This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Early bop sides, not led by Miles as you might imagine from this package, but featuring him. We're not entirely certain of the origin of these recordings, but they are at least contemporaneous with the Savoy sides Miles was cutting with Bird, and according to the notes, feature Charlie Parker, ... LP, Vinyl record album
The decoy here might be in the rhythms, which are often electric, but still played live – handled by Robert Irving III on many tracks, with a cool 80s fusion sound that's mighty nice! The style of the album's a nice change from the Miles groove of the 70s – a bit leaner, with almost a ... LP, Vinyl record album
Sweeter studio Miles Davis from the 80s – a record that takes the 70s electric experiments and fuses them into a sound that's got a lot more R&B influence than before! The style is a bit poppy at times, but never in a way that's too slick – and often, Davis is using his muted ... LP, Vinyl record album
One of Miles Davis' last albums – and a swirling batch of "color" tracks that's almost a blending of his Gil Evans work with the early electric years! The album's one long extended suite – and it's got a moody feel that's really great – a shifting, shimmering sound that ... LP, Vinyl record album
Although not actually a proper album – this is still one of the greatest Miles Davis albums of all time! Side one features 10 tracks from Miles' amazing soundtrack to the film Ascenseur Pour L'Echafaud – with excellent work by French players Barney Wilen, Rene Urtreger, and Pierre ... LP, Vinyl record album
A masterful tribute from one bad cat to another – and easily one of Miles Davis' greatest electric albums ever! The album's got a powerful, epic sort of feel – a renewed focus after the looser style of Bitches Brew, and the 70s live albums – and one that mixes a deeper funky ... LP, Vinyl record album
Miles Davis' last studio session before a few years of seclusion – and a really monumental effort, probably the baddest of the electric period! The album does a great job of capturing the energy of the frenzied live sets from that time, and matching it with Teo Macero's cut and paste editing ... LP, Vinyl record album
A 70s 2LP set that brings together two of Miles' seminal mid 50s sessions for Prestige – Musings of Miles and Miles. The albums are united in that they both feature work by the Red Garland Trio on rhythm (Red, Philly Joe Jones, and either Paul Chambers or Oscar Pettiford) – and the ... LP, Vinyl record album
With Buck Clayton and Emmett Berry on trumpet, Dickie Wells on trombone, Earl Warren on alto sax and clarinet, Bubby Tate on tenor sax, Sir Charles Thompson on piano, Gene Ramey on bass, and Oliver Jackson on drums. Titles include "Night Ferry", "One For Buck", "Mr Melody ... LP, Vinyl record album
A wonderful return to the sounds of Brazil for Stan Getz – a 70s album that reunites him with Joao Gilberto, but in a style that's somewhat different than the pair's older Verve recordings! The sound here is looser, freer – more in that breezy Brazilian mode that evolved out of the ... LP, Vinyl record album
Maynard come back! All is forgiven! We take back all the things we've ever said about you after hearing this album! The record's a jazz funk masterpiece, and it's proof that you've always had a good head on your shoulders, and were waiting for a record like this to really come into your own! ... LP, Vinyl record album