This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Rock-solid live material from the classic Cannonball Adderley Sextet – a combo who could usually groove even better on a concert date then they could in the studio! The album's one of a number of key live sides from Cannon in the 60s – and although it pre-dates his work on Capitol, it's ... CD
4 early Cannonball Adderley albums on 2 CDs! The package is a brilliantly put-together look at Cannon's early style – forged at Mercury in the years before he settled into soul jazz fame in the 60s, a mix of hardbop styles that shows his genius even as a young player, working with players ... CD
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and ... CD
A partner album of sorts to Jimmy Smith's classic Midnight Special album – recorded during the same sessions as that one, and also featuring Stanley Turrentine on tenor and Kenny Burrell on guitar! The sound here is almost even more open and stretched out – with only 4 long tracks on ... CD
A real corker from Freddie Redd – and never issued at the time! Despite the fact that Freddie was part of one of the greatest sessions ever on Blue Note – the soundtrack to The Connection, done with Jackie McLean – he rarely got the chance to record more for the label, which is ... CD
A stellar early Johnny Griffin recording for Blue Note, and one that features him in a larger group with Hank Mobley, Lee Morgan, John Coltrane, and Wynton Kelly. As the "blowing session" title might imply, this set features long tracks that let the players get in plenty of soloing (and, ... CD
A seminal, yet unusual 50s Blue Note treasure! The album brings together a number of Horace Silver's great trio recordings from the early 50's, most of them with Art Blakey on drums, showing the fluid, rumbling genius that would later make him such a great leader. But the record also includes 2 ... CD
Rare work by Charlie Parker, recorded at Storyville Nightclub in Boston in 1953 – originally broadcast on radio station WHDH, and featuring Bird in a more open, relaxed style than his studio sessions. The recording quality is a bit dated, but the quality of the playing isn't – with ... CD
Features Stephen Scott on piano, Ron Carter on bass, Harvey Mason on drums and Steve Kroon on percussion. Tracks include "Cubano Chant", "Mi Tiempo", "Que Pasa", "Besame Mucho" and " Loose Change". CD
Seminal work from Freddie Hubbard – an early hardbop session that features some great work by Tina Brooks on tenor, piano by McCoy Tyner, and rhythm from the team of Sam Jones on bass Clifford Jarvis on drums! And although Freddie's great at this early point in his career – playing ... CD
A really unusual album from the mighty Hammond giant John Patton – as the set features two tenor players in the group, both of them great! The tenor's no stranger to the sublime keyboard work of Patton – but here, the great one gets help from both Fred Jackson and Harold Vick – ... CD