute, Ralph Towner on acoustic guitar, and a young Airto on percussion. Titles include the fantastic "I Don't Care Who Knows It", a great version of "Canto De Ossanha", and the tracks "Bloos", "I Don't Know", "Captain Bacardi", "Rosemary's Baby", "Dialogo", "Upa Neguinho", and "Xibaba". LP, Vinyl record album
Also available I Don't Care Who Knows It (180 gram pressing) ... LP 46.99

Possible matches49
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonI Don't Care Who Knows It (180 gram pressing) ... LP
Blue Note/Wallen Bink (UK), 1968/1969/1970. New Copy 2LP Gatefold (reissue)... $46.99
One of the greatest albums ever from pianist Duke Pearson – recorded at a time when the musician was taking a bigger role at the Blue Note label, and started exploring some great musical territory in the process! The tracks here were all recorded in the late 60s – but not issued by the label until decades later, when they were pulled together in this fantastic double-length set – a record that comes as a real revelation. The work's quite different than Pearson's big band recordings, or his earlier soul jazz ones – and is a brilliant mix of Brazilian styles, electric instrumentation, complicated arrangements, and some of the more head-oriented jazz that was cropping up on Blue Note at the time – particularly some of the United States Of The Mind albums by Horace Silver! Silver's musical partner Andy Bey sings on the album's title cut – and other musicians include Frank Foster on tenor, Bobby Hutcherson on vibes, Wally Richardson on guitar, Jerry Dodgion on flute, Ralph Towner on acoustic guitar, and a young Airto on percussion. Titles include the fantastic "I Don't Care Who Knows It", a great version of "Canto De Ossanha", and the tracks "Bloos", "I Don't Know", "Captain Bacardi", "Rosemary's Baby", "Dialogo", "Upa Neguinho", and "Xibaba". LP, Vinyl record album
(Limited to 1000 double vinyl copies.)
Also available I Don't Care Who Knows It (180 gram pressing) ... LP 39.99

Possible matches50
CD, LP, Vinyl record album cover art
Duke PearsonPhantom ... LP
Blue Note, 1969. Very Good- ... $29.99
Incredible work from pianist Duke Pearson – a darkly-tinged album of grooves that surpasses all his other gems for Blue Note! The record showcases some great work from Bobby Hutcherson – slid into the mix in a really sly way, so that his jazzy vibes color all the tunes with an edgey feeling that's missing from most of Duke's other albums. The group's slightly largeish – with Jerry Dodgion on flute and alto, Sam Brown and Al Gafa on guitar, plus added Latin percussion on a number of tracks – but although the larger group format often made for softer edges on other Pearson sessions from the time, the mix here is quite different – at a level that works in complicated rhythms, rich colors and tones, and warm harmonics that have a slightly unsettling undercurrent. The album's worth it alone for the mighty title cut "The Phantom" – but the whole thing's great, and other tracks include "Bunda Amerela", "Say You're Mine" and "Blues for Alvina". LP, Vinyl record album
(Original Liberty stereo pressing with Van Gelder stamp. NOTE – Cover is heavily stained on the bottom 3 inches, held down with wide clear tape, and with wide clear tape on the sides.)

Possible matches51
CD, LP, Vinyl record album cover art
SF Jazz CollectiveSF Jazz Collective ... CD
Nonesuch, 2002. Used ... $5.99
One of the freshest statements we've heard from the San Francisco scene in years – recorded by a group of players that spans the city's range of contributions to jazz! The ensemble is headed by Joshua Redman on reeds – but it also features some incredible work from Bobby Hutcherson, working here in a style that recalls some of his most adventurous recordings of the 70s – alongside piano from Renee Rosnes, drums by Brian Blade, trumpet from Nicholas Payton, bass from Robert Hurst, and sax and flute from Miguel Zenon. The set was recorded live, and has a depth of soul that really surprised us – with titles that include "Una Muy Bonita", "Rise & Fall", "March Madness", "Lingala", "Peace", and "Of This Day's Journey". CD
(Out of print.)

Possible matches52
CD, LP, Vinyl record album cover art
SF Jazz CollectiveSF Jazz Collective 2 ... CD
Nonesuch, 2006. Used ... $8.99
With Renee Rosnes on piano, Nicholas Payton on trumpet, Matt Penman on bass, Bobby Hutcherson on vibes, Joshua Redman tenor and soprano sax, Miguel Zenon on alto and flute, and Eric Harland on drums. CD
(Out of print, penmark through slipcover barcode.)

Possible matches53
CD, LP, Vinyl record album cover art
Timeless All StarsTimeless Heart ... LP
Timeless (Netherlands), 1983. Near Mint- ... $9.99
Masterful work from one of the greatest all-star groups in jazz – a short lived sextet that featured some of the best players working for Timeless Records – and a group that recalls the brilliance of the early recordings of Harold Land and Bobby Hutcherson! Both Hutcherson and Land are part of the group – as are Cedar Walton, Curtis Fuller, Buster Williams, and Billy Higgins – and the amazing thing about the set is the way that such top-shelf players can come together, yet manage to work in a mode that's far greater than the sum of its equally great parts! The sound here is nothing like you'd expect from an "all star" session – as the tunes are complicated, intricate, and have an approach that's far different than the "head arrangement with battling solos" that first marked all star jazz recordings in years back. These six players come together with a wonderfully fluid groove – sliding soulfully in the realms explored by Hutcherson, Land, Walton, and Higgins on their own records from the time – and working through magical readings of original tunes that include "Hindsight", "Tayamisha", "Hand In Glove", "Fiesta Espagnol", "World Peace", and "Christina". LP, Vinyl record album

Possible matches54
CD, LP, Vinyl record album cover art
McCoy TynerSama Layuca ... LP
Milestone, 1974. Very Good+ ... $14.99
Quite hip stuff from McTyner – really righteous sounds from his 70s run for Milestone Records, recorded with a great lineup that includes Bobby Hutcherson on vibes, Gary Bartz on alto, Azar Lawrence on soprano and tenor sax, Bulster Williams on bass, Billy Hart on drums, and Mtume on percussion! With players like that, it would be hard to miss – but McCoy's also not one to just let the cats do their own thing – as he directs the group with a sense of power and majesty that's really wonderful. Tyner spins out long dramatic lines in a post-Coltrane Impulse mode that's almost more like Alice Coltrane than his usual bag – and the horn solos of Bartz and Lawrence really give the set a crackling edge. Ttiles include "Paradox", "Desert Cry", "La Cubana", and "Sama Layuca". LP, Vinyl record album

Possible matches55
CD, LP, Vinyl record album cover art
McCoy TynerTime For Tyner ... CD
Blue Note (Japan), 1968. New Copy ... $14.99
Brilliant work by McCoy Tyner – an album that has him firmly stepping out of the shadow of Coltrane with a sound influenced by the rising Afro-centric style of soul jazz to emerge in the 70s! The group on the set is a quartet with Bobby Hutcherson on vibes – and the mixture of Hutcherson's vibes and Tyner's piano is extremely compelling – stretching out in long, rhythmic, modal lines that dance and light the groove no matter what the tune. The rest of the group features Herbie Lewis on bass and Freddie Waits on drums – and titles include the great original compositions "African Village", "May Street", and "Little Madimba". CD
(Part of the "Blue Note 80 – More 60 Works" series!)

Possible matches56
CD, LP, Vinyl record album cover art
Wooden Glass Featuring Billy WootenWooden Glass Recorded Live (Japanese paper sleeve edition) ... CD
P-Vine (Japan), 1972. New Copy ... $26.99
Mad funky vibes from The Wooden Glass – a group led by vibist Billy Wooten – an obscure player in the history books, but one who has had a huge influence on 21st Century groove! Billy's got a hard style on the vibes that's like Bobby Hutcherson and Roy Ayers at their soulful best – working here with a tight combo that includes guitar and organ, very much in the mode of his classic work with the slightly more famous (although equally obscure) Indianapolis combo The Ninteenth Whole! The set's a live one, but it really cooks with a sweet electric feel – echoey, funky, and soulful – as tunes spin out in a staggering approach to the vibes that's unmatched by any record of its time. Billy was a huge influence on Madlib and the sound of Yesterday's New Quintet – and hearing this set, it's virtually a blueprint for that group's current work! Includes great covers of "In The Rain", "Day Dreaming", and "Love Is Here" – plus Wooten's excellent original tracks "Monkey Hips & Rice" and "Joy Ride". CD

Possible matches57
CD, LP, Vinyl record album cover art
✨✧ VariousSpiritual Jazz 9 – Blue Notes – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... CD
Blue Note/Jazzman (UK), Late 60s/Early 70s. New Copy 2CD ... $18.99
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As the 60s moved on, Blue Note became an even more open-minded label than before – and not only gave some of its key players the chance to stretch out and really spread their wings – but also brought some younger talents into the mix, who really expanded the vision of the Blue Note sound. Some of the tracks here are from the middle of the decade – and reflect more of the growing interest in modal jazz spurred on by Coltrane, Miles Davis, and others – while some of the later tracks are surprisingly righteous, sometimes political moments from players who would have sounded very different just a few years before. The package is done with the same amazing care and fantastic set list as previous Spiritual Jazz collections from Jazzman – and titles include "Verse" by Bobby Hutcherson, "Footprints" by Wayne Shorter, "At This Point In Time" by Elvin Jones, "The Rain" by Eddie Gale, "Poinsettia" by Andrew Hill, "Searchin The Trane" by Bobby Hutcherson, "The Phantom" by Duke Pearson, "Assunta" by Freddie Hubbard, "El Barrio" by Joe Henderson, "Plight" by Jackie McLean, "Gichi" by Booker Ervin, "Igbesi Aiye" by Solomon Ilori, "Blue Spirits" by Freddie Hubbard, "Cristo Redentor" by Duke Pearson, "The Morning After" by Hank Mobley, "Indian Song" by Wayne Shorter, and "Malaguena" by Pete LaRoca. CD
Also available Spiritual Jazz 9 – Blue Notes – Part 1 – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... LP 24.99

Possible matches58
CD, LP, Vinyl record album cover art
VariousSpiritual Jazz 9 – Blue Notes – Part 1 – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... LP
Jazzman (UK), 1960s/1970s. New Copy 2LP Gatefold ... $24.99 28.98
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As the 60s moved on, Blue Note became an even more open-minded label than before – and not only gave some of its key players the chance to stretch out and really spread their wings – but also brought some younger talents into the mix, who really expanded the vision of the Blue Note sound. Some of the tracks here are from the middle of the decade – and reflect more of the growing interest in modal jazz spurred on by Coltrane, Miles Davis, and others – while some of the later tracks are surprisingly righteous, sometimes political moments from players who would have sounded very different just a few years before. The package is done with the same amazing care and fantastic set list as previous Spiritual Jazz collections from Jazzman – and titles on this first volume include "Verse" by Bobby Hutcherson, "Footprints" by Wayne Shorter, "At This Point In Time" by Elvin Jones, "The Rain" by Eddie Gale, "Poinsettia" by Andrew Hill, "Searchin The Trane" by Bobby Hutcherson, "The Phantom" by Duke Pearson, and "Assunta" by Freddie Hubbard. LP, Vinyl record album
Also available Spiritual Jazz 9 – Blue Notes – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... CD 18.99

Possible matches59
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyIron Man (painted cover) ... LP
Douglas, 1962. Very Good+ ... Temporarily Out Of Stock
A seminal set from Eric Dolphy – one of his most perfectly realized moments at the head of a larger ensemble – and a record that definitely set the tone for countless spiritual jazz sessions of the 70s! Dolphy recorded this session for Alan Douglas in 1962, and it features a larger array of players than you'll find on most of his records for other labels – the cream of the "new thing" players that were around New York at the time, including Bobby Hutcherson on vibes, Woody Shaw on trumpet, Prince Lasha on flute, Sonny Simmons on alto, and even Clifford Jordan on soprano sax – making a rare appearance on record on that instrument! Together, the players create a set of soundscapes that lies somewhere between Dolphy's Out To Lunch album, and some of the more modernist work by Mingus – a stunning batch of tracks that go out, but never too far. Titles include "Ode to CP", "Burning Spear", "Iron Man", and "Mandrake". LP, Vinyl record album
(Cover has light wear.)

Possible matches60
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyOut To Lunch ... LP
Blue Note, 1964. Very Good+ ... Temporarily Out Of Stock
One of Eric Dolphy's lasting classics – and possibly the ultimate album of "new thing" jazz from the mid 60s! The record's got an even sharper edge than previous Dolphy recordings for Prestige – a really unique combination of instrumentation that includes Freddie Hubbard on trumpet, Bobby Hutcherson on vibes, Richard Davis on bass, and Tony Williams on drums – plus Dolphy on alto sax, flute, and bass clarinet. Although Dolphy's reed playing is as amazing as you'd expect, the real surprise here is Hutcherson, whose vibes ring out with this cold harsh tone that give a perfect edge to the set – bold and metallic, quite different than any work on vibes from previous players. Despite a large number of later recordings, Hutcherson almost never hit this sound again – except perhaps on a few Jackie McLean recordings – and it's his playing that gives the set such a unique sound. Titles include "Straight Up & Down", "Gazzelloni", "Hat & Bread", "Out To Lunch" and "Something Sweet Something Tender". LP, Vinyl record album
(Liberty stereo pressing. Cover has some ring & edge wear and a small sticker on back.)

Possible matches61
CD, LP, Vinyl record album cover art
✨✧ Grant GreenStreet Of Dreams ... LP
Blue Note, 1964. Sealed ... Temporarily Out Of Stock
One of our favorite albums ever from guitarist Grant Green – an amazingly stretched-out session that's served up with a good deal of modal jazz in the rhythms – and a date that features killer work from Larry Young on organ and Bobby Hutcherson on vibes! The pair join Green in a quartet that also includes Elvin Jones on drums – who provides a loose, fluid approach to rhythm that really sets the tone for the date – a flowing vibe that folds together the organ, guitar, and vibes beautifully – with an incomparable floating vibe that's pure magic! All tracks are long and very open – and titles include "Street Of Dreams", "Somewhere In The Night", and "Lazy Afternoon". LP, Vinyl record album
(75th Anniversary pressing.)

Possible matches62
CD, LP, Vinyl record album cover art
✨✧ Al GreyBasic Grey ... LP
Argo/Cadet/Chess, Early 60s. Very Good 2LP Gatefold ... Temporarily Out Of Stock
A collection of some Basie trombonist Al Grey's work for the Argo label pulled from the Last Of The Big Plungers, Snap Your Fingers and Al Grey Billy Mitchell Sextet LPs, some of his hippest work, featuring Billy Mitchell, Donald Byrd, Floyd Morris, Herbie Hancock and Bobby Hutcherson. 22 tracks in all, including "Things Ain't WhatThey Used To Be", "Open Wider Please", "I Got It bad And That Ain't Good", "Don't Get Around Much Anymore", "The Elder", "Bewitched", "Bluish Grey", "Wild Deuce", "Bantu", "Melba's Blues", "Nothng But The Truth", "RBQ", "Minor On Top", "African Lady", "Hi Fly" and "Home Fries". LP, Vinyl record album
(Cover has light wear.)

Possible matches63
CD, LP, Vinyl record album cover art
✨✧ Al GreyHaving A Ball ... LP
Argo, 1963. Very Good ... Temporarily Out Of Stock
Although he's made many snoozy records in his time, the early Al Grey albums for Argo are pretty hard swingin', and have a lot of nice surprises. This one's got a very young Bobby Hutcherson on vibes, and the great Dave Burns on trumpet. Tracks are short, with a hard swingin' groove that's still popular on the south side of Chicago today. Lots of nice originals, like "Deep Fried", "Boss Tina", and "Stone Crazy". LP, Vinyl record album
(Gray label Argo pressing with deep groove. Cover has a small cutout hole, sticker, and some pen on back.)

Possible matches64
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✨✧ Joe HendersonMode For Joe (with bonus track) ... CD
Blue Note, 1966. Used ... Temporarily Out Of Stock
Classic early work by Joe Henderson – very well titled with the use of "mode", given the new sound and new direction Henderson was taking his tenor in the 60s! The album's got Joe working at the head of an all-great lineup that includes Lee Morgan, Curtis Fuller, Cedar Walton, and Bobby Hutcherson – the last of whom really brings in some tremendous moments to the record, using vibes to create a slightly off-kilter feel that pushes the set from straight hardbop into the modern realm with traces of "new thing" tones and colors. Joe's solos are incredible – searing, searching, yet still pulsing with an undeniably soulful rhythm – and titles include the essential track "Black", plus "Caribbean Fire Dance", "Free Wheelin", and "Shade Of Jade". CD features a bonus alternate take of "Black". CD
(First CD pressing.)

Possible matches65
CD, LP, Vinyl record album cover art
✨✧ Alan LeeAlan Lee – An Australian Jazz Anthology ... CD
Jazzman (UK), Early 70s. New Copy ... Temporarily Out Of Stock
Ultra-hip sounds from the Australian scene of the early 70s – some killer cuts by vibist Alan Lee – a player who was exploring with as many new ideas on his instrument as contemporary American giants like Roy Ayers or Bobby Hutcherson at the time! The work here is a great summation of Lee's best moments on record during an incredibly fruitful period – a time when he was really stretching out on hip, soulful styles that included some strong undercurrents of funk and modal jazz – all with this fresh, inventive approach to rhythm that would have made most of these cuts right at home in the hippest side of the MPS universe of the time – but which never saw much exposure at the time, due to the poor circulation of Australian jazz records, which were only pressed up in small amounts and rarely left the continent. The folks at Jazzman have done a really wonderful job here – adding in notes on Lee's career – and picking amazing cuts that include "Love Song", "Bailero", "Sunflower", "Enchanted Lady", "Sketch", "Bachianas Brasileiras No 5", and "Dance Of The Adolescents". CD features four bonus tracks, numbers that are a bit more funk and groove-related – "Flying Saucer", "World Is A Ghetto", "Comin Home Baby", and "Moanin". CD

Possible matches66
CD, LP, Vinyl record album cover art
✨✧ Quartetto ModernoEcco! ... CD
Schema (Italy), 1999. New Copy ... Temporarily Out Of Stock
One of the most beautiful jazz recordings we've heard in a long time! Italy's Quartetto Moderno is a vibes-led combo with a classic modal feel – similar to Bobby Hutcherson's pre-new thing years on Blue Note, or some of the early Roy Ayers & Jack Wilson recordings from LA. The sound is extremely captivating, and the main frontline of vibes and piano is augmented on a number of tracks by flute and alto. The set's got a great cover of Paul Horn's lost modal groover "Mr. Bond", plus loads of great originals, like "Giovani D'Oggi", "Il Gioco Delle Parti", "Astro Gange", and "Moderns Dilemma". Very nice stuff, and with a sound and feel that's far more sophisticated than some of the other titles on Schema! CD

Possible matches67
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✨✧ VariousBlue Note Live At The Roxy ... LP
Blue Note, 1976. Sealed 2LP Gatefold ... Temporarily Out Of Stock
An overlooked gem from Blue Note – a special live performance that brings together some of the label's funkiest and most soulful artists of the 70s! The set's somewhat unusual for Blue Note at the time – especially given the label's increasingly studio-driven approach to jazz, with projects by the Mizell Brothers and others – yet given that bent, the whole thing's a great illustration of the vibrancy of all these artists always from the studio – playing live and extremely funky! As the title implies, the set was recorded live at the Roxy in LA – with players who include Donald Byrd, Ronnie Laws, Gene Harris, Bobby Hutcherson, and Alphonse Mouzon – all coming together in warm unity to show that the spacious sounds of Blue Note could also be crafted in a live setting, and not just under closely-watched studio help arrangers and producers. Carmen McRae sings on a number of tracks, and the album overall does a good job of presenting the material in concert-like setting – and some of the longer tracks feature some mighty nice jamming solos. Titles include "New York City", "Without A Reason", and "Just Like The Sun" by Alphonse Mouzon; "Them There Eyes", "Music" and "Paint Your Pretty Picture" by Carmen McRae; "Always There", "Captain Midnight", and "Night Breeze" by Ronnie Laws; "Blue Note 76" by Blue Note All-Stars; and "Places & Spaces" and "Dominoes" by Donald Byrd – both oddly recorded at Central Park! LP, Vinyl record album
(Cover has a cutout hole and bent corner.)

Possible matches68
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✨✧ VariousNew Groove – The Blue Note Remix Project Vol 1 ... CD
Blue Note, 1996. Used ... Temporarily Out Of Stock
After the success of the US3 hit "Cantaloop", Blue Note embraced the "let's sample our classics, and turn them into new dance hits" philosophy, and put together this full album that features modern DJs and producers remixing older works by the likes of Cannonball Adderley, Bobby Hutcherson, Lonnie Smith, Ronnie Foster, Grant Green, Donald Byrd, and others. Remixers include Large Professor, DJ Smash, Guru, The Roots, Diamond D, and Angel – and titles include "The Sophisticated Hippie", "Montara", "Listen Here", "Move Your Hand", "Summer Song", and "Down Here On The Ground". CD
(Out of print.)

Possible matches69
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✨✧ Doug CarnInfant Eyes ... LP
Black Jazz, 1971. New Copy (reissue)... Out Of Stock
An undisputed 70s soul jazz classic – and arguably the best album that Doug Carn ever cut for the Black Jazz label! The set is a masterpiece of spiritual jazz – with Carn on keyboards setting up the groove, and wife Jean singing some incredible vocals – very different than her later soul work as a solo act, and with a vibe that's like Dee Dee Bridgewater at her soulful 70s best. Jean does a killer job with the album's classic vocal version of Bobby Hutcherson's "Little B's Poem" – done here with sweet lyrics that really open the song up a lot, and make it into an anthem of love and joy that we'd be hard pressed to match with any other tune! And all other tracks are great too – with titles that include "Moon Child", "Passion Dance", and a great version of Wayne Shorter's "Infant Eyes". LP, Vinyl record album

Possible matches70
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyOut To Lunch ... CD
Blue Note, 1964. Used ... Out Of Stock
One of Eric Dolphy's lasting classics – and possibly the ultimate album of "new thing" jazz from the mid 60s! The record's got an even sharper edge than previous Dolphy recordings for Prestige – a really unique combination of instrumentation that includes Freddie Hubbard on trumpet, Bobby Hutcherson on vibes, Richard Davis on bass, and Tony Williams on drums – plus Dolphy on alto sax, flute, and bass clarinet. Although Dolphy's reed playing is as amazing as you'd expect, the real surprise here is Hutcherson, whose vibes ring out with this cold harsh tone that give a perfect edge to the set – bold and metallic, quite different than any work on vibes from previous players. Despite a large number of later recordings, Hutcherson almost never hit this sound again – except perhaps on a few Jackie McLean recordings – and it's his playing that gives the set such a unique sound. Titles include "Straight Up & Down", "Gazzelloni", "Hat & Bread", "Out To Lunch" and "Something Sweet Something Tender". CD
(BMG Direct pressing.)

Possible matches71
CD, LP, Vinyl record album cover art
✨✧ Roy HaynesThank You Thank You ... LP
Galaxy, 1977. Near Mint- ... Out Of Stock
Roy Haynes was always a winner, even on a sleeper session like this one from 1977, recorded for Fantasy's Galaxy subsidiary. The record is surprisingly straight for the label – and features some nice vibes from Bobby Hutcherson, plus good piano from George Cables and Stanley Cowell. Titles include "Bullfight", "Quiet Fire", "Sweet Song", and "Processional", which is a spare percussion/drum duet. LP, Vinyl record album

Possible matches72
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✨✧ Andrew HillJudgment! ... LP
Blue Note, Mid 60s. Near Mint- ... Out Of Stock
A seminal "new thing" session from pianist Andrew Hill, and one of the greatest performances ever from a young Bobby Hutcherson! The record features a stunning quartet that includes Hill on piano, Hutcherson on vibes, and Richard Davis and Elvin Jones on rhythm – coming together with the stark, raw energy that made the key Blue Note modern sides from this time so great. Hutcherson hits these amazing tones on the vibes, similar to those that he uses on some of the Jackie McLean albums from the same time – and those tones work perfectly with Hill's fractured piano lines. Titles are all originals by Hill, including "Alfred", "Reconciliation", "Yokada Yokada", and "Flea Flop". LP, Vinyl record album
(Liberty stereo pressing, with Van Gelder/Stereo stamps.)
Also available Judgment! ... CD 14.99

Possible matches73
CD, LP, Vinyl record album cover art
✨✧ Osamu KitajimaMasterless Samurai ... CD
Everland (Netherlands), 1980. New Copy ... Out Of Stock
Evocative fusion work from Japanese guitarist Osamu Kitajima – a record that mixes together LA electric with some folksier elements, in the continuing exploration of cross cultural patterns that drifted across Kitajima's work from this time. The album's got a compelling blend of electric and acoustic instrumentation, and features work by players that include Clare Fischer, Victor Feldman, Stix Hooper, John Klemmer, and Bobby Hutcherson. Titles include "Floating Garden", "Wild Monk", "Golden Mean", and "Whoga". CD

Possible matches74
CD, LP, Vinyl record album cover art
✨✧ Harold Land/Blue MitchellMapenzi ... LP
Concord, 1977. Near Mint- ... Out Of Stock
A real lost gem from the mid 70s – and one of the few albums ever recorded by the Harold Land/Blue Mitchell lineup! The group's got a warm fire that follows nicely off of Land's work with Bobby Hutcherson in the early 70s – but which also benefits from Mitchell's strongly flowing trumpet lines in the lead – and in a way, the set's almost got the feel of some of Mitchell's strong mid 60s sessions on Blue Note – soul jazz, but inflected with a lyrical sense of freedom that really leaps out on the solos. Other members of the group include Reggie Johnson on bass, Kirk Lightsey on piano, and Albert Heath on drums – and titles include "Mapenzi", "Blue Silver", "Everything's Changed" and "Inner Voice". LP, Vinyl record album

Possible matches75
CD, LP, Vinyl record album cover art
✨✧ Alan LeeAlan Lee – An Australian Jazz Anthology ... CD
Jazzman (UK), Early 70s. Used ... Out Of Stock
Ultra-hip sounds from the Australian scene of the early 70s – some killer cuts by vibist Alan Lee – a player who was exploring with as many new ideas on his instrument as contemporary American giants like Roy Ayers or Bobby Hutcherson at the time! The work here is a great summation of Lee's best moments on record during an incredibly fruitful period – a time when he was really stretching out on hip, soulful styles that included some strong undercurrents of funk and modal jazz – all with this fresh, inventive approach to rhythm that would have made most of these cuts right at home in the hippest side of the MPS universe of the time – but which never saw much exposure at the time, due to the poor circulation of Australian jazz records, which were only pressed up in small amounts and rarely left the continent. The folks at Jazzman have done a really wonderful job here – adding in notes on Lee's career – and picking amazing cuts that include "Love Song", "Bailero", "Sunflower", "Enchanted Lady", "Sketch", "Bachianas Brasileiras No 5", and "Dance Of The Adolescents". CD features four bonus tracks, numbers that are a bit more funk and groove-related – "Flying Saucer", "World Is A Ghetto", "Comin Home Baby", and "Moanin". CD

Possible matches76
CD, LP, Vinyl record album cover art
✨✧ Red Mitchell-Harold Land QuintetHear Ye!!!! Hear Ye!!!! ... LP
Atlantic, 1961. Near Mint- ... Out Of Stock
Killer work from a very unique little group – the short-lived union of bassist Red Mitchell and saxophonist Harold Land – heard here in one of the hippest dates from the LA scene of the early 60s! Mitchell's a well-known name from more straight ahead sides of the 50s, but working here with Land he really hits a great groove – that harder sort of soulbop sound that was coming out of LA for a few brief years in the 60s – played with a sense of tightness and fire that matched the best work of the time in New York! The whole group here is great – and the amazing Carmell Jones is in the group on trumpet, alongside Frank Strazzeri on piano and Leon Pettis on drums. The solos are great, and the writing is too – with some lively lyrical original compositions that include "Comara", "Pari Passu", "Catacomb", and "Triplin Awhile". A great bridge between Land's earlier sessions under his own name, and his later partnership with Bobby Hutcherson! LP, Vinyl record album
(Red & purple label pressing. Cover has a cutout hole.)

Possible matches77
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✨✧ Grachan Moncur IIIEvolution ... CD
Blue Note (Japan), 1963. New Copy ... Out Of Stock
Landmark material – one of Grachan Moncur's two classic albums for Blue Note, and a session that ranks as one of the best examples of the "new thing" moment in 60s jazz! Grachan's leading a sextet here that includes a number of players that he cut his teeth with in Jackie McLean's great mid 60's group, including McLean himself, Bobby Hutcherson, and a young Tony Williams. Lee Morgan joins in on trumpet – playing with a surprisingly modern tone for the time – and the group works their way through 4 stunning Moncur compositions – "Air Raid", "Evolution", "The Coaster", and "Monk In Wonderland". It's hard to describe the power of these recordings – but thankfully, we don't have to, as one listen to the album will blow you away! CD
(Part of the "Blue Note 80 – More 60 Works" series!)

Possible matches78
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✨✧ School DaysIn Our Times ... CD
Okka Disk, 2002. New Copy ... Out Of Stock
A fantastic slice of dialogue between the important millennial Chicago and Swedish avant garde scenes! The School Days quartet is further augmented by another member this go 'round, Kjell Nordeson on vibes, as they continue to explore themes inspired by and written by modernists of a different period in improvised music, like Bobby Hutcherson, Bill Evans, and Larry Young – a great example of the inspirations that move the genius of group leader, reedman Ken Vandermark. Kjell can be heard elsewhere as the drummer for Mats Gustafson's AALY trio, and is joined by his bandmate from that group here on bass, Ingebrit Haker-Flaten, with another Swede, Paal Nilssen Love on drums, while Chicagoan Ken Vandermark is joined by one of our city's other hidden gems on the frontline, Jeb Bishop on trombone. Recorded live in Norway, titles include "Shift", "Octopus", "Loose Blues" and "Another Double". CD

Possible matches79
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✨✧ Eric DolphyMusical Prophet – The Expanded 1963 New York Studio Sessions (Iron Man/Conversations/unissued tracks) (3CD set) ... CD
Resonance, Early 60s. New Copy 3CD ... Out Of Stock
A fantastic package that finally gives these recordings their proper due – one that takes the cuts that were issued on the albums Iron Man and Conversations (plus a million cheapo packages over the years) – and restores them to their original mono, right from the tapes – then adds in 85 more minutes of never issued material! The tracks here are a perfect balance of Dolphy in his final year – with some spiritual jazz currents, but still a strong sense of swing – with a fantastic lineup that includes Prince Lasha on flute, Sonny Simmons on alto, Clifford Jordan on soprano, Woody Shaw on trumpet, Bobby Hutcherson on vibes, Richard Davis on bass, and both JC Moses and Charles Moffett on drums – almost a who's-who of people who would go onto shape the face of jazz in years to come. Titles include "A Personal Statement", "Ode To Charlie Parker", "Iron Man", "Come Sunday", "Burning Spear", "Muses For Richard Davis", "Alone Together", "Love Me", and "Jitterbug Waltz" – plus a number of other different versions of tunes. 3CD set comes with a 100 page booklet – featuring photos, essays, and interviews with Sonny Simmons, Sonny Rollins, Nicole Mitchell, Henry Threadgill, and David Murray. CD

Possible matches80
CD, LP, Vinyl record album cover art
✨✧ Stahls Trio (Mattias Stahl)Kallthorp Sessions Vol 1 ... CD
Moserobie (Sweden), 2019. New Copy ... Out Of Stock
Incredible work from one of the hippest vibists working on the planet today – the great Mattias Stahl, one of the few players to really bring something new to the instrument over the past few decades! Stahls has this very rich sound, but also a very unique sense of timing too – which means that he can ring out with notes that are very seductive, while also pulling you into a space that's very much his own – fresh rhythms, different progressions, and moments of mindblowing intensity – all given fantastic support here by bassist Joe Williamson and drummer Christopher Cantillo! The group are as revolutionary as any of the Bobby Hutcherson "new thing" recordings of the 60s, or as Gary Burton's key combos at their best – and there's a sense of new imagination that matches that of the contemporary, but very different, vibist Jason Adasiewicz – maybe the only other player besides Stahl who's done so much with the instrument in recent years. Titles include "Vi Gar Till Skolan", "Morgon Pa Torpet", "Elmers", "Diagram", "Lennart Jernestrand", "Ordning Pa Torpet", and a surprising take on John Lennon's "Jealous Guy". CD

Possible matches81
CD, LP, Vinyl record album cover art
✨✧ Stahls Trio (Mattias Stahl)Kallthorp Sessions Vol 1 (180 gram pressing) ... LP
Moserobie (Sweden), 2019. New Copy ... Out Of Stock
Incredible work from one of the hippest vibists working on the planet today – the great Mattias Stahl, one of the few players to really bring something new to the instrument over the past few decades! Stahls has this very rich sound, but also a very unique sense of timing too – which means that he can ring out with notes that are very seductive, while also pulling you into a space that's very much his own – fresh rhythms, different progressions, and moments of mindblowing intensity – all given fantastic support here by bassist Joe Williamson and drummer Christopher Cantillo! The group are as revolutionary as any of the Bobby Hutcherson "new thing" recordings of the 60s, or as Gary Burton's key combos at their best – and there's a sense of new imagination that matches that of the contemporary, but very different, vibist Jason Adasiewicz – maybe the only other player besides Stahl who's done so much with the instrument in recent years. Titles include "Vi Gar Till Skolan", "Morgon Pa Torpet", "Elmers", "Diagram", "Lennart Jernestrand", "Ordning Pa Torpet", and a surprising take on John Lennon's "Jealous Guy". LP, Vinyl record album
(Limited to 300 copies!)

Possible matches82
CD, LP, Vinyl record album cover art
✨✧ Harold LandChoma (Burn) ... CD
Mainstream/Ultra Vybe (Japan), 1971. New Copy ... Out Of Stock
One of the hippest albums ever from the team of Harold Land and Bobby Hutcherson – and a set that's even more open than some of their other records on Blue Note or Chess! This set's a bit more electric than some of the other records from the pair – with these drawn-out Fender Rhodes lines from Bill Henderson – who comps and vamps with modal energy that really draws out some searing, searching solos from Land's tenor! Bobby's vibes are maybe a bit more restrained, but offer a key element in the overall soundshape of the record – and the rest of the lineup includes Reggie Johnson on bass, Ndugu and Woody Theus on drums, and Harold Land Jr on additional piano. All tracks are long – and titles include "Black Caucus", "Our Home", "Up & Down", and "Choma". CD

Possible matches83
CD, LP, Vinyl record album cover art
✨✧ Tete MontoliuMusic I Like To Play Vol 1 ... LP
Soul Note (Italy), 1987. Sealed ... Out Of Stock
A solo piano set – with a nice take on "Little B's Poem" by Bobby Hutcherson – plus "Alone Together", "I'll Remember April", "Whisper Not", and "A Time For Love". LP, Vinyl record album
(Cover has a small cutout notch.)

Possible matches84
CD, LP, Vinyl record album cover art
✨✧ Prince LashaFirebirds Live At The Monterey Jazz Festival Vol 3 ... LP
Birdseye, 1976. Near Mint- ... Out Of Stock
Third volume of Prince Lasha material recorded at the jazz festivals in the mid 70s, with Sonny Simmons also on alto, Bobby Hutcherson on vibes, Charles Moffat on drums, and Buster Williams on bass. Prime west coast avant garde from the seventies, and two long tracks – "Scarlet Ibis Birds" and "Journey to Zoar". LP, Vinyl record album
(In fantastic shape, with just a bit of shelf wear on the bottom seam.)

Possible matches85
CD, LP, Vinyl record album cover art
✨✧ Cedar WaltonSoundscapes ... LP
Columbia, 1980. Very Good+ ... Out Of Stock
Brilliant work from Cedar Walton – a wonderful bit of soulful fusion from the crucially overlooked late 70s years of Columbia Jazz. The album's got a blend of soul and jazz that's similar to work at the time by Bobby Hutcherson or Freddie Hubbard – occasional vocals, larger lusher production, and a style that was really well suited to bringing together the best of fusion and soul, without resorting to tricks or gimmicks. The album's filled with really wonderful cuts that are completely unlike most of Walton's other work – and which show him to be an amazing talent in the soul end of the spectrum, not just in the soul jazz one that we're used to. Tunes are wonderful, arrangements are brilliant – and the album manages to be smooth without losing any depth. Titles include the great groover "Latin America", plus "Warm To The Touch", "NPS", "Sixth Avenue", and "Naturally". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has light wear.)

Possible matches86
CD, LP, Vinyl record album cover art
✨✧ Tony WilliamsForeign Intrigue ... LP
Blue Note, 1985. Near Mint- ... Out Of Stock
An intriguing little set from drummer Tony Williams – and a set that shows him still very much in command of his talents well into the 80s! Tony's playing here with all the bold, open energy of his classic recordings – and although he picks up a bit of electric percussion at points, he still plays it all "live" – and really seems to defer to the richer acoustic sounds of the group's great lineup – an all-star setting that includes Wallace Roney on trumpet, Donald Harrison on alto, Bobby Hutcherson on vibes, Ron Carter on bass, and Mulgrew Miller on piano! The richness of the alto and trumpet are tremendous – and Hutcherson's vibes ring out beautifully, a perfect balance of tone and timing. Titles include "Foreign Intrigue", "My Michele", "Takin My Time", "Sister Cheryl", and "Arboretum". LP, Vinyl record album
(Cover has a bent corner.)
 
 
 



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