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Bobby Hutcherson Edit search Phrase match

 
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Exact matches: 18
Exact matches1
CD, LP, Vinyl record album cover art
Freddie Hubbard, Joe Henderson & Bobby HutchersonKeystone Bop Vol 1 – Sunday Night ... CD
Prestige, 1981. Used ... $14.99
Keystone bop indeed – a smoking little set from Freddie Hubbard, recorded during his great back-to-basics years of the early 80s! The tracks here are all quite long, and informed by a strong sense of hardbop – but they also open up with some sharper, more modern moments at times – of the sort that keenly reflect Freddie's best roots during his early years at Blue Note. The other players here are all quite strong – especially well-matched for the energy of such a record – with Bobby Hutcherson on vibes and Joe Henderson on tenor, plus rhythm from Billy Childs on piano, Larry Klein on bass, and Steve Houghton on drums. The CD presents all tracks in long, unedited takes – and this Sunday Night volume features 5 tracks that include "Birdlike", "The Littlest One Of All", "The Intrepid Fox", "Sky Dive", and "Body & Soul". CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
Bobby HutchersonHappenings ... CD
Blue Note (Japan), 1966. New Copy ... $19.99
One of the greatest Bobby Hutcherson albums for Blue Note – a classic session recorded in quartet form, with a style that seems to set a whole new standard for the vibes in modern jazz! The group here is sublime – Herbie Hancock on piano, Bob Cranshaw on bass, and Joe Chambers on drums – all working with Bobby in cool, blocky chords, with a sound that lies somewhere on the road to "out", but has more of a swing than Hutcherson's "new thing" recordings! The balance is a perfect one – exciting and fresh, but still always soulfully grooving – and titles include a sublime version of Herbie's "Maiden Voyage" – plus originals by Hutcherson that include "The Omen", "Aquarian Moon", "Rojo", and "Head Start". CD
(Part of the "Blue Note 80 – The 80 Works" series! Ultimate HQ CD pressing.)

Exact matches3
CD, LP, Vinyl record album cover art
Bobby HutchersonLive At Montreux ... CD
Blue Note (Japan), 1973. New Copy ... $15.99
One of the most wonderful 70s albums from Bobby Hutcherson – and one of the most deeply spiritual, too! As with others in Blue Note's Montreux series, the tracks are long and very open – with a different flavor than the artists' studio work. Hutcherson works with a hip small group that includes excellent trumpet from Woody Shaw, piano from Hotep Cecil Bernard, bass from Ray Drummond, and drums from Larry Hancock – all snaking out beautifully on these long, spiritual tunes – very much shaped by Woody's presence. Titles include a great take on Shaw's classic track "The Moontrane", as well as "Song Of Songs". Hutcherson's own "Anton's Bail" rounds up the set, and the whole thing's a beautiful batch of soaring modal grooves, caught live before a very enthusiastic audience! CD
(Part of the Blue Note LA Revivals series!)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonNow! ... LP
Blue Note, 1969. Very Good+ ... $49.99
Incredibly righteous work from Bobby Hutcherson – a rare Blue Note session that features vocals by Eugene McDaniels! The set was recorded right before McDaniels' groundbreaking Headless Heroes album, but it's got a similar sort of vibe – breaking down genres and musical expectations – and reaching forth with a powerful progressive sound that's beyond compare! All tracks feature lead vocals by Eugene McDaniels, supported by a small chorus of backing singers – in a mode that's a bit like some of the Eddie Gale work on Blue Note at the time – all topped off with some great instrumental work by a core combo that features Hutcherson on vibes, Harold Land on tenor, Wally Richardson on guitar, and Joe Chambers on drums. Imagine the greatness of the Hutcherson/Land group, but with the added bonus of a spiritual soul jazz vocal aspect – and you've really got a key picture of this one! Like the best work on Strata East, but recorded years before – and featuring the titles "Now", "Slow Change", "Black Heroes", "The Creators", and "Hello to the Wind". LP, Vinyl record album
(Liberty pressing. Cover has light wear and a small name in red ink on front & back.)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonSan Francisco ... CD
Blue Note (Japan), 1970. New Copy ... $19.99
Genius, pure genius! This album's possibly the most perfectly realized set from the team of Bobby Hutcherson on vibes and Harold Land on reeds – a pair who work here with an electric bass player and a bit of electric piano (the latter from Joe Sample) – hitting territory that's slightly funky, but which is also still touched by the modal spiritualism of some of their earlier work together! The album has an approach that we've not heard on other sides from the time – in that it takes its time to build the grooves up slowly, layering element over element as the songs unfurl, crafting some killer numbers that make the album incredibly strong as a whole. Includes the classics "Ummh" and "Goin' Down South", which have been made famous over the years, thanks to the magic of sampling technology – plus the tracks "Jazz", "Night In Barcelona", and "Procession". CD
(Part of the "Blue Note 80 – The 80 Works" series! Ultimate HQ CD pressing.)
Also available San Francisco ... CD 25.99

Exact matches6
CD, LP, Vinyl record album cover art
Bobby HutchersonSan Francisco ... CD
Blue Note (Japan), 1971. Used ... $25.99
Genius, pure genius! This album's possibly the most perfectly realized set from the team of Bobby Hutcherson on vibes and Harold Land on reeds – a pair who work here with an electric bass player and a bit of electric piano (the latter from Joe Sample) – hitting territory that's slightly funky, but which is also still touched by the modal spiritualism of some of their earlier work together! The album has an approach that we've not heard on other sides from the time – in that it takes its time to build the grooves up slowly, layering element over element as the songs unfurl, crafting some killer numbers that make the album incredibly strong as a whole. Includes the classics "Ummh" and "Goin' Down South", which have been made famous over the years, thanks to the magic of sampling technology – plus the tracks "Jazz", "Night In Barcelona", and "Procession". CD
(Out of print SHM CD pressing. Includes obi.)
Also available San Francisco ... CD 19.99

Exact matches7
CD, LP, Vinyl record album cover art
McCoy Tyner & Bobby HutchersonManhattan Moods ... CD
Blue Note, 1994. Used ... $11.99
An overlooked later Blue Note gem – sweet duets between the vibes of Bobby Hutcherson and piano of McCoy Tyner! CD
(Out of print.)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonBest Of Bobby Hutcherson ... LP
Columbia, Late 70s/Early 80s. Near Mint- ... Temporarily Out Of Stock
A selection of numbers recorded by Hutcherson for Columbia from 1978 through 1981, late in his career, but still with a very fresh sound. His work during this period has always been a pleasant surprise to us, with a fairly smooth and polished approach, especially in the production, but still incorporating elements of the vibrant modal style that we love so much about his earlier work, and always pushing the envelope, if a bit gentler than on some of his more strident recordings. 7 numbers in all: "Highway One", "Un Poso Loso", "Secrets Of Love", "Ebony Moonbeams", "Quiet Fire", "No Siree Bob" and "Dreamin". LP, Vinyl record album

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonKnucklebean ... LP
Blue Note, 1977. Very Good+ ... Temporarily Out Of Stock
Beautiful late Blue Note work from Bobby Hutcherson – laidback, warm, electric, and with a mixture of CTI funk and some of the more lyrical soul jazz work of his years with Harold Land! Part of the credit for the set should go to George Cables – who plays both acoustic and electric keys on the record, and who gives the album a sweetly dancing feel that really warms things up wonderfully – and all other players are wonderful too, including drummer Eddie Marshall, bassist James Leary, and horn players Freddie Hubbard, Hadley Caliman, and Manny Boyd. Includes a great remake of "Little B's Poem", the mellow groover "Why Not", and the cuts "Til Then", "Knucklebean", and "So Far So Good". LP, Vinyl record album
(Cover has a cut corner.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonSpiral ... LP
Blue Note, 1968/1979. Near Mint- ... Temporarily Out Of Stock
Moody material from Bobby Hutcherson – and one of the first records to feature his vibes in the company of tenorist Harold Land – a player who would help Hutcherson make some mighty fine music over the years! The set's got a super-hip group – with Stanley Cowell on piano, giving the record a warm, spiritual undercurrent – one that works perfectly with the lyrical soul of Land's horn. Other players include Reggie Johnson on bass and Joe Chambers on drums – and titles include "Spiral", "Ruth", "Poor People's March", and "Visions". The album also includes one more track – "Jasper" – which was recorded in a 1965 session without Land and Cowell – but with Sam Rivers on tenor and bass clarinet, Freddie Hubbard on trumpet, and Andrew Hill on piano! Recorded in the 60s, but only initially issued on vinyl in 1979! LP, Vinyl record album
(Original 70s pressing. Cover has a cutout hole.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonColor Schemes ... LP
Landmark, 1986. Near Mint- ... Out Of Stock
A great title for this album from Bobby Hutcherson – given the way he commands such great tones from his work on the vibes! The album's a real gem from his Landmark Records years – that great back-to-basics point when Bobby was almost doing more by doing less – especially in a record with understated brilliance like this. The group's a warmly sensitive one – with Mulgrew Miller on piano, John Heard on bass, Airto on percussion, and Billy Higgins on drums – a perfect rhythmic accompaniment for Hutcherson's hip vibes. Titles include "Rosemary Rosemary", "Remember", "Never Let Me Go", "Recorda Me", "Bemsha Swing", and "Whisper Not". LP, Vinyl record album

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonGood Bait ... LP
Landmark, 1984. Near Mint- ... Out Of Stock
One of Bobby's great back to basics albums for Landmark in the mid 80s – a "return" to straight jazz and bop, oddly territory that Bobby never traveled much in the first place – given his "new thing" status in the 60s! The record features Bobby working with a core quintet that includes Philly Joe Jones on drums, George Cables on piano, and Ray Drummond on bass – with some additional tenor and soprano sax work by Branford Marsalis. Titles include McCoy Tyner's "Love Samba", Hutcherson's "Highway One" and "Montgomery", and a nice take on "Israel". LP, Vinyl record album
(Cover has a bumped corner.)

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Woody Shaw with Bobby HutchersonMaster Of The Art ... CD
Elektra/Wounded Bird, 1982. Used ... Out Of Stock
A brilliant date from the later years of Woody Shaw – an album that equally shows Woody's own talents, and those of his key group of younger players too! Shaw's trumpet is perfect in both modes here – the hard-blown righteous numbers Woody first gave the world from his start, and the warmer, more sensitive ballads he was crafting a bit later in his career – never too smooth or mellow, but showing a nice link to tradition in his tone. All tracks are longish, and the group features Steve Turre on trombone, Mulgrew Miller on piano, Stafford James on bass, and Tony Reedus on drums – all familiar players to Shaw, working tightly together on the date. As an added bonus, Bobby Hutcherson joins the group for most of the set – ringing out a strongly soulful tone on his vibes, on titles that include "Misterioso", "400 Years Ago Tomorrow", "Diane", and "Sweet Love Of Mine". The album also features a bonus interview track with Woody too! CD
(Out of print.)

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonNatural Illusions ... CD
Blue Note (Japan), 1972. New Copy ... Out Of Stock
Vibes and orchestrations – a combination that makes for one of the coolest Bobby Hutcherson albums of the 70s – a really magical set that expands the sound of Bobby's work in ways we wouldn't have expected! The style is similar to that used with Grant Green and Lou Donaldson at the time on Blue Note – a style that's clearly trying for the more sophisticated sounds of CTI, and which beautifully balances the modes of presentation – so that there's still plenty of soulful moments and slyly funky bits alongside the strings and woodwinds in the orchestrations – proof that a record like this can be really brilliant if scored properly! Some moments get a bit modern and dark – almost in a William S Fischer kind of way – and titles include the great track "Rain Every Thursday", which begins with an excellent break – plus "The Folks Who Live On The Hill", "Sophisticated Ladies", "When You're Near", "Shirl", and "Lush Life". CD
(Part of the "Blue Note 80 – More 60 Works" series!)

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonStick-Up! ... CD
Blue Note (Japan), 1966. New Copy ... Out Of Stock
The sticks are up, and Bobby Hutcherson is at the top of his game – hitting a whole new groove here in this sublime session of modal numbers for Blue Note – a slightly warmer set than his more modern albums of the "new thing" years, and a great indication of the directions he'd take in the 70s! Bobby's vibes are set up wonderfully here in a quintet that includes Joe Henderson on tenor sax, McCoy Tyner on piano, Herbie Lewis on bass, and Billy Higgins on drums – all players who bring key elements to the groove. Tyner's got an obvious ear for the modal rhythms that Hutcherson's heading for; Higgins' drum work is freely lyrical in all the best ways; and Henderson's horn sharpens the edges of the tunes a bit, bringing in some nice darker sounds. The kickoff track is an amazing modal reading of Ornette's "Una Muy Bonita", and the rest tracks are all Hutcherson originals, including "Summer Nights", "8/4 Beat", "Black Circle", "Verse", and "Blues Mind Matter". CD
(Part of the "Blue Note 80 – More 60 Works" series!)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Timeless All Stars (Bobby Hutcherson/Harold Land)Timeless All Stars – At Onkel Po's Carnegie Hall Hamburg 1982 ... LP
Jazz Line (Germany), 1982. New Copy 2LP Gatefold ... Out Of Stock
Hard-burning work from the Timeless All Stars – a group named after their record label, but who have a heck of a lot more going on at the core! This isn't just jam session material, as is often the case with an "all stars" group – but instead really well-matched, well-conceived performances by a group who are almost an extension of the earlier pairing of vibist Bobby Hutcherson and tenorist Harold Land – augmented here with the fantastic presence of Curtis Fuller on trombone, Cedar Walton on piano, Buster Williams on bass, and Billy Higgins on drums! All players are wonderful – really bringing their a-list game to the performance – which was captured at the Onkle Po club in Hamburg, with very long tracks that spin out in even more space than on the group's albums for Timeless Records. Titles include "Clockwise", "Mapenzi", "Tokudo", and "My Foolish Heart". LP, Vinyl record album

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonCirrus ... LP
Blue Note, 1974. Near Mint- ... Out Of Stock
Righteous Bobby Hutcherson from the 70s – one of his last albums recorded in the company of reedman Harold Land – and one of his greatest too! There's a wonderful mix of modes going on here – modal jazz meets California sun, blending a sense of spiritualism with some of the warmth that Hutcherson was increasingly discovering in his music – especially on the album's use of marimbas, which are surprisingly great next to Bobby's vibes! In addition to work from Land on tenor and flute, the set also has the great Woody Shaw on trumpet – plus Bill Henderson on Fender Rhodes, Emanuel Boyd on tenor, Ray Drummond on bass, Larry Hancock on drums, and Kenneth Nash on percussion – a rhythm player who really helps give the record some hip Strata East-like touches. Titles include a sublime reading of Shaw's "Rosewood" – plus "Zuri Dance", "Wrong Or Right", "Even Later", and "Cirrus". LP, Vinyl record album
(70s black b label pressing. Cover has a cutout hole in the corner.)

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonLinger Lane ... LP
Blue Note, 1975. Very Good+ ... Out Of Stock
A beautiful later Blue Note album from vibist Bobby Hutcherson – a set recorded after his famous association with Harold Land, but with a groove that's wonderfully soulful in a whole different way! Bobby plays marimbas instead of vibes this time around, and he's working with his own arrangements for a slightly larger group – one that has some sweet fusion overtones, and these wonderful mellow funk inflections – so that even the mellow cuts have this warmly glowing, ultra-soulful sound that's mighty nice – a bit like some of the work from Gene Harris around the same time. Other players include Jerry Peters on Fender Rhodes, who also helped out with the arrangements – plus Harvey Mason on drums and Ernie Watts on reeds – and a few tracks feature sweet backing vocals from The Waters. The highlight here is a nice moody extended version of "People Make The World Go Round", but all cuts are great, and titles include "Silver Rondo", "Manzanita", "NTU", and his dark cover of "Theme From MASH". LP, Vinyl record album
(Original 70s pressing. Cover has a cut corner and half split top seam.)
 
Possible matches: 47
Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Dave BurnsWarming Up! ... LP
Vanguard, Early 60s. Near Mint- ... Just Sold Out!
A legendary set of firey jazz tracks recorded by trumpeter Dave Burns! This is one of Burns' few recordings as a leader, and it's a shame he didn't make more, because this one is stellar. The group features Bobby Hutcherson on vibes, Harold Mabern on piano, and the great Billy Mitchell on tenor. They all swing high, wide, and mightily, especially on some of the set's standout tracks, like "Rigor Mortez", written by Burns, and "Warm Up", which is by Joe Farrell. Other highlights include "Now Ain't It", written and arranged by Melba Liston, and "Richie's Dillemma, an old favorite from the book of Harold Mabern. Excellent set, and a very tough one to find! LP, Vinyl record album
(Recent reissue.)

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdEthiopian Knights ... LP
Blue Note, 1972. Very Good+ ... Just Sold Out!
Sweet electric funk – in a very trippy style, and very different than the later funky fusion from trumpeter Donald Byrd! Before Byrd hooked up with Larry Mizell and started recording his smooth fusion grooves of the mid 70s – on records like Blackbyrd and Street Lady – he recorded this gem, kind of a "lost" album that has Donald working in an open-ended electric sound – one that's clearly inspired by the experiments of Miles Davis, but which has a generally funkier feel overall! The tracks are very long – with lots of spiraling keyboard and trumpet solos – and the hip players on the set include Bobby Hutcherson on vibes, David T Walker on guitar, Harold Land on tenor, and Joe Sample on organ – a very cool combo that's got a cross between The Crusaders and the Hutcherson/Land quintet! We love the tracks on this set – especially "The Emperor" and "The Little Rasti", which are both over 15 minutes long, and have a haunting spacey sound that's a departure from Donald's usual work! LP, Vinyl record album
(70s black b pressing. Cover has light wear.)

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ George CablesCables' Vision ... LP
Contemporary, 1979. Near Mint- ... $14.99
We'd sure like to have Cables' Vision – because by the end of the 70s, he was one of the hippest cats on the California scene! This wonderfully easygoing album from 1979 features Cables on both acoustic and electric – soaring to the sky on some numbers, kicking back on the keys on others – and working with a lineup that includes Bobby Hutcherson, Freddie Hubbard, Ernie Watts, and Tony Dumas. Includes the great smooth groover "Inner Glow", plus the tracks "The Stroll", "Voodoo Lady", "Morning Song", "I Told You So", and "Byrdlike". LP, Vinyl record album
(Includes the printed inner sleeve.)

Possible matches22
CD, LP, Vinyl record album cover art
Eric DolphyComplete Memorial Album Sessions (The Douglas Recordings) ... CD
Lonehill (Spain), 1963. Used ... $18.99
The title's possibly a bit misleading here – as the record's not so much a memorial to Dolphy, but a repackaging of sides that were repackaged originally as such in the 60s! If that's not confusing enough, let us just explain that the set features 9 tracks from Dolphy's important recordings for Alan Douglas – tunes that have shown up over the years in a variety of formats, but which are probably most famously known under the album titles Iron Man and Jitterbug Waltz. The format of the work is quite unusual – and at times is closer to Dolphy's Blue Note recordings than most of his other work of the period – with an approach that is both spiritual and angular, always touched with Dolphy's keen sense of modernism. Players include Clifford Jordan, Sonny Simmons, Prince Lasha, Richard Davis, and Bobby Hutcherson – and titles include "Love Me", "Ode To CP", "Mandrake", "Iron Man", "Burning Spear", and "Music Matador". CD
(Out of print.)

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Chico FreemanDestiny's Dance ... LP
Contemporary, 1981. Near Mint- ... Just Sold Out!
With Bobby Hutcherson on vibes, Dennis Moorman on piano, Cecil McBee on bass, and Ronnie Burrage on drums! LP, Vinyl record album

Possible matches24
CD, LP, Vinyl record album cover art
Stefon HarrisBlack Action Figure ... CD
Blue Note, 1999. Used ... $4.99
The title's a stupid one, but Stefon Harris is one of the boldest voices on vibes in the past 20 years – a great player with a sound that resonates strongly with older work by Bobby Hutcherson and Walt Dickerson! Like both of those players, Harris has a way of approaching the vibes that is freshly modern, yet also strongly rhythmic and swinging – a groove that comes out even on the more experimental numbers in the set, and which makes the album resonate with colors and tones that few others on the instrument can match. The overall sound here is marked by Greg Osby's presence in the group and his production – but thankfully, those elements are a bit underplayed – and other players on the record include Steve Turre on trombone and Jason Moran on piano. Titles include "Feline Blues", "There Is No Greater Love", "Of Things To Come", "Bass Vibes", "Collage", "The Alchemist", "Chorale", "Faded Beauty", and "After The Day Is Done". CD
(Out of print.)

Possible matches25
CD, LP, Vinyl record album cover art
Osamu KitajimaEarly Years (Shinchugoku/Benzaiten/Osamu/Masterless Samurai/Dragon King) (180 gram 5LP set) ... LP
Everland (Netherlands), 1970s/Early 80s. New Copy 5LP ... $129.99 151.99
A special box set that collects all the key early albums from guitarist Osamu Kitajima – including a few rock moments too! First up is Shinchugoku – the earliest album we've ever seen from legendary guitarist Osamu Kitajima – a set that's a bit more pastoral and down to earth, as you might guess from its cover image! The work is a mellow take on folksy psych modes – electric and acoustic guitars mixed together on a set of songs that are hauntingly tuneful, with these evocative lyrics in Japanese that really fit the melodies – and which somehow have an appeal that goes way beyond the boundaries of language, thanks to a style that's expressive, but never overdone. A few tunes are a bit harder rocking, but the record's a pretty laidback affair overall – and titles include "Inchunfa", "Ronshuiko", "Tohoko", "Ketsumazuitemo", "Takai Takai Koanryo", and "Hyakusho Wa Tanoshi". Next is Benzaiten – a really unique project from guitarist Osamu Kitajima – a player you might know from his smoother fusion sets at the end of the 70s – but who works here in a very trippy blend of Japanese instrumentation and electric jazz! Kitajima handles a heck of a lot of strings – both acoustic and electric guitars, bass, and even the biwa – a Japanese style of lute, which appears to be electrified on the record. There's also work on hayashi-bue, narimono, and shakuhachi – other Japanese instruments folded into the album's mix of fuzz and keyboards – which are often used sparely, but in ways that bring a nicely psychedelic vibe to the album at times. Osamu vocalizes a bit – but mostly in ways that just go along with the music – and titles include "Benzaiten", "Tengu", "Whoma", and "Taiyo". The Osamu album follows – a set that's still got some of the exotic elements of his other material, but which also brings in a stronger fusion component too – mixing Kitajima's work on guitar and koto with plenty of Fender Rhodes and other great electric touches! The set was recorded in LA, and definitely has some warm Cali fusion elements – but Osamu also still hangs on to some "eastern" flavor with his own instrumentation – which is echoed by a bit of shakuhachi and nohkan by Tatsuya Sano. There's vocals on a few tracks, but they don't get in the way much, and with the cool banks of keyboards and nice drums, you hardly notice them at all! Sweet and breezy – in the best Japanese 70s fusion mode – and with tracks that include "Frost Flowers", "Elemental Spirits", and "Fur, Fin & Feather". Minnie Riperton also sings vocals on the track "Yesterday & Karma"! Masterless Samurai is a record that mixes together LA electric with some folksier elements, in the continuing exploration of cross cultural patterns that drifted across Kitajima's work from this time. The album's got a compelling blend of electric and acoustic instrumentation, and features work by players that include Clare Fischer, Victor Feldman, Stix Hooper, John Klemmer, and Bobby Hutcherson. Titles include "Floating Garden", "Wild Monk", "Golden Mean", and "Whoga". Dragon King is a great record from Osamu Kitajima – one of his most soulful ever! The record features some additional production and arrangements by Richard Evans – who takes Osamu's Japanese fusion style, and gives it a sparkling modern soul groove that's perfect for US audiences. In fact, Osamu's frequent use of eastern instrumentation – koto, biwa, and other instruments – works perfectly with the flair for the exotic that Evans always had during his years at Cadet. Includes the smooth stepper "Say You Will" with vocals by Phil Perry and Rena Scott – plus the tracks "Yamame", "Dragon King", "Willow Pattern", and "Share My Love". LP, Vinyl record album
(In a very cool cloth-covered box!)

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ Harold LandPeace-Maker ... LP
Cadet, 1968. Very Good- ... Just Sold Out!
A fantastically beautiful record that stands as the first meeting between Bobby Hutcherson and Harold Land – an album that's possibly even better than the more famous Blue Note work by the pair! This is one of those "once in a lifetime" jazz sessions – filled with magical interplay that's made the record a favorite with collectors for years, and done with a sound that's as lyrically graceful as it is soulful and righteous! Hutcherson's vibes are at their warmest 60s mode, but still have some of the angularity of his more modern sides for Blue Note – but Land is the real discovery here – as he steps out with a fluidity that surpasses any of his earlier hardbop albums, a flowing exploratory style expressed on both flute and tenor – with a mode that's years ahead of its time, and sounds a lot more like work on labels like Strata East or Muse from the 70s. Tracks are nearly all originals by Land, and are the kind of thoughtful jazz compositions that show up on a rare few records from the 60s – all of them are great, and sparkle with creativity and a subdued sense of righteousness. Titles include "One For Nini", "Angel Dance", "The Peace Maker", "40 Love", "Stylin", and "The Aquarian". LP, Vinyl record album
(Blue label stereo pressing with deep groove. Cover has wear, aging, and a few ring stains on the front.)

Possible matches27
CD, LP, Vinyl record album cover art
Alan LeeAlan Lee – An Australian Jazz Anthology ... CD
Jazzman (UK), Early 70s. New Copy ... $8.99 14.99
Ultra-hip sounds from the Australian scene of the early 70s – some killer cuts by vibist Alan Lee – a player who was exploring with as many new ideas on his instrument as contemporary American giants like Roy Ayers or Bobby Hutcherson at the time! The work here is a great summation of Lee's best moments on record during an incredibly fruitful period – a time when he was really stretching out on hip, soulful styles that included some strong undercurrents of funk and modal jazz – all with this fresh, inventive approach to rhythm that would have made most of these cuts right at home in the hippest side of the MPS universe of the time – but which never saw much exposure at the time, due to the poor circulation of Australian jazz records, which were only pressed up in small amounts and rarely left the continent. The folks at Jazzman have done a really wonderful job here – adding in notes on Lee's career – and picking amazing cuts that include "Love Song", "Bailero", "Sunflower", "Enchanted Lady", "Sketch", "Bachianas Brasileiras No 5", and "Dance Of The Adolescents". CD features four bonus tracks, numbers that are a bit more funk and groove-related – "Flying Saucer", "World Is A Ghetto", "Comin Home Baby", and "Moanin". CD

Possible matches28
CD, LP, Vinyl record album cover art
Mark LevineSmiley & Me ... LP
Cameo, 1985. Near Mint- ... $2.99
An unusual pairing – pianist Mark Levin, whose resume includes great electric and Latin work – joining in duets with avant drummer Smiley Winters! The set features just piano and drums – quite unusual for Concord – and titles include a version of the Bobby Hutcherson/Eugene McDaniels tune "Now"! LP, Vinyl record album
(Concord pressing. Cover has a promo stamp.)

Possible matches29
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanDestination Out ... LP
Blue Note, Mid 60s. Very Good+ ... Just Sold Out!
A modernist classic from 60s Blue Note! The album's one of Jackie McLean's greatest from the time – and one of his seminal "new thing" sessions cut with young modernists Grachan Moncur III on trombone and Bobby Hutcherson on vibes – both young players who were really finding the sharper edges of their sound at the time! Three of the four long tracks on the record were written by Moncur, and have a similar approach to his own recordings for Blue Note – moody and introspective, in a style that's as concerned with sound and space as it is jazz and rhythm – and Hutcherson's vibes are beyond compare here, with have a sinister metallic quality that he only used briefly in his early career! The whole record's a gem, and one not to pass up! Titles include "Kahlil The Prophet", "Riff Raff", and "Love & Hate". LP, Vinyl record album
(New York stereo pressing, with deep groove on Side 1, RVG/Stereo stamps, and ear. Cover has light wear and aging.)
Also available Destination Out (RVG remaster edition) ... CD 13.99

Possible matches30
CD, LP, Vinyl record album cover art
Jackie McLeanDestination Out (RVG remaster edition) ... CD
Blue Note, 1963. Used ... $13.99
A modernist classic from 60s Blue Note! The album's one of Jackie McLean's greatest from the time – and one of his seminal "new thing" sessions cut with young modernists Grachan Moncur III on trombone and Bobby Hutcherson on vibes – both young players who were really finding the sharper edges of their sound at the time! Three of the four long tracks on the record were written by Moncur, and have a similar approach to his own recordings for Blue Note – moody and introspective, in a style that's as concerned with sound and space as it is jazz and rhythm – and Hutcherson's vibes are beyond compare here, with have a sinister metallic quality that he only used briefly in his early career! The whole record's a gem, and one not to pass up! Titles include "Kahlil The Prophet", "Riff Raff", and "Love & Hate". CD
(Out of print.)

Possible matches31
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Grassella Oliphant QuartetteGrass Roots ... LP
Atlantic, 1965. Very Good ... $14.99
One of the few albums ever cut by drummer Grassella Oliphant – a soulful smoker that really shows the hip approach to jazz on Atlantic Records in the 60s! The album's got a tight groove that comes from superb efforts from a great quartet – Oliphant's drums in the lead, plus tenor from Harold Ousley, vibes from Bobby Hutcherson, and bass from Ray McKinney! Both Hutcherson and Ousley shine on the album – bringing in a sense of soul and spirit that go beyond even Grasella's other album for Atlantic – and the tunes are a mixture of Ousley originals that are totally great, plus some fresh versions of older favorites. The group's approach is very youthful and filled with warm imagination – and titles include "Haitian Lady", "Mrs. O", "The Descendant", "Step Lightly", "Grandfather's Waltz", and "One For The Masses". LP, Vinyl record album
(Mono white label promo. Cover has a promo ink stamp on back.)

Possible matches32
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Duke PearsonDuke Pearson – Mosaic Select (Phantom/I Don't Care Who Knows It/It Could Only Happen With You/How Insensitive/Merry Ole Soul) ... CD
Mosaic/Blue Note, Late 60s/Early 70s. Used 3CD ... $89.99
Incredible work from the most productive years of the amazing Duke Pearson – pianist, arranger, and a key force in the Blue Note sound of the late 60s! Duke first emerged as a funky pianist with a sound that was in the mode of Bobby Timmons and Les McCann, but which also had a slightly more lyrical influence. He cut some fine straight jazz sides earlier in the 60s, but during the last few years of his life, he really let loose at Blue Note – exploring modal grooves, Brazilian rhythms, vocal soul jazz, and a host of other styles that criss-crossed through the work of his last few sessions. This great little set does a fantastic job of bringing this late Duke to life – by compiling some of his best albums ever, the sessions that made up the records The Phanton, I Don't Care Who Knows It, It Could Only Happen With You, How Insensitive, and Merry Ole Soul. Along with the usual Blue Note touches, these sides are awash with loads of interesting elements – including vocals by Flora Purim, vibes by Bobby Hutcherson, percussion by Airto, tenor by Frank Foster, reeds by Hermeto Pascoal, and even some electric piano from Duke himself! The albums together comprise an amazing slice of music – not just for Duke, but for Blue Note itself – and packaged together like this, the whole thing's a heck of a great bargain! 45 tracks on 3CDs, with great notes, in a limited numbered box! CD
(Out of print limited, numbered edition of 5000. Includes original slipcase & booklet.)

Possible matches33
CD, LP, Vinyl record album cover art
Duke PearsonPhantom ... LP
Blue Note, 1969. Very Good ... $49.99
Incredible work from pianist Duke Pearson – a darkly-tinged album of grooves that surpasses all his other gems for Blue Note! The record showcases some great work from Bobby Hutcherson – slid into the mix in a really sly way, so that his jazzy vibes color all the tunes with an edgey feeling that's missing from most of Duke's other albums. The group's slightly largeish – with Jerry Dodgion on flute and alto, Sam Brown and Al Gafa on guitar, plus added Latin percussion on a number of tracks – but although the larger group format often made for softer edges on other Pearson sessions from the time, the mix here is quite different – at a level that works in complicated rhythms, rich colors and tones, and warm harmonics that have a slightly unsettling undercurrent. The album's worth it alone for the mighty title cut "The Phantom" – but the whole thing's great, and other tracks include "Bunda Amerela", "Say You're Mine" and "Blues for Alvina". LP, Vinyl record album
(Liberty stereo pressing with Van Gelder stamp. Cover has ring & edge wear, splitting in the spine, and an Audition Copy stamp on back.)

Possible matches34
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Quartetto ModernoEcco! ... CD
Schema (Italy), 1999. New Copy ... $11.99
One of the most beautiful jazz recordings we've heard in a long time! Italy's Quartetto Moderno is a vibes-led combo with a classic modal feel – similar to Bobby Hutcherson's pre-new thing years on Blue Note, or some of the early Roy Ayers & Jack Wilson recordings from LA. The sound is extremely captivating, and the main frontline of vibes and piano is augmented on a number of tracks by flute and alto. The set's got a great cover of Paul Horn's lost modal groover "Mr. Bond", plus loads of great originals, like "Giovani D'Oggi", "Il Gioco Delle Parti", "Astro Gange", and "Moderns Dilemma". Very nice stuff, and with a sound and feel that's far more sophisticated than some of the other titles on Schema! CD

Possible matches35
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Jemal RamirezAfrican Skies (180 gram pressing) ... LP
Joyful Beat, 2018. Near Mint- 2LP ... $19.99
A killer record from Cali drummer Jemal Ramirez – maybe his greatest set so far as a leader, and a record that features a top-shelf lineup that really captures his vision! We'll be honest in saying that it was vibist Warren Wolf who first caught our attention here – as we love anything that Warren does, and especially value his contribution as a sideman – where he seems to bring the same sort of soulful flow to a group that Bobby Hutcherson could back in the 70s! That's definitely the case here, as Wolf's bold colors work perfectly with the rich lines on piano and Fender Rhodes from Matthew Clark – and are given a soaring spirit when reed work from Howard Riley kicks in – as the player handles alto, tenor, and soprano sax on the set. Mike Olmos plays trumpet on half the album, John Shifflett handles bass throughout, and it's definitely the case that Ramirez's rock-solid drumming and leadership are what really keep the album moving. Titles include Jemal's originals "On The Move", "A Long Way Home", "Where Are They", "No Time Left", and "Stasia" – and other titles include "African Skies", "It Always Is", "A Good Time", "Sister Cheryl", and "Episode From A Village Dance". LP, Vinyl record album

Possible matches36
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School DaysIn Our Times ... CD
Okka Disk, 2002. New Copy ... $9.99
A fantastic slice of dialogue between the important millennial Chicago and Swedish avant garde scenes! The School Days quartet is further augmented by another member this go 'round, Kjell Nordeson on vibes, as they continue to explore themes inspired by and written by modernists of a different period in improvised music, like Bobby Hutcherson, Bill Evans, and Larry Young – a great example of the inspirations that move the genius of group leader, reedman Ken Vandermark. Kjell can be heard elsewhere as the drummer for Mats Gustafson's AALY trio, and is joined by his bandmate from that group here on bass, Ingebrit Haker-Flaten, with another Swede, Paal Nilssen Love on drums, while Chicagoan Ken Vandermark is joined by one of our city's other hidden gems on the frontline, Jeb Bishop on trombone. Recorded live in Norway, titles include "Shift", "Octopus", "Loose Blues" and "Another Double". CD

Possible matches37
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Sonny StittJust In Case You Forgot How Bad He Really Was (32 Jazz pressing) ... CD
32 Jazz, 1981. Used ... $3.99
A smoking little bop set from Sonny Stitt – recorded live at the Keystone in 1981, as sort of a "summit meeting" of horns – one that features Richie Cole and John Handy in the frontline with Sonny! The rhythm section alone is enough to cook this one up nicely – with Cedar Walton on piano, Herbie Lewis on bass, and Billy Higgins on drums – and the sextet is expanded by Bobby Hutcherson, whose vibes seem to bring an even deeper level of soul to the set. But the main focus here is on the horns – and it's a focus that's well-kept, especially on the longer tunes, which really sparkle in the range of tone and mood expressed. Highlights include an extended "Ballad Medley" and versions of "Wee", "Lover Man", and "Star Eyes". (And by the way, that's "bad", as in "good" – in case you couldn't guess from the title!) CD
(Out of print.)

Possible matches38
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Timeless All StarsIt's Timeless ... CD
Timeless/Ultra Vybe (Japan), 1982. New Copy ... About May 17, 2020 (delayed)
A brilliant assemblage of players – working here under the Timeless All Stars tag, because they'd all recorded for the label – but held together much more deeply through a rich tradition of west coast soul jazz! The team of Harold Land and Bobby Hutcherson are wonderfully united for the session – working with Curtis Fuller on trombone, Cedar Walton on piano, Buster Williams on bass, and Billy Higgins on drums – all to carve out longer tracks that sparkle with the best open feeling of the sound that Land and Hutcherson first put down together at the end of the 60s. There's a sense of warmth and good spirit to the recording – but not of the type that dampens the energies of the players – as the best tracks on the record have a searing, searching feel that's pretty darn surprising for such an all-star session! Titles include "Clockwise", "Highway One", "Arabia", "Stella By Starlight", and "My Foolish Heart". CD

Possible matches39
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✨✧ Timeless All StarsTimeless Heart ... CD
Timeless/Solid (Japan), 1983. New Copy ... $15.99
Masterful work from one of the greatest all-star groups in jazz – a short lived sextet that featured some of the best players working for Timeless Records – and a group that recalls the brilliance of the early recordings of Harold Land and Bobby Hutcherson! Both Hutcherson and Land are part of the group – as are Cedar Walton, Curtis Fuller, Buster Williams, and Billy Higgins – and the amazing thing about the set is the way that such top-shelf players can come together, yet manage to work in a mode that's far greater than the sum of its equally great parts! The sound here is nothing like you'd expect from an "all star" session – as the tunes are complicated, intricate, and have an approach that's far different than the "head arrangement with battling solos" that first marked all star jazz recordings in years back. These six players come together with a wonderfully fluid groove – sliding soulfully in the realms explored by Hutcherson, Land, Walton, and Higgins on their own records from the time – and working through magical readings of original tunes that include "Hindsight", "Tayamisha", "Hand In Glove", "Fiesta Espagnol", "World Peace", and "Christina". CD

Possible matches40
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Wooden Glass Featuring Billy WootenWooden Glass Recorded Live (Japanese paper sleeve edition) ... CD
P-Vine (Japan), 1972. New Copy ... $26.99
Mad funky vibes from The Wooden Glass – a group led by vibist Billy Wooten – an obscure player in the history books, but one who has had a huge influence on 21st Century groove! Billy's got a hard style on the vibes that's like Bobby Hutcherson and Roy Ayers at their soulful best – working here with a tight combo that includes guitar and organ, very much in the mode of his classic work with the slightly more famous (although equally obscure) Indianapolis combo The Ninteenth Whole! The set's a live one, but it really cooks with a sweet electric feel – echoey, funky, and soulful – as tunes spin out in a staggering approach to the vibes that's unmatched by any record of its time. Billy was a huge influence on Madlib and the sound of Yesterday's New Quintet – and hearing this set, it's virtually a blueprint for that group's current work! Includes great covers of "In The Rain", "Day Dreaming", and "Love Is Here" – plus Wooten's excellent original tracks "Monkey Hips & Rice" and "Joy Ride". CD

Possible matches41
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Billy WootenIn This World ... CD
APS/P-Vine (Japan), 1979. New Copy ... About July 3, 2020
One of the most soul-based records ever cut by vibist Billy Wooten – a record that's even tighter and more focused than his work with The Wooden Glass or 19th Whole! The album's got Billy and other vocalists singing along with his vibes and marimba – over the top of tightly vamping rhythms by the combo, served up with a breezy, jazzy approach that's totally great. There's plenty of warm changes in the rhythms – almost in the style of Bobby Hutcherson's work of the same time, but a fair bit more varied overall as well – thanks to some unusual material included by Wooten in the set. Vocals are by Wooten, Joy Smith, and Funda Cooper – and other instrumentation includes alto sax, flute, guitar, bass, drums, and plenty of percussion! Titles include "Summerlight", "Chicango (Chicago Land)", "Somebody's Calling My Name", "In This World", and "Dancing & Singing". CD

Possible matches42
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Billy WootenIn This World ... LP
APS/P-Vine (Japan), 1979. New Copy ... About August 19, 2020
One of the most soul-based records ever cut by vibist Billy Wooten – a record that's even tighter and more focused than his work with The Wooden Glass or 19th Whole! The album's got Billy and other vocalists singing along with his vibes and marimba – over the top of tightly vamping rhythms by the combo, served up with a breezy, jazzy approach that's totally great. There's plenty of warm changes in the rhythms – almost in the style of Bobby Hutcherson's work of the same time, but a fair bit more varied overall as well – thanks to some unusual material included by Wooten in the set. Vocals are by Wooten, Joy Smith, and Funda Cooper – and other instrumentation includes alto sax, flute, guitar, bass, drums, and plenty of percussion! Titles include "Summerlight", "Chicango (Chicago Land)", "Somebody's Calling My Name", "In This World", and "Dancing & Singing". LP, Vinyl record album

Possible matches43
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✨✧ VariousBlue Note Revisited ... CD
Blue Note, 2004. Used ... $6.99
A dream come true! Someone at Blue Note is keeping their eyes and ears on the street and in the clubs – because here's another late model conceptual triumph – a remix project pairing current innovators in the club and hip hop underground with classic numbers from the label's vaults! The concept is simple; classic numbers are given to handpicked remixers, re-doers, and stylistic misfits best suited to re-work that particular number. Mo Wax maestros La Funk Mob open the set with a mellow, club soul tweak of Wayne Shorter's "Oriental Funk Song". Kenny Dope trips out Bobby Hutcherson's "La Malanga" into a bubbly club funk jam. "Kyoto Jazz Massive" completely re-work Eddie Henderson's "Kudu" into a wonderful number all their own. Perhaps the biggest triumph of all here is the consistency throughout; every artist attached brings their A-game (how could they do any less, given a chance to add their own elements to the some of the most influential numbers they could get their hands on?) Amazing, amazing stuff – whether it's the scratched up, hip hop flavor J Dilla brings to Jack McDuff's "Oblighetto" or the righteous electronic groove Jazzanova drops on Eddie Gale's "Song Of The Will", the minimalist, keys and beats drive Osunlade brings into Grant Green's "A Time To Remember". Every track sparkles! Other tracks include DJ Spinna/Donald Byrd "Lansanna's Priestess", 4 Hero/Horace Silver "Won't You Open Up Your Senses", DJ Cam & Erik Truffaz/Donald Byrd "The Emperor", Herbert/Michel Petrucciani "Caravan" and more! CD
(Mark through barcode, disc has a promo stamp.)

Possible matches44
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✨✧ Doug CarnInfant Eyes ... LP
Black Jazz, 1971. Very Good ... Temporarily Out Of Stock
An undisputed 70s soul jazz classic – and arguably the best album that Doug Carn ever cut for the Black Jazz label! The set is a masterpiece of spiritual jazz – with Carn on keyboards setting up the groove, and wife Jean singing some incredible vocals – very different than her later soul work as a solo act, and with a vibe that's like Dee Dee Bridgewater at her soulful 70s best. Jean does a killer job with the album's classic vocal version of Bobby Hutcherson's "Little B's Poem" – done here with sweet lyrics that really open the song up a lot, and make it into an anthem of love and joy that we'd be hard pressed to match with any other tune! And all other tracks are great too – with titles that include "Moon Child", "Passion Dance", and a great version of Wayne Shorter's "Infant Eyes". LP, Vinyl record album
(Original pressing in the textured cover. Cover has light wear.)

Possible matches45
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✨✧ Eric DolphyOut To Lunch ... CD
Blue Note, 1964. Used ... Temporarily Out Of Stock
One of Eric Dolphy's lasting classics – and possibly the ultimate album of "new thing" jazz from the mid 60s! The record's got an even sharper edge than previous Dolphy recordings for Prestige – a really unique combination of instrumentation that includes Freddie Hubbard on trumpet, Bobby Hutcherson on vibes, Richard Davis on bass, and Tony Williams on drums – plus Dolphy on alto sax, flute, and bass clarinet. Although Dolphy's reed playing is as amazing as you'd expect, the real surprise here is Hutcherson, whose vibes ring out with this cold harsh tone that give a perfect edge to the set – bold and metallic, quite different than any work on vibes from previous players. Despite a large number of later recordings, Hutcherson almost never hit this sound again – except perhaps on a few Jackie McLean recordings – and it's his playing that gives the set such a unique sound. Titles include "Straight Up & Down", "Gazzelloni", "Hat & Bread", "Out To Lunch" and "Something Sweet Something Tender". CD
(Spine has a cutout notch.)

Possible matches46
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✨✧ McCoy Tyner4 X 4 – McCoy Tyner Quartets ... LP
Milestone, 1980. Near Mint- 2LP Gatefold ... Temporarily Out Of Stock
McCoy Tyner's a hell of a piano player on his own, but in the post-Coltrane years he also developed an amazing talent for picking sidemen too – as you'll hear in this very unique set! The record features four different quartets – hence the title – each of which features a core trio of Tyner on piano, Cecil McBee on bass, and Al Foster on drums – with the inclusion of Bobby Hutcherson on vibes, Arthur Blythe on alto, Freddie Hubbard on trumpet, and John Abercrombie on electric mandolin! Each of the four groups is featured on a different side of the 2LP set – which allows things to get broken up nice and easily – almost like getting four great Tyner albums in one, each with a different style. Most tunes have that soaring, righteous quality that McCoy did so well during his 70s years – usually with larger groups – and titles include "Blues In The Minor", "The Seeker", "Forbidden Land", "Backward Glance", "Paradox", "Inner Glimpse", and "I Wanna Stand Over There". LP, Vinyl record album
(Cover has light wear.)

Possible matches47
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✨✧ Harold VickCommitment ... LP
Muse, 1974. Near Mint- ... Temporarily Out Of Stock
A beautiful album from Harold Vick – one of his greatest, and very much in the sublime spiritual mode of his stellar Don't Look Back record on Strata East. Vick's moving past the hard soul jazz of the 60s sides he cut with organ players – and he's hitting a freer groove that's marked by a more modal approach to playing, almost in the mode of Harold Land with Bobby Hutcherson on Blue Note. Of course, this record makes us think of that pair even more because it's got lots of great work on vibes by Victor Feldman – plus piano by Walter Bishop Jr, bass by Ben Tucker, and drums by Mickey Roker. Tracks include "From Within", "Time & A Place", "HNIC", and "Commitment". LP, Vinyl record album
(White label promo, with a name in marker on each side. Cover has light wear and a name in pen on front.)

Possible matches48
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✨✧ VariousBeats & Pieces Vol 3 – Music For The More Discerning Dancefloor ... CD
BBE (UK), 2004. New Copy ... Temporarily Out Of Stock
A very well-titled set – and the best so far in this cutting-edge series! The "beats and pieces" this time around are mostly underground club tracks from the past few years – the cream of the crop of the best bits that hit our New Grooves section, often served up in harder-to-find mixes that represent the best version of the tunes so far! There's no overall stylistic logic to the set, which is what makes it so great – as mellow soul steps into funky club, into spacey fusion, global house, 21st century groove, then dancefloor jazz! 2CD set features 22 tracks that include "Wake Up" by Herbert, "La Malanga (Kenny Dope rmx)" by Bobby Hutcherson, "Fall Into You" by Stateless, "Hot In Here" by Tiga with Jake Shears, "Take Off (Nicola Conte's Campi's Idea version)" by Nathan Haines and Marco Di Marco, "Bukom Mashie" by Oscar Sulley & The Uhuru Dance Band, "Somebody New" by Georg Levin with Clara Hill, "Besides Myself" by DJ Shaheer Williams, "Timbuktu" by Pan African Electronic Beats, "Someone To Love" by Crusho, "Love & War (version)" by Amp Fiddler, "Forty Days" by Billy Brooks, and "Fall Into You" by Stateless. CD

Possible matches49
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✨✧ VariousBlue Break Beats 3 ... CD
Blue Note, Late 60s/Early 70s. Used ... Temporarily Out Of Stock
A really wonderful collection of grooves that first came to light in the 90s – one that had the Blue Note label digging back in their catalog and completely re-thinking their approach to reissues – given the new popularity of jazz in the hip hop sample world! As you'd guess from the title, the music here is very strongly oriented in the mode of "breaks", or tracks that were sampled for later hip hop and club recordings – classic jazz tunes from the glory days of Blue Note that have gone onto live again, thanks to the keen ears and inventive work of more contemporary DJs and producers. After all these years, The Blue Breakbeats series still stands as one of the best illustrations of the funkier side of the label – and titles on this third volume "Howling for Judy" by Jeremy Steig, "Mystic Brew" by Ronnie Foster, "Get Out Of My Live Woman" by Joe Williams, "Soul" by Jackie McLean, "Put On Train" by Gene Harris & The Three Sounds, "Light My Fire" by Shirley Bassey, "Ode To Billie Joe" by Lou Donaldson, "You've Made Me So Very Happy" by Lou Rawls, "Walk Tall" by Cannonball Adderley, "Sho-Nuff Mellow" by Reuben Wilson, "Don't Call Me N*gger Whitey" by Gene Harris, "Blacks & Blues" by Bobbi Humprhey, "Dominoes" by Donald Byrd, "Ground Hog" by Duke Pearson, "Goin Down South" by Bobby Hutcherson, "Down Here On The Ground" by Grant Green, "It's Your Thing" by Lou Donaldson, and "Flat Backin" by Blue Mitchell. CD
(Out of print.)

Possible matches50
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✨✧ VariousSpiritual Jazz 9 – Blue Notes – Part 1 – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... LP
Jazzman (UK), 1960s/1970s. New Copy 2LP Gatefold ... Temporarily Out Of Stock
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As the 60s moved on, Blue Note became an even more open-minded label than before – and not only gave some of its key players the chance to stretch out and really spread their wings – but also brought some younger talents into the mix, who really expanded the vision of the Blue Note sound. Some of the tracks here are from the middle of the decade – and reflect more of the growing interest in modal jazz spurred on by Coltrane, Miles Davis, and others – while some of the later tracks are surprisingly righteous, sometimes political moments from players who would have sounded very different just a few years before. The package is done with the same amazing care and fantastic set list as previous Spiritual Jazz collections from Jazzman – and titles on this first volume include "Verse" by Bobby Hutcherson, "Footprints" by Wayne Shorter, "At This Point In Time" by Elvin Jones, "The Rain" by Eddie Gale, "Poinsettia" by Andrew Hill, "Searchin The Trane" by Bobby Hutcherson, "The Phantom" by Duke Pearson, and "Assunta" by Freddie Hubbard. LP, Vinyl record album

Possible matches51
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✨✧ Dee Dee BridgewaterLittle B's Poem/People Make The World Go Round ... 7-inch
Trio (Japan), 1974. New Copy (pic cover, reissue)... Out Of Stock
A unique Japanese-only single – one that features two of the best tracks from the legendary Afro Blue album by Dee Dee Bridgewater! First up is her take on the Bobby Hutcherson classic "Little B's Poem" – a completely wonderful vocal version that, to us, even blows away the well-known take on the tune by Doug and Jean Carn! The flipside features this great vocal jazz remake of the Stylistics hit "People Make The World Go Round" – served up with lots of spirit at the core, in a way that really changes things up! 7-inch, Vinyl record
(Part of the Deep Jazz Reality series!)

Possible matches52
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✨✧ Doug CarnInfant Eyes ... LP
Black Jazz, 1971. New Copy (reissue)... Out Of Stock
An undisputed 70s soul jazz classic – and arguably the best album that Doug Carn ever cut for the Black Jazz label! The set is a masterpiece of spiritual jazz – with Carn on keyboards setting up the groove, and wife Jean singing some incredible vocals – very different than her later soul work as a solo act, and with a vibe that's like Dee Dee Bridgewater at her soulful 70s best. Jean does a killer job with the album's classic vocal version of Bobby Hutcherson's "Little B's Poem" – done here with sweet lyrics that really open the song up a lot, and make it into an anthem of love and joy that we'd be hard pressed to match with any other tune! And all other tracks are great too – with titles that include "Moon Child", "Passion Dance", and a great version of Wayne Shorter's "Infant Eyes". LP, Vinyl record album

Possible matches53
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✨✧ Eric DolphyMusical Prophet – The Expanded 1963 New York Studio Sessions (Iron Man/Conversations/unissued tracks) (3CD set) ... CD
Resonance, Early 60s. New Copy 3CD ... Out Of Stock
A fantastic package that finally gives these recordings their proper due – one that takes the cuts that were issued on the albums Iron Man and Conversations (plus a million cheapo packages over the years) – and restores them to their original mono, right from the tapes – then adds in 85 more minutes of never issued material! The tracks here are a perfect balance of Dolphy in his final year – with some spiritual jazz currents, but still a strong sense of swing – with a fantastic lineup that includes Prince Lasha on flute, Sonny Simmons on alto, Clifford Jordan on soprano, Woody Shaw on trumpet, Bobby Hutcherson on vibes, Richard Davis on bass, and both JC Moses and Charles Moffett on drums – almost a who's-who of people who would go onto shape the face of jazz in years to come. Titles include "A Personal Statement", "Ode To Charlie Parker", "Iron Man", "Come Sunday", "Burning Spear", "Muses For Richard Davis", "Alone Together", "Love Me", and "Jitterbug Waltz" – plus a number of other different versions of tunes. 3CD set comes with a 100 page booklet – featuring photos, essays, and interviews with Sonny Simmons, Sonny Rollins, Nicole Mitchell, Henry Threadgill, and David Murray. CD

Possible matches54
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✨✧ Eric DolphyOut To Lunch (Japanese pressing – with bonus tracks) ... CD
Blue Note (Japan), 1964. Used ... Out Of Stock
One of Eric Dolphy's lasting classics – and possibly the ultimate album of "new thing" jazz from the mid 60s! The record's got an even sharper edge than previous Dolphy recordings for Prestige – a really unique combination of instrumentation that includes Freddie Hubbard on trumpet, Bobby Hutcherson on vibes, Richard Davis on bass, and Tony Williams on drums – plus Dolphy on alto sax, flute, and bass clarinet. Although Dolphy's reed playing is as amazing as you'd expect, the real surprise here is Hutcherson, whose vibes ring out with this cold harsh tone that give a perfect edge to the set – bold and metallic, quite different than any work on vibes from previous players. Despite a large number of later recordings, Hutcherson almost never hit this sound again – except perhaps on a few Jackie McLean recordings – and it's his playing that gives the set such a unique sound. Titles include "Straight Up & Down", "Gazzelloni", "Hat & Bread", "Out To Lunch" and "Something Sweet Something Tender". CD
(Out of print SHMCD pressing – with obi.)

Possible matches55
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✨✧ Dexter GordonSophisticated Giant ... CD
Columbia, 1977. Used ... Out Of Stock
A really wonderful album from Dexter Gordon's later years at Columbia – and a rare session that pairs larger arrangements with his soulful voice on the tenor and soprano saxophone! Although other players worked often in this mode, the record may well be the only one of its type for Dexter – but that doesn't stop it from being a standout treasure that lets us hear a whole new side of his talents. Slide Hampton handled the arrangements, and he really works some magic with players that include Woody Shaw, Benny Bailey, Frank Wess, and Bobby Hutcherson – using their best talents to create richly chromatic backdrops for Dex's solos. A few of the players step out on their own lines on longer tracks, and titles include "Fried Bananas", "You're Blase", "Insensatez", "Moontrane", and "Laura". CD
(Out of print.)

Possible matches56
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✨✧ Jackie McLeanDestination Out ... CD
Blue Note (Japan), 1963. New Copy ... Out Of Stock
A modernist classic from 60s Blue Note! The album's one of Jackie McLean's greatest from the time – and one of his seminal "new thing" sessions cut with young modernists Grachan Moncur III on trombone and Bobby Hutcherson on vibes – both young players who were really finding the sharper edges of their sound at the time! Three of the four long tracks on the record were written by Moncur, and have a similar approach to his own recordings for Blue Note – moody and introspective, in a style that's as concerned with sound and space as it is jazz and rhythm – and Hutcherson's vibes are beyond compare here, with have a sinister metallic quality that he only used briefly in his early career! The whole record's a gem, and one not to pass up! Titles include "Kahlil The Prophet", "Riff Raff", and "Love & Hate". CD
(Part of the "Blue Note 80 – More 60 Works" series!)
Also available Destination Out (RVG remaster edition) ... CD 13.99

Possible matches57
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✨✧ Lee MorganProcrastinator ... CD
Blue Note, 1967. Used ... Out Of Stock
An amazing set by Lee Morgan – and one that was recorded in the 60s, but not issued until many years later! The album has this really weird sound, which is a combination of Morgan's trumpet, Wayne Shorter's tenor, Herbie Hancock's piano, and Bobby Hutcherson's vibes – the last of which gives the record a uniquely angular quality, and a stark modernist sound that's different from other Lee Morgan albums. This odd sound is possibly one reason why Blue Note didn't release the album at the time – and it's also a quality that makes the finally-issued record a real treasure – an even more wonderful chapter in the great later years of Morgan's all-too-short jazz career! The title track "The Procrastinator" is amazing – and other titles include "Soft Touch", "Dear Sir", "Stopstart", and "Rio". CD
(Connoisseur pressing.)

Possible matches58
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✨✧ Stahls Trio (Mattias Stahl)Kallthorp Sessions Vol 1 ... CD
Moserobie (Sweden), 2019. New Copy ... Out Of Stock
Incredible work from one of the hippest vibists working on the planet today – the great Mattias Stahl, one of the few players to really bring something new to the instrument over the past few decades! Stahls has this very rich sound, but also a very unique sense of timing too – which means that he can ring out with notes that are very seductive, while also pulling you into a space that's very much his own – fresh rhythms, different progressions, and moments of mindblowing intensity – all given fantastic support here by bassist Joe Williamson and drummer Christopher Cantillo! The group are as revolutionary as any of the Bobby Hutcherson "new thing" recordings of the 60s, or as Gary Burton's key combos at their best – and there's a sense of new imagination that matches that of the contemporary, but very different, vibist Jason Adasiewicz – maybe the only other player besides Stahl who's done so much with the instrument in recent years. Titles include "Vi Gar Till Skolan", "Morgon Pa Torpet", "Elmers", "Diagram", "Lennart Jernestrand", "Ordning Pa Torpet", and a surprising take on John Lennon's "Jealous Guy". CD

Possible matches59
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✨✧ McCoy TynerLand Of Giants ... CD
Telarc, 2003. Used ... Out Of Stock
In a quartet with Bobby Hutcherson on vibes, Charnett Moffett on bass, and Eric Harland on drums. CD

Possible matches60
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✨✧ Tony WilliamsForeign Intrigue ... LP
Blue Note, 1985. Near Mint- ... Out Of Stock
An intriguing little set from drummer Tony Williams – and a set that shows him still very much in command of his talents well into the 80s! Tony's playing here with all the bold, open energy of his classic recordings – and although he picks up a bit of electric percussion at points, he still plays it all "live" – and really seems to defer to the richer acoustic sounds of the group's great lineup – an all-star setting that includes Wallace Roney on trumpet, Donald Harrison on alto, Bobby Hutcherson on vibes, Ron Carter on bass, and Mulgrew Miller on piano! The richness of the alto and trumpet are tremendous – and Hutcherson's vibes ring out beautifully, a perfect balance of tone and timing. Titles include "Foreign Intrigue", "My Michele", "Takin My Time", "Sister Cheryl", and "Arboretum". LP, Vinyl record album

Possible matches61
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✨✧ VariousSpiritual Jazz 9 – Blue Notes – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... CD
Blue Note/Jazzman (UK), Late 60s/Early 70s. New Copy 2CD ... Out Of Stock
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As the 60s moved on, Blue Note became an even more open-minded label than before – and not only gave some of its key players the chance to stretch out and really spread their wings – but also brought some younger talents into the mix, who really expanded the vision of the Blue Note sound. Some of the tracks here are from the middle of the decade – and reflect more of the growing interest in modal jazz spurred on by Coltrane, Miles Davis, and others – while some of the later tracks are surprisingly righteous, sometimes political moments from players who would have sounded very different just a few years before. The package is done with the same amazing care and fantastic set list as previous Spiritual Jazz collections from Jazzman – and titles include "Verse" by Bobby Hutcherson, "Footprints" by Wayne Shorter, "At This Point In Time" by Elvin Jones, "The Rain" by Eddie Gale, "Poinsettia" by Andrew Hill, "Searchin The Trane" by Bobby Hutcherson, "The Phantom" by Duke Pearson, "Assunta" by Freddie Hubbard, "El Barrio" by Joe Henderson, "Plight" by Jackie McLean, "Gichi" by Booker Ervin, "Igbesi Aiye" by Solomon Ilori, "Blue Spirits" by Freddie Hubbard, "Cristo Redentor" by Duke Pearson, "The Morning After" by Hank Mobley, "Indian Song" by Wayne Shorter, and "Malaguena" by Pete LaRoca. CD

Possible matches62
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✨✧ Donald ByrdEthiopian Knights (180 gram pressing) ... LP
Blue Note, 1972. New Copy (reissue)... Out Of Stock
Sweet electric funk – in a very trippy style, and very different than the later funky fusion from trumpeter Donald Byrd! Before Byrd hooked up with Larry Mizell and started recording his smooth fusion grooves of the mid 70s – on records like Blackbyrd and Street Lady – he recorded this gem, kind of a "lost" album that has Donald working in an open-ended electric sound – one that's clearly inspired by the experiments of Miles Davis, but which has a generally funkier feel overall! The tracks are very long – with lots of spiraling keyboard and trumpet solos – and the hip players on the set include Bobby Hutcherson on vibes, David T Walker on guitar, Harold Land on tenor, and Joe Sample on organ – a very cool combo that's got a cross between The Crusaders and the Hutcherson/Land quintet! We love the tracks on this set – especially "The Emperor" and "The Little Rasti", which are both over 15 minutes long, and have a haunting spacey sound that's a departure from Donald's usual work! LP, Vinyl record album
Also available Ethiopian Knights ... LP

Possible matches63
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✨✧ John PattonLet 'Em Roll ... CD
Blue Note (Japan), 1965. New Copy ... Out Of Stock
A wonderfully wicked meeting of the minds – and a legendary bit of soul jazz from organist Big John Patton! The core of the record features the usual Patton groove – with John on Hammond, Grant Green on guitar, and Otis Finch on drums – but added to that mix is Bobby Hutcherson on vibes, making a rare appearance on an organ jazz session, with some wonderful results! The combination of vibes and organ is especially haunting – jangling a groove with a really modal feel, and creating a sound that instantly made this one stand out from the pack! The whole thing's great, and tracks include "The Turnaround", "Let Em Roll", "Latona", and "One Step Ahead". CD
(Part of the "Blue Note 80 – The 80 Works" series! Ultimate HQ CD pressing.)

Possible matches64
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✨✧ VariousBlue Break Beats 2 ... CD
Blue Note, Late 60s/Early 70s. Used ... Out Of Stock
A really wonderful collection of grooves that first came to light in the 90s – one that had the Blue Note label digging back in their catalog and completely re-thinking their approach to reissues – given the new popularity of jazz in the hip hop sample world! As you'd guess from the title, the music here is very strongly oriented in the mode of "breaks", or tracks that were sampled for later hip hop and club recordings – classic jazz tunes from the glory days of Blue Note that have gone onto live again, thanks to the keen ears and inventive work of more contemporary DJs and producers. After all these years, The Blue Breakbeats series still stands as one of the best illustrations of the funkier side of the label – and titles on this second volume include "Orange Peel" by Reuben Wilson, "Higga Boom" by Gene Harris, "Jasper Country Man" by Bobby Humphrey, "Good Humor Man" by Blue Mitchell, "Ain't It Funky Now" by Grant Green, "The Kumquat Kids" by Eddie Henderson, "The Phantom" by Duke Pearson, "Spinning Wheel" by Lonnie Smith, "Ummh" by Bobby Hutcherson, "The Worm" by Jimmy McGriff, "The Caterpiller" by Lou Donaldson, "Pot Belly" by Lou Donaldson, "Beale Street" by Donald Byrd, "Viva Tirado" by Gerald Wilson, and "Street Lady" by Donald Byrd. CD
(Out of print.)

Possible matches65
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✨✧ Luis GascaCollage ... LP
Fantasy, 1976. Very Good+ ... Out Of Stock
A standout classic from trumpeter Luis Gasca – and a set that may well be the artists' most complete musical vision of the 70s! The group here is larger than on previous records, and Gasca's dropped a bit of his Latin roots in exchange for a soaring, slightly spiritual sound put together by arranger Don Menza – who's really at the top of his game here! There's a perfection and poise that's almost like CTI or Kudu at their best – almost a bit above the usual Fantasy Records session like this from the 70s, too! Other players include Bobby Hutcherson on vibes, Menza and Hadley Caliman on reeds, Patrice Rushen on keyboards, and Harvey Mason on some mighty nice drums – which makes for more than a bit of funk in the mix. Titles include the sweet vibes/Rhodes number "Kathy", the stepper "Sara", and the tracks "Visions", "The Way I Feel Sometimes", "Patrice", "Collage", and "Night People". LP, Vinyl record album
(Cover has light wear and a cut corner.)
 
 
 



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