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Exact matches: 117
Exact matches1
CD, LP, Vinyl record album cover art
Miles DavisAmandla ... LP
Warner, 1989. Near Mint- ... $19.99
Titles include "Cobra", "Big Time", "Hannibal", "Jo Jo", "Amandla", "Jilli", and "Mr Pastorious". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has a gold promo stamp.)

Exact matches2
CD, LP, Vinyl record album cover art
Miles DavisAscenseur Pour L'Echafaud (180 gram pressing) ... LP
Fontana (France), 1958. New Copy (reissue)... $19.99
One of our favorite-ever Miles Davis albums – and a groundbreaking soundtrack that forever changed the way that jazz music was used in film! According to legend, the sounds here were recorded by Miles on a hot Paris night – late in the studio, after a live performance – in a very intimate setting that had he and the combo creating these little poetic passages along with the action in the film! In addition to sublime and moody muted trumpet from Miles – the small group also features tremendous tenor work from the great Barney Wilen – a French modernist who's at the height of his powers – and beautiful bass from Pierre Michelot, whose rich tones really frame the whole proceedings. The rest of the group features bop pianist Rene Urtreger and American drummer Kenny Clarke – but the real charm comes from the interplay between Wilen, Davis, and Michelo. Titles include "Florence Sur Les Champs-Elysees", "L'Assassinat De Carla", "Diner Au Motel", "Evasion De Julien", "Nuit Sur Les Champs-Elysees", "Le Petit Bal", "Au Bar Du Petit Bac" and "Sur L'Autoroute". LP, Vinyl record album
Also available Ascenseur Pour L'Echafaud (3 x 10 inch LP deluxe edition) ... LP 43.99

Exact matches3
CD, LP, Vinyl record album cover art
Miles DavisAscenseur Pour L'Echafaud (3 x 10 inch LP deluxe edition) ... LP
Fontana/Universal, 1958. New Copy 3 x 10 inch LP ... $43.99 49.99
One of our favorite-ever Miles Davis albums – and a groundbreaking soundtrack that forever changed the way that jazz music was used in film! According to legend, the sounds here were recorded by Miles on a hot Paris night – late in the studio, after a live performance – in a very intimate setting that had he and the combo creating these little poetic passages along with the action in the film! In addition to sublime and moody muted trumpet from Miles – the small group also features tremendous tenor work from the great Barney Wilen – a French modernist who's at the height of his powers – and beautiful bass from Pierre Michelot, whose rich tones really frame the whole proceedings. The rest of the group features bop pianist Rene Urtreger and American drummer Kenny Clarke – but the real charm comes from the interplay between Wilen, Davis, and Michelo. Titles include "Florence Sur Les Champs-Elysees", "L'Assassinat De Carla", "Diner Au Motel", "Evasion De Julien", "Nuit Sur Les Champs-Elysees", "Le Petit Bal", "Au Bar Du Petit Bac" and "Sur L'Autoroute". This amazing 3LP version features one never-issued track – "L'Interrogatoire De Julien" – plus 16 more tracks from the sessions for the recordings, and a booklet of notes! LP, Vinyl record album
Also available Ascenseur Pour L'Echafaud (180 gram pressing) ... LP 19.99

Exact matches4
CD, LP, Vinyl record album cover art
Miles DavisBallad Artistry Of Miles Davis ... CD
CEMA, 1950s/1960s. Used ... $1.99
... CD

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Miles DavisBlack Beauty – Miles Davis At Fillmore West ... CD
Sony, 1970. Used 2 CDs ... $7.99
Four sides of noisy, funky, stretched-out playing from Miles Davis – recorded at the Fillmore West, but with an intensity that matches some of Miles' crazy electric recordings from Japan during the early 70s! The music is a powerful blast of music that stretches out over the double-length set of the package – with a style that moves from heavy-duty avant playing, then back to more mellow grooving, then kicks it out nice and hard again – a heavy dose of rock mixed in with the fusion, but still plenty jazzy throughout. In all, the record is probably one of the most heavy-duty that the Miles electric group recorded in the 70s – and the lineup on the set features Steve Grossman on saxes, Chick Corea on electric piano, Jack DeJohnette on drums, and Airto on percussion. Tracks include "Spanish Key", "Directions", "Masqualero", "It's About That Time", "I Fall In Love Too Easily", "Bitches Brew", "Willie Nelson", and "Sanctuary". CD
(Out of print.)
Also available Black Beauty – Miles Davis At Fillmore West (180 gram pressing) ... LP 38.99

Exact matches6
CD, LP, Vinyl record album cover art
Miles DavisBlack Beauty – Miles Davis At Fillmore West (180 gram pressing) ... LP
Sony/Music On Vinyl (UK), 1970. New Copy 2LP Gatefold (reissue)... $38.99 39.99
Four sides of noisy, funky, stretched-out playing from Miles Davis – recorded at the Fillmore West, but with an intensity that matches some of Miles' crazy electric recordings from Japan during the early 70s! The music is a powerful blast of music that stretches out over the double-length set of the package – with a style that moves from heavy-duty avant playing, then back to more mellow grooving, then kicks it out nice and hard again – a heavy dose of rock mixed in with the fusion, but still plenty jazzy throughout. In all, the record is probably one of the most heavy-duty that the Miles electric group recorded in the 70s – and the lineup on the set features Steve Grossman on saxes, Chick Corea on electric piano, Jack DeJohnette on drums, and Airto on percussion. Tracks include "Spanish Key", "Directions", "Masqualero", "It's About That Time", "I Fall In Love Too Easily", "Bitches Brew", "Willie Nelson", and "Sanctuary". LP, Vinyl record album
Also available Black Beauty – Miles Davis At Fillmore West ... CD 7.99

Exact matches7
CD, LP, Vinyl record album cover art
Miles DavisBlue Moods ... LP
Debut, 1955. Very Good ... $149.99
An odd little session for Miles Davis – playing here with a great group, but one that's made up of musicians who are all uncommon sidemen for him, even at this early point in his career! Britt Woodman (a nom-du-date?) is on trombone, and Charles Mingus and Elvin Jones are in the rhythm section – plus Teddy Charles' vibes where you might expect a piano. As you might guess from the title and instrumentation, the set has more to do with Miles' more contemplative explorations of the time – his "blue moods" – than his more upbeat boppish styles, but that's where Charles' vibes come in and really make the set a great one. The group runs through a nice set of laidback, cool renditions of the tunes "Nature Boy", "Alone Together", "There's No You" and "Easy Living" – all done in nice longer takes! LP, Vinyl record album
(Maroon label flat edge Debut pressing. Vinyl has a short click on "There's No You", but the rest is nice and clean. Cover has light wear, some aging, with a split spine and bottom seam.)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Miles DavisBoppin' The Blues (24 bit remaster) ... CD
1201 Music, 1946. Used ... $3.99
... CD
(Out of print.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Miles DavisCircle In The Round – Unreleased Recordings 1955 to 1970 ... CD
Columbia, Mid 50s/1960s/Early 70s/1979. Used 2 CDs ... $7.99
An excellent set that spans the gamut of Miles' work on Columbia – from his early hardbop sides to his later experimental ones! All of the material on the 2LP set was unreleased until the time of this release in 1979 – and the album features Miles in the company of a wide variety of players that include George Benson, Cannonball Adderley, Bennie Maupin, Hank Mobley, Joe Zawinul, Herbie Hancock, Bill Evans, Red Garland, and Joe Beck. Titles include "Teo's Bag", "Side Car (1 & 2)", "Sanctuary", "Guinnevere", "Circle In The Round", and "Two Bass Hit". CD
(Out of print. Barcode has a cutout hole.)

Exact matches10
CD, LP, Vinyl record album cover art
Miles DavisCollectors Items ... CD
Prestige/OJC, 1953/1956. Used ... $1.99
A session of "collectors items" that Miles Davis recorded for Prestige in the 50s – both dates that were too short to be issued as albums by themselves, combined here into one full length record! The first batch of material is from 1953 – and features Davis working with Sonny Rollins and Charlie Parker (playing here under his "Charlie Chan" session name) – all in a mode that steps off a bit from the boppishness of Davis' Blue Note recordings. Titles include 2 takes of "Serpent's Tooth", plus "Round Midnight" and "Compulsion". The second half of the record is from 3 year later, 1956 – and again features Rollins, plus Tommy Flanagan on piano, Paul Chambers on bass, and Art Taylor on drums. Tracks are a bit longer and more mature in the Davis idiom – and titles include "In Your Own Sweet Way", "Vierd Blues", and "No Line". CD
(Out of print. Please note this CD is missing the rear tray card and is priced accordingly.)

Exact matches11
CD, LP, Vinyl record album cover art
Miles DavisComplete Birth Of The Cool ... LP
Capitol, Late 40s. New Copy 2LP Gatefold ... $31.99 35.99
Legendary early work from trumpeter Miles Davis – late 40s sessions for Capitol Records that are completely different than the bop material he was cutting with Charlie Parker and on his own! Instead, these sides have Miles working with a complex, more arranged style – built up with a young Gil Evans, in a mode that prefaces the later famous recordings the pair would make in the late 50s for Columbia. Here, the tracks are shorter, but beautifully blend bop ideas with fuller arrangements – and Davis blows alongside other key young modernists in a variety of larger groups – with work from Lee Konitz on alto, Gerry Mulligan on baritone sax, JJ Johnson and Kai Winding on trombones, Al Haig and John Lewis on piano, and Kenny Clarke and Max Roach on drums. Mulligan contributed plenty, too – his ideas on an overall sound definitely helped shape these sides – and the record's go on to legendary status – even though it's very different than most other Miles Davis from the time. Titles include "Godchild", "Jeru", "Move", "Venus De Milo", "Budo", and "Deception". This "complete" package follows up the core tracks with live material recorded at the Royal Roost, even before the original studio sessions – in a group that features Mike Zwerin on trombone with Konitz, Mulligan, Lewis, and Roach – plus a bit of vocals from Kenny Pacho Hagood. Titles include "Darn That Dream", "Moon Dreams", "S'Il Vou Plait", "Move", "Birth Of The Cool Theme", "Godchild", and "Budo". LP, Vinyl record album
(Live material on LP here for the first time ever!)

Exact matches12
CD, LP, Vinyl record album cover art
Miles DavisComplete On The Corner Sessions (6CD set) ... CD
Columbia/Legacy, 1972/1975. Used 6 CDs ... $199.99
Right On! Quite possibly the heaviest, baddest music ever laid to tape, this set offers up over 6 hours of some of the deepest, darkest free jazz, afro funk, fist in the air post-modern musique concrete to sprout from Miles' horn and crew! This box closes the door on the studio side of what may be the most influential studio jams wrought at the turn of the 70s, issuing the unedited original takes of the material that Miles and Teo Macero would parse down and edit into On The Corner and Big Fun, plus some material that made it out on various compilations later issued on Columbia, and best of all, a dozen never before released tracks! The core group here is Miles, Michael Henderson, Mtume, Al Foster and Reggie Lucas, but Dave Liebman, Carlos Garnett, Herbie Hancock, Chick Corea, Jack Dejohnette, Pete Cosey, Badal Roy, Bennie Maupin and John McLaughlin, as well as a number of other players, are all featured, which isn't surprising when you consider the ground covered here! The groove here is unstoppable funk, as on the nearly 20 minute jam that is the unedited full take of "On The Corner" and drawn out renditions of "Mtume", "Turnaround", "Ife" and "Helen Butte/Mr Freedom X", but the vibe veers in other directions too, as with the breezy "Maiysha", the multilayered "Calypso Frelimo" and the spacious "He Loved Him Madly". There's 31 tracks spread out over the 6 discs, ther unissued gems include "Hip-Skip", "Chieftain", "What They Do", "Peace" and "Mr Foster", and as you'd expect, the box is extra deluxe, with a thick booklet full of notes and some great quotes from the band, and a sweet metallic box to hold it all together! Vote Miles! CD
(Out of print. In the original metal case, which is in great shape!)

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Miles DavisCookin' With The Miles Davis Quintet ... CD
Prestige/OJC, 1957. Used ... $4.99
A seminal session from the team of Miles Davis & John Coltrane – not nearly as "cookin" (at least in a blowing session way) as you might guess from the title, but instead a beautiful example of the lyrically modern explorations the pair created together! Rhythm is by the trio of Red Garland, Paul Chambers, and Philly Joe Jones – but the horn work of Davis and Coltrane are clearly the starring attraction on the set! Titles include "Tune Up", "Blues By Five", and "Airegin" – plus the pair's classic reading of "My Funny Valentine". CD
(Out of print.)

Exact matches14
CD, LP, Vinyl record album cover art
Miles DavisDark Magus (180 gram pressing) ... LP
Columbia/4 Men With Beards, 1974. New Copy 2LP Gatefold ... $23.99 27.99
Some of Miles noisiest, freest playing from the 70s – recorded live at Carnegie Hall in 1974, and originally issued only in Japan – most likely because the album was so darn noisy, Columbia was scared to release it to the American market! As with other Davis gems from this time, the group is as adventurous as Miles himself – a really great lineup with Dave Liebman and Azar Lawrence on reeds, plus rhythm from Michael Henderson on bass, Al Foster on drums, and Mtume on percussion – all matched by three searing electric guitarists – Reggie Lucas, Pete Cosey, and Dominique Gaumont – who duel back and forth in monster solos that run all over the place during the set! Titles include "Moja", "Wili", "Tatu", and "Nine". LP, Vinyl record album

Exact matches15
CD, LP, Vinyl record album cover art
Miles DavisDig (plus bonus tracks) ... CD
Prestige/OJC, 1951. Used ... $3.99
A key early appearance on record by Sonny Rollins – recorded here with Miles Davis and Jackie McLean in the landmark Dig session! The album's the stuff that 50s bop dreams are made of – a session that has up-and-coming modernists working in the new freedom of the long playing record, in a way that allows them to break past the shorter, more urgent sound of the 78rpm single! Rollins is young, but a surprisingly strong voice on the set – and Jackie McLean's alto is incredibly sharp at this point, with strong hints of the genius to come later in the decade. The rest of the lineup includes Walter Bishop on piano, Tommy Potter on bass, and Art Blakey on drums – and tracks include Miles' classic version of "It's Only A Paper Moon", plus "Denial", "Out Of The Blue", "Dig", and "Bluing". CD also features 2 bonus tracks – "Conception" and "My Old Flame". CD

Exact matches16
CD, LP, Vinyl record album cover art
Miles DavisDouble Image – Rare Miles From the Complete Bitches Brew Sessions (red vinyl pressing) (2020 Record Store Day Release) ... LP
Columbia/Legacy, 1969/1970. New Copy 2LP Gatefold ... On October 24, 2020
(Note: This item is not for sale online until noon on Saturday, October 24. It is in limited supply – and by nature of the Record Store Day Drops rules it will be offered for sale first to customers who visit the Dusty Groove retail outlet in Chicago the morning of Saturday, October 24. It will not be pre-sold or reserved in any way. However, after noon on October 24 we will offer up whatever we have left for sale online.) LP, Vinyl record album
(Record Store Day exclusive – on red vinyl!)

Exact matches17
CD, LP, Vinyl record album cover art
Miles DavisESP ... CD
Columbia, 1965. New Copy ... $4.99 7.99
An album of dark and subtle beauty – and still one of our favorite Miles Davis albums of all time! The set's not as earth-shattering as some of Davis' other work of the 60s, but that's why we like it so much – because the emerging genius of the group with Wayne Shorter, Herbie Hancock, and Tony Williams is held in a really special place here – one that ruminates quietly on space and soul, while Davis majestically directs tones and colors that he'd never gotten in a small group format before! Titles include the amazing "Iris", one of Miles' most haunting themes – plus "Little One", "RJ", "ESP", "Mood", and "Agitation". CD
Also available ESP ... CD 5.99

Exact matches18
CD, LP, Vinyl record album cover art
Miles DavisESP ... CD
Columbia, 1965. Used ... $5.99
An album of dark and subtle beauty – and still one of our favorite Miles Davis albums of all time! The set's not as earth-shattering as some of Davis' other work of the 60s, but that's why we like it so much – because the emerging genius of the group with Wayne Shorter, Herbie Hancock, and Tony Williams is held in a really special place here – one that ruminates quietly on space and soul, while Davis majestically directs tones and colors that he'd never gotten in a small group format before! Titles include the amazing "Iris", one of Miles' most haunting themes – plus "Little One", "RJ", "ESP", "Mood", and "Agitation". CD
Also available ESP ... CD 4.99

Exact matches19
CD, LP, Vinyl record album cover art
Miles DavisFirst Miles ... CD
Savoy (Japan), Mid 40s. Used ... $2.99
The title gets it right – as these recordings are definitely some of the first-ever by Miles Davis – some done under his own name, some as a key sideman with other artists! The first 8 cuts feature Davis with group of his own, featuring his famous boss of the time, Charlie Parker, on alto sax – plus John Lewis on piano and Max Roach on drums. Most tracks have a few versions, and titles include "Half Nelson", "Little Willie Leaps", "Milestones", and "Sippin At Bells". Next are 7 more tracks done on sessions that feature vocalist Rubberlegs Williams and reedman Herbie Fields – tunes that include "That's The Stuff You Gotta Watch", "Pointless Mama Blues", and "Bring It On Home". Last up is a bonus Charlie Parker tune – a classic 1945 recording of "Now's The Time", with Miles on trumpet. CD
(Out of print.)

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Miles DavisFour & More – Recorded Live In Concert ... LP
Columbia, 1964. Very Good ... $7.99
Breakneck live work from Miles Davis – and proof that his famous 60s quintet wasn't only just about mellow and spacious sounds! The set was recorded at the same concert as the album My Funny Valentine – and while that one's mostly ballads, this one's mostly high tempo numbers that skip along with incredible ease – crackling with modern touches on the rhythm from Herbie Hancock, Ron Carter, and Tony Williams – and featuring some really excellent work by George Coleman on tenor sax! Titles include "Four", "So What", "Joshua", and "Seven Steps To Heaven". LP, Vinyl record album
(70s pressing. NOTE – Cover has completely split seams and is held with wide masking tape at the top and bottom, with surface wear and writing in pen on back.)

Exact matches21
CD, LP, Vinyl record album cover art
Miles DavisJazz Profile ... CD
Blue Note, 1950s. Used ... $2.99
12 tracks. CD
(Out of print, punch through barcode.)

Exact matches22
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue (mono) ... LP
Columbia, 1959. New Copy (reissue)... $24.99 25.98
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(180 gram vinyl pressing!)

Exact matches23
CD, LP, Vinyl record album cover art
Miles DavisLive In Paris – 1960 ... LP
Return To Analog (Canada), 1960. New Copy 2LP ... About November 1, 2020
Rare session with Sonny Stitt on vinyl for the first time! LP, Vinyl record album

Exact matches24
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis Live In Tokyo 1973 ... CD
Hi Hat, 1973. New Copy 2CD ... About September 25, 2020 (delayed)
... CD

Exact matches25
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis Vol 1 (Japanese paper sleeve edition) ... CD
Blue Note (Japan), 1952. Used ... $19.99
Brilliant early work by Miles Davis – some of his first truly important sessions to appear under his own name, recorded with players that include Jimmy Heath, JJ Johnson, Gil Coggins, Art Blakey, Kenny Clarke, Jackie McLean, and Oscar Pettiford. Tunes are shorter, and perhaps more boppish, than you might expect from some of Miles' other 50s work – but in a way that still allows for many moments of lyrical beauty, and that brilliantly cool sound of his which forever changed the sound of jazz trumpet. Titles include "Tempus Fugit", "Kelo", "Enigma", "Ray's Ida", and "CTA". CD
(Out of print. Includes obi.)

Exact matches26
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis Vol 2 (Blue Note 1502) ... LP
Blue Note, Early 50s. Very Good ... $29.99
Volume 2 of a pair of LPs that brought together Miles Davis' early recordings for Blue Note – some excellent sessions recorded in 1952, 1953, and 1954, featuring Miles' young trumpet blowing in a wonderful mix of cool, bop, lyrical, and modern jazz. The style's a bit rougher than later years, but in a good way – one that shows that Miles' ideas were not accidents, or studio magic, but the brilliant expressions of a musician who was years ahead of his time. Titles include "Weirdo", "Take Off", "Ray's Idea", "Tempus Fugit (alt)", "The Leap", and "Wouldn'You". LP, Vinyl record album
(Liberty stereo pressing.)

Exact matches27
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis Vol 2 (RVG remaster edition) ... CD
Blue Note, 1953. Used ... $6.99
Brilliant early work from Miles – recorded for Blue Note in 1953, featuring a sextet that includes JJ Johnson, Jimmy Heath, Gil Coggins, and Art Blakey. The tracks are short, but show Davis' increasing commitment to pushing the bop envelope – working modern and lyrical ideas into a space in which other players would have just been trying to keep up! The set features great remastering – and a total of 11 tracks in all, masters and alternates, with titles that include "Kelo", "Tempus Fugit", "Enigma", "Ray's Idea", and "CTA". CD

Exact matches28
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis' Greatest Hits (Columbia) ... LP
Columbia, Early 60s. Very Good- ... $7.99
A good collection of work from Miles' early days at Columbia working with Coltrane, up through the pre-Bitches Brew years with the classic Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams lineup. Titles include "Walkin (live)", "All Blues (live)", "Someday My Prince Will Come", "So What (live)", "ESP", "Round Midnight", and "Seven Steps To Heaven". LP, Vinyl record album
(360 Sound stereo pressing. Vinyl has some light marks, but cover is still in nice shape.)

Exact matches29
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles In The Sky (plus bonus tracks) ... CD
Columbia, 1968. New Copy ... Just Sold Out!
Miles Davis makes the electric transition – in this groundbreaking set from the late 60s! The classic mid 60s quintet is still in place here – Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums – but the sound is looser, freer, and more spacious – often echoing some of the rhythmic concerns that would dominate Miles' music in a few more years, but without as much of a bombastic sound. Williams' drums are amazing – fierce one minute, then fading the next – and Herbie Hancock's use of both electric and acoustic piano really points at his own directions in coming years. George Benson plays one one track – "Paraphernalia" – introducing electric guitar to the Miles Davis sound – and other long tracks on the set include "Stuff", "Black Comedy", and "Country Son". CD features 2 bonus alternate takes of "Black Comedy" and "Country Son". CD

Exact matches30
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Smiles ... CD
Columbia (Japan), 1966. Used ... $12.99
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". CD
(Blu-spec CD2, includes obi.)
Also available
Miles Smiles ... LP 18.99
Miles Smiles (Japanese paper sleeve edition) ... CD 12.99

Exact matches31
CD, LP, Vinyl record album cover art
Miles DavisMiles Smiles ... LP
Columbia, 1966. Very Good- ... $18.99
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". LP, Vinyl record album
(360 Sound stereo pressing. Cover has edge wear.)
Also available
Miles Smiles (Japanese paper sleeve edition) ... CD 12.99
Miles Smiles ... CD 12.99

Exact matches32
CD, LP, Vinyl record album cover art
Miles DavisMiles Smiles (Japanese paper sleeve edition) ... CD
Sony (Japan), 1966. Used ... $12.99
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". CD
(Out of print.)
Also available
Miles Smiles ... LP 18.99
Miles Smiles ... CD 12.99

Exact matches33
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMilestones ... LP
Columbia, 1958. Very Good ... $14.99
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". LP, Vinyl record album
(70s stereo pressing.)

Exact matches34
CD, LP, Vinyl record album cover art
Miles DavisMy Funny Valentine ... CD
Columbia, 1964. Used ... $3.99
One of those key cases where Miles Davis took a familiar song and made it his own! The set's a live one, and features a famous 15 minute version of "My Funny Valentine" – played by Davis in a spacious, open sort of way – and one that has key hints of the modernism to come in his music, yet still rings out with some of his more easygoing late 50s appeal. The group here features George Coleman on tenor alongside the rhythm section of Herbie Hancock piano, Ron Carter bass, and Tony Williams on drums – all three of whom help Davis edge into darker territory, even when things are ostensibly sweet! Apart from the version of "My Funny Valentine", other titles include "All Blues", "All Of You", "I Thought About You", and "Stella By Starlight" CD

Exact matches35
CD, LP, Vinyl record album cover art
Miles DavisNo Blues ... CD
JMY (Italy), 1967. Used ... $9.99
With Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams, recorded in Paris, France, November 6, 1967. 8 tracks: "'Round About Midnight", "No Blues", "Mascalero", "I Fall In Love Too Easily", 'Riot", "Walkin'", "Green Dolphin Street" and "The Theme". CD
(Out of print.)

Exact matches36
CD, LP, Vinyl record album cover art
Miles DavisPangaea (Japanese paper sleeve edition) ... CD
Columbia (Japan), 1975. Used 2 CD Gatefold ... $28.99
Japanese electric Miles, featuring 2 long tracks – "Zimbabwe" and "Gondwana" – spread out over the course of a sweet double live set! The album gives Miles and the group plenty of room to groove and stretch out – hitting notes that are both funky and noisy, often at the same time! Michael Henderson lays down some great bass work on the set, and major solos are by Sonny Fortune, Pete Cosey, and Reggie Lucas! Great stuff – and more proof that Miles in the 70s was a very very deep place! CD
(Out of print.)

Exact matches37
CD, LP, Vinyl record album cover art
Miles DavisPorgy & Bess (Original Master Recording) ... CD
Columbia/Mobile Fidelity, 1958. Used Gatefold ... $27.99
Way more than just a simple version of work from Porgy & Bess – and instead, a key collaboration between Miles Davis and Gil Evans – done with a sound that really transforms the tunes! True, the work here is all based on George Gershwin's original compositions – but through his inventively modern arrangements, Gil Evans really pushes the familiar numbers to a whole new place – and Miles glides over the top with some especially shimmering solos! Titles include "Summertime", "The Buzzard Song", "I Loves You, Porgy", and "Fishermen, Strawberry, & Devil Crab". CD
(Limited numbered hybrid SACD edition.)

Exact matches38
CD, LP, Vinyl record album cover art
✨✧ Miles DavisProper Introduction To Miles Davis ... CD
Proper (UK), Early 50s. Used ... $2.99
Collects early 50's group sides featuring Jackie McLean, Sonny Rollins, Walter Bishop Jr, JJ Johnson, Percy Heath, Oscar Pettiford, Art Blakey, and Max Roach. CD

Exact matches39
CD, LP, Vinyl record album cover art
Miles DavisRubberband ... CD
Rhino, 1986. Used ... $11.99
Great lost work from Miles Davis – early material recorded for Warner Brothers in the mid 80s, and never released at the time – now finally uncovered from the vaults, and presented with a few slight contemporary touches! The core music is prime electric Miles funk all the way through – a great first step into the territory that he'd explore at Warner in his final years, but also with some traces of the Columbia records from the few years before – strong trumpet solos amidst bold rhythms – given new life here from instrumentalists Randy Hall and Attala Zane Giles. The music has been updated from the original tapes – with a richer sound, and a vibe that sounds less dated – and vocals have been added in a few spots, including great work from Ledisi and Lalah Hathaway. Titles include "Rubberband Of Life", "Echoes In Time/The Wrinkle", "See I See", "I Love What We Make Together", "So Emotional", "Paradise", "Maze", and "Give It Up". CD
(Still sealed.)
Also available
Rubberband ... CD 15.99
Rubberband ... LP 28.99

Exact matches40
CD, LP, Vinyl record album cover art
Miles DavisRubberband ... CD
Rhino, 1986. New Copy ... $15.99 16.98
Great lost work from Miles Davis – early material recorded for Warner Brothers in the mid 80s, and never released at the time – now finally uncovered from the vaults, and presented with a few slight contemporary touches! The core music is prime electric Miles funk all the way through – a great first step into the territory that he'd explore at Warner in his final years, but also with some traces of the Columbia records from the few years before – strong trumpet solos amidst bold rhythms – given new life here from instrumentalists Randy Hall and Attala Zane Giles. The music has been updated from the original tapes – with a richer sound, and a vibe that sounds less dated – and vocals have been added in a few spots, including great work from Ledisi and Lalah Hathaway. Titles include "Rubberband Of Life", "Echoes In Time/The Wrinkle", "See I See", "I Love What We Make Together", "So Emotional", "Paradise", "Maze", and "Give It Up". CD
Also available
Rubberband ... LP 28.99
Rubberband ... CD 11.99

Exact matches41
CD, LP, Vinyl record album cover art
Miles DavisRubberband ... LP
Rhino, 1986. New Copy 2LP ... $28.99 31.98
Great lost work from Miles Davis – early material recorded for Warner Brothers in the mid 80s, and never released at the time – now finally uncovered from the vaults, and presented with a few slight contemporary touches! The core music is prime electric Miles funk all the way through – a great first step into the territory that he'd explore at Warner in his final years, but also with some traces of the Columbia records from the few years before – strong trumpet solos amidst bold rhythms – given new life here from instrumentalists Randy Hall and Attala Zane Giles. The music has been updated from the original tapes – with a richer sound, and a vibe that sounds less dated – and vocals have been added in a few spots, including great work from Ledisi and Lalah Hathaway. Titles include "Rubberband Of Life", "Echoes In Time/The Wrinkle", "See I See", "I Love What We Make Together", "So Emotional", "Paradise", "Maze", and "Give It Up". LP, Vinyl record album
Also available
Rubberband ... CD 15.99
Rubberband ... CD 11.99

Exact matches42
CD, LP, Vinyl record album cover art
✨✧ Miles DavisRubberband Of Life (radio edit, vocal featuring Ledisi, instrumental)/Rubberband ... 12-inch
Warner, Mid 80s/2018. Sealed (pic cover)... $19.99
... 12-inch, Vinyl record
(Still sealed, with hype sticker. Shrinkwrap has a small tear in back.)

Exact matches43
CD, LP, Vinyl record album cover art
Miles DavisSiesta ... CD
Warner, 1987. Used ... $4.99
One of Miles' last great albums – a soundtrack composed in conjunction with Marcus Miller, and recorded with a mix of atmospheric electronics and trumpet solos, coming off in a way that sounds far better than most of his other attempts at this style from the time. Miller plays all the other instruments in the set, apart from some occasional guest work by players that include John Scofield, Earl Klugh, Omar Hakim, and Jason Miles. Titles include "Conchita", "Lament", "Los Feliz", "Lost In Madrid", "Siesta", "Kitt's Kiss", and "Wind". CD
(Out of print.)

Exact matches44
CD, LP, Vinyl record album cover art
Miles DavisSketches Of Spain (with bonus tracks) ... CD
Columbia, 1960. Used ... $3.99
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an important distinction to the way the album progresses.) Evans' arrangements have a majesty that takes the songs to the next level – working them as lush, lively backings for Davis' equally majestic trumpet solos, some of the finest he ever recorded with large group backing. Wonderful all the way through – and with the tracks "Concierto De Aranjuez", "Saeta", "The Pan Piper", and "Solea". CD

Exact matches45
CD, LP, Vinyl record album cover art
✨✧ Miles DavisStar People ... LP
Columbia, 1983. Very Good+ ... Just Sold Out!
Miles Davis in the early 80s – but still sounding pretty darn great, and somehow managing to take some of his best elements from the 70s and refine them into a slightly more focused groove! The tracks here are shorter than before – no side-long jams at all – but they definitely bristle with slight undercurrents of noise, and have some unbridled rhythms that make for a good sense of energy. Added to these are a few more (then) contemporary touches – a very slight update of Miles' older funk, but never in a slick or commercial way – and still cerebral enough to show the world that Davis wasn't selling out late in the day. Miles plays a bit of keyboards in addition to trumpet – and other players include Bill Evans on saxophones, John Scofield on guitar, Marcus Miller on bass, and Al Foster on drums. Titles include "Come Get It", "It Gets Better", "Speak", "Star People", "U N I", and "Star On Cicely". LP, Vinyl record album
(Cover has a promo stamp and light wear.)

Exact matches46
CD, LP, Vinyl record album cover art
✨✧ Miles DavisTutu ... LP
Warner, 1986. Very Good+ ... Just Sold Out!
A nice collaboration between Miles and Marcus Miller from the latter part of Miles career. As much of the recording here is overdubbed, with many multiple instruments played by Miller, it doesn't have the improvised vibe of Miles' classic performances, but the songwriting and arrangements are head and shoulders above much of the contemporary jazz being recorded at the time, Miles is in great form, and the glossy production sits better with us now than ever before. Paulinho DaCosta, George Duke, Michael Urbaniak and Bernard Wright all make guest appearances. 8 tracks in all: "Tutu", "Tomaas", "Portia", "Splatch", "Backyard Ritual", "Perfect Way", Don't Lose Your Mind" and "Full Nelson". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has some surface wear.)

Exact matches47
CD, LP, Vinyl record album cover art
Miles DavisWalkin' ... CD
Past Perfect (Germany), 1954. Used ... $3.99
Collects 10 tracks recorded with Horace Silver, Milt Jackson, Kenny Clarke, Lucky Thompson, and Percy Heath including "Oleo", "Old Devil Moon", "I'll Remember April", "Bag's Groove", and the title tracks "Walkin". CD

Exact matches48
CD, LP, Vinyl record album cover art
Miles DavisWater Babies ... CD
Columbia, 1967. New Copy ... $4.99 6.99
A much different album than you might expect from the cover – hardly the funky 70s set implied by the Big Fun-styled cover – and instead a lost slice of work from his groundbreaking late 60s years! The set was recorded in 1967, but unissued until Miles late 70s time away from the studio – hence the cover, which attempts to contemporanize the record – and the music is very much in the dark moods and sharp tones of Filles De Kilimanjaro, and features a somewhat similar group! The core quintet of Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums handles the first half of the set – but the group's then expanded to include Chick Corea on electric piano along with Herbie on keys – and Ron Carter steps out so that Dave Holland can bring some more modern tones to the bass. Tracks are all somewhat long, and titles include "Capricorn", "Water Babies", "Sweet Pea", and "Two Faced". CD

Exact matches49
CD, LP, Vinyl record album cover art
Miles DavisWorkin' With The Miles Davis Quintet ... CD
Prestige/OJC, 1956. Used ... $3.99
One of the four essential quintet sides Miles Davis cut for Prestige in the mid 50s – all modern jazz classics by anyone's measure, along with Steamin', Relaxin' and Cookin'. These quintet sides established Davis and John Coltrane as a significant force to be reckoned with, and helped set the tone for much of the small group and post bop jazz cut in that era. Red Garland, Paul Chambers and Philly Joe Jones lay a smooth swinging pulse for Miles and Trane to blow over on the set – and titles include "It Never Entered My Mind", "Four", "In Your Own Sweet Way", "The Theme (takes 1 & 2)", "Trane's Blues", "Ahmad's Blues" and "Half Nelson". CD

Exact matches50
CD, LP, Vinyl record album cover art
Miles DavisYou're Under Arrest (Japanese paper sleeve edition) ... CD
Columbia (Japan), 1984. Used Gatefold ... $13.99
Sweeter studio Miles Davis from the 80s – a record that takes the 70s electric experiments and fuses them into a sound that's got a lot more R&B influence than before! The style is a bit poppy at times, but never in a way that's too slick – and often, Davis is using his muted trumpet to state lines boldly in ways that still have a greater sense of depth and craft than most of his contemporaries. A few tracks show some of the gritty New York rock/funk trend of the time, while others are lighter and more lyrical – and titles include covers of "Time After Time" and "Human Nature" – Miles' attempt to find standards in contemporary pop – plus the tracks "Katia", "You're Under Arrest", "Ms Morrisine", and "One Phone Call/Street Scenes". CD

Exact matches51
CD, LP, Vinyl record album cover art
✨✧ Miles DavisYoung Miles (4CD set) ... CD
Proper (UK), Late 40s. Used 4 CDs ... $3.99
Collects early Miles tracks recorded between 1945 and 1950 for Savoy, Ozone, Capitol, Jung Cat, Columbia, and Alto – 82 tracks total. CD
(NOTE: this copy is missing the slipcover. It includes all 4 CD's plus the accompanying booklet. Priced accordingly.)

Exact matches52
CD, LP, Vinyl record album cover art
Miles Davis & Gil EvansComplete Columbia Studio Recordings – Miles Davis & Gil Evans (6CD box set) ... CD
Columbia, Late 50s. Used 6 CDs & Book ... $24.99
Heavenly sounds from these two musical masters – all their classic albums, and lots of bonus material too! CD
(Original pressing with the gold metal hinge – please note this copy is missing the outer slipcase.)

Exact matches53
CD, LP, Vinyl record album cover art
Miles Davis & John ColtraneFinal Tour – Bootleg Series 6 (4CD set) ... CD
Columbia, 1960. New Copy 4CD ... $43.99 49.98
A fantastic presentation of legendary live material from the team of Miles Davis and John Coltrane – taken from the last concert tour the pair ever did together, and presented here with beautifully stunning sound! The European dates in 1960 were all part of a larger Jazz At The Philharmonic tour – which meant that Norman Granz was on hand to do a great job of capturing the material, which is then given extra-special treatment here for the reissue! Some of these sides have been issued on dodgy overseas collections over the years, but this is the first time all this material has been presented together, and so well – a tremendous illustration of the long solo genius of both Davis and Coltrane, with support from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums. All tracks are very long – and the set features 8 tracks from the Paris concert on March 21, 5 tracks from the Copenhagen concert on March 24, and 9 from the Stockholm concert on March 22. There's also an interview with Coltrane, conducted during the tour – and titles include "Round Midnight", "On Green Dolphin Street", "All Of You", "So What", "Fran Dance", "Walkin", "All Blues", "Bye Bye Blackbird", and "Oleo". CD

Exact matches54
CD, LP, Vinyl record album cover art
✨✧ Miles Davis & Quincy JonesMiles & Quincy – Live At Montreux ... CD
Warner, 1991. Used ... Just Sold Out!
With Kenny Garrett on alto sax, Gil Evans And His Orchestra, and the George Gruntz Concert Jazz Band. CD
(Out of print. Cutout hole through booklet and barcode.)

Exact matches55
CD, LP, Vinyl record album cover art
✨✧ Miles DavisAgharta (180 gram pressing) ... LP
Columbia/4 Men With Beards, 1975. New Copy 2LP Gatefold (reissue)... Temporarily Out Of Stock
A seminal 70s side from Miles Davis – originally a Japanese recording, and one that returns to the solid push of the initial electric years! The record's a completely cooking little session – one that mixes the raw, noisier styles of other Davis albums with a focus, funked-up energy that's really set loose in the freer standards of the Japanese scene – all to come up with a sound that's completely otherworldly, and which is light years ahead of most mainstream fusion from the period. Pete Cosey plays some really wicked guitar and synthesizer, Al Foster kicks tremendous energy on his drums, Sonny Fortune brings a soulful depth on soprano sax and flute, and Michael Henderson creates massive flow on the bass. Titles include "Prelude", "Interlude", and a long version of "Theme From Jack Johnson". LP, Vinyl record album
(Super-nice heavy vinyl pressing!)

Exact matches56
CD, LP, Vinyl record album cover art
✨✧ Miles DavisAgharta (Japanese pressing) ... CD
Columbia (Japan), 1975. Used 2CD ... Temporarily Out Of Stock
A seminal 70s side from Miles Davis – originally a Japanese recording, and one that returns to the solid push of the initial electric years! The record's a completely cooking little session – one that mixes the raw, noisier styles of other Davis albums with a focus, funked-up energy that's really set loose in the freer standards of the Japanese scene – all to come up with a sound that's completely otherworldly, and which is light years ahead of most mainstream fusion from the period. Pete Cosey plays some really wicked guitar and synthesizer, Al Foster kicks tremendous energy on his drums, Sonny Fortune brings a soulful depth on soprano sax and flute, and Michael Henderson creates massive flow on the bass. Titles include "Prelude", "Interlude", and a long version of "Theme From Jack Johnson". CD
(Out of print, 2013 Blu-spec CD 2 pressing – includes obi.)

Exact matches57
CD, LP, Vinyl record album cover art
✨✧ Miles DavisAmandla ... CD
Warner, 1989. Used ... Temporarily Out Of Stock
Titles include "Cobra", "Big Time", "Hannibal", "Jo Jo", "Amandla", "Jilli", and "Mr Pastorious". CD
(Out of print.)
Also available Amandla ... LP 19.99

Exact matches58
CD, LP, Vinyl record album cover art
✨✧ Miles DavisBirth Of The Cool ... CD
Capitol, Late 40s/Early 50s. Used ... Temporarily Out Of Stock
Legendary early work from trumpeter Miles Davis – late 40s sessions for Capitol Records that are completely different than the bop material he was cutting with Charlie Parker and on his own! Instead, these sides have Miles working with a complex, more arranged style – built up with a young Gil Evans, in a mode that prefaces the later famous recordings the pair would make in the late 50s for Columbia. Here, the tracks are shorter, but beautifully blend bop ideas with fuller arrangements – and Davis blows alongside other key young modernists in a variety of larger groups – with work from Lee Konitz on alto, Gerry Mulligan on baritone sax, JJ Johnson and Kai Winding on trombones, Al Haig and John Lewis on piano, and Kenny Clarke and Max Roach on drums. Mulligan contributed plenty, too – his ideas on an overall sound definitely helped shape these sides – and the record's go on to legendary status – even though it's very different than most other Miles Davis from the time. Titles include "Godchild", "Jeru", "Move", "Venus De Milo", "Budo", and "Deception". CD
(Out of print.)

Exact matches59
CD, LP, Vinyl record album cover art
✨✧ Miles DavisBitches Brew ... LP
Columbia, 1969. Very Good+ 2LP Gatefold ... Temporarily Out Of Stock
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark by which so many other records would be judged (and fail) in years to come! The double-length set makes full use of all four sides of the record – expanding the flow (as well as the lineup) of the original Davis modal vision – and using all players to amazing effect, so much so that most players here turn out some of their best recorded work ever! The lineup is virtually a whose who for the sound of fusion in the 70s – including Wayne Shorter on soprano sax, Bennie Maupin on bass clarinet, Joe Zawinul and Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Lenny White and Jack DeJohnette on drums – plus Jumma Santos and Don Alias on added percussion. Titles include "Pharaoh's Dance", "Spanish Key", "Sanctuary", "Bitches Brew", "John McLaughlin", and "Miles Runs the Voodoo Down". LP, Vinyl record album
(Recent 180 gram Legacy pressing.)

Exact matches60
CD, LP, Vinyl record album cover art
✨✧ Miles DavisComplete Bitches Brew Sessions (4CD metal-spine box set) ... CD
Columbia, 1969. Used 4 CDs ... Temporarily Out Of Stock
... CD
(Original pressing with the blue metal hinge.)

Exact matches61
CD, LP, Vinyl record album cover art
✨✧ Miles DavisFilles De Kilimanjaro ... LP
Columbia, 1969. Good+ ... Temporarily Out Of Stock
A dark blend of acoustic and electric modes from Miles Davis – a set that still has him working with elements of the classic 60s quintet, but which also brings in a stronger emphasis on electric piano too! The rhythms here are really fantastic – ready to burst forth into a whole new direction, yet still not hitting the Bitches Brew level of freedom – and drummer Tony Williams may well be the real star of the set for his tremendous work on the kit – even though, as stated, the album's got some heavy electric piano contributions both from Herbie Hancock and Chick Corea! All titles feature Miles on trumpet, Wayne Shorter on tenor, and Tony Williams on drums – and the titles with Herbie feature Ron Carter on bass, while the rest with Chick Corea feature Dave Holland. Titles include "Frelon Brun", "Tout De Suite", "Petits Machins", "Mademoiselle Mabry", and "Filles De Kilimanjaro". LP, Vinyl record album
(360 Sound stereo pressing. Cover has light wear.)

Exact matches62
CD, LP, Vinyl record album cover art
✨✧ Miles DavisGet Up With It (Japanese pressing) ... CD
Columbia (Japan), 1974. Used 2CD ... Temporarily Out Of Stock
Miles Davis' last studio session before a few years of seclusion – and a really monumental effort, probably the baddest of the electric period! The album does a great job of capturing the energy of the frenzied live sets from that time, and matching it with Teo Macero's cut and paste editing, and wizardry at the mixing console. The side long piece "He Loved Him Madly" is a minimalist epic, while "Calypso Frelimo" alternates between mad afro-percussion driven jams and spacey wah-wah trumpet interludes. The rest of the album is divided up into more succinct shorter funky pieces, like classic "Rated X", with Miles basically just leaning on an electric organ over a hyper funk beat, and the bluesy "Honky Tonk" which opens with an incredibly funky burping electric piano break! CD
(Out of print, 2013 Blu-spec 2 CD pressing – includes obi.)

Exact matches63
CD, LP, Vinyl record album cover art
✨✧ Miles DavisJazz Track – Frantic ... LP
Columbia, 1957/1958. Good ... Temporarily Out Of Stock
Although not actually a proper album – this is still one of the greatest Miles Davis albums of all time! Side one features 10 tracks from Miles' amazing soundtrack to the film Ascenseur Pour L'Echafaud – with excellent work by French players Barney Wilen, Rene Urtreger, and Pierre Michelot, on haunting moody tracks like "Generique", "Lassassinat De Carala", "Au Bar Du Petit Bac", and "Dinner Au Motel". Great stuff – and with a wonderful sound that's like no other Miles album! Side 2 is equally great – as it features 3 classic sextet tunes – "On Green Dolphin Street", "Put Your Little Foot Right Out", and "Stella By Starlight" –peformed with Coltrane, Cannonball Adderley, and Bill Evans in that amazing Kind Of Blue mode of perfection. Truly one of our favorite albums of all time! LP, Vinyl record album
(Mono 2 eye pressing.)

Exact matches64
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue ... LP
Columbia, 1959. Very Good ... Temporarily Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(70s pressing.)
Also available Kind Of Blue (mono) ... LP 24.99

Exact matches65
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue (Gold CD) ... CD
Columbia, 1959. Used ... Temporarily Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
(Out of print, slipcase has some light edgewear.)
Also available Kind Of Blue (mono) ... LP 24.99

Exact matches66
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue (with bonus track) ... CD
Columbia, 1959. Used ... Temporarily Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
Also available Kind Of Blue (mono) ... LP 24.99

Exact matches67
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMan With The Horn ... LP
Columbia, 1980. Very Good ... Temporarily Out Of Stock
A nice little later album from Miles Davis – one that still has some sharp edges and interesting moments that refine the earlier electric sound of the 70s! Teo Macero's still producing here, and he gives the record a focus that really brings the best sound out of the tunes – and although there's not as much noise, funk, or raw energy as before, there's still a shimmeringly modern style that's quite different from most other electric jazz of the time – proof that Davis was still an innovator even in these years! Other instrumentation includes electric piano, guitar, and soprano sax – and titles include "Fat Time", "Aida", "The Man With The Horn", "Ursula", and "Back Seat Betty". LP, Vinyl record album
(Cover has light wear.)

Exact matches68
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis & The Modern Jazz Giants ... CD
Prestige/OJC, 1954/1956. Used ... Temporarily Out Of Stock
A strange mix of material – but some great work overall! Most of the record features Miles Davis recording with a quintet that includes Thelonious Monk on piano, Milt Jackson on vibes, Percy Heath on bass, and Kenny Clarke on drums – on longer versions of "The Man I Love" (in 2 takes), "Swing Spring", and "Bemsha Swing". These sides have a great bop/modern approach that's a nice extension of the styles that Jackson and Davis were playing on Blue Note in earlier years. Also added to the set is one number from 1956 – a version of "Round Midnight" recorded in early sessions with John Coltrane on tenor, and the Red Garland Trio on rhythm – different than the rest of the tracks, but still quite nice! CD

Exact matches69
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... LP
Columbia, 1961. Good ... Temporarily Out Of Stock
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! LP, Vinyl record album
(Mono 6 eye CBS pressing. Vinyl has numerous marks but cover is still in decent shape, with some wear on the bottom seam and light yellowing from age.)

Exact matches70
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis Quartet – Live At The 1963 Monterey Jazz Festival ... CD
Monterey Jazz Festival/Concord, 1963. Used ... Temporarily Out Of Stock
Miles Davis and his Quartet doing their thing at the 1963 Monterey Jazz Fest – a previously unreleased set that finds Miles & Co in peak live form! The group isn't out to set the world on fire with this performance, but they're certainly pushing the form and structure of modern jazz in a way that must have been pretty exciting for a festival audience in '63. The group is George Coleman on tenor, Herbie Hancock on piano, Ron Carter on bass and Tony Williams on drums, with plenty sweet solos among them. Greatness! Titles include longish takes on "Autumn Leaves", "So What", "Stella By Starlight" and "Walkin'", plus the intro "Waiting For Miles" and the closer "The Theme", CD
(Out of print.)

Exact matches71
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis Vol 1 (Blue Note 1501) ... LP
Blue Note, Early 50s. Very Good+ ... Temporarily Out Of Stock
Brilliant early work by Miles Davis – some of his first truly important sessions to appear under his own name, recorded with players that include Jimmy Heath, JJ Johnson, Gil Coggins, Art Blakey, Kenny Clarke, Jackie McLean, and Oscar Pettiford. Tunes are shorter, and perhaps more boppish, than you might expect from some of Miles' other 50s work – but in a way that still allows for many moments of lyrical beauty, and that brilliantly cool sound of his which forever changed the sound of jazz trumpet. Titles include "Tempus Fugit", "Kelo", "Enigma", "Ray's Ida", and "CTA". LP, Vinyl record album
(70s white "b" pressing. Cover has light wear.)
Also available Miles Davis Vol 1 (Japanese paper sleeve edition) ... CD 19.99

Exact matches72
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✨✧ Miles DavisMiles In Berlin ... CD
Sony (Japan), 1964. Used ... Temporarily Out Of Stock
A really great bit of live work from Miles Davis – and the first-ever recorded appearance of the quintet with Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams – even though the album was never issued in the US at the time! The set follows very strongly in the mode of the group's work at the Plugged Nickel – with a pace that's faster than usual, and bristling with freely exploratory energy. Titles include "Milestones", "So What", "Walkin", and a nicely stepped-up version of "Autumn Leaves". Shorter's solos are worth the price of the record alone, but Williams' work on the kit never ceases to amaze! CD
(Blue Spec CD2, includes obi.)

Exact matches73
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✨✧ Miles DavisMiles In The Sky (plus bonus tracks) ... CD
Columbia/Legacy, 1968. Used ... Temporarily Out Of Stock
Miles Davis makes the electric transition – in this groundbreaking set from the late 60s! The classic mid 60s quintet is still in place here – Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums – but the sound is looser, freer, and more spacious – often echoing some of the rhythmic concerns that would dominate Miles' music in a few more years, but without as much of a bombastic sound. Williams' drums are amazing – fierce one minute, then fading the next – and Herbie Hancock's use of both electric and acoustic piano really points at his own directions in coming years. George Benson plays one one track – "Paraphernalia" – introducing electric guitar to the Miles Davis sound – and other long tracks on the set include "Stuff", "Black Comedy", and "Country Son". CD features 2 bonus alternate takes of "Black Comedy" and "Country Son". CD

Exact matches74
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✨✧ Miles DavisMiles Smiles ... CD
Columbia, 1966. New Copy ... Temporarily Out Of Stock
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". CD
Also available
Miles Smiles ... LP 18.99
Miles Smiles (Japanese paper sleeve edition) ... CD 12.99
Miles Smiles ... CD 12.99

Exact matches75
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Smiles (180 gram pressing) ... LP
Columbia, 1966. New Copy (reissue)... Temporarily Out Of Stock
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". LP, Vinyl record album
Also available
Miles Smiles ... LP 18.99
Miles Smiles (Japanese paper sleeve edition) ... CD 12.99
Miles Smiles ... CD 12.99

Exact matches76
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMy Old Flame ... LP
Up Front, 1960s. Near Mint- ... Temporarily Out Of Stock
Early bop sides, not led by Miles as you might imagine from this package, but featuring him. We're not entirely certain of the origin of these recordings, but they are at least contemporaneous with the Savoy sides Miles was cutting with Bird, and according to the notes, feature Charlie Parker, Lucky Thompson, Duke Jordan, Max Roach and others. 10 tracks in all: "Out Of Nowhere", "A Night In Tunisia", "Embraceable You", "Bird Of Paradise", "My Old Flame", "Don't Blame Me" and "Scrapple From The Apple". LP, Vinyl record album

Exact matches77
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✨✧ Miles DavisOn The Corner (180 gram pressing) ... LP
Columbia, 1972. New Copy (reissue)... Temporarily Out Of Stock
A sublime bit of Miles Davis electric funk – one of the best-remembered electric sets from the 70s, and for good reason too! The tracks are long, the jams are hard, and the whole thing has a lot more funk than some of the noise you'd get on other Miles albums of the time – thanks to killer keyboards from Herbie Hancock and Chick Corea, guitar from John McLaughlin, and reeds from Dave Liebman – plus some standout drums from the legendary Jack DeJohnette – easily at the top of his powers here. These top-shelf players jam together beautifully – really cooking on the album's long tracks – "On The Corner" and "Helen Butte/Mr Freedom X" – and tightening up on the slightly shorter cuts "Black Satin" and "One & One". LP, Vinyl record album

Exact matches78
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✨✧ Miles DavisPangaea (Japanese pressing) ... CD
Columbia (Japan), 1975. Used 2 CDs ... Temporarily Out Of Stock
Japanese electric Miles, featuring 2 long tracks – "Zimbabwe" and "Gondwana" – spread out over the course of a sweet double live set! The album gives Miles and the group plenty of room to groove and stretch out – hitting notes that are both funky and noisy, often at the same time! Michael Henderson lays down some great bass work on the set, and major solos are by Sonny Fortune, Pete Cosey, and Reggie Lucas! Great stuff – and more proof that Miles in the 70s was a very very deep place! CD
(Blu spec CD2 pressing, includes obi.)
Also available Pangaea (Japanese paper sleeve edition) ... CD 28.99

Exact matches79
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✨✧ Miles DavisPorgy & Bess ... LP
Columbia, 1958. Good+ ... Temporarily Out Of Stock
Way more than just a simple version of work from Porgy & Bess – and instead, a key collaboration between Miles Davis and Gil Evans – done with a sound that really transforms the tunes! True, the work here is all based on George Gershwin's original compositions – but through his inventively modern arrangements, Gil Evans really pushes the familiar numbers to a whole new place – and Miles glides over the top with some especially shimmering solos! Titles include "Summertime", "The Buzzard Song", "I Loves You, Porgy", and "Fishermen, Strawberry, & Devil Crab". LP, Vinyl record album
(Stereo 6 eye white label promo pressing with deep groove. Cover has a split top seam, wear, and aging.)

Exact matches80
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✨✧ Miles DavisRound About Midnight ... LP
Columbia, 1956. Very Good ... Temporarily Out Of Stock
Thelonious Monk may have written the title tune, but Miles Davis makes it all his own here – blowing with a subtle moody magic that makes the album one of his true treasures from the early Columbia Records years! John Coltrane's along on tenor sax – helping Davis expand the sound the pair first forged on Prestige – and also present is the rhythm trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – impeccably recorded here with a wonderful sense of space, and almost a bridge between older Miles modes, and the genius to come. Titles include Miles seminal take on "Round Midnight", plus "Tadd's Delight", "Dear Old Stockholm", "Bye Bye Blackbird", and "A Leu Cha". LP, Vinyl record album
(360 Sound stereo pressing with black test, in the white top cover. Vinyl has a press flaw that clicks on "Round About Midnight". Cover has a small name in pen on back.)

Exact matches81
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✨✧ Miles DavisSeven Steps To Heaven ... LP
Columbia, 1963. Very Good+ ... Temporarily Out Of Stock
A key point in the development of the Miles Davis sound of the 60s – his first album to feature work from Herbie Hancock, Ron Carter, and Tony Williams – augmented by some equally nice work on other tracks from Victor Feldman and Frank Butler! The sound here is beautifully spare – a wonderful exploration of ideas that Miles had been putting forth on some other albums for Columbia, but crafted here with a vision that's apparent in the very first note – and which transforms both the tunes and the work of the players into a focused, near-perfect sound all the way through. Titles include "So Near So Far", "Seven Steps To Heaven", "I Fall In Love Too Easily", "Joshua", and "Basin Street Blues" – which even sounds great in this setting! LP, Vinyl record album
(360 Sound stereo pressing with black text and 1F matrix.)

Exact matches82
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✨✧ Miles DavisSketches Of Spain ... LP
Columbia, 1960. Very Good ... Temporarily Out Of Stock
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an important distinction to the way the album progresses.) Evans' arrangements have a majesty that takes the songs to the next level – working them as lush, lively backings for Davis' equally majestic trumpet solos, some of the finest he ever recorded with large group backing. Wonderful all the way through – and with the tracks "Concierto De Aranjuez", "Saeta", "The Pan Piper", and "Solea". LP, Vinyl record album
(70s pressing.)
Also available Sketches Of Spain (with bonus tracks) ... CD 3.99

Exact matches83
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✨✧ Miles DavisSketches Of Spain (180 gram vinyl mono edition) ... LP
Columbia, 1960. New Copy (reissue)... Temporarily Out Of Stock
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an important distinction to the way the album progresses.) Evans' arrangements have a majesty that takes the songs to the next level – working them as lush, lively backings for Davis' equally majestic trumpet solos, some of the finest he ever recorded with large group backing. Wonderful all the way through – and with the tracks "Concierto De Aranjuez", "Saeta", "The Pan Piper", and "Solea". LP, Vinyl record album
(Special mono version – pressed up on 180 gram vinyl!)
Also available Sketches Of Spain (with bonus tracks) ... CD 3.99

Exact matches84
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✨✧ Miles DavisSomeday My Prince Will Come ... LP
Columbia, 1961. Very Good+ ... Temporarily Out Of Stock
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". LP, Vinyl record album
(Mono 6 eye "CBS" pressing, matrix ending 1A/1B.)

Exact matches85
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✨✧ Miles DavisSomeday My Prince Will Come (Columbia Jazz Masterpieces) ... CD
Columbia, 1961. Used ... Temporarily Out Of Stock
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". CD
(1990 Columbia Jazz Masterpieces pressing.)

Exact matches86
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✨✧ Miles DavisTribute To Jack Johnson ... LP
Columbia, 1971. Very Good- ... Temporarily Out Of Stock
A masterful tribute from one bad cat to another – and easily one of Miles Davis' greatest electric albums ever! The album's got a powerful, epic sort of feel – a renewed focus after the looser style of Bitches Brew, and the 70s live albums – and one that mixes a deeper funky sound with the raw, exploratory style Davis had let loose a few years before. Michael Henderson's bass is a big part of the power of the record, and John McLaughlin's guitar has never sounded better, or sharper. Teo Macero made the whole thing magic in the studio, and titles include two sidelong funkdafied jams – "Right Off" and "Yesternow". LP, Vinyl record album
(70s pressing. Cover has some marks that click a bit on "Yesternow".)

Exact matches87
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✨✧ Miles DavisWorkin' With The Miles Davis Quintet (20 bit remaster) ... CD
Prestige, 1956. Used ... Temporarily Out Of Stock
One of the four essential quintet sides Miles Davis cut for Prestige in the mid 50s – all modern jazz classics by anyone's measure, along with Steamin', Relaxin' and Cookin'. These quintet sides established Davis and John Coltrane as a significant force to be reckoned with, and helped set the tone for much of the small group and post bop jazz cut in that era. Red Garland, Paul Chambers and Philly Joe Jones lay a smooth swinging pulse for Miles and Trane to blow over on the set – and titles include "It Never Entered My Mind", "Four", "In Your Own Sweet Way", "The Theme (takes 1 & 2)", "Trane's Blues", "Ahmad's Blues" and "Half Nelson". CD
(Out of print, includes slipcase.)
Also available Workin' With The Miles Davis Quintet ... CD 3.99

Exact matches88
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✨✧ Miles Davis & John ColtraneFinal Tour – Copenhagen, March 24, 1960 ... LP
Columbia, 1960. New Copy ... Temporarily Out Of Stock
Great live material from one of the most important pairings in modern jazz – recorded during the last months that John Coltrane was working with the Miles Davis Quintet! Davis and Coltrane are working here on a live date from Copenhagen in March of 1960 – playing on 3 long tunes that really let both players open up and unfold in their own unique solo explorations – with that classic group that includes Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums. Titles are all familiar ones from the Davis book – "So What", "All Blues", and "On Green Dolphin Street" – but the extended renditions offer more than a few surprises that make them well worth having. Plus, the album also features an introduction of the group by Norman Granz – the set was part of a Jazz At The Philharmonic Tour – as well as the short "theme". Great sound – way better than any previous versions of this material! LP, Vinyl record album
(Includes download!)

Exact matches89
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✨✧ Miles Davis & John ColtraneLive In Stockholm 1960 ... CD
Dragon (Sweden), 1960. Used 2 CDs ... Temporarily Out Of Stock
Essential material pulled from a legendary set of shows in Stockholm from 1960. The group features Miles and Coltrane alongside Wynton Kelly, Paul Chambers, and Jimmy Cobb. Most of the tracks are nice and long and include "So What", "On Green Dolphin Street", "All Blues Theme", and "Walkin" – plus a short 2-part interview with Coltrane. CD
(Out of print.)

Exact matches90
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✨✧ Miles Davis58 Sessions ... CD
Sony, 1958. Used ... Out Of Stock
Some of the greatest Miles Davis material ever recorded – and not really ever officially issued as an album until this collection! The recordings are from the magical year of 1958, a time when Miles was working in the Kind Of Blue mode – on the album of the same name, one of his all-time standout classics. The work on this set is in a very similar spirit – recorded by a sextet that includes the rhythm section of Jimmy Cobb, Paul Chambers, and a young Bill Evans, who brings a magically modal feel to the album that really gives it an edge. Added to that are the saxophones of John Coltrane and Cannonball Adderley, blowing together in two ends of the soul spectrum, really stretching the color palette from Miles' usual work. Miles himself seems very inspired by the company, and works with plenty of space to allow the saxophonists to stretch out in wonderful solos – and Evans himself is simply amazing, working wonderfully in the setting, making us wish he'd recorded more group dates like this one! The first 3 tracks on the set were briefly issued on the flipside of the Jazz Track album (an obscure Columbia LP that also included 10 songs from the soundtrack to Ascenseur Pour L'Echafaud), and a few others on later live LPs – but this is the first time the material from that group has appeared together as a full album. Includes stellar versions of "Stella By Starlight", "Green Dolphin Street", "Fran Dance", "My Funny Valentine", "Oleo", and "Love For Sale". CD
(Out of print, barcode has a cutout hole.)

Exact matches91
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✨✧ Miles DavisBest Of The Miles Davis Quintet 1965 to 1968 ... CD
Columbia, Late 60s. Used ... Out Of Stock
With Ron Carter on bass, Tony Williams on drums, Herbie Hancock on piano & Wayne Shorter on tenor saxophone. CD
(Out of print.)

Exact matches92
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✨✧ Miles DavisEnigma (10 inch LP) ... LP
Blue Note, 1952/1953. New Copy ... Out Of Stock
A real enigma from Miles Davis – rare material from the Blue Note vaults, issued here for the first time ever – and done as a totally sweet 10" album! The cover and package are great – and the music is even better – very much in the most sparkling spirit of Davis' early 10" albums for Blue Note – with a lineup that includes JJ Johnson on trombone, Jimmy Heath on tenor, Jackie McLean on alto sax, Gil Coggins on piano, Percy Heath or Oscar Pettiford on bass, and Art Blakey or Kenny Clarke on drums! Titles include "Enigma (alt take 1)", "Kelo (alt take 1)", "Chance It (alt take 3)", and "Chance It (alt take 4)". LP, Vinyl record album

Exact matches93
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✨✧ Miles DavisFilles De Kilimanjaro ... CD
Columbia, 1968. Used ... Out Of Stock
A dark blend of acoustic and electric modes from Miles Davis – a set that still has him working with elements of the classic 60s quintet, but which also brings in a stronger emphasis on electric piano too! The rhythms here are really fantastic – ready to burst forth into a whole new direction, yet still not hitting the Bitches Brew level of freedom – and drummer Tony Williams may well be the real star of the set for his tremendous work on the kit – even though, as stated, the album's got some heavy electric piano contributions both from Herbie Hancock and Chick Corea! All titles feature Miles on trumpet, Wayne Shorter on tenor, and Tony Williams on drums – and the titles with Herbie feature Ron Carter on bass, while the rest with Chick Corea feature Dave Holland. Titles include "Frelon Brun", "Tout De Suite", "Petits Machins", "Mademoiselle Mabry", and "Filles De Kilimanjaro". CD
(Columbia Jazz Masters pressing.)

Exact matches94
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✨✧ Miles DavisFilles De Kilimanjaro (bonus track) ... CD
Columbia, 1969. New Copy ... Out Of Stock
A dark blend of acoustic and electric modes from Miles Davis – a set that still has him working with elements of the classic 60s quintet, but which also brings in a stronger emphasis on electric piano too! The rhythms here are really fantastic – ready to burst forth into a whole new direction, yet still not hitting the Bitches Brew level of freedom – and drummer Tony Williams may well be the real star of the set for his tremendous work on the kit – even though, as stated, the album's got some heavy electric piano contributions both from Herbie Hancock and Chick Corea! All titles feature Miles on trumpet, Wayne Shorter on tenor, and Tony Williams on drums – and the titles with Herbie feature Ron Carter on bass, while the rest with Chick Corea feature Dave Holland. Titles include "Frelon Brun", "Tout De Suite", "Petits Machins", "Mademoiselle Mabry", and "Filles De Kilimanjaro". CD also features a bonus alternate take of "Tout De Suite". CD

Exact matches95
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✨✧ Miles DavisIn A Silent Way ... LP
Columbia, 1969. Very Good- ... Out Of Stock
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! LP, Vinyl record album
(360 Sound stereo pressing, matrix ending in 2B/1J. Vinyl has a number of light marks but cover is still in nice shape.)

Exact matches96
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✨✧ Miles DavisIn Person Saturday Night At The Blackhawk – Vol 2 ... CD
Columbia, 1961. Used ... Out Of Stock
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "Neo", "So What", "Fran Dance", and "Well You Needn't". CD
(Out of print Columbia Jazz Masterpiece pressing.)

Exact matches97
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✨✧ Miles DavisKind Of Blue (2CD Legacy Edition) ... CD
Columbia, 1959. Used 2 CDs ... Out Of Stock
The ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". This Legacy edition features 2CDs worth of music, with 21 tracks in all – a few short studio bits, plus alternate takes on "Flamenco Sketches" and "Fran Dance", a 17 minute version of "So What", and the key 1958 cuts "On Green Dolphin Street", "Fran Dance", "Stella By Starlight", and "Love For Sale". CD
(Includes slipcase.)
Also available Kind Of Blue (mono) ... LP 24.99

Exact matches98
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✨✧ Miles DavisLive At Berliner Jazztage – November 6, 1971 ... LP
Alternative Fox (UK), 1971. New Copy ... Out Of Stock
Very freewheeling live work from Miles Davis – captured here on a set of long tracks recorded in Berlin at the start of the 70s – all with an open vibe that maybe matches some of his famous concert dates from Japan! The overall sound is maybe a bit more spacious and slightly less noisy – and the group features Gary Bartz on alto, Keith Jarrett on electric piano and organ, Michael Henderson on bass, Ndugu Chancler on drums, and Don Alias and Mtume on percussion! There's no guitar in the group, which has the pulsing keyboards doing most of that work – and Gary Bartz is wonderful on his solos, playing with some of the rhythmic edge of his early 70s work on Milestone, and making a nice contrast to Miles. Titles include "Directions", "What I Say", "Honky Tonk", "Funky Tonk", "It's About That Time", and "Sanctuary". LP, Vinyl record album

Exact matches99
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✨✧ Miles DavisMiles Ahead ... LP
Columbia, 1957. Near Mint- ... Out Of Stock
A masterful meeting of two 50s modern jazz talents – the trumpet of Miles Davis balanced with the arrangements of Gil Evans – with results that have made the album one of Miles' greatest ever! The sound here is completely sublime – as Davis gets all chromatic and spooky over Evans' edgey arrangements – shimmering nicely in a perfect blend of modernism and lighter, more lyrical touches. The record's filled with loads of the kind of solos that Miles brought to his smaller group records – but they almost flower even more amazingly here in the larger setting. Titles include "Springsville", "Blues For Pablo", "New Rhumba", "Lament", and "Miles Ahead". This is the record that your dad bought to prove that he was cool – so buy it from us and keep up the family tradition! LP, Vinyl record album
(Columbia Jazz Masterpieces pressing in a blue border cover.)

Exact matches100
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✨✧ Miles DavisMiles In Tokyo ... LP
Columbia/Get On Down, 1964. New Copy Gatefold (reissue)... Out Of Stock
Miles Davis' first-ever performance in Japan – a really unique concert that featured the quintet with Herbie Hancock, Ron Carter, and Tony Williams – augmented by a young Sam Rivers on tenor! The presence of Rivers really gives the set an edge – and although Miles is holding Sam a bit more in check than on some of his "new thing" albums from the time, there's an overall quality here that's different than the other Davis quintet albums of the time. The set was one of a number of important Miles Davis live sessions from the period – including albums from Berlin, Antibes, and Chicago – and titles include "If I Were A Bell", "My Funny Valentine", "So What", "Walkin'" and "All Of You". LP, Vinyl record album
 
 
 



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