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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
One of Charles Mingus' classic recordings for the Candid label – far and away some of the best recordings he ever made, and some of the few studio sessions that really let him stretch out and do his thing! The Candid label didn't last long – but during their short stretch of recording, ... CD
A classic session of modernist jazz – and some of Mingus most groundbreaking early work! The album was recorded for Savoy with 2 different groups – one's got Mingus leading John LaPorta on alto, Teo Macero on tenor, and Mal Waldron on piano, and the other group's a quartet with Macero, ... CD
Charles Mingus recorded many great concerts over the years – but this huge double-length collection may well be one of the most likely to earn the title of "great" – as the lineup is superb, and the music really captures Mingus at a time when he was setting a new fire in his ... CD
The title's exploding with Mingus, and the album is too – a completely classic effort for Impulse Records that's easily one of Charles' best of the 60s! Things are reigned in somewhat from the Mingus years at Atlantic or Candid, but the sound is still great – almost more focused than ... CD
A great little 70s session from Mingus – the second part of the Changes set, some of his best work from the time, and recorded with a small group that includes George Adams, Don Pullen, and Jack Walrath. Tracks are long, with that late love of Ellington that Mingus was developing – and ... CD
Two late albums from Charles Mingus – back to back on a single CD! Me Myself An Eye is complicated later work from Mingus – a great illustration of the way his power to command a large ensemble never wavered as the years went on! The album features two different large groups of ... CD
An amazing record – quite possibly one of the greatest jazz albums of all time, and a session that has Charles Mingus stepping boldly forward in a whole new direction! The album shakes loose the sometimes too-academic modern tones of Mingus albums from the previous year or two – and ... CD
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of ... CD
The title only partly gives the record away – because the set's not just comprised of favorites of guitarist Max Light and saxophonist Noah Preminger – it also includes some well-done original material by the pair! Yet even the covers are hardly served up in familiar ways – as ... CD