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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Trumpeter Rex Stewart heads a great lineup of players from the Fletcher Henderson band – including Joe Thomas and Taft Jordan on trumpets, Benny Morton and Dicky Wells on tormbones, Buddy Tate and Hilton Jefferson on saxes, and Red Richards on piano! LP, Vinyl record album
An excellent gimmick – and yet another way that United Artists was trying to push its "Bond" catalog in the 60s! Count Basie brings a soulful swing to the work of John Barry – hitting hard on the tracks with his own smoking piano, and an orchestra filled with some of his best ... LP, Vinyl record album
Groovier than before from Buddy Morrow – with versions of "Ode To Billie Joe", "Blue Baroque", "The Teacher", "Gimme Little Sign", "Rescue Me", and "Sunny" – all set to arrangements by Walter Raim! LP, Vinyl record album
This is the small combo recording of tracks from the legendary jazz score to I Want To Live! Although not featured that prominently in the film, the band of Gerry Mulligan, Art Farmer, Bud Shank, and others were a pretty tight little group – even though it was strange to see this west coast ... LP, Vinyl record album
One of the best Kenton LPs ever, and one that really shows the band's beautiful blend of avant garde playing with a swinging jazz sensibility. A 12" LP release of two 10" albums – one showcasing the arranging style of Bill Russo, the other of Bill Holman. Both sides are excellent, ... LP, Vinyl record album
A real step forward for Quincy Jones – a record that really shows the jazzman moving into sophisticated new territory – a sound that's just right for the CTI generation! The album's got a vibe that's a bit similar to Quincy's Walking In Space album, but it's a lot deeper too – ... LP, Vinyl record album
Nice hard swingin' quintet session, with a good late 60's groove. Nat Adderley borrows brother Cannonball's pianist Joe Zawinul, and Joe Henderson sits in on tenor. The set was recorded live, with the same sort of relaxed funky groove as the Cannonball live sets from the time. Cuts include " ... LP, Vinyl record album
The alto of Bud Shank gets some fuller backings from the great Bob Florence – all in a mode that's as groovy as you might expect from the title – and which also features a bit of guest work from Chet Baker as well! The sound's nice and buoyant – swinging, but never too over the ... LP, Vinyl record album
Classic early 80s material by this legendary group of New York heavies that featured James Blood Ulmer, David Murray, Amin Ali, and Ronald Shannon Jackson. The prototype for the Vernon Reid/Melvin Gibbs Black Rock sound gets laid by these jazzy dudes fusing free loft style east coast blowing with ... LP, Vinyl record album