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A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
Will have marks across all parts of the playing surface,
and will most likely play with surface noise throughout.
May have some other significant flaws, such as residue, or a track that skips.
In most cases, a poor quality copy of a very difficult to find record.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
NYC session from 1951, with Walter Bishop on piano, Mundell Lowe on guitar, Teddy Kotick on bass, and Max Roach and Roy Haynes on drums. LP, Vinyl record album
A well-done reissue of Charlie Parker's classic work on the Dial label – for this volume featuring material recorded on October 28th, 1947, in New York City. Players include Miles Davis, Duke Jordan, Tommy Potter, and Max Roach – and the set features master and alternate takes of tunes ... LP, Vinyl record album
1970s reissue of Bird's incomparable Dial sides, cut during the height of the Bop age. Though the cover just has a generic photo of Bird, there's extensive notes on the back, and the tracks are arranged in a documentary sort of fashion, lining up all the takes together, so you can hear Bird ... LP, Vinyl record album
1970s reissue of Bird's incomparable Dial sides, cut during the height of the Bop age. Though the cover just has a generic photo of Bird, there's extensive notes on the back, and the tracks are arranged in a documentary sort of fashion, lining up all the takes together, so you can hear Bird ... LP, Vinyl record album
A collection of sides cut in the mid 60s by Wes during his association with Verve. Culled from the albums Movin' Wes, Bumpin', Goin' Out Of My Head and Tequila, these numbers all feature the larger arrangements that gave those albums a richer sound than his small group recordings, though Wes' ... LP, Vinyl record album
Jazz At The Philharmonic material from 1952 featuring Eldridge and Shavers on trumpet and Lester Young on tenor – with Benny Carter on alto, Flip Phillips on tenor, Oscar Peterson on piano, Berney Kessel on guitar, Ray Brown on bass, and Buddy Rich on drums – on three long tracks that ... LP, Vinyl record album
Mid 50s recordings with Dizzy's big bands, with sidemen that include Quincy Jones, JJ Johnson, Hank Mobley, Lucky Thompson, Lee Morgan, Benny Golson, Wynton Kelly, Billy Mitchell, Candido, Al Grey, and many more. LP, Vinyl record album
Although the set's a groovy batch of shorter jazz tracks, with larger arrangements by Jimmy Jones, Hodges still solos nicely, and with that trademark tone that always cuts through the b.s.! The title cut's a mis-chosen version of Petula Clark's big hit, but the record's actually got some other ... LP, Vinyl record album
We couldn't think of a better title for this one – as Oscar's in perfect form, crafting lightly shaded tones on the keys – and working with the guitar/bass drumless trio format that made his work so fluid in the 50s. The album's as seductive as its title and beautiful cover, and Oscar ... LP, Vinyl record album
An overlooked treat recorded at a time when Verve was briefly exploring the jazz orchestra format in the early 60s – through recordings by Stan Getz, Jimmy Guiffre, and here, Bob Brookmeyer. The record features a set of tracks written and/or arranged by Brookmeyer, with help from ... LP, Vinyl record album
Stan Getz makes a key musical trip to Sweden – to showcase his affection for a jazz scene that had been growing strongly in the postwar years – often in directions that were similar to Stan's own sound at the time! The session is one of the first to pair Stan's tenor with a Swedish ... LP, Vinyl record album