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Exact matches: 106
Exact matches1
CD, LP, Vinyl record album cover art
Miles Davis58 Sessions ... CD
Sony, 1958. Used ... $5.99
Some of the greatest Miles Davis material ever recorded – and not really ever officially issued as an album until this collection! The recordings are from the magical year of 1958, a time when Miles was working in the Kind Of Blue mode – on the album of the same name, one of his all-time standout classics. The work on this set is in a very similar spirit – recorded by a sextet that includes the rhythm section of Jimmy Cobb, Paul Chambers, and a young Bill Evans, who brings a magically modal feel to the album that really gives it an edge. Added to that are the saxophones of John Coltrane and Cannonball Adderley, blowing together in two ends of the soul spectrum, really stretching the color palette from Miles' usual work. Miles himself seems very inspired by the company, and works with plenty of space to allow the saxophonists to stretch out in wonderful solos – and Evans himself is simply amazing, working wonderfully in the setting, making us wish he'd recorded more group dates like this one! The first 3 tracks on the set were briefly issued on the flipside of the Jazz Track album (an obscure Columbia LP that also included 10 songs from the soundtrack to Ascenseur Pour L'Echafaud), and a few others on later live LPs – but this is the first time the material from that group has appeared together as a full album. Includes stellar versions of "Stella By Starlight", "Green Dolphin Street", "Fran Dance", "My Funny Valentine", "Oleo", and "Love For Sale". CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Miles DavisAmandla ... CD
Warner, 1989. Used ... Just Sold Out!
Titles include "Cobra", "Big Time", "Hannibal", "Jo Jo", "Amandla", "Jilli", and "Mr Pastorious". CD
(Out of print.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Miles DavisAscenseur Pour L'Echafaud (3 x 10 inch LP deluxe edition) ... LP
Fontana/Universal, 1958. New Copy 3 x 10 inch LP ... $43.99 48.99
One of our favorite-ever Miles Davis albums – and a groundbreaking soundtrack that forever changed the way that jazz music was used in film! According to legend, the sounds here were recorded by Miles on a hot Paris night – late in the studio, after a live performance – in a very intimate setting that had he and the combo creating these little poetic passages along with the action in the film! In addition to sublime and moody muted trumpet from Miles – the small group also features tremendous tenor work from the great Barney Wilen – a French modernist who's at the height of his powers – and beautiful bass from Pierre Michelot, whose rich tones really frame the whole proceedings. The rest of the group features bop pianist Rene Urtreger and American drummer Kenny Clarke – but the real charm comes from the interplay between Wilen, Davis, and Michelo. Titles include "Florence Sur Les Champs-Elysees", "L'Assassinat De Carla", "Diner Au Motel", "Evasion De Julien", "Nuit Sur Les Champs-Elysees", "Le Petit Bal", "Au Bar Du Petit Bac" and "Sur L'Autoroute". This amazing 3LP version features one never-issued track – "L'Interrogatoire De Julien" – plus 16 more tracks from the sessions for the recordings, and a booklet of notes! LP, Vinyl record album

Exact matches4
CD, LP, Vinyl record album cover art
Miles DavisBest Of Miles Davis (Columbia) ... CD
Columbia/Legacy, Late 50s/1960s. Used ... $1.99
Includes "Someday My Prince Will Come", "Round Midnight", "So What", "Seven Steps To Heaven", "I Loves You Porgy", "Milestones", "My Ship", "ESP", "Miles Runs The Voodoo Down", "Time After Time" and "In A Silent Way". CD
(Out of print, BMG music club pressing.)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Miles DavisBirth Of The Cool ... CD
Capitol, Late 40s/Early 50s. Used ... $2.99
Legendary early work from trumpeter Miles Davis – late 40s sessions for Capitol Records that are completely different than the bop material he was cutting with Charlie Parker and on his own! Instead, these sides have Miles working with a complex, more arranged style – built up with a young Gil Evans, in a mode that prefaces the later famous recordings the pair would make in the late 50s for Columbia. Here, the tracks are shorter, but beautifully blend bop ideas with fuller arrangements – and Davis blows alongside other key young modernists in a variety of larger groups – with work from Lee Konitz on alto, Gerry Mulligan on baritone sax, JJ Johnson and Kai Winding on trombones, Al Haig and John Lewis on piano, and Kenny Clarke and Max Roach on drums. Mulligan contributed plenty, too – his ideas on an overall sound definitely helped shape these sides – and the record's go on to legendary status – even though it's very different than most other Miles Davis from the time. Titles include "Godchild", "Jeru", "Move", "Venus De Milo", "Budo", and "Deception". CD
(Out of print.)

Exact matches6
CD, LP, Vinyl record album cover art
Miles DavisBitches Brew (Original Master Recording – Hybrid SACD pressing) ... CD
Columbia, 1969. Used 2CD Gatefold ... $44.99
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark by which so many other records would be judged (and fail) in years to come! The double-length set makes full use of all four sides of the record – expanding the flow (as well as the lineup) of the original Davis modal vision – and using all players to amazing effect, so much so that most players here turn out some of their best recorded work ever! The lineup is virtually a whose who for the sound of fusion in the 70s – including Wayne Shorter on soprano sax, Bennie Maupin on bass clarinet, Joe Zawinul and Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Lenny White and Jack DeJohnette on drums – plus Jumma Santos and Don Alias on added percussion. Titles include "Pharaoh's Dance", "Spanish Key", "Sanctuary", "Bitches Brew", "John McLaughlin", and "Miles Runs the Voodoo Down". CD
(Limited, numbered edition packaged in a cool LP-style gatefold sleeve.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Miles DavisBlack Beauty – Miles Davis At Fillmore West (180 gram pressing) ... LP
Sony/Music On Vinyl (UK), 1970. New Copy 2LP Gatefold (reissue)... $38.99 39.99
Four sides of noisy, funky, stretched-out playing from Miles Davis – recorded at the Fillmore West, but with an intensity that matches some of Miles' crazy electric recordings from Japan during the early 70s! The music is a powerful blast of music that stretches out over the double-length set of the package – with a style that moves from heavy-duty avant playing, then back to more mellow grooving, then kicks it out nice and hard again – a heavy dose of rock mixed in with the fusion, but still plenty jazzy throughout. In all, the record is probably one of the most heavy-duty that the Miles electric group recorded in the 70s – and the lineup on the set features Steve Grossman on saxes, Chick Corea on electric piano, Jack DeJohnette on drums, and Airto on percussion. Tracks include "Spanish Key", "Directions", "Masqualero", "It's About That Time", "I Fall In Love Too Easily", "Bitches Brew", "Willie Nelson", and "Sanctuary". LP, Vinyl record album

Exact matches8
CD, LP, Vinyl record album cover art
Miles DavisBlue Moods ... CD
Debut/OJC, 1955. Used ... $5.99
An odd little session for Miles Davis – playing here with a great group, but one that's made up of musicians who are all uncommon sidemen for him, even at this early point in his career! Britt Woodman (a nom-du-date?) is on trombone, and Charles Mingus and Elvin Jones are in the rhythm section – plus Teddy Charles' vibes where you might expect a piano. As you might guess from the title and instrumentation, the set has more to do with Miles' more contemplative explorations of the time – his "blue moods" – than his more upbeat boppish styles, but that's where Charles' vibes come in and really make the set a great one. The group runs through a nice set of laidback, cool renditions of the tunes "Nature Boy", "Alone Together", "There's No You" and "Easy Living" – all done in nice longer takes! CD

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Miles DavisComplete Birth Of The Cool ... LP
Capitol, Late 40s. New Copy 2LP Gatefold ... Just Sold Out!
Legendary early work from trumpeter Miles Davis – late 40s sessions for Capitol Records that are completely different than the bop material he was cutting with Charlie Parker and on his own! Instead, these sides have Miles working with a complex, more arranged style – built up with a young Gil Evans, in a mode that prefaces the later famous recordings the pair would make in the late 50s for Columbia. Here, the tracks are shorter, but beautifully blend bop ideas with fuller arrangements – and Davis blows alongside other key young modernists in a variety of larger groups – with work from Lee Konitz on alto, Gerry Mulligan on baritone sax, JJ Johnson and Kai Winding on trombones, Al Haig and John Lewis on piano, and Kenny Clarke and Max Roach on drums. Mulligan contributed plenty, too – his ideas on an overall sound definitely helped shape these sides – and the record's go on to legendary status – even though it's very different than most other Miles Davis from the time. Titles include "Godchild", "Jeru", "Move", "Venus De Milo", "Budo", and "Deception". This "complete" package follows up the core tracks with live material recorded at the Royal Roost, even before the original studio sessions – in a group that features Mike Zwerin on trombone with Konitz, Mulligan, Lewis, and Roach – plus a bit of vocals from Kenny Pacho Hagood. Titles include "Darn That Dream", "Moon Dreams", "S'Il Vou Plait", "Move", "Birth Of The Cool Theme", "Godchild", and "Budo". LP, Vinyl record album
(Live material on LP here for the first time ever!)

Exact matches10
CD, LP, Vinyl record album cover art
Miles DavisComplete Concert 1964 – My Funny Valentine/Four & More ... CD
Columbia, 1964. Used 2 CDs ... $4.99
One of those key cases where Miles Davis took a familiar song and made it his own! The set's a live one, and features a famous 15 minute version of "My Funny Valentine" – played by Davis in a spacious, open sort of way – and one that has key hints of the modernism to come in his music, yet still rings out with some of his more easygoing late 50s appeal. The group here features George Coleman on tenor alongside the rhythm section of Herbie Hancock piano, Ron Carter bass, and Tony Williams on drums – all three of whom help Davis edge into darker territory, even when things are ostensibly sweet! Apart from the version of "My Funny Valentine", other titles include "All Blues", "All Of You", "I Thought About You", and "Stella By Starlight". Four & More is breakneck live work from Miles Davis – and proof that his famous 60s quintet wasn't only just about mellow and spacious sounds! The set was recorded at the same concert as the album My Funny Valentine – and while that one's mostly ballads, this one's mostly high tempo numbers that skip along with incredible ease – crackling with modern touches on the rhythm from Herbie Hancock, Ron Carter, and Tony Williams – and featuring some really excellent work by George Coleman on tenor sax! Titles include "Four", "So What", "Joshua", and "Seven Steps To Heaven". CD
(Out of print.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Miles DavisDig ... LP
Prestige/OJC, 1951. New Copy (reissue)... $18.99 21.98
A key early appearance on record by Sonny Rollins – recorded here with Miles Davis and Jackie McLean in the landmark Dig session! The album's the stuff that 50s bop dreams are made of – a session that has up-and-coming modernists working in the new freedom of the long playing record, in a way that allows them to break past the shorter, more urgent sound of the 78rpm single! Rollins is young, but a surprisingly strong voice on the set – and Jackie McLean's alto is incredibly sharp at this point, with strong hints of the genius to come later in the decade. The rest of the lineup includes Walter Bishop on piano, Tommy Potter on bass, and Art Blakey on drums – and tracks include Miles' classic version of "It's Only A Paper Moon", plus "Denial", "Out Of The Blue", "Dig", and "Bluing". LP, Vinyl record album

Exact matches12
CD, LP, Vinyl record album cover art
Miles DavisESP ... CD
Columbia, 1965. New Copy ... $4.99 7.99
An album of dark and subtle beauty – and still one of our favorite Miles Davis albums of all time! The set's not as earth-shattering as some of Davis' other work of the 60s, but that's why we like it so much – because the emerging genius of the group with Wayne Shorter, Herbie Hancock, and Tony Williams is held in a really special place here – one that ruminates quietly on space and soul, while Davis majestically directs tones and colors that he'd never gotten in a small group format before! Titles include the amazing "Iris", one of Miles' most haunting themes – plus "Little One", "RJ", "ESP", "Mood", and "Agitation". CD

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Miles DavisFilles De Kilimanjaro (bonus track) ... CD
Columbia, 1969. New Copy ... $4.99 6.99
A dark blend of acoustic and electric modes from Miles Davis – a set that still has him working with elements of the classic 60s quintet, but which also brings in a stronger emphasis on electric piano too! The rhythms here are really fantastic – ready to burst forth into a whole new direction, yet still not hitting the Bitches Brew level of freedom – and drummer Tony Williams may well be the real star of the set for his tremendous work on the kit – even though, as stated, the album's got some heavy electric piano contributions both from Herbie Hancock and Chick Corea! All titles feature Miles on trumpet, Wayne Shorter on tenor, and Tony Williams on drums – and the titles with Herbie feature Ron Carter on bass, while the rest with Chick Corea feature Dave Holland. Titles include "Frelon Brun", "Tout De Suite", "Petits Machins", "Mademoiselle Mabry", and "Filles De Kilimanjaro". CD also features a bonus alternate take of "Tout De Suite". CD
Also available Filles De Kilimanjaro (with bonus track) ... CD 3.99

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Miles DavisFilles De Kilimanjaro (with bonus track) ... CD
Columbia, 1968. Used ... $3.99
A dark blend of acoustic and electric modes from Miles Davis – a set that still has him working with elements of the classic 60s quintet, but which also brings in a stronger emphasis on electric piano too! The rhythms here are really fantastic – ready to burst forth into a whole new direction, yet still not hitting the Bitches Brew level of freedom – and drummer Tony Williams may well be the real star of the set for his tremendous work on the kit – even though, as stated, the album's got some heavy electric piano contributions both from Herbie Hancock and Chick Corea! All titles feature Miles on trumpet, Wayne Shorter on tenor, and Tony Williams on drums – and the titles with Herbie feature Ron Carter on bass, while the rest with Chick Corea feature Dave Holland. Titles include "Frelon Brun", "Tout De Suite", "Petits Machins", "Mademoiselle Mabry", and "Filles De Kilimanjaro". CD includes bonus alternate take of "Tout De Suite". CD
(Punch through barcode.)
Also available Filles De Kilimanjaro (bonus track) ... CD 4.99

Exact matches15
CD, LP, Vinyl record album cover art
Miles DavisIn A Silent Way ... CD
Columbia, 1969. Used ... $4.99
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! CD
(Out of print.)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Miles DavisIn A Silent Way ... LP
Columbia, 1969. New Copy (reissue)... $27.99 29.98
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! LP, Vinyl record album

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Miles DavisJazz Track (mono) ... LP
Columbia, 1958. New Copy (reissue)... Just Sold Out!
Although not actually a proper album – this is still one of the greatest Miles Davis albums of all time! Side one features 10 tracks from Miles' amazing soundtrack to the film Ascenseur Pour L'Echafaud – with excellent work by French players Barney Wilen, Rene Urtreger, and Pierre Michelot, on haunting moody tracks like "Generique", "Lassassinat De Carala", "Au Bar Du Petit Bac", and "Dinner Au Motel". Great stuff – and with a wonderful sound that's like no other Miles album! Side 2 is equally great – as it features 3 classic sextet tunes – "On Green Dolphin Street", "Put Your Little Foot Right Out", and "Stella By Starlight" –peformed with Coltrane, Cannonball Adderley, and Bill Evans in that amazing Kind Of Blue mode of perfection. Truly one of our favorite albums of all time! LP, Vinyl record album

Exact matches18
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue (Gold CD) ... CD
Columbia, 1959. Used ... $18.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
(Out of print.)
Also available
Kind Of Blue (mono) (180 gram pressing) ... LP 24.99
Kind Of Blue (stereo) (180 gram vinyl) ... LP 24.99

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue (mono) (180 gram pressing) ... LP
Columbia, 1959. New Copy (reissue)... $24.99 25.98
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(180 gram vinyl pressing!)
Also available
Kind Of Blue (Gold CD) ... CD 18.99
Kind Of Blue (stereo) (180 gram vinyl) ... LP 24.99

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue (stereo) (180 gram vinyl) ... LP
Columbia, 1959. New Copy (reissue)... $24.99 25.98
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
Also available
Kind Of Blue (Gold CD) ... CD 18.99
Kind Of Blue (mono) (180 gram pressing) ... LP 24.99

Exact matches21
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis All Star Sextet/Quintet (aka Miles Davis & Milt Jackson Quintet/Sextet) (Japanese paper sleeve edition) ... CD
Prestige (Japan), 1955. Used ... $24.99
One of the nicest moments from Milt Jackson in the 50s – an open-ended blowing session cut with Miles Davis, in a mode that's even better than Jackson's work for Savoy at the time! The style is very much in the key Davis mode on Prestige – with Jackie McLean in the group on alto sax, Ray Bryant on piano, Percy Heath on bass, and Art Taylor on drums. But the presence of Jackson's vibes bring out some new tones and chromes from Miles' horn – in a way that's subtle, but magical – unfolding nicely over the course of the album's 4 extended tracks! Titles include "Dr Jackle", "Bitty Ditty", "Changes", and "Minor March". CD
(Out of print. Includes obi, and still sealed.)

Exact matches22
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis Live In Tokyo 1973 ... LP
Hi Hat, 1973. New Copy 2LP ... About February 19, 2021
... LP, Vinyl record album

Exact matches23
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis Plays Classic Ballads ... CD
CBS, 1990. Used ... $0.99
Tracks include "Bye Bye Blackbird", "Old Folks", "Circle", "Stella By Starlight", "I Thought About You", "Fall", "All Of You", and "Blue In Green". CD
(Out of print.)

Exact matches24
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis Vol 2 (RVG remaster edition) ... CD
Blue Note, 1953. Used ... $4.99
Brilliant early work from Miles – recorded for Blue Note in 1953, featuring a sextet that includes JJ Johnson, Jimmy Heath, Gil Coggins, and Art Blakey. The tracks are short, but show Davis' increasing commitment to pushing the bop envelope – working modern and lyrical ideas into a space in which other players would have just been trying to keep up! The set features great remastering – and a total of 11 tracks in all, masters and alternates, with titles that include "Kelo", "Tempus Fugit", "Enigma", "Ray's Idea", and "CTA". CD
(Mark through barcode, disc has a promo stamp.)

Exact matches25
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles In The Sky (plus bonus tracks) ... CD
Columbia, 1968. New Copy ... $4.99 6.99
Miles Davis makes the electric transition – in this groundbreaking set from the late 60s! The classic mid 60s quintet is still in place here – Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums – but the sound is looser, freer, and more spacious – often echoing some of the rhythmic concerns that would dominate Miles' music in a few more years, but without as much of a bombastic sound. Williams' drums are amazing – fierce one minute, then fading the next – and Herbie Hancock's use of both electric and acoustic piano really points at his own directions in coming years. George Benson plays one one track – "Paraphernalia" – introducing electric guitar to the Miles Davis sound – and other long tracks on the set include "Stuff", "Black Comedy", and "Country Son". CD features 2 bonus alternate takes of "Black Comedy" and "Country Son". CD

Exact matches26
CD, LP, Vinyl record album cover art
Miles DavisMiles Smiles ... CD
Columbia, 1966. Used ... $2.99
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". CD
(BMG music club pressing.)

Exact matches27
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Smiles (Japanese paper sleeve edition) ... CD
Sony (Japan), 1966. Used ... Just Sold Out!
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". CD
(Out of print, 1996 Master Sound pressing – includes obi.)
Also available Miles Smiles ... CD 2.99

Exact matches28
CD, LP, Vinyl record album cover art
Miles DavisMiles Smiles (Original Master Recording) ... CD
Mobile Fidelity/Columbia, 1966. Used Gatefold ... $28.99
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". CD
(Limited numbered hybrid SACD edition.)

Exact matches29
CD, LP, Vinyl record album cover art
Miles DavisMilestones ... CD
Sony, 1958. Used ... $3.99
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD
(Out of print.)

Exact matches30
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMilestones (180 gram vinyl – mono edition) ... LP
Columbia, 1958. New Copy ... $22.99 24.98
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". LP, Vinyl record album

Exact matches31
CD, LP, Vinyl record album cover art
Miles DavisMilestones (plus bonus tracks) ... CD
Columbia, 1958. New Copy ... $4.99 7.99
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD also features 3 bonus tracks – alternate takes of "Milestones", "Straight No Chaser", and "Two Bass Hit". CD

Exact matches32
CD, LP, Vinyl record album cover art
✨✧ Miles DavisOn The Corner ... CD
Columbia, 1972. New Copy ... Just Sold Out!
A sublime bit of Miles Davis electric funk – one of the best-remembered electric sets from the 70s, and for good reason too! The tracks are long, the jams are hard, and the whole thing has a lot more funk than some of the noise you'd get on other Miles albums of the time – thanks to killer keyboards from Herbie Hancock and Chick Corea, guitar from John McLaughlin, and reeds from Dave Liebman – plus some standout drums from the legendary Jack DeJohnette – easily at the top of his powers here. These top-shelf players jam together beautifully – really cooking on the album's long tracks – "On The Corner" and "Helen Butte/Mr Freedom X" – and tightening up on the slightly shorter cuts "Black Satin" and "One & One". CD

Exact matches33
CD, LP, Vinyl record album cover art
Miles DavisOn The Corner (180 gram pressing) ... LP
Columbia, 1972. New Copy (reissue)... Just Sold Out!
A sublime bit of Miles Davis electric funk – one of the best-remembered electric sets from the 70s, and for good reason too! The tracks are long, the jams are hard, and the whole thing has a lot more funk than some of the noise you'd get on other Miles albums of the time – thanks to killer keyboards from Herbie Hancock and Chick Corea, guitar from John McLaughlin, and reeds from Dave Liebman – plus some standout drums from the legendary Jack DeJohnette – easily at the top of his powers here. These top-shelf players jam together beautifully – really cooking on the album's long tracks – "On The Corner" and "Helen Butte/Mr Freedom X" – and tightening up on the slightly shorter cuts "Black Satin" and "One & One". LP, Vinyl record album
Also available On The Corner ... CD

Exact matches34
CD, LP, Vinyl record album cover art
Miles DavisOriginal Jazz Classics Collection ... CD
Fantasy/OJC, Used ... $2.99
Includes "There Is No Greater Love", "If I Were A Bell", "The Man I Love (take 2)", "Love Me Or Leave Me", and "Salt Peanuts". CD

Exact matches35
CD, LP, Vinyl record album cover art
✨✧ Miles DavisPanthalassa – Music Of Miles Davis 1969 to 1974 – Reconstruction & Mix Translation By Bill Laswell ... CD
Columbia, 1998. Used ... $5.99
"In A Silent Way /Shhh Peaceful/It's About That Time" (15:20), "Black Satin/What If/Agharta Prelude Dub" (16:06), "Rated X/Billy Preston" (14:34), and "He Loved Him Madly" (13:38). CD
(Out of print, punch through barcode.)

Exact matches36
CD, LP, Vinyl record album cover art
Miles DavisPoetics Of Sound – Miles Davis 1954 to 1959 ... CD
Heart Music, 1950s. Used ... $3.99
10 essential recording from his groundbreaking period between 1954 & 1959. CD
(Out of print.)

Exact matches37
CD, LP, Vinyl record album cover art
Miles DavisPorgy & Bess (Original Master Recording) ... CD
Columbia/Mobile Fidelity, 1958. Used Gatefold ... $22.99
Way more than just a simple version of work from Porgy & Bess – and instead, a key collaboration between Miles Davis and Gil Evans – done with a sound that really transforms the tunes! True, the work here is all based on George Gershwin's original compositions – but through his inventively modern arrangements, Gil Evans really pushes the familiar numbers to a whole new place – and Miles glides over the top with some especially shimmering solos! Titles include "Summertime", "The Buzzard Song", "I Loves You, Porgy", and "Fishermen, Strawberry, & Devil Crab". CD
(Limited numbered hybrid SACD edition.)

Exact matches38
CD, LP, Vinyl record album cover art
✨✧ Miles DavisRelaxin' With The Miles Davis Quintet ... LP
Prestige/OJC, 1956. New Copy (reissue)... $18.99 21.98
One of the classic early Miles Davis & John Coltrane sessions for Prestige – a well-crafted quintet album that shows Miles finding a stronger voice than ever, and Coltrane beginning to emerge as a key force on his own! Backing is subtle and soulful – handled by the trio of Red Garland, Paul Chambers, and Philly Joe Jones – and although the tracks are mostly ballads and standards, they're all nicely given the Davis treatment on the set, turned into beautiful new vehicles for jazz imagination and improvisation! Titles include "If I Were A Bell", "I Could Write A Book", "Oleo", and "Woody'n You". LP, Vinyl record album

Exact matches39
CD, LP, Vinyl record album cover art
✨✧ Miles DavisRound About Midnight (180 gram vinyl – mono edition) ... LP
Columbia, 1956. New Copy (reissue)... $24.99 25.98
Thelonious Monk may have written the title tune, but Miles Davis makes it all his own here – blowing with a subtle moody magic that makes the album one of his true treasures from the early Columbia Records years! John Coltrane's along on tenor sax – helping Davis expand the sound the pair first forged on Prestige – and also present is the rhythm trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – impeccably recorded here with a wonderful sense of space, and almost a bridge between older Miles modes, and the genius to come. Titles include Miles seminal take on "Round Midnight", plus "Tadd's Delight", "Dear Old Stockholm", "Bye Bye Blackbird", and "A Leu Cha". LP, Vinyl record album

Exact matches40
CD, LP, Vinyl record album cover art
Miles DavisRubberband ... CD
Rhino, 1986. New Copy ... $15.99 16.98
Great lost work from Miles Davis – early material recorded for Warner Brothers in the mid 80s, and never released at the time – now finally uncovered from the vaults, and presented with a few slight contemporary touches! The core music is prime electric Miles funk all the way through – a great first step into the territory that he'd explore at Warner in his final years, but also with some traces of the Columbia records from the few years before – strong trumpet solos amidst bold rhythms – given new life here from instrumentalists Randy Hall and Attala Zane Giles. The music has been updated from the original tapes – with a richer sound, and a vibe that sounds less dated – and vocals have been added in a few spots, including great work from Ledisi and Lalah Hathaway. Titles include "Rubberband Of Life", "Echoes In Time/The Wrinkle", "See I See", "I Love What We Make Together", "So Emotional", "Paradise", "Maze", and "Give It Up". CD
Also available Rubberband ... LP 28.99

Exact matches41
CD, LP, Vinyl record album cover art
Miles DavisRubberband ... LP
Rhino, 1986. New Copy 2LP ... $28.99 31.98
Great lost work from Miles Davis – early material recorded for Warner Brothers in the mid 80s, and never released at the time – now finally uncovered from the vaults, and presented with a few slight contemporary touches! The core music is prime electric Miles funk all the way through – a great first step into the territory that he'd explore at Warner in his final years, but also with some traces of the Columbia records from the few years before – strong trumpet solos amidst bold rhythms – given new life here from instrumentalists Randy Hall and Attala Zane Giles. The music has been updated from the original tapes – with a richer sound, and a vibe that sounds less dated – and vocals have been added in a few spots, including great work from Ledisi and Lalah Hathaway. Titles include "Rubberband Of Life", "Echoes In Time/The Wrinkle", "See I See", "I Love What We Make Together", "So Emotional", "Paradise", "Maze", and "Give It Up". LP, Vinyl record album
Also available Rubberband ... CD 15.99

Exact matches42
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSketches Of Spain (180 gram vinyl mono edition) ... LP
Columbia, 1960. New Copy (reissue)... Just Sold Out!
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an important distinction to the way the album progresses.) Evans' arrangements have a majesty that takes the songs to the next level – working them as lush, lively backings for Davis' equally majestic trumpet solos, some of the finest he ever recorded with large group backing. Wonderful all the way through – and with the tracks "Concierto De Aranjuez", "Saeta", "The Pan Piper", and "Solea". LP, Vinyl record album
(Special mono version – pressed up on 180 gram vinyl!)
Also available Sketches Of Spain (with bonus tracks) ... CD 2.99

Exact matches43
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSketches Of Spain (with bonus tracks) ... CD
Columbia, 1960. Used ... $2.99
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an important distinction to the way the album progresses.) Evans' arrangements have a majesty that takes the songs to the next level – working them as lush, lively backings for Davis' equally majestic trumpet solos, some of the finest he ever recorded with large group backing. Wonderful all the way through – and with the tracks "Concierto De Aranjuez", "Saeta", "The Pan Piper", and "Solea". CD

Exact matches44
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSteamin' With The Miles Davis Quintet ... LP
Prestige, 1956. New Copy (reissue)... $18.99 21.98
An early pairing of Miles Davis & John Coltrane – one of the duo's mid 50s classics for Prestige, as you might guess from the verb in the title! And although "Steamin" might be a word that's a bit too firey to describe the action going on here, the album's got a tremendous sense of presence throughout – as Davis' cooler trumpet is matched with Trane's earthier solo work – all supported by Red Garland trio backing in a style that's as near-classic as it comes for 50s jazz. Titles include "Diane", "Something I Dreamed Last Night", "When I Fall In Love", and "Salt Peanuts". LP, Vinyl record album

Exact matches45
CD, LP, Vinyl record album cover art
✨✧ Miles DavisTutu ... CD
Warner, 1986. Used ... Just Sold Out!
A nice collaboration between Miles and Marcus Miller from the latter part of Miles career. As much of the recording here is overdubbed, with many multiple instruments played by Miller, it doesn't have the improvised vibe of Miles' classic performances, but the songwriting and arrangements are head and shoulders above much of the contemporary jazz being recorded at the time, Miles is in great form, and the glossy production sits better with us now than ever before. Paulinho DaCosta, George Duke, Michael Urbaniak and Bernard Wright all make guest appearances. 8 tracks in all: "Tutu", "Tomaas", "Portia", "Splatch", "Backyard Ritual", "Perfect Way", Don't Lose Your Mind" and "Full Nelson". CD
(Out of print, BMG music club pressing.)

Exact matches46
CD, LP, Vinyl record album cover art
✨✧ Miles DavisWhen Lights Are Low/Miles Ahead ... 78 RPM
Prestige, 1955. Poor ... $8.99
With John Lewis, Percy Heath and Max Roach. 78 RPM, Vinyl record

Exact matches47
CD, LP, Vinyl record album cover art
✨✧ Miles DavisWorkin' With The Miles Davis Quintet ... LP
Prestige/OJC, 1956. New Copy (reissue)... Just Sold Out!
One of the four essential quintet sides Miles Davis cut for Prestige in the mid 50s – all modern jazz classics by anyone's measure, along with Steamin', Relaxin' and Cookin'. These quintet sides established Davis and John Coltrane as a significant force to be reckoned with, and helped set the tone for much of the small group and post bop jazz cut in that era. Red Garland, Paul Chambers and Philly Joe Jones lay a smooth swinging pulse for Miles and Trane to blow over on the set – and titles include "It Never Entered My Mind", "Four", "In Your Own Sweet Way", "The Theme (takes 1 & 2)", "Trane's Blues", "Ahmad's Blues" and "Half Nelson". LP, Vinyl record album

Exact matches48
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Miles DavisYou're Under Arrest (Japanese paper sleeve edition) ... CD
Columbia (Japan), 1984. Used Gatefold ... $6.99
Sweeter studio Miles Davis from the 80s – a record that takes the 70s electric experiments and fuses them into a sound that's got a lot more R&B influence than before! The style is a bit poppy at times, but never in a way that's too slick – and often, Davis is using his muted trumpet to state lines boldly in ways that still have a greater sense of depth and craft than most of his contemporaries. A few tracks show some of the gritty New York rock/funk trend of the time, while others are lighter and more lyrical – and titles include covers of "Time After Time" and "Human Nature" – Miles' attempt to find standards in contemporary pop – plus the tracks "Katia", "You're Under Arrest", "Ms Morrisine", and "One Phone Call/Street Scenes". CD

Exact matches49
CD, LP, Vinyl record album cover art
Miles Davis & Gil EvansComplete Columbia Studio Recordings – Miles Davis & Gil Evans (6CD box set) ... CD
Columbia, Late 50s. Used 6 CDs & Book ... $39.99
Heavenly sounds from these two musical masters – all their classic albums, and lots of bonus material too! CD
(Out of print original pressing with textured box & engraved, golden metal hinge.)

Exact matches50
CD, LP, Vinyl record album cover art
Miles Davis & John ColtraneComplete Columbia Recordings 1955 to 1961 – Miles Davis & John Coltrane (6CD longbox set) ... CD
Columbia/Legacy, Late 50s/Early 60s. Used 6 CDs ... $44.99
Loads of material from this famous pair – issued on albums that include Jazz Track, Round Midnight, Milestones, Kind Of Blue, Someday My Prince Will Come, Miles & Monk At Newport – and lots of other obscure compilation tracks and unissued numbers! CD
(Out of print, small cutout mark through barcode.)

Exact matches51
CD, LP, Vinyl record album cover art
Miles Davis & John ColtraneFinal Tour – Bootleg Series 6 (4CD set) ... CD
Columbia, 1960. New Copy 4CD ... $43.99 49.98
A fantastic presentation of legendary live material from the team of Miles Davis and John Coltrane – taken from the last concert tour the pair ever did together, and presented here with beautifully stunning sound! The European dates in 1960 were all part of a larger Jazz At The Philharmonic tour – which meant that Norman Granz was on hand to do a great job of capturing the material, which is then given extra-special treatment here for the reissue! Some of these sides have been issued on dodgy overseas collections over the years, but this is the first time all this material has been presented together, and so well – a tremendous illustration of the long solo genius of both Davis and Coltrane, with support from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums. All tracks are very long – and the set features 8 tracks from the Paris concert on March 21, 5 tracks from the Copenhagen concert on March 24, and 9 from the Stockholm concert on March 22. There's also an interview with Coltrane, conducted during the tour – and titles include "Round Midnight", "On Green Dolphin Street", "All Of You", "So What", "Fran Dance", "Walkin", "All Blues", "Bye Bye Blackbird", and "Oleo". CD

Exact matches52
CD, LP, Vinyl record album cover art
Miles Davis & John ColtraneMiles & Coltrane ... CD
Columbia, Late 50s. Used ... $2.99
A strong collection of sides that Miles recorded for Columbia during the late 50s – most featuring a group that included John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb, caught live at the Newport Jazz fest in 1958, playing the tunes "Ah-leu-cha", "Straight No Chaser", "Fran-Dance (Put Your Little Foot Right Out)", "Two Bass Hit", and "Bye Bye Blackbird". The remaining 2 tracks – "Little Melonae" and "Budo" – are from a 1955 set that includes Coltrane, plus the rhythm trio led by Red Garland and featuring Paul Chambers & Philly Joe Jones. CD
(Out of print.)

Exact matches53
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✨✧ Miles Davis & Quincy JonesMiles & Quincy – Live At Montreux ... CD
Warner, 1991. Used ... Just Sold Out!
With Kenny Garrett on alto sax, Gil Evans And His Orchestra, and the George Gruntz Concert Jazz Band. CD
(Out of print, punch through barcode & booklet.)

Exact matches54
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Miles Davis with John Coltrane & Sonny StittIn Stockholm 1960 Complete (4CD set) ... CD
Dragon (Sweden), 1960. New Copy 4CD ... On February 5, 2021
The complete recordings of a legendary live cycle of shows in Stockholm from 1960 – material that was previously issued on two different 2LP sets during the album era, now brought together here with bonus tracks too! The first third of the set features incredible work from the team of Miles Davis and John Coltrane – working together in space that's very open, and far more exploratory than their studio work of the late 50s – maybe at a level that really shows the impact that Coltrane's growth was having on the solo approach of Davis! The key rhythm trio keeps things swinging – Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – which almost seems to allow the horn players even more freedom. The second two thirds of the set are equally striking, but in a very different way – as they feature the great Sonny Stitt, blowing both alto and tenor with Miles' group – a choice that's maybe a bit surprising, but equally wonderful too – a Stitt brings the sound maybe back to a bop core, but also seems to really get a chance to show off some of those modern currents that he had to soft-pedal on his albums for Roost. Titles with Coltrane include "So What", "On Green Dolphin Street", "All Blues/Theme", "Walkin/Theme", and "Fran Dance" – and titles with Stitt include "Autumn Leaves/Theme", "Walkin", "All Of You", "June Night", "Stardust", "Lover Man", "If I Were A Bell", "No Blues/Theme", "Softly As In A Mornin Sunrise", and "So What". CD

Exact matches55
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✨✧ Miles Davis with Sonny StittLive In Paris – 1960 ... LP
Fremeaux & Associates/Return To Analog (Canada), 1960. New Copy 2LP ... $24.99
Rare work from a sometimes-overlooked chapter in the career of Miles Davis – a time when Sonny Stitt was briefly filling the tenor sax role that was more famously held by John Coltrane and Wayne Shorter! Stitt in any group is always a treat – and here, working with Miles, he turns in some of his most far-reaching solos of the period – very different than the shorter, more economical work of his studio albums – and even different than some of his longer-form material on Prestige to come! Stitt really rises to meet Miles in spirit – maybe in part because of the rest of the group features the famous rhythm trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – moving hard and with a great sense of modal energy, on titles that include "Four", "All Of You", "No Blues", "Two Bass Hit", "Walkin", "Autumn Leaves", "So What", "If I Were A Bell", and "Round Midnight". LP, Vinyl record album
(Limited, numbered pressing of 1000 copies!)

Exact matches56
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Miles Davis/Stan GetzTune Up ... CD
Prestige/Natasha, 1956/1961. Used ... $8.99
7 tracks in all, 4 tracks by Davis including "Tune Up", "How High The Moon", "Lester Leaps In", "What's New", and 3 by Getz "Baubles, Bangles, & Beads", "Where Do You Go", and "Airegin". CD
(Out of print.)

Exact matches57
CD, LP, Vinyl record album cover art
✨✧ Miles DavisBest Of Miles Davis – The Capitol & Blue Note Years ... CD
Blue Note, Late 40s/Early 50s. Used ... Temporarily Out Of Stock
Includes "Move", "Godchild", "Budo", "Dear Old Stockholm", "Donna", "Yesterdays", "Tempus Fugit", "Enigma", "CTA", "Well You Needn't", "It Never Entered My Mind", "Weirdo", "Somethin Else" and "Autumn Leaves". CD

Exact matches58
CD, LP, Vinyl record album cover art
✨✧ Miles DavisBitches Brew ... LP
Columbia, 1969. Near Mint- 2LP Gatefold ... Temporarily Out Of Stock
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark by which so many other records would be judged (and fail) in years to come! The double-length set makes full use of all four sides of the record – expanding the flow (as well as the lineup) of the original Davis modal vision – and using all players to amazing effect, so much so that most players here turn out some of their best recorded work ever! The lineup is virtually a whose who for the sound of fusion in the 70s – including Wayne Shorter on soprano sax, Bennie Maupin on bass clarinet, Joe Zawinul and Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Lenny White and Jack DeJohnette on drums – plus Jumma Santos and Don Alias on added percussion. Titles include "Pharaoh's Dance", "Spanish Key", "Sanctuary", "Bitches Brew", "John McLaughlin", and "Miles Runs the Voodoo Down". LP, Vinyl record album
(Recent 180 gram EU Legacy pressing.)

Exact matches59
CD, LP, Vinyl record album cover art
✨✧ Miles DavisBitches Brew ... LP
Columbia, 1969. New Copy 2LP Gatefold (reissue)... Temporarily Out Of Stock
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark by which so many other records would be judged (and fail) in years to come! The double-length set makes full use of all four sides of the record – expanding the flow (as well as the lineup) of the original Davis modal vision – and using all players to amazing effect, so much so that most players here turn out some of their best recorded work ever! The lineup is virtually a whose who for the sound of fusion in the 70s – including Wayne Shorter on soprano sax, Bennie Maupin on bass clarinet, Joe Zawinul and Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Lenny White and Jack DeJohnette on drums – plus Jumma Santos and Don Alias on added percussion. Titles include "Pharaoh's Dance", "Spanish Key", "Sanctuary", "Bitches Brew", "John McLaughlin", and "Miles Runs the Voodoo Down". LP, Vinyl record album

Exact matches60
CD, LP, Vinyl record album cover art
✨✧ Miles DavisBitches Brew (with bonus track) ... CD
Columbia, 1969. Used 2 CDs ... Temporarily Out Of Stock
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark by which so many other records would be judged (and fail) in years to come! The double-length set makes full use of all four sides of the record – expanding the flow (as well as the lineup) of the original Davis modal vision – and using all players to amazing effect, so much so that most players here turn out some of their best recorded work ever! The lineup is virtually a whose who for the sound of fusion in the 70s – including Wayne Shorter on soprano sax, Bennie Maupin on bass clarinet, Joe Zawinul and Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Lenny White and Jack DeJohnette on drums – plus Jumma Santos and Don Alias on added percussion. Titles include "Pharaoh's Dance", "Spanish Key", "Sanctuary", "Bitches Brew", "John McLaughlin", and "Miles Runs the Voodoo Down". CD features one bonus track – "Feio" – nearly 12 more minutes of electric goodness! CD
(Barcode has a promo sticker.)

Exact matches61
CD, LP, Vinyl record album cover art
✨✧ Miles DavisCellar Door Sessions 1970 (6CD set) ... CD
Columbia, 1970. Used 6 CDs ... Temporarily Out Of Stock
A long-awaited addition to the Miles Davis electric catalog – and a package that features over 4 hours of newly-discovered music! The 6CD set documents 4 nights of performance by Miles at the Cellar Door in Washington DC – recorded in December of 1970, and featuring a mindblowing group that includes Gary Bartz on soprano and alto sax, Keith Jarrett on Fender Rhodes and organ, Airto on percussion, Michael Henderson on bass, Jack DeJohnette on drums, and a bit of guitar from John McLaughlin on the last 2 CDs. There's a really hard and heavy feel here that's steeped in rock and soul influences – and the package is even more amazing, considering how little work has been offered from this unique point in Davis' career. Presentation of the material is in the same high standards as other Miles Davis boxes on Sony – with a 96 page book with notes and reflections by each band member, and a whopping 6 CDs of music, featuring mostly really long takes on the tunes! Titles include "Directions", "What'd I Say", "Honky Tonk", "Sanctuary", "Improvisation #3", "Inamorata", "It's About That Time", and "Yesternow". CD
(Out of print. Slipcase has some light wear, but the rest of the set is in great shape.)

Exact matches62
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✨✧ Miles DavisComplete In A Silent Way Sessions (3 CD longbox set) ... CD
Sony, 1971. Used 3CD + Book ... Temporarily Out Of Stock
An expanded take on the album that gave the world the start of the electric Miles Davis generation – with a lineup that includes Herbie Hancock, Joe Zawinul, and Chick Corea on keyboards – with Joh McLaughtlin on guitar, Dave Holland on bass, Tony Williams and Jack Dejohnette on drums, and Wayne Shorter on tenor and soprano sax. Loads of long tracks, non-album material, and alternates. CD
(Out of print.)

Exact matches63
CD, LP, Vinyl record album cover art
✨✧ Miles DavisDark Magus (180 gram pressing) ... LP
Columbia/4 Men With Beards, 1974. New Copy 2LP Gatefold ... Temporarily Out Of Stock
Some of Miles noisiest, freest playing from the 70s – recorded live at Carnegie Hall in 1974, and originally issued only in Japan – most likely because the album was so darn noisy, Columbia was scared to release it to the American market! As with other Davis gems from this time, the group is as adventurous as Miles himself – a really great lineup with Dave Liebman and Azar Lawrence on reeds, plus rhythm from Michael Henderson on bass, Al Foster on drums, and Mtume on percussion – all matched by three searing electric guitarists – Reggie Lucas, Pete Cosey, and Dominique Gaumont – who duel back and forth in monster solos that run all over the place during the set! Titles include "Moja", "Wili", "Tatu", and "Nine". LP, Vinyl record album

Exact matches64
CD, LP, Vinyl record album cover art
✨✧ Miles DavisDig ... CD
Prestige/OJC, 1951. Used ... Temporarily Out Of Stock
A key early appearance on record by Sonny Rollins – recorded here with Miles Davis and Jackie McLean in the landmark Dig session! The album's the stuff that 50s bop dreams are made of – a session that has up-and-coming modernists working in the new freedom of the long playing record, in a way that allows them to break past the shorter, more urgent sound of the 78rpm single! Rollins is young, but a surprisingly strong voice on the set – and Jackie McLean's alto is incredibly sharp at this point, with strong hints of the genius to come later in the decade. The rest of the lineup includes Walter Bishop on piano, Tommy Potter on bass, and Art Blakey on drums – and tracks include Miles' classic version of "It's Only A Paper Moon", plus "Denial", "Out Of The Blue", "Dig", and "Bluing". CD
Also available Dig ... LP 18.99

Exact matches65
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✨✧ Miles DavisDig ... LP
Prestige, 1951. Near Mint- ... Temporarily Out Of Stock
A key early appearance on record by Sonny Rollins – recorded here with Miles Davis and Jackie McLean in the landmark Dig session! The album's the stuff that 50s bop dreams are made of – a session that has up-and-coming modernists working in the new freedom of the long playing record, in a way that allows them to break past the shorter, more urgent sound of the 78rpm single! Rollins is young, but a surprisingly strong voice on the set – and Jackie McLean's alto is incredibly sharp at this point, with strong hints of the genius to come later in the decade. The rest of the lineup includes Walter Bishop on piano, Tommy Potter on bass, and Art Blakey on drums – and tracks include Miles' classic version of "It's Only A Paper Moon", plus "Denial", "Out Of The Blue", "Dig", and "Bluing". LP, Vinyl record album
(70s Japanese Victor pressing, SMJ-6525-M, in a grey toned cover with red lettering. Includes the insert.)
Also available Dig ... LP 18.99

Exact matches66
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue ... LP
Columbia, 1959. Very Good+ ... Temporarily Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(Stereo 6 eye pressing, with deep groove, matrix ending 1AG/1AJ. NOTE: Vinyl is early issue, but is packaged in a later reissue cover.)
Also available
Kind Of Blue (Gold CD) ... CD 18.99
Kind Of Blue (mono) (180 gram pressing) ... LP 24.99
Kind Of Blue (stereo) (180 gram vinyl) ... LP 24.99

Exact matches67
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue (with bonus track) ... CD
Columbia, 1959. Used ... Temporarily Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
(Barcode has a cutout hole.)
Also available
Kind Of Blue (Gold CD) ... CD 18.99
Kind Of Blue (mono) (180 gram pressing) ... LP 24.99
Kind Of Blue (stereo) (180 gram vinyl) ... LP 24.99

Exact matches68
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis (Japanese promo) ... LP
CBS/Sony (Japan), Late 50s/1960s/Early 70s. Near Mint- ... Temporarily Out Of Stock
A unique set of Miles Davis tracks from the Columbia catalog – presented here in short edits that appear only on this Japanese promotional album – 20 tracks from the late 50s to the early 70s, put together to promote the catalog! LP, Vinyl record album
(Includes insert too.)

Exact matches69
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis In Concert ... LP
Columbia, 1973. Very Good 2LP Gatefold ... Temporarily Out Of Stock
Massive double-length Miles from the early 70s – some of his most inventive long form work of the time, and some of his funkiest too! The album stretches out with almost an improvised jamming sort of quality – tunes that begin sparely, then have the musicians stepping in as the groove builds up – an odd amalgam of electric sounds on sitar, keyboards, and guitar – mixed with earthier percussion and some great trumpet and sax – working at a level that has the edge of the Japanese recordings, but a lot less noise overall. Players include Carlos Garnett on tenor and soprano sax, Reggie Lucas on guitar, Khalil Balakrishna on electric sitar, Cedric Lawson on keyboards, Al Foster on drums, Badal Roy on tabla, and Mtume on percussion. Titles include the "Foot Fooler" tracks "Rated X", "Honky Tonk", "Theme From Jack Johnson", and "Black Satin/The Theme" – and the "Slickaphonics" tracks "Ife" and "Right Off/The Theme". LP, Vinyl record album
(Cover has ringwear with waviness, moisture stains and a sticker along the top seams.)

Exact matches70
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis Vol 2 (Blue Note 1502) ... LP
Blue Note, Early 50s. Very Good+ ... Temporarily Out Of Stock
Volume 2 of a pair of LPs that brought together Miles Davis' early recordings for Blue Note – some excellent sessions recorded in 1952, 1953, and 1954, featuring Miles' young trumpet blowing in a wonderful mix of cool, bop, lyrical, and modern jazz. The style's a bit rougher than later years, but in a good way – one that shows that Miles' ideas were not accidents, or studio magic, but the brilliant expressions of a musician who was years ahead of his time. Titles include "Weirdo", "Take Off", "Ray's Idea", "Tempus Fugit (alt)", "The Leap", and "Wouldn'You". LP, Vinyl record album
(70s white b label pressing. Cover has a very small cut corner.)

Exact matches71
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Smiles (180 gram pressing) ... LP
Columbia, 1966. New Copy (reissue)... Temporarily Out Of Stock
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". LP, Vinyl record album
Also available Miles Smiles ... CD 2.99

Exact matches72
CD, LP, Vinyl record album cover art
✨✧ Miles DavisNo Blues ... CD
JMY (Italy), 1967. Used ... Temporarily Out Of Stock
With Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams, recorded in Paris, France, November 6, 1967. 8 tracks: "'Round About Midnight", "No Blues", "Mascalero", "I Fall In Love Too Easily", 'Riot", "Walkin'", "Green Dolphin Street" and "The Theme". CD
(Out of print.)

Exact matches73
CD, LP, Vinyl record album cover art
✨✧ Miles DavisPangaea (Japanese paper sleeve edition) ... CD
Columbia (Japan), 1975. Used 2CD Gatefold ... Temporarily Out Of Stock
Japanese electric Miles, featuring 2 long tracks – "Zimbabwe" and "Gondwana" – spread out over the course of a sweet double live set! The album gives Miles and the group plenty of room to groove and stretch out – hitting notes that are both funky and noisy, often at the same time! Michael Henderson lays down some great bass work on the set, and major solos are by Sonny Fortune, Pete Cosey, and Reggie Lucas! Great stuff – and more proof that Miles in the 70s was a very very deep place! CD
(Out of print, 1996 Master Sound pressing in a heavy gatefold sleeve – includes obi!)

Exact matches74
CD, LP, Vinyl record album cover art
✨✧ Miles DavisPorgy & Bess ... LP
Columbia, 1958. Very Good ... Temporarily Out Of Stock
Way more than just a simple version of work from Porgy & Bess – and instead, a key collaboration between Miles Davis and Gil Evans – done with a sound that really transforms the tunes! True, the work here is all based on George Gershwin's original compositions – but through his inventively modern arrangements, Gil Evans really pushes the familiar numbers to a whole new place – and Miles glides over the top with some especially shimmering solos! Titles include "Summertime", "The Buzzard Song", "I Loves You, Porgy", and "Fishermen, Strawberry, & Devil Crab". LP, Vinyl record album
(Dutch orange label mono pressing, in a folder style cover.)

Exact matches75
CD, LP, Vinyl record album cover art
✨✧ Miles DavisRubberband ... CD
Rhino, 1986. Used ... Temporarily Out Of Stock
Great lost work from Miles Davis – early material recorded for Warner Brothers in the mid 80s, and never released at the time – now finally uncovered from the vaults, and presented with a few slight contemporary touches! The core music is prime electric Miles funk all the way through – a great first step into the territory that he'd explore at Warner in his final years, but also with some traces of the Columbia records from the few years before – strong trumpet solos amidst bold rhythms – given new life here from instrumentalists Randy Hall and Attala Zane Giles. The music has been updated from the original tapes – with a richer sound, and a vibe that sounds less dated – and vocals have been added in a few spots, including great work from Ledisi and Lalah Hathaway. Titles include "Rubberband Of Life", "Echoes In Time/The Wrinkle", "See I See", "I Love What We Make Together", "So Emotional", "Paradise", "Maze", and "Give It Up". CD
(Still sealed.)
Also available
Rubberband ... CD 15.99
Rubberband ... LP 28.99

Exact matches76
CD, LP, Vinyl record album cover art
✨✧ Miles DavisTribute To Jack Johnson (Original Master Recording) ... CD
Columbia/Mobile Fidelity, 1971. Used Gatefold ... Temporarily Out Of Stock
A masterful tribute from one bad cat to another – and easily one of Miles Davis' greatest electric albums ever! The album's got a powerful, epic sort of feel – a renewed focus after the looser style of Bitches Brew, and the 70s live albums – and one that mixes a deeper funky sound with the raw, exploratory style Davis had let loose a few years before. Michael Henderson's bass is a big part of the power of the record, and John McLaughlin's guitar has never sounded better, or sharper. Teo Macero made the whole thing magic in the studio, and titles include two sidelong funkdafied jams – "Right Off" and "Yesternow". CD
(Limited, numbered edition. SACD pressing.)

Exact matches77
CD, LP, Vinyl record album cover art
✨✧ Miles DavisTribute To Jack Johnson (with bonus download) ... LP
Columbia, 1971. New Copy (reissue)... Temporarily Out Of Stock
A masterful tribute from one bad cat to another – and easily one of Miles Davis' greatest electric albums ever! The album's got a powerful, epic sort of feel – a renewed focus after the looser style of Bitches Brew, and the 70s live albums – and one that mixes a deeper funky sound with the raw, exploratory style Davis had let loose a few years before. Michael Henderson's bass is a big part of the power of the record, and John McLaughlin's guitar has never sounded better, or sharper. Teo Macero made the whole thing magic in the studio, and titles include two sidelong funkdafied jams – "Right Off" and "Yesternow". LP, Vinyl record album
(Includes download!)

Exact matches78
CD, LP, Vinyl record album cover art
✨✧ Miles DavisTutu ... LP
Warner, 1986. Near Mint- ... Temporarily Out Of Stock
A nice collaboration between Miles and Marcus Miller from the latter part of Miles career. As much of the recording here is overdubbed, with many multiple instruments played by Miller, it doesn't have the improvised vibe of Miles' classic performances, but the songwriting and arrangements are head and shoulders above much of the contemporary jazz being recorded at the time, Miles is in great form, and the glossy production sits better with us now than ever before. Paulinho DaCosta, George Duke, Michael Urbaniak and Bernard Wright all make guest appearances. 8 tracks in all: "Tutu", "Tomaas", "Portia", "Splatch", "Backyard Ritual", "Perfect Way", Don't Lose Your Mind" and "Full Nelson". LP, Vinyl record album
(Includes the printed inner sleeve.)
Also available Tutu ... CD

Exact matches79
CD, LP, Vinyl record album cover art
✨✧ Miles DavisWorkin' With The Miles Davis Quintet ... CD
Prestige/OJC, 1956. Used ... Temporarily Out Of Stock
One of the four essential quintet sides Miles Davis cut for Prestige in the mid 50s – all modern jazz classics by anyone's measure, along with Steamin', Relaxin' and Cookin'. These quintet sides established Davis and John Coltrane as a significant force to be reckoned with, and helped set the tone for much of the small group and post bop jazz cut in that era. Red Garland, Paul Chambers and Philly Joe Jones lay a smooth swinging pulse for Miles and Trane to blow over on the set – and titles include "It Never Entered My Mind", "Four", "In Your Own Sweet Way", "The Theme (takes 1 & 2)", "Trane's Blues", "Ahmad's Blues" and "Half Nelson". CD

Exact matches80
CD, LP, Vinyl record album cover art
✨✧ Miles Davis & Gil EvansBest Of Miles Davis & Gil Evans ... CD
Columbia, Late 50s/Early 60s. Used ... Temporarily Out Of Stock
Miles Davis on trumpet with Gil Evans & his Orchestra. CD
(Out of print, BMG music club pressing.)

Exact matches81
CD, LP, Vinyl record album cover art
✨✧ Miles Davis & Jimmy ForrestLive At The Barrel Vol 2 ... LP
Prestige, 1952. Sealed ... Temporarily Out Of Stock
An amazing meeting of two very different players who might not normally record together – although maybe not as much of a surprise, given that the set was recorded in the St Louis home turf of both Miles Davis and Jimmy Forrest! At the time, Miles was already a star, but Jimmy was becoming a hell of a tenor player – one that seems to have more of a bop affinity here than on later records – blowing head to head with Davis, and really stretching out on long solos throughout. The rhythm section features Charles Fox on piano, Johnny Mixon on bass, and Oscar Oldham on drums – and titles on this second volume include "Perdido", "All The Things You Are", "Lady Bird", and "Our Delight". LP, Vinyl record album
(80s pressing. Cover has a cut corner.)

Exact matches82
CD, LP, Vinyl record album cover art
✨✧ Miles Davis & John ColtraneComplete Columbia Recordings 1955 to 1961 – Miles Davis & John Coltrane (6CD box set) ... CD
Columbia/Legacy, Late 50s/Early 60s. Used 6CD & Book ... Temporarily Out Of Stock
Loads of material from this famous pair – issued on albums that include Jazz Track, Round Midnight, Milestones, Kind Of Blue, Someday My Prince Will Come, Miles & Monk At Newport – and lots of other obscure compilation tracks and unissued numbers! CD
(Out of print first pressing – in the beautiful metal slipcover case. Case has a few light scratches on the back, but looks fine on the front.)

Exact matches83
CD, LP, Vinyl record album cover art
✨✧ Miles Davis/Thelonious MonkMiles & Monk At Newport ... CD
Columbia/Legacy, 1958/1963. Used 2 CDs ... Temporarily Out Of Stock
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". CD
(Out of print.)

Exact matches84
CD, LP, Vinyl record album cover art
✨✧ Miles DavisComplete Columbia Recordings 1963 to 1964 – Seven Steps (7CD box set) ... CD
Columbia/Legacy, 1963/1964. Used 7CD & Book ... Out Of Stock
Collects material from Seven Steps To Heaven, Quiet Nights, Miles Davis In Europe, My Funny Valentine, Four & More, Miles In Tokyo, and Miles In Berlin – plus tracks that appeared on Directions and other compilations as well as plenty of previously unissued material. CD
(Out of print first pressing – in the metal case and slipcover.)

Exact matches85
CD, LP, Vinyl record album cover art
✨✧ Miles DavisComplete Columbia Recordings 1965 to 1968 – The Miles Davis Quintet (6CD box set) ... CD
Columbia, Late 60s. Used 6CD & Book ... Out Of Stock
. CD
(Out of print original pressing with textured box & metal hinge.)

Exact matches86
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis Vol 1 (Blue Note 1501) ... LP
Blue Note, Early 50s. Good ... Out Of Stock
Brilliant early work by Miles Davis – some of his first truly important sessions to appear under his own name, recorded with players that include Jimmy Heath, JJ Johnson, Gil Coggins, Art Blakey, Kenny Clarke, Jackie McLean, and Oscar Pettiford. Tunes are shorter, and perhaps more boppish, than you might expect from some of Miles' other 50s work – but in a way that still allows for many moments of lyrical beauty, and that brilliantly cool sound of his which forever changed the sound of jazz trumpet. Titles include "Tempus Fugit", "Kelo", "Enigma", "Ray's Ida", and "CTA". LP, Vinyl record album
(Liberty stereo pressing. Cover has a cut corner and is lightly stained on the open half, with some splitting in the seams.)

Exact matches87
CD, LP, Vinyl record album cover art
✨✧ Miles DavisRelaxin' With The Miles Davis Quintet (gold CD pressing) ... CD
Prestige/DCC, 1956. Used ... Out Of Stock
One of the classic early Miles Davis & John Coltrane sessions for Prestige – a well-crafted quintet album that shows Miles finding a stronger voice than ever, and Coltrane beginning to emerge as a key force on his own! Backing is subtle and soulful – handled by the trio of Red Garland, Paul Chambers, and Philly Joe Jones – and although the tracks are mostly ballads and standards, they're all nicely given the Davis treatment on the set, turned into beautiful new vehicles for jazz imagination and improvisation! Titles include "If I Were A Bell", "I Could Write A Book", "Oleo", and "Woody'n You". CD
(Out of print gold CD pressing – mastered by Steve Hoffman. NOTE: this copy is missing the rear tray card and is priced accordingly.)
Also available Relaxin' With The Miles Davis Quintet ... LP 18.99

Exact matches88
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSeven Steps To Heaven (2LP 180 gram 45 RPM) ... LP
Columbia/Analogue Productions, 1963. Near Mint- 2LP ... Out Of Stock
A key point in the development of the Miles Davis sound of the 60s – his first album to feature work from Herbie Hancock, Ron Carter, and Tony Williams – augmented by some equally nice work on other tracks from Victor Feldman and Frank Butler! The sound here is beautifully spare – a wonderful exploration of ideas that Miles had been putting forth on some other albums for Columbia, but crafted here with a vision that's apparent in the very first note – and which transforms both the tunes and the work of the players into a focused, near-perfect sound all the way through. Titles include "So Near So Far", "Seven Steps To Heaven", "I Fall In Love Too Easily", "Joshua", and "Basin Street Blues" – which even sounds great in this setting! LP, Vinyl record album

Exact matches89
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSeven Steps To Heaven (Japanese paper sleeve edition) ... CD
Sony (Japan), 1963. Used ... Out Of Stock
A key point in the development of the Miles Davis sound of the 60s – his first album to feature work from Herbie Hancock, Ron Carter, and Tony Williams – augmented by some equally nice work on other tracks from Victor Feldman and Frank Butler! The sound here is beautifully spare – a wonderful exploration of ideas that Miles had been putting forth on some other albums for Columbia, but crafted here with a vision that's apparent in the very first note – and which transforms both the tunes and the work of the players into a focused, near-perfect sound all the way through. Titles include "So Near So Far", "Seven Steps To Heaven", "I Fall In Love Too Easily", "Joshua", and "Basin Street Blues" – which even sounds great in this setting! CD
(Out of print, includes obi.)

Exact matches90
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSketches Of Spain ... LP
Columbia, 1960. Very Good ... Out Of Stock
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an important distinction to the way the album progresses.) Evans' arrangements have a majesty that takes the songs to the next level – working them as lush, lively backings for Davis' equally majestic trumpet solos, some of the finest he ever recorded with large group backing. Wonderful all the way through – and with the tracks "Concierto De Aranjuez", "Saeta", "The Pan Piper", and "Solea". LP, Vinyl record album
(Stereo 6 eye pressing, matrix ending 1AE. Cover has a half split bottom seam.)
Also available Sketches Of Spain (with bonus tracks) ... CD 2.99

Exact matches91
CD, LP, Vinyl record album cover art
✨✧ Miles DavisWater Babies ... CD
Columbia, 1967. New Copy ... Out Of Stock
A much different album than you might expect from the cover – hardly the funky 70s set implied by the Big Fun-styled cover – and instead a lost slice of work from his groundbreaking late 60s years! The set was recorded in 1967, but unissued until Miles late 70s time away from the studio – hence the cover, which attempts to contemporanize the record – and the music is very much in the dark moods and sharp tones of Filles De Kilimanjaro, and features a somewhat similar group! The core quintet of Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums handles the first half of the set – but the group's then expanded to include Chick Corea on electric piano along with Herbie on keys – and Ron Carter steps out so that Dave Holland can bring some more modern tones to the bass. Tracks are all somewhat long, and titles include "Capricorn", "Water Babies", "Sweet Pea", and "Two Faced". CD

Exact matches92
CD, LP, Vinyl record album cover art
✨✧ Miles DavisWorkin' With The Miles Davis Quintet ... LP
Prestige, 1956. Very Good- ... Out Of Stock
One of the four essential quintet sides Miles Davis cut for Prestige in the mid 50s – all modern jazz classics by anyone's measure, along with Steamin', Relaxin' and Cookin'. These quintet sides established Davis and John Coltrane as a significant force to be reckoned with, and helped set the tone for much of the small group and post bop jazz cut in that era. Red Garland, Paul Chambers and Philly Joe Jones lay a smooth swinging pulse for Miles and Trane to blow over on the set – and titles include "It Never Entered My Mind", "Four", "In Your Own Sweet Way", "The Theme (takes 1 & 2)", "Trane's Blues", "Ahmad's Blues" and "Half Nelson". LP, Vinyl record album
(Mono blue trident label pressing with Van Gelder/RVG stamps. Vinyl has marks that click a bit on "It Never Entered My Mind". Cover has ringwear, split seams, aged masking tape on the top seam and spine, small paint spots, and some pen & marker on back.)

Exact matches93
CD, LP, Vinyl record album cover art
✨✧ Miles Davis & John ColtraneFinal Tour – Copenhagen, March 24, 1960 ... LP
Columbia, 1960. New Copy ... Out Of Stock
Great live material from one of the most important pairings in modern jazz – recorded during the last months that John Coltrane was working with the Miles Davis Quintet! Davis and Coltrane are working here on a live date from Copenhagen in March of 1960 – playing on 3 long tunes that really let both players open up and unfold in their own unique solo explorations – with that classic group that includes Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums. Titles are all familiar ones from the Davis book – "So What", "All Blues", and "On Green Dolphin Street" – but the extended renditions offer more than a few surprises that make them well worth having. Plus, the album also features an introduction of the group by Norman Granz – the set was part of a Jazz At The Philharmonic Tour – as well as the short "theme". Great sound – way better than any previous versions of this material! LP, Vinyl record album
(Includes download!)

Exact matches94
CD, LP, Vinyl record album cover art
✨✧ Miles DavisAgharta (180 gram pressing) ... LP
Columbia/4 Men With Beards, 1975. New Copy 2LP Gatefold (reissue)... Out Of Stock
A seminal 70s side from Miles Davis – originally a Japanese recording, and one that returns to the solid push of the initial electric years! The record's a completely cooking little session – one that mixes the raw, noisier styles of other Davis albums with a focus, funked-up energy that's really set loose in the freer standards of the Japanese scene – all to come up with a sound that's completely otherworldly, and which is light years ahead of most mainstream fusion from the period. Pete Cosey plays some really wicked guitar and synthesizer, Al Foster kicks tremendous energy on his drums, Sonny Fortune brings a soulful depth on soprano sax and flute, and Michael Henderson creates massive flow on the bass. Titles include "Prelude", "Interlude", and a long version of "Theme From Jack Johnson". LP, Vinyl record album
(Super-nice heavy vinyl pressing!)

Exact matches95
CD, LP, Vinyl record album cover art
✨✧ Miles DavisAscenseur Pour L'Echafaud (180 gram pressing) ... LP
Fontana (France), 1958. New Copy (reissue)... Out Of Stock
One of our favorite-ever Miles Davis albums – and a groundbreaking soundtrack that forever changed the way that jazz music was used in film! According to legend, the sounds here were recorded by Miles on a hot Paris night – late in the studio, after a live performance – in a very intimate setting that had he and the combo creating these little poetic passages along with the action in the film! In addition to sublime and moody muted trumpet from Miles – the small group also features tremendous tenor work from the great Barney Wilen – a French modernist who's at the height of his powers – and beautiful bass from Pierre Michelot, whose rich tones really frame the whole proceedings. The rest of the group features bop pianist Rene Urtreger and American drummer Kenny Clarke – but the real charm comes from the interplay between Wilen, Davis, and Michelo. Titles include "Florence Sur Les Champs-Elysees", "L'Assassinat De Carla", "Diner Au Motel", "Evasion De Julien", "Nuit Sur Les Champs-Elysees", "Le Petit Bal", "Au Bar Du Petit Bac" and "Sur L'Autoroute". LP, Vinyl record album
Also available Ascenseur Pour L'Echafaud (3 x 10 inch LP deluxe edition) ... LP 43.99

Exact matches96
CD, LP, Vinyl record album cover art
✨✧ Miles DavisDouble Image – Rare Miles From the Complete Bitches Brew Sessions (red vinyl pressing) (2020 Record Store Day Release) ... LP
Columbia/Legacy, 1969/1970. New Copy 2LP Gatefold ... Out Of Stock
The first-ever vinyl appearance of some lost gems from the Bitches Brew sessions – the recordings that went on to form the legendary 2LP record that opened up a whole new electric world for Miles Davis – and which also yielded a huge amount of wonderful tracks that never made it onto the original release! The lineup here is the stuff of legends – Herbie Hancock, Chick Corea, and Joe Zawinul on keyboards – plus Wayne Shorter on saxes, Ron Carter and Dave Holland on basses, John McLaughlin on guitar, and Jack DeJohnette on drums – all working with Miles in some very new directions in jazz – on titles that include "Recollections", "Take It Or Leave It", "The Big Green Serpent", "Feio", "The Little Blue Frog", "Yaphet", "Corrado", and "Double Image (first version)". LP, Vinyl record album
(Record Store Day exclusive – on red vinyl!)

Exact matches97
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Smiles ... CD
Columbia, 1966. New Copy ... Out Of Stock
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". CD
Also available Miles Smiles ... CD 2.99

Exact matches98
CD, LP, Vinyl record album cover art
✨✧ Miles DavisCircle In The Round – Unreleased Recordings 1955 to 1970 ... CD
Columbia, Mid 50s/1960s/Early 70s/1979. Used 2 CDs ... Out Of Stock
An excellent set that spans the gamut of Miles' work on Columbia – from his early hardbop sides to his later experimental ones! All of the material on the 2LP set was unreleased until the time of this release in 1979 – and the album features Miles in the company of a wide variety of players that include George Benson, Cannonball Adderley, Bennie Maupin, Hank Mobley, Joe Zawinul, Herbie Hancock, Bill Evans, Red Garland, and Joe Beck. Titles include "Teo's Bag", "Side Car (1 & 2)", "Sanctuary", "Guinnevere", "Circle In The Round", and "Two Bass Hit". CD
(Out of print. Barcode has a cutout hole.)

Exact matches99
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis Vol 1 (Japanese paper sleeve edition) ... CD
Blue Note (Japan), 1952. Used ... Out Of Stock
Brilliant early work by Miles Davis – some of his first truly important sessions to appear under his own name, recorded with players that include Jimmy Heath, JJ Johnson, Gil Coggins, Art Blakey, Kenny Clarke, Jackie McLean, and Oscar Pettiford. Tunes are shorter, and perhaps more boppish, than you might expect from some of Miles' other 50s work – but in a way that still allows for many moments of lyrical beauty, and that brilliantly cool sound of his which forever changed the sound of jazz trumpet. Titles include "Tempus Fugit", "Kelo", "Enigma", "Ray's Ida", and "CTA". CD
(Out of print. Includes obi.)

Exact matches100
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMilestones (plus bonus tracks) ... CD
Columbia, 1958. Used ... Out Of Stock
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD also features 3 bonus tracks – alternate takes of "Milestones", "Straight No Chaser", and "Two Bass Hit". CD
Also available Milestones (plus bonus tracks) ... CD 4.99
 
 
 



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