Soaring grooves and mellow moments – a perfect blend of 70s soul styles, summed up here beautifully by Enchantment! The album's one of the group's greatest – and certainly one that's been very well-remembered around these parts – thanks to some rock-solid arrangements from Johnny Allen, who almost brings an indie soul vibe to the whole set – while still putting the whole thing together at a totally top-shelf level too! The harmonies are wonderful – especially on the ballads, like "Gloria" and "Sunshine" – and other tracks include "Sexy Lady", "Come On & Ride", "Thank You Girl For Loving Me", and "Dance To The Music". CD features 7 more bonus tracks – "Hold On (original 12" disco version)" – plus original single versions of "Call On Me", "Come On & Ride", "Hold On", "Gloria", "Dance To The Music", and "Sunshine". CD

A legendary set from the team of guitarist Jim Hall and pianist Bill Evans – both already wonderful players on their own, but really hitting a magical sort of space here together! The record is a classic in understatement – the inevitable meeting of two players who'd both made a career out of saying more with less – and both Evans and Hall manage to make this special sort of sound when working together in such a space – spare, but never short on ideas – filled with color and tone, but never overdone. The tracks are long and dreamy, and the piano/guitar lines seem to float in the air, suspended on naught but idea and imagination. Titles include a very nice version of "Skating In Central Park", plus "Dream Gypsy", "Romain", and "Darn That Dream". LP, Vinyl record album

... LP, Vinyl record album

A rare Latin outing from trumpeter Art Farmer – one that has him working with the mighty Cuban arranger Chico O'Farrill! The grooves here are hardly "Aztec", as Chico brings a hip postwar vibe to the session – a blend of American jazz and Latin rhythms that's totally great, and played by an all-star array of players conducted by Al Cohn! Side one of the record features the extended "Aztec Suite" – an ambitious number that begins with modern moments that are somewhere in a space between Stan Kenton and Ralph Burns' experiments of this nature, but which always has Farmer's trumpet as the center focus. Side two features tracks that are a bit more conventional Latin jazz – still played by the bigger group, but with an even stronger sense of swing! Titles include "Aztec Suite", "Heat Wave", "Drume Negrita", "Alone Together", "Woody N You", and "Delirio". LP, Vinyl record album

A rare Latin outing from trumpeter Art Farmer – one that has him working with the mighty Cuban arranger Chico O'Farrill! The grooves here are hardly "Aztec", as Chico brings a hip postwar vibe to the session – a blend of American jazz and Latin rhythms that's totally great, and played by an all-star array of players conducted by Al Cohn! Side one of the record features the extended "Aztec Suite" – an ambitious number that begins with modern moments that are somewhere in a space between Stan Kenton and Ralph Burns' experiments of this nature, but which always has Farmer's trumpet as the center focus. Side two features tracks that are a bit more conventional Latin jazz – still played by the bigger group, but with an even stronger sense of swing! Titles include "Aztec Suite", "Heat Wave", "Drume Negrita", "Alone Together", "Woody N You", and "Delirio". LP, Vinyl record album

... 12-inch, Vinyl record

... LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

An obscure US set from UK maestro Ron Goodwin! LP, Vinyl record album

An amazing little soundtrack from James William Guercio – music composed for his only cinematic effort as a director – for a film that features Robert Blake as a Native American cop! The score is heavy on jazzy horns with an undercurrent of funk – very similar to Guercio's best modes working with the group Chicago in the early days, and his productions for Blood Sweat & Tears! The depth of the music is quite a surprise – as we never new that James had this ability on his own – and it's recorded with that crystal clear quality that made him a revolutionary talent in the studio, too. Some numbers have a tight cop show sort of funk, while others have an expansive sound that's a nice contrast – and in addition to instrumental tunes "Free From The Devil", "The Chase", "Prelude", "Monument Valley", "Overture", and "Jolene's Dance" – the set also features "Most Of All" by The Marcels, "Meadow Mountain Top" by Mark Spoelstra, and "Tell Me" by Terry Keith of Chicago. LP, Vinyl record album

A mindblowing album, and a record that was an instant classic from the moment it was released – and then has gone on to become even more legendary over the years! The set virtually invented the genre of space rock – but has also touched on the worlds of prog, Krautrock, and even hard rock and metal with everything that's going on inside – lots of tracks that definitely live up to the space promise of the title, but which also find a way to jam as well – mixing heady guitar lines with cool electronics and effects – and even a bit of alto and flute from the group's great Nik Turner! The whole thing's fantastic – essential listening throughout – and titles include "Adjust Me", "Children Of The Sun", "Master Of The Universe", "We Took The Wrong Step Years Ago", "You Know You're Only Dreaming", and the 15 minute classic "You Shouldn't Do That". This expanded package is overflowing with greatness – and features the album in both a remaster of the original stereo mix, and a new stereo mix by Stephen W Tayler – with bonus tracks that include "Hog Farm", "Kiss Of The Velvet Whip", "Seven By Seven", and "Silver Machine" – presented in both mixes too. There's also a DVD with 96 khz/24-bit 5.1 Surround & Stereo mixes by Tayler, and the original stereo mix – plus a 1972 Silver Machine promotional film too! CD

A mindblowing album, and a record that was an instant classic from the moment it was released – and then has gone on to become even more legendary over the years! The set virtually invented the genre of space rock – but has also touched on the worlds of prog, Krautrock, and even hard rock and metal with everything that's going on inside – lots of tracks that definitely live up to the space promise of the title, but which also find a way to jam as well – mixing heady guitar lines with cool electronics and effects – and even a bit of alto and flute from the group's great Nik Turner! The whole thing's fantastic – essential listening throughout – and titles include "Adjust Me", "Children Of The Sun", "Master Of The Universe", "We Took The Wrong Step Years Ago", "You Know You're Only Dreaming", and the 15 minute classic "You Shouldn't Do That". LP, Vinyl record album

Rare live work from Billie Holiday – mostly from the early 50s, but not issued until a few years after her death – in a well-done package from United Artists! The tunes were mostly recorded under the supervision of Leonard Feather – and come from two different German tour dates – one with Carl Drinkard on piano, Red Mitchell on bass, and Elaine Leighton on drums – the other with a larger group that features Sonny Clark and Beryl Booker on piano, Red Norvo on vibes, Buddy DeFranco on clarinet, and Jimmy Raney on guitar! The second set features longer tracks with a bit more improvisation – a nice treasure from these key years of Billie – on titles that include "Lover Come Back To Me" and "Billie's Blues". The trio sides are a bit more straight, but still plenty great – with titles that include "Blue Moon", "All Of Me", "My Man", "I Cover The Waterfront", and "I Cried For You". CD also features 6 bonus tracks, too! CD

You can tell where you're at with the cover of this overlooked 70s nugget – as the AOR style of the image is really supported by Iguana's great work within – music that's got a much smoother, warmer vibe than their name might make you expect! There's a sunny style here that's great – harmonized and compressed vocals, ala America – and use of acoustic guitar amidst some tighter electric backdrops – all with a shimmering quality that really works great with the lyrics! Titles include "Sailing Ships", "Dream Song", "Fine Line", "Romancin", "Happy One Sad One", "Your Love", and "Nighthawk". CD

... LP, Vinyl record album

... LP, Vinyl record album

... 7-inch, Vinyl record

Early work from this great pre-Motown Barry Gordy protege – a surprisingly nice album of spiritual songs! LP, Vinyl record album

... LP, Vinyl record album

Warm guitar magic from Earl Klugh – exactly the kind of record that helped cement his fame at the start of the 80s – making Klugh one of the leading guitarists of his time! The style's often a bit mellow, but never in a sleepy way – just a great extension of the mode that Earl first displayed on his debut – a way of doing more with less – leaving more than enough space between the notes to keep things soulful, and offering a nice contrast to some of the too-jamming fusion artists of his generation. There's often some sweet keyboards nestled in with the guitar – and Dave Matthews handled all the arrangements, so you can bet there's a tight, soulful feel to the whole record! Titles include "Spellbound", "Doc", "Amazon", "I Don't Want To Leave You Alone Anymore", and "Message To Michael". LP, Vinyl record album

One of the greatest soundtracks ever – an archetypal album from French composer Francis Lai, and a record that set the tone for countless other imitations to come – yet which is still the best! The groove here is really unique – a spare blend of bossa influences, jazzy organ lines, and wordless vocals that are sung beautifully by French singers Nicole Croisille and Pierre Barouh – and although a mainstream success, the record was the initial force behind the legendary Saravah imprint that Barouh would form later, to record a wide range of groundbreaking work in a variety of genres. But history aside, the music here is plenty – and from the very first note the whole soundtrack grabs you with a sense of warmth and sentiment that defy description – modes never heard before in the soundtrack world, and which really broke the mold from Hollywood conventions! Titles include the seminal bossa number "Samba Saravah", plus "A Man & A Woman", "Today It's You", "In Our Shadow", "At 200 MPH", and "Stronger Than Us". LP, Vinyl record album

Quite possibly the only full album ever recorded as a solo act by Dave Lambert, the vocalist that we know and love from the team of Lambert, Hendricks, & Ross – but who's also a heck of a great singer on his own! As you may know from the group, Dave's got a slightly quirky vocal approach that warbles with the honesty of a good horn solo – a style that we might rank next to Bob Dorough's in its appeal, except for the fact that Dave, like his fellow members in the trio, has a much greater jazz-based quality – and on some of the tunes here, he improvises wonderfully and inflects the tunes in really unique ways. Players on the album aren't credited, but it sounds like it's probably Gildo Mahones on piano backing Dave up – and titles include 2 great wordless numbers titled "Blues" and "Short Blues Around The Broadway Bridge" – plus the tunes "Over The Weekend", "Autumn Nocturne", "All Alone", "Yesterdays", and "We Could Make Such Beautiful Music". Evolution Of The Blues, an early concept album from the great Jon Hendricks – one that tells the story of blues through jazz – all put together as a flowing story in music! Jon speaks and sings the whole tale – but also gets some help on vocals from Big Miller, Hanna Dean, and Jimmy Witherspoon – as well as great musical backing from the core Ike Isaac Trio, with solos by Pony Poindexter and Ben Webster! The music is mostly rooted in blues, but with a hipper jazz sensibility – almost in the way that Oscar Brown Jr and others were going back to the roots, but updating them for the 60s. Titles include "WPA Blues", "Sometimes I Feel Like A Motherless Child", "New Orleans", "If I Had My Share", "Jumpin With Symphony Sid", and "Please Send Me Someone To Love". CD

... LP, Vinyl record album

An overlooked solo set from Deke Leonard – once a member of the group Man, out here on his own in a very unusual, very specific sort of style! The guitar work is every bit as sharp as Leonard's work with Man, but the music moves through a range of older influences and more personal moments – almost pub rock with glam production – although again, that's maybe too general to get at the really specific spirit of the record! Leonard's a surprisingly strong talent – and the record's one of the many that fell through the cracks back in the day, but which clearly gets great handling by a big label, with well-deserved hope for a superstar. Titles include "Razor Blade & Rattlesnake", "Jesse", "Broken Ovation", "A Hard Way To Live", "Looking For A Man", "The Ghost Of Musket Flat", and "Crosby". LP, Vinyl record album

The legendary trumpeter Booker Little – paired here with drummer Max Roach, who was frequently Book's leader at the time! The set's got a sharp-edged and modern mix of hardbop and fresh ideas – very similar to the best Roach albums of the time – and with a similar sort of group – given that in addition to Little's trumpet, the set also features George Coleman on tenor, Tommy Flanagan on piano, and Art Davis on bass! All arrangements were done by Little – making the album a real showcase of that bold vision in jazz that was taken from us all too soon – and titles include "Milestones", "Rounder's Mood", "Dungeon Waltz", and "Jewel's Tempo". LP, Vinyl record album

... LP, Vinyl record album

A dramatic score by Mancini – but a really nice one, thanks to lots of exotic percussion touches – often played by Emil Richards! Overall, the record's kind of a late 60s take on the exotica of Les Baxter's earlier Capitol recordings – with lots of dreamy tunes that conjure up the feel of the south seas and the east. Titles include "Music For A Japanese Bath", "Quiet Thoughts", "Molakai", "The Streets Of Chinatown", and "Auntie's Theme". LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

Killer R&B from one of the hippest singers on postwar Aladdin Records! Titles include "Chicken Shack Boogie", in two versions – plus "Amos Boogie", "Johnson Rag", "Sax Shack Boogie", "House Party", "Roll Mr Jelly", "Jitterbug Fashion Parade", and his classic "Bad Bad Whiskey". LP, Vinyl record album

... LP, Vinyl record album

German drummer Klaus Weiss started out in more conventional jazz during the 60s – but as the 70s moved in, he really found his groove – and opened up strongly in styles that were funky, spiritual, and sometimes hard to define! That latter is definitely the case here – as Weiss leads his group Niagara through some amazing side-long jams – an all-percussion session that does an amazing job of creating criss-crossing elements of rhythm and melody throughout! The approach is maybe a bit like some of the shifting energy of a Brazilian batucada ensemble, but a bit tighter and more jazz-based at times – and the whole thing's wonderful, a definite funky classic – with two long jams titled "Sangandongo" and "Malanga". LP, Vinyl record album

With arrangements by Arif Mardin, Neil Bridge, and Bob Freedman. LP, Vinyl record album

A stone cooker – and one of the best versions of Porgy & Bess recorded in a jazz format! It's a slightly-forgotten fact that at the time of the big late 50s film version of Porgy & Bess, there was a bit of trouble with the soundtrack – so the market was flooded with other versions of Gershwin's score in a hope to fill the void. This is one of the best of that bunch – a very well-done set of tunes arranged and conducted by Bill Potts, recorded with a strong set of soloists that include Al Cohn, Gene Quill, Zoot Sims, Art Farmer, Bill Evans, Charlie Shavers, Bob Brookmeyer, and Harry Edison. Tracks are the usual batch of Porgy & Bess numbers – "I Loves You Porgy", "It Ain't Necessarily So", "My Man's Gone Now", "A Woman Is A Sometimes Thing", "Summertime" – all woven together wonderfully in a rich tapestry of sound, with some particularly evocative solos. LP, Vinyl record album

Jim Pulte got his start in Southwind, but here as a solo act he's got a very different vibe – a style that might have gotten smooth AOR production a few years later, but which instead here has this kind of quirky mix of styles that comes across with a lot more character than you might expect! There's some surprising currents of funk on the record at times – maybe in part because Ben Sidran plays piano and organ, in a lineup that also includes Jesse Ed Davis on guitar and Leland Sklar on bass – musicians who set things up nicely with a blend of roots and groove, while Jim spins out his vocals on tunes that include "The Goose Flew Back", "Reno Street Incident", "Old Time Junkie", "Big Times", "Cry Sing & Laugh", "My Heart's On Sweet Rollene", and "Anything". CD

Includes "Baker Street" and "Right Down The Line". LP, Vinyl record album

... LP, Vinyl record album

A nice batch of mellow easy soul tracks that often gets overlooked! Lea Roberts cut some harder soul sides for Minit in the 60's, but this mid 70's album has her working with Wade Marcus on a set of tracks that have a smoother production sound, but which also focus on Lea's lovely soulful voice. The record's got some great songwrigint in kind of an indie southern soul mode, with a number of great tracks by "E Clay". Tracks include "Give it Back", "Excuse Me", "Find A Place", "I'm Losing My Mind", and "Let It Shine". LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

A bit later than classic vintage for the group, but still pretty darn groovy! LP, Vinyl record album

... LP, Vinyl record album

Alive, and plenty lively – one of our favorite albums ever to feature the team of Al Cohn and Zoot Sims – and one that has them really stretching out a lot more than usual! The album's got a format that's quite different than the tightly-reigned sound of Sims and Cohn on other dates – as all the four tracks here run for longer than nine minutes – really allowing lots of room for solo space – and some great interplay between the reedmen too! Phil Woods joins the twin tenors on alto for two tracks – and the rest of the group features Mose Allison on piano, Nabil Totah on bass, and Paul Motian on drums. Titles include "Lover Come Back To Me", "It Had To Be You", and "Wee Dot". LP, Vinyl record album

US pressing of an early Island Records classic – with cuts that include "Gimme Some Lovin", "Hammer Song", "It Hurts Me So", "Somebody Help Me", "Here Right Now", "Trampoline", and "Sittin & Thinkin". LP, Vinyl record album

... 7-inch, Vinyl record

... 7-inch, Vinyl record

... 7-inch, Vinyl record

A rare set of Billy Strayhorn tracks recorded in Paris by Alan Douglas. The tracks are incredibly haunting, and mostly feature Strayhorn's solo piano with spare backing by Parisian bassist Michel Goudret. There are a a few short moments on the record that add backing voices or strings – but even in those moments, Strayhorn's tender tentative piano is right up front in the mix. The whole thing's a treasure, and a rare peek at the solo talent that made Ellington's band one of the best. Titles include "A Flower Is A Lovesome Thing", "Lush Life", "Strange Feeling", and "Chelsea Bridge". LP, Vinyl record album

Mid 70's album of funky soul tracks cut by ex-Gator Willie Tee, with a number of other members of the Gators, for United Artists. Don't go thinking that it's raw New Orleans soul, though, because the sound is a lot more polished, with more of a 70's modern groove to it. Willie's still got some nice moments on keyboards though, but most of the cuts also have some vocals. Tracks include "Anticipation", "Come To Me", "I Can Feel It", "Liberty Bell", and "Moment Of Truth". LP, Vinyl record album

A really dark little soundtrack – penned by Mikis Theodorakis for Jules Dassin's remake of the Phaedra myth! Some of the themes on here share the Greek stylings of Theodorakis' more popular soundtrack work – but there's also a lot more darker numbers – strung together in a variety of moods that really captures the oddness of the film. A few tracks feature dreamy vocals by Melina Mercouri, almost in a lullaby style mode – and others are more orchestral. The really standout track is "Goodbye John Sebastian", which features sound effects from the film, organ work, and a spooky recitation by Anthony Perkins! Other titles include "Love Theme From Phaedra", "Only You", "The Fling", "Candlelight", "Rodostimo", and "One More Time". LP, Vinyl record album

... LP, Vinyl record album

Maybe our favorite album ever from Traffic – a set that has the group coming back together, after a fracture that took them in separate musical directions – reformed with a sound that's very different than before! The tracks are longer, and have more influences from both folk and jazz – a deeper sound and spirit, and one that also maybe reflects the loss of Dave Mason from the group! The trio really finds this amazing way forward, almost with some echoes of the hipper side of the Island Records underground – with Steve Winwood on vocals throughout, and on some mighty nice organ and piano – and Jim Capaldi on drums and percussion, and Chris Wood on a variety of saxes, flute, and percussion. Titles include "Glad", "Freedom Rider", "Empty Pages", "Stranger To Himself", and "Every Mother's Son". LP, Vinyl record album

The second album from Traffic, and a set that forever cemented their legacy in the annals of modern music – a set that has Dave Mason returning to the group after a brief hiatus, and maybe helping the quartet find a tighter, rootsier sound overall! The approach here is nicely mixed – almost half Dave Mason moments, and half from the energy of Jim Capaldi and Steve Winwood – held together wonderfully by the reed work of Chris Wood! There's a few key classics here, and lots more overlooked gems – and titles include "You Can All Join In", "Forty Thousand Headmen", "Pearly Queen", "Who Know What Tomorrow May Bring", and "Feelin' Alright". LP, Vinyl record album

A fantastic score from the great Armando Trovajoli – one of his few 60s classics to get any sort of circulation in the US – and one of the best! The album's got loads of scatting vocals by his great group I Cantori Modern – alongside upbeat chase tracks, crime jazz, and even a bit of electric harpsichord too! The music mixes together bubbling organ with swinging vocal riffs by I Cantori Moderni – an excellent little combo directed by Alessandro Alessandroni with a cool breezy vocal style that works perfectly with the other instrumentation. Tracks include "Ping Pong", "Thunder Bolt", "Walk On Home", and "Golden Bricks". LP, Vinyl record album

... LP, Vinyl record album

War delivers the word, and a whole lot more as well – that amazing blend of styles that always made the group way more than just the sum of its parts! The classic groove is very firmly in place here – a great style that mixes jazz funk with a freer jamming style borrowed from Latin music – served up on a batch of long tracks that really let the band open up and groove! Vocals are part of the plan, but the instrumentation often gets as much time in the spotlight as well – and the set includes the classic jammer "Me & Baby Brother", plus "H2 Overture", "Blisters", "Southern Part Of Texas", "In Your Eyes", and "Gypsy Man". LP, Vinyl record album

A killer batch of funk from the LA scene of the early 70s – and one of those records you see in the collection of just about any fan of grooves from the generation! War first burst on the scene through a partnership with Eric Burdon – but the cuts here are from a time when they'd really taken off on their own, and were crafting this perfect blend of soul, funk, and some key elements from Latin music – all in a blend that's as timeless today as when it was first released. The album includes most of the band's best cuts – like "Slippin Into Darkness", "Cisco Kid", "World Is A Ghetto", "All Day Music", "Me & Baby Brother", "Why Can't We Be Friends", and "Low Rider". LP, Vinyl record album

The mellow slightly reggae-tinged title cut to one of War's biggest LPs, a huge AM radio hit back in the day. 7-inch, Vinyl record

Some of the greatest work ever recorded by Randy Weston! Forget his trio stuff, this is the material that made him an instant legend in the late 50s! The record's a mindblowing batch of original compositions by Randy, arranged by Melba Liston, and featuring players like Ray Copeland, Johnny Griffin, and Charlie Persip – as well as Randy and Melba themselves. Langston Hughes wrote the liner notes, and the whole thing's so super-hip you won't believe it! Titles include "Babe's Blues", "Little Niles", "Earth Birth", and "Pam's Waltz" – all done in the full-group versions that have an angular, Monk-ish quality – and which represent one of the strongest statements in modern jazz at the end of the 50s! LP, Vinyl record album

... LP, Vinyl record album

A heady, hairy solo album from the great Roy Wood – very different than his material with Wizzard, and definitely a solo set, given that Roy handled everything about the album himself – from all the vocals and instruments, to all the production and arrangements, to all the artwork on the cover! The record's also got this very unusual pastiche of styles, too – each song is very different, almost as if the album's an experiment by Wood, trying out different facets of his musical ability – and combining them into a set that's way more experimental than you'd guess for the time, or for a record on a major label. Some tracks are very tuneful and catchy, but sit next to looser, more openly-shaped work – and the balance is fantastic, a bit like a classic Todd Rundgren record – where you'd have a brilliant radio-ready track right next to a looser bit of sonic creativity. Titles include the Brian Wilson-like "Why Does Such A Pretty Girl Song Those Sad Songs" – plus "Look Thru The Eyes Of A Fool", "Interlude/Get On Down Home", "Mustard", "Any Old Time Will Do", and "The Rain Came Down On Everything". LP, Vinyl record album

A pretty striking little record in the Frank Zappa catalog – the double-length soundtrack for the movie of the same name, and a set that explodes the Zappa palette of sound even further than some of his previous albums! A number of tracks feature a full studio orchestra – sounding as if they were lined up to perform a conventional Hollywood film score, but somehow tricked into working with Frank when he showed up on the podium to conduct the proceedings! Other tunes echo more of the Mothers Of Invention material, but with shorter selections, and lots of twists and turns along the way – all of which make the whole record this really mad pastiche of songs, sounds, and sonic interplay. Titles include "This Town Is A Sealed Tuna Sandwich", "Redneck Eats", "She Painted Her Face", "Janet's Big Dance Number", "Daddy Daddy Daddy", "The Girl's Dream", "A Nun Suit Painted On Some Old Boxes", and "Mystery Roach". LP, Vinyl record album

... CD

A holy grail of jazz – Roy Ayers' first album as a leader, and a near-lost session that's simply sublime! The record was cut at the same time that Roy was working in LA with pianist Jack Wilson – and it's got an approach that's a bit similar to some of the Wilson/Ayers sessions for Atlantic, Blue Note, and Vault – but with a marked difference here in the presence of Curtis Amy, who plays some incredible tenor and soprano sax on the session – arcing out over the modal lines set up by the vibes and piano, and shading in the record with a much deeper sense of soul! Amy plays on about half the album's tracks – all of which are standout modal tunes that preface the MPS/Saba sound by a number of years, and which we'd easily rank as some of the greatest jazz recorded anywhere in the 60s. And even the tracks without Amy are great too – and have Roy echoing out with a wonderfully round tone on the vibes – no tricks, no gimmicks, no attempt to cross over to commercial jazz – just a brilliant tone and fresh vision on his instrument for the time. Wilson's great too (but when is he not?) – and rhythm is by either Bill Plummer or Victor Gaskin on bass, and either Tony Bazley or Kenny Dennis on drums. Titles include "Sound & Sense", "Ricardo's Dilemma", "Out Of Sight", "Young & Foolish", "Reggie Of Chester", and "Days Of Wine & Roses". CD also features 2 bonus tracks – "Now's The Time" and "Perhaps/Cool Blues" – both pulled from the Bird Call record with Vi Redd as a leader, noteworthy as Roy's first time in the studio! CD

... LP, Vinyl record album

A mindblowing classic from Can – a set that has the group just getting better with each new record – to a point where it's the early 70s, and they're already in territory that's completely their own! The set features long tracks that spin out beautifully – driven that that rhythmic drive that the group always had at their best – so different than some of their contemporaries who might have gotten stuck in a sonic corner and never found their way out – while Can was bursting forth with energy and imagination that has kept them still sounding amazing as the decades move on! The set's the last one with the mighty Damo Suzuki, but fortunately not the last with the incredible drums of Jaki Leibezeit – and titles include the 19 minute jam of "Bel Air" – plus "Future Days", "Spray", and "Moonshake". LP, Vinyl record album

One of the stranger soul acts of their day – but with a great capacity for coming up with catchy groovers when they wanted to! This one features their standout hit "Treat Her Like A Lady", plus "Let Me Down Easy", "Since I Found My Baby", "Big Time Lover", "Got To Testify", and "Good Lovin Don't Come Easy". LP, Vinyl record album

... LP, Vinyl record album