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Exact matches: 151
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Miles DavisAll Miles – The Prestige Albums (14CD set) ... CD
Prestige/Universal (Italy), 1950s. Used 14 CDs ... Just Sold Out!
A beautiful way to experience the early work of Miles Davis – all 14 of his 50s albums for Prestige Records, presented in a special box that contains each album in a tiny replica LP-styled sleeve! The music here is the stuff of legend – trumpet material that really transformed the way the instrument was used in jazz – as Davis really comes into his own as a leader, after time spent recording with Charlie Parker, and doing a bit for Blue Note – then really taking off in the full length space offered by the album format on Prestige! Some of these sets feature classic collaborations with the young John Coltrane, and others include work with Sonny Rollins on tenor, Milt Jackson on vibes, and JJ Johnson on trombone – as well as the famous rhythm section of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums! Some CDs feature bonus tracks from the OJC versions – and the albums include Dig, Miles Davis & Horns, Collectors Items, Blue Haze, Walkin, Bag's Groove, Miles Davis & The Modern Jazz Giants, Musings Of Miles, Miles Davis Quintet/Sextet, New Miles Davis Quintet, Steamin, Workin, Relaxin, and Cookin. CD

Exact matches2
CD, LP, Vinyl record album cover art
Miles DavisAmandla ... LP
Warner, 1989. Near Mint- ... $9.99
Titles include "Cobra", "Big Time", "Hannibal", "Jo Jo", "Amandla", "Jilli", and "Mr Pastorious". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has some stains near the opening.)

Exact matches3
CD, LP, Vinyl record album cover art
Miles DavisAt Birdland ... LP
Durium (Italy), 1950. Very Good+ ... $14.99
... LP, Vinyl record album
(Cover has light wear and unglued seams.)

Exact matches4
CD, LP, Vinyl record album cover art
Miles DavisBags Groove ... LP
Prestige, 1954. Very Good ... $59.99
Classic Miles Davis from that pivotal year of 1954 – featuring work from 2 different sessions, both of them great! The title track on the album is a key reading of "Bag's Groove", presented here in two versions, both recorded by a quintet that includes Milt "Bags" Jackson on vibes, Thelonious Monk on piano, Percy Heath on bass, and Kenny Clarke on drums – carving out the tune in a nicely modern idiom. The rest of the set features work by Miles in a quintet with Sonny Rollins and Horace Silver – again with support from Heath and Clarke – on tunes that include 2 versions of "But Not For Me", plus early recordings of Sonny Rollins' standards "Oleo", "Airegin", and "Doxy". LP, Vinyl record album
(Yellow & black label NJ pressing with deep groove and RVG/AB etches. Cover has some aging and a mostly split spine.)
Also available Bags Groove (Japanese paper sleeve edition) ... CD 23.99

Exact matches5
CD, LP, Vinyl record album cover art
Miles DavisBags Groove (Japanese paper sleeve edition) ... CD
Prestige (Japan), 1954. Used ... $23.99
Classic Miles Davis from that pivotal year of 1954 – featuring work from 2 different sessions, both of them great! The title track on the album is a key reading of "Bag's Groove", presented here in two versions, both recorded by a quintet that includes Milt "Bags" Jackson on vibes, Thelonious Monk on piano, Percy Heath on bass, and Kenny Clarke on drums – carving out the tune in a nicely modern idiom. The rest of the set features work by Miles in a quintet with Sonny Rollins and Horace Silver – again with support from Heath and Clarke – on tunes that include 2 versions of "But Not For Me", plus early recordings of Sonny Rollins' standards "Oleo", "Airegin", and "Doxy". CD
(Out of print. Includes obi.)
Also available Bags Groove ... LP 59.99

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Miles DavisBest Of Miles Davis – The Capitol & Blue Note Years ... CD
Blue Note, Late 40s/Early 50s. Used ... $1.99
Includes "Move", "Godchild", "Budo", "Dear Old Stockholm", "Donna", "Yesterdays", "Tempus Fugit", "Enigma", "CTA", "Well You Needn't", "It Never Entered My Mind", "Weirdo", "Somethin Else" and "Autumn Leaves". CD
(Columbia House pressing.)

Exact matches7
CD, LP, Vinyl record album cover art
Miles DavisBirdland Jam Session – June 30, 1950 ... CD
Rare Live Recordings, 1950. Used ... $7.99
... CD

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Miles DavisBlack Beauty – Miles Davis At Fillmore West ... LP
Sony (Japan), 1970. Near Mint- 2LP ... $89.99
Four sides of noisy, funky, stretched-out playing from Miles Davis – recorded at the Fillmore West, but with an intensity that matches some of Miles' crazy electric recordings from Japan during the early 70s! The music is a powerful blast of music that stretches out over the double-length set of the package – with a style that moves from heavy-duty avant playing, then back to more mellow grooving, then kicks it out nice and hard again – a heavy dose of rock mixed in with the fusion, but still plenty jazzy throughout. In all, the record is probably one of the most heavy-duty that the Miles electric group recorded in the 70s – and the lineup on the set features Steve Grossman on saxes, Chick Corea on electric piano, Jack DeJohnette on drums, and Airto on percussion. Tracks include "Spanish Key", "Directions", "Masqualero", "It's About That Time", "I Fall In Love Too Easily", "Bitches Brew", "Willie Nelson", and "Sanctuary". LP, Vinyl record album
(Beautiful Japanese pressing – with obi!)

Exact matches9
CD, LP, Vinyl record album cover art
Miles DavisBlue Moods (Fantasy) ... LP
Debut/Fantasy, 1955. Very Good ... $24.99
An odd little session for Miles Davis – playing here with a great group, but one that's made up of musicians who are all uncommon sidemen for him, even at this early point in his career! Britt Woodman (a nom-du-date?) is on trombone, and Charles Mingus and Elvin Jones are in the rhythm section – plus Teddy Charles' vibes where you might expect a piano. As you might guess from the title and instrumentation, the set has more to do with Miles' more contemplative explorations of the time – his "blue moods" – than his more upbeat boppish styles, but that's where Charles' vibes come in and really make the set a great one. The group runs through a nice set of laidback, cool renditions of the tunes "Nature Boy", "Alone Together", "There's No You" and "Easy Living" – all done in nice longer takes! LP, Vinyl record album
(Red vinyl pressing with deep groove. Cover has a split top seam with some tape remnants.)

Exact matches10
CD, LP, Vinyl record album cover art
Miles DavisBroadcast Sessions ... CD
Acrobat, 1958/1959. Used ... $8.99
... CD
(Out of print. Includes slipcase.)

Exact matches11
CD, LP, Vinyl record album cover art
Miles DavisCinema Of Miles Davis ... CD
El (UK), Late 50s/1960s. New Copy ... $6.99 13.99
A compelling exploration into the use of the music of Miles Davis in film – one that begins with a famous French soundtrack from the new wave generation, then moves onto vintage Miles tunes that were used in other movies over the years! The core of the record features Davis' score to the 1957 film Ascenseur Pour L'Echafaud – one of our favorite-ever Miles Davis albums – and a stunning soundtrack that began a rich legacy of jazz scores in France! Miles recorded this material during late-night post-gig sessions with a great group that includes French players Barney Wilen, Rene Urtreger, and Pierre Michelot, plus American ex-patriot Kenny Clarke. Wilen's playing is fantastic, and it's great to hear him and Miles together on the score's spooky meandering passages. Alongside that body of work, the CD also features Davis songs that were used in a variety of films from the 70s onward – tracks that weren't written for the films, but which had strong use in movies that include Lenny, Kerouac, Tacones Lejanos, Ginger & Rosa, Talented Mr Ripley, and La Flor De Mi Secreto. These titles include "Saeta", "Blue Haze", "Tempus Fugit", "Well You Needn't", "It Never Entered My Mind", "Nature Boy", "Solea", and "Blue In Green". Also features a selection each by Lenny Bruce and Jack Kerouac! CD

Exact matches12
CD, LP, Vinyl record album cover art
Miles DavisComplete Birth Of The Cool ... CD
Capitol, Late 40s. New Copy ... $13.99 14.98
Legendary early work from trumpeter Miles Davis – late 40s sessions for Capitol Records that are completely different than the bop material he was cutting with Charlie Parker and on his own! Instead, these sides have Miles working with a complex, more arranged style – built up with a young Gil Evans, in a mode that prefaces the later famous recordings the pair would make in the late 50s for Columbia. Here, the tracks are shorter, but beautifully blend bop ideas with fuller arrangements – and Davis blows alongside other key young modernists in a variety of larger groups – with work from Lee Konitz on alto, Gerry Mulligan on baritone sax, JJ Johnson and Kai Winding on trombones, Al Haig and John Lewis on piano, and Kenny Clarke and Max Roach on drums. Mulligan contributed plenty, too – his ideas on an overall sound definitely helped shape these sides – and the record's go on to legendary status – even though it's very different than most other Miles Davis from the time. Titles include "Godchild", "Jeru", "Move", "Venus De Milo", "Budo", and "Deception". This "complete" package follows up the core tracks with live material recorded at the Royal Roost, even before the original studio sessions – in a group that features Mike Zwerin on trombone with Konitz, Mulligan, Lewis, and Roach – plus a bit of vocals from Kenny Pacho Hagood. Titles include "Darn That Dream", "Moon Dreams", "S'Il Vou Plait", "Move", "Birth Of The Cool Theme", "Godchild", and "Budo". CD
(Newly remastered from the original tapes!)
Also available Complete Birth Of The Cool ... LP 31.99

Exact matches13
CD, LP, Vinyl record album cover art
Miles DavisComplete Birth Of The Cool ... LP
Capitol, Late 40s. New Copy 2LP Gatefold ... $31.99 35.99
Legendary early work from trumpeter Miles Davis – late 40s sessions for Capitol Records that are completely different than the bop material he was cutting with Charlie Parker and on his own! Instead, these sides have Miles working with a complex, more arranged style – built up with a young Gil Evans, in a mode that prefaces the later famous recordings the pair would make in the late 50s for Columbia. Here, the tracks are shorter, but beautifully blend bop ideas with fuller arrangements – and Davis blows alongside other key young modernists in a variety of larger groups – with work from Lee Konitz on alto, Gerry Mulligan on baritone sax, JJ Johnson and Kai Winding on trombones, Al Haig and John Lewis on piano, and Kenny Clarke and Max Roach on drums. Mulligan contributed plenty, too – his ideas on an overall sound definitely helped shape these sides – and the record's go on to legendary status – even though it's very different than most other Miles Davis from the time. Titles include "Godchild", "Jeru", "Move", "Venus De Milo", "Budo", and "Deception". This "complete" package follows up the core tracks with live material recorded at the Royal Roost, even before the original studio sessions – in a group that features Mike Zwerin on trombone with Konitz, Mulligan, Lewis, and Roach – plus a bit of vocals from Kenny Pacho Hagood. Titles include "Darn That Dream", "Moon Dreams", "S'Il Vou Plait", "Move", "Birth Of The Cool Theme", "Godchild", and "Budo". LP, Vinyl record album
(Live material on LP here for the first time ever!)
Also available Complete Birth Of The Cool ... CD 13.99

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Miles DavisComplete Bitches Brew Sessions (4CD metal-spine box set) ... CD
Columbia, 1969. Used 4 CDs ... Just Sold Out!
... CD
(Out of print first version, in the beautiful metal-spine case!)

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Miles DavisComplete In A Silent Way Sessions (3CD set) ... CD
Sony, 1971. Used 3CDs + Book ... Just Sold Out!
... CD
(Out of print first pressing, in the smaller slipcover box which has some light edgewear.)

Exact matches16
CD, LP, Vinyl record album cover art
Miles DavisCookin At The Plugged Nickel ... CD
Columbia, 1965. Used ... $3.99
... CD
(Out of print Columbia Jazz Masterpieces pressing.)

Exact matches17
CD, LP, Vinyl record album cover art
Miles DavisCookin' With The Miles Davis Quintet ... LP
Prestige, 1957. Sealed ... $49.99
A seminal session from the team of Miles Davis & John Coltrane – not nearly as "cookin" (at least in a blowing session way) as you might guess from the title, but instead a beautiful example of the lyrically modern explorations the pair created together! Rhythm is by the trio of Red Garland, Paul Chambers, and Philly Joe Jones – but the horn work of Davis and Coltrane are clearly the starring attraction on the set! Titles include "Tune Up", "Blues By Five", and "Airegin" – plus the pair's classic reading of "My Funny Valentine". LP, Vinyl record album
(Un-numbered 200 gram Analogue Productions pressing, still sealed, with a price sticker remnant on back.)

Exact matches18
CD, LP, Vinyl record album cover art
Miles DavisDecoy ... LP
Columbia, 1984. Near Mint- Gatefold ... $12.99
The decoy here might be in the rhythms, which are often electric, but still played live – handled by Robert Irving III on many tracks, with a cool 80s fusion sound that's mighty nice! The style of the album's a nice change from the Miles groove of the 70s – a bit leaner, with almost a Weather Report influence at times, but far less jamming – and still prone to the darker tones that always make Davis' music of these later years surprisingly good. Al Foster handles acoustic drums on some tracks, and other players include Bill Evans on soprano sax and Mino Cinelu on percussion – on titles that include "Decoy", "Robot 415", "Code MD", "Freaky Deaky", "What It Is", "That's Right", and "That's What Happened". LP, Vinyl record album

Exact matches19
CD, LP, Vinyl record album cover art
Miles DavisDig ... LP
Prestige, 1951. Good ... $18.99
A key early appearance on record by Sonny Rollins – recorded here with Miles Davis and Jackie McLean in the landmark Dig session! The album's the stuff that 50s bop dreams are made of – a session that has up-and-coming modernists working in the new freedom of the long playing record, in a way that allows them to break past the shorter, more urgent sound of the 78rpm single! Rollins is young, but a surprisingly strong voice on the set – and Jackie McLean's alto is incredibly sharp at this point, with strong hints of the genius to come later in the decade. The rest of the lineup includes Walter Bishop on piano, Tommy Potter on bass, and Art Blakey on drums – and tracks include Miles' classic version of "It's Only A Paper Moon", plus "Denial", "Out Of The Blue", "Dig", and "Bluing". LP, Vinyl record album
(Yellow & black label 50th St NYC pressing, with deep groove and RVG etch. Cover has lots of water damage on right side – which has stuck paper, some peeling, and other water staining.)

Exact matches20
CD, LP, Vinyl record album cover art
Miles DavisDig (Conception/Early Miles) ... LP
Prestige, 1951/1953. Very Good+ 2LP Gatefold ... $11.99
A 70s 2LP set that brings together some key material from Miles first few years at Prestige – tunes that were mostly issued on the albums Early Miles and Conception. The work is about as classic as you can get from Miles' early years – with players that include Sonny Rollins on tenor, Bennie Green on trombone, Jackie McLean on alto, John Lewis or Walter Bishop on piano, and Roy Haynes, Art Blakey, or Kenny Clarke on drums. Some tracks get quite long for the time, and the set includes the classic "Dig", a great reading of "It's Only A Paper Moon", and the tracks "Denial", "Down", "Morpheus", "Bluing", "Conception", "Willie The Wailer", "Tasty Pudding", "For Adults Only", and "Out Of The Blue". LP, Vinyl record album
(Cover has stuck on paper and some waviness along the bottom few inches.)

Exact matches21
CD, LP, Vinyl record album cover art
✨✧ Miles DavisEssential Miles Davis ... CD
Columbia/Legacy, Mid 40s/1950s/1960s/1970s/Mid 80s. Used 2 CDs ... $1.99
... CD
(Small cutout hole through case.)

Exact matches22
CD, LP, Vinyl record album cover art
Miles DavisFour & More – Recorded Live In Concert ... CD
Columbia/Legacy, 1964. Used ... $4.99
Breakneck live work from Miles Davis – and proof that his famous 60s quintet wasn't only just about mellow and spacious sounds! The set was recorded at the same concert as the album My Funny Valentine – and while that one's mostly ballads, this one's mostly high tempo numbers that skip along with incredible ease – crackling with modern touches on the rhythm from Herbie Hancock, Ron Carter, and Tony Williams – and featuring some really excellent work by George Coleman on tenor sax! Titles include "Four", "So What", "Joshua", and "Seven Steps To Heaven". CD

Exact matches23
CD, LP, Vinyl record album cover art
Miles DavisFour & More – Recorded Live In Concert ... LP
Columbia, 1964. Near Mint- ... Just Sold Out!
Breakneck live work from Miles Davis – and proof that his famous 60s quintet wasn't only just about mellow and spacious sounds! The set was recorded at the same concert as the album My Funny Valentine – and while that one's mostly ballads, this one's mostly high tempo numbers that skip along with incredible ease – crackling with modern touches on the rhythm from Herbie Hancock, Ron Carter, and Tony Williams – and featuring some really excellent work by George Coleman on tenor sax! Titles include "Four", "So What", "Joshua", and "Seven Steps To Heaven". LP, Vinyl record album
(70s pressing. Cover has light wear.)
Also available Four & More – Recorded Live In Concert ... CD 4.99

Exact matches24
CD, LP, Vinyl record album cover art
✨✧ Miles DavisFour & More – Recorded Live In Concert (Japanese paper sleeve edition) ... CD
Sony (Japan), 1964. Used ... Just Sold Out!
Breakneck live work from Miles Davis – and proof that his famous 60s quintet wasn't only just about mellow and spacious sounds! The set was recorded at the same concert as the album My Funny Valentine – and while that one's mostly ballads, this one's mostly high tempo numbers that skip along with incredible ease – crackling with modern touches on the rhythm from Herbie Hancock, Ron Carter, and Tony Williams – and featuring some really excellent work by George Coleman on tenor sax! Titles include "Four", "So What", "Joshua", and "Seven Steps To Heaven". CD
(Out of print, includes obi.)
Also available Four & More – Recorded Live In Concert ... CD 4.99

Exact matches25
CD, LP, Vinyl record album cover art
Miles DavisGreatest Hits (Prestige) ... LP
Prestige, Early 50s. Very Good ... $6.99
Lots of classic early material – including "If I Were A Bell" recorded with John Coltrane on tenor and Red Garland on piano, "Conception" with Sonny Rollins on tenor and Jackie McLean on alto, "Bag's Groove" with Milt Jackson on vibes, "Solar" with Horace Silver on piano, and "Walkin" with JJ Johnson on trombone, Horace Silver on piano, and Lucky Thompson on tenor! LP, Vinyl record album
(Blue label pressing. Cover has moderate wear.)

Exact matches26
CD, LP, Vinyl record album cover art
✨✧ Miles DavisIn A Silent Way ... LP
Columbia, 1969. Very Good ... $39.99
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! LP, Vinyl record album
(360 sound2B/1J. Cover has ring and edge wear with a center split bottom seam.)

Exact matches27
CD, LP, Vinyl record album cover art
Miles DavisIn A Silent Way (Original Master Recording) ... LP
Mobile Fidelity/Columbia, 1969. Near Mint- ... $49.99
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! LP, Vinyl record album
(Limited edition #008226.)

Exact matches28
CD, LP, Vinyl record album cover art
Miles DavisIn Person Friday Night At The Blackhawk – Vol 1 ... LP
Columbia, 1961. Near Mint- ... $11.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "All Of You", "No Blues", "Bye Bye" and "Walkin". LP, Vinyl record album
(Brown label Columbia Limited Edition pressing. Labels have an address sticker.)
Also available In Person Friday Night At The Blackhawk – Vol 1 (Japanese pressing) ... CD 6.99

Exact matches29
CD, LP, Vinyl record album cover art
Miles DavisIn Person Friday Night At The Blackhawk – Vol 1 (Japanese pressing) ... CD
Columbia/Sony (Japan), 1961. Used ... $6.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "All Of You", "No Blues", "Bye Bye" and "Walkin". CD
(Out of print Japanese Master Sound pressing.)
Also available In Person Friday Night At The Blackhawk – Vol 1 ... LP 11.99

Exact matches30
CD, LP, Vinyl record album cover art
Miles DavisJazz At The Plaza Vol 1 ... CD
Sony (Japan), 1958. Used ... $8.99
A great lost live set – recorded in 1958 during that pivotal time when Miles was working with Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Philly Joe Jones. The whole thing's a great example of how the group could hold up the perfection of Kind Of Blue in a live setting – and the long tracks include "Jazz At The Plaza", "If I Were A Bell", and "Oleo". CD
(Out of print Japanese pressing.)
Also available Jazz At The Plaza Vol 1 ... LP 11.99

Exact matches31
CD, LP, Vinyl record album cover art
✨✧ Miles DavisJazz At The Plaza Vol 1 ... LP
Columbia, 1958. Very Good ... $11.99
A great lost live set – recorded in 1958 during that pivotal time when Miles was working with Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Philly Joe Jones. The whole thing's a great example of how the group could hold up the perfection of Kind Of Blue in a live setting – and the long tracks include "Jazz At The Plaza", "If I Were A Bell", and "Oleo". LP, Vinyl record album
(70s pressing.)
Also available Jazz At The Plaza Vol 1 ... CD 8.99

Exact matches32
CD, LP, Vinyl record album cover art
Miles DavisJazz Track ... LP
Columbia, Late 50s. Sealed ... $14.99
Although not actually a proper album – this is still one of the greatest Miles Davis albums of all time! Side one features 10 tracks from Miles' amazing soundtrack to the film Ascenseur Pour L'Echafaud – with excellent work by French players Barney Wilen, Rene Urtreger, and Pierre Michelot, on haunting moody tracks like "Generique", "Lassassinat De Carala", "Au Bar Du Petit Bac", and "Dinner Au Motel". Great stuff – and with a wonderful sound that's like no other Miles album! Side 2 is equally great – as it features 3 classic sextet tunes – "On Green Dolphin Street", "Put Your Little Foot Right Out", and "Stella By Starlight" –peformed with Coltrane, Cannonball Adderley, and Bill Evans in that amazing Kind Of Blue mode of perfection. Truly one of our favorite albums of all time! LP, Vinyl record album
(Recent 180 gram pressing on Doxy.)

Exact matches33
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue ... LP
Columbia, 1959. Very Good+ ... Just Sold Out!
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(70s pressing.)

Exact matches34
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue (Original Master Recording) – 2LP 180 gram 45 RPM ... LP
Columbia, 1959. Near Mint- 2LP Box Set ... $69.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(Limited edititon #11989.)

Exact matches35
CD, LP, Vinyl record album cover art
Miles DavisLive In Paris – 1960 ... LP
Return To Analog (Canada), 1960. New Copy 2LP ... About August 1, 2019
Rare session with Sonny Stitt on vinyl for the first time! LP, Vinyl record album

Exact matches36
CD, LP, Vinyl record album cover art
Miles DavisMiles Ahead ... LP
Columbia, 1957. Very Good ... $19.99
A masterful meeting of two 50s modern jazz talents – the trumpet of Miles Davis balanced with the arrangements of Gil Evans – with results that have made the album one of Miles' greatest ever! The sound here is completely sublime – as Davis gets all chromatic and spooky over Evans' edgey arrangements – shimmering nicely in a perfect blend of modernism and lighter, more lyrical touches. The record's filled with loads of the kind of solos that Miles brought to his smaller group records – but they almost flower even more amazingly here in the larger setting. Titles include "Springsville", "Blues For Pablo", "New Rhumba", "Lament", and "Miles Ahead". This is the record that your dad bought to prove that he was cool – so buy it from us and keep up the family tradition! LP, Vinyl record album
(Mono 6 eye pressing. Cover has some ring & edge wear and seam splitting.)

Exact matches37
CD, LP, Vinyl record album cover art
Miles DavisMiles Ahead (Jazz Images) ... LP
Columbia/Jazz Images, 1957. Sealed Gatefold ... $14.99
A masterful meeting of two 50s modern jazz talents – the trumpet of Miles Davis balanced with the arrangements of Gil Evans – with results that have made the album one of Miles' greatest ever! The sound here is completely sublime – as Davis gets all chromatic and spooky over Evans' edgey arrangements – shimmering nicely in a perfect blend of modernism and lighter, more lyrical touches. The record's filled with loads of the kind of solos that Miles brought to his smaller group records – but they almost flower even more amazingly here in the larger setting. Titles include "Springsville", "Blues For Pablo", "New Rhumba", "Lament", and "Miles Ahead". This is the record that your dad bought to prove that he was cool – so buy it from us and keep up the family tradition! LP, Vinyl record album

Exact matches38
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... LP
Columbia, 1961. Very Good ... $39.99
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! LP, Vinyl record album
(Stereo 6 eye pressing, matrix ending in 1F.)

Exact matches39
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis At Fillmore ... LP
Columbia, 1970. Very Good+ 2LP Gatefold ... $14.99
Four sides of long improvised grooves from Miles Davis – a set that's quite similar to the classic studio album Bitches Brew, but which captures the sound in more open live setting! Each track on each side is named "Wednesday Miles", "Thursday Miles", and so on – after the night it was recorded – and is one of the few documents of the Miles electric group that features Chick Corea on keyboards, Steve Grossman on saxes, Dave Holland on bass, Jack DeJohnette on drums, and Airto on percussion. The work is more inside than some of the Davis Japanese sessions of the time, but no less revolutionary – really opening up in some wonderful ways – with lots of spacious modal riffing over some heavy vamps. Groovy and quite free at the same time, but not nearly as out as the later electric recordings! LP, Vinyl record album
(Cover has surface wear and seam splitting.)

Exact matches40
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis In Europe ... CD
Columbia/Legacy, 1963. Used ... $7.99
A wonderful live set from the Seven Steps-era Miles group – with rhythm by Herbie Hancock, Ron Carter, and Tony Williams – and tunes that are all in that transformative mode that really showed Miles hitting a new voice at the time! Tenorist George Coleman's playing with the group on the set – proving again that he's got a depth that few people ever seem to give him credit for – and that it wasn't just Wayne Shorter who made the 60s Davis quintet so great. Titles include "Autumn Leaves", "All Of You", "Walkin", and "Joshua". CD features the bonus track "I Thought About You" – and new liner notes by Harvey Pekar! CD
(Out of print.)
Also available Miles Davis In Europe ... LP 14.99

Exact matches41
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis In Europe ... LP
Columbia, 1963. Very Good+ ... $14.99
A wonderful live set from the Seven Steps-era Miles group – with rhythm by Herbie Hancock, Ron Carter, and Tony Williams – and tunes that are all in that transformative mode that really showed Miles hitting a new voice at the time! Tenorist George Coleman's playing with the group on the set – proving again that he's got a depth that few people ever seem to give him credit for – and that it wasn't just Wayne Shorter who made the 60s Davis quintet so great. Titles include "Autumn Leaves", "All Of You", "Walkin", and "Joshua". LP, Vinyl record album
(Stereo 360 Sound pressing, with black text. Cover has some aging.)
Also available Miles Davis In Europe ... CD 7.99

Exact matches42
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis Plays For Lovers ... LP
Prestige, Mid 50s. Very Good ... $9.99
A mid 60s LP that collects a great set of tracks from early Miles Davis albums for Prestige – titles that include The Original Quintet, Steamin', and Blue Haze – with Miles playing in his beautifully fragile approach to ballads, love songs and quiet standards. The material covers quite a few different groups, with a host of great sidemen, including Red Garland, Horace Silver, Charles Mingus, Paul Chambers, Philly Joe Jones, Max Roach and others. 8 tracks in all, including "There Is No Greater Love", "Something I Dreamed Last Night", "That Old Devil Moon", "You Don't Know What Love Is", "When I Fall In Love", "Smooch", "Will You Still Be Mine?" and "I See Your Face Before Me". LP, Vinyl record album
(Vinyl plays with a click on side 1, track 2.)

Exact matches43
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis Sextet ... LP
Sony (Japan), 1958. Near Mint- ... $34.99
Some of the greatest Miles Davis material ever recorded – and not really ever officially issued as an album until this collection! The recordings are from the magical year of 1958, a time when Miles was working in the Kind Of Blue mode – on the album of the same name, one of his all-time standout classics. The work on this set is in a very similar spirit – recorded by a sextet that includes the rhythm section of Jimmy Cobb, Paul Chambers, and a young Bill Evans, who brings a magically modal feel to the album that really gives it an edge. Added to that are the saxophones of John Coltrane and Cannonball Adderley, blowing together in two ends of the soul spectrum, really stretching the color palette from Miles' usual work. Miles himself seems very inspired by the company, and works with plenty of space to allow the saxophonists to stretch out in wonderful solos – and Evans himself is simply amazing, working wonderfully in the setting, making us wish he'd recorded more group dates like this one! Three tracks on the set were briefly issued on the flipside of the Jazz Track album (an obscure Columbia LP that also included 10 songs from the soundtrack to Ascenseur Pour L'Echafaud), and a few others on later live LPs – but this is the first time the material from that group has appeared together as a full album. Includes stellar versions of "Stella By Starlight", "Green Dolphin Street", "Fran Dance", "Straight No Chaser", and "Two Bass Hit". LP, Vinyl record album
(Back cover has some light aging, front is nice.)

Exact matches44
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis Vol 2 (with bonus tracks) ... CD
Blue Note, 1953. Used ... $2.99
Volume 2 of a pair of LPs that brought together Miles Davis' early recordings for Blue Note – some excellent sessions recorded in 1952, 1953, and 1954, featuring Miles' young trumpet blowing in a wonderful mix of cool, bop, lyrical, and modern jazz. The style's a bit rougher than later years, but in a good way – one that shows that Miles' ideas were not accidents, or studio magic, but the brilliant expressions of a musician who was years ahead of his time. Titles include "Weirdo", "Take Off", "Ray's Idea", "Tempus Fugit (alt)", "The Leap", and "Wouldn'You". Inlcudes alternate takes of "Kelo" and "Enigma". CD
(Out of print. BMG Direct pressing.)

Exact matches45
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis' Greatest Hits (Columbia) ... LP
Columbia, Early 60s. Near Mint- ... $14.99
A good collection of work from Miles' early days at Columbia working with Coltrane, up through the pre-Bitches Brew years with the classic Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams lineup. Titles include "Walkin (live)", "All Blues (live)", "Someday My Prince Will Come", "So What (live)", "ESP", "Round Midnight", and "Seven Steps To Heaven". LP, Vinyl record album
(150 gram Legacy reissue.)

Exact matches46
CD, LP, Vinyl record album cover art
Miles DavisMiles Smiles (180 gram pressing) ... LP
Columbia, 1966. New Copy (reissue)... $18.99
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". LP, Vinyl record album

Exact matches47
CD, LP, Vinyl record album cover art
Miles DavisMilestones (Japanese paper sleeve edition) ... CD
Sony (Japan), 1958. Used ... Just Sold Out!
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD
(Out of print. Includes obi!)

Exact matches48
CD, LP, Vinyl record album cover art
Miles DavisMilestones (Jazz Images) ... LP
Columbia/Jazz Images, 1958. Sealed Gatefold ... $14.99
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". LP, Vinyl record album
(180 gram EU pressing.)

Exact matches49
CD, LP, Vinyl record album cover art
Miles DavisMusings Of Miles ... CD
Prestige/OJC, 1955. Used ... $2.99
A beautiful little record by Miles Davis – oft overlooked next to some of the better-titled Prestige sessions of the 50s, but a great one nonetheless! The session features Miles working with trio backing from Red Garland on piano, Oscar Pettford on bass, and Philly Joe Jones on drums – often in a mellow mode that fits the "musings" in the title, but which also provides a wonderful showcase for Davis to further intensify his vision on a set of longer tracks. Most tunes are familiar, but they're really transformed here – and titles include "I Did", 'Will You Still Be Mine?", "Green Haze", "I See You Face Before Me", "A Night In Tunisia" and "A Gal In Calico". CD
(Booklet has a bit of pen including the recording date written on the front and back cover. Tray card has a cutout hole and a small stain.)

Exact matches50
CD, LP, Vinyl record album cover art
Miles DavisMy Funny Valentine ... CD
Columbia, 1964. Used ... $3.99
One of those key cases where Miles Davis took a familiar song and made it his own! The set's a live one, and features a famous 15 minute version of "My Funny Valentine" – played by Davis in a spacious, open sort of way – and one that has key hints of the modernism to come in his music, yet still rings out with some of his more easygoing late 50s appeal. The group here features George Coleman on tenor alongside the rhythm section of Herbie Hancock piano, Ron Carter bass, and Tony Williams on drums – all three of whom help Davis edge into darker territory, even when things are ostensibly sweet! Apart from the version of "My Funny Valentine", other titles include "All Blues", "All Of You", "I Thought About You", and "Stella By Starlight" CD
Also available My Funny Valentine (Japanese paper sleeve edition) ... CD 12.99

Exact matches51
CD, LP, Vinyl record album cover art
Miles DavisMy Funny Valentine (Japanese paper sleeve edition) ... CD
Sony (Japan), 1964. Used ... $12.99
One of those key cases where Miles Davis took a familiar song and made it his own! The set's a live one, and features a famous 15 minute version of "My Funny Valentine" – played by Davis in a spacious, open sort of way – and one that has key hints of the modernism to come in his music, yet still rings out with some of his more easygoing late 50s appeal. The group here features George Coleman on tenor alongside the rhythm section of Herbie Hancock piano, Ron Carter bass, and Tony Williams on drums – all three of whom help Davis edge into darker territory, even when things are ostensibly sweet! Apart from the version of "My Funny Valentine", other titles include "All Blues", "All Of You", "I Thought About You", and "Stella By Starlight" CD
(Out of print.)
Also available My Funny Valentine ... CD 3.99

Exact matches52
CD, LP, Vinyl record album cover art
Miles DavisMy Funny Valentine (Japanese pressing) ... LP
Columbia, 1964. Very Good ... $29.99
One of those key cases where Miles Davis took a familiar song and made it his own! The set's a live one, and features a famous 15 minute version of "My Funny Valentine" – played by Davis in a spacious, open sort of way – and one that has key hints of the modernism to come in his music, yet still rings out with some of his more easygoing late 50s appeal. The group here features George Coleman on tenor alongside the rhythm section of Herbie Hancock piano, Ron Carter bass, and Tony Williams on drums – all three of whom help Davis edge into darker territory, even when things are ostensibly sweet! Apart from the version of "My Funny Valentine", other titles include "All Blues", "All Of You", "I Thought About You", and "Stella By Starlight" LP, Vinyl record album
(60s Japanese pressing, YS-471-C, in the exclusive flip-back cover, including insert. Cover has center splits in the seams.)

Exact matches53
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMy Funny Valentine (Mobile Fidelity Sound Lab) ... LP
Mobile Fidelity/Columbia, 1964. Near Mint- ... $39.99
One of those key cases where Miles Davis took a familiar song and made it his own! The set's a live one, and features a famous 15 minute version of "My Funny Valentine" – played by Davis in a spacious, open sort of way – and one that has key hints of the modernism to come in his music, yet still rings out with some of his more easygoing late 50s appeal. The group here features George Coleman on tenor alongside the rhythm section of Herbie Hancock piano, Ron Carter bass, and Tony Williams on drums – all three of whom help Davis edge into darker territory, even when things are ostensibly sweet! Apart from the version of "My Funny Valentine", other titles include "All Blues", "All Of You", "I Thought About You", and "Stella By Starlight" LP, Vinyl record album
(Limited edition #002863.)
Also available My Funny Valentine ... CD 3.99

Exact matches54
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMy Old Flame ... LP
Up Front, 1960s. Very Good+ ... $6.99
... LP, Vinyl record album
(Cover has light wear.)

Exact matches55
CD, LP, Vinyl record album cover art
Miles DavisNew Miles Davis Quintet ... CD
Prestige/OJC, 1955. Used ... $5.99
A huge moment in jazz – not just for trumpeter Miles Davis, but also for saxophonist John Coltrane – who was virtually introduced to the world at large with this record! As you might guess from the title, the record's the first to feature Coltrane playing along with Davis – a sublime combination that resulted in some key sides that forever helped shape the sound of jazz. Rhythm is by the famous trio of Red Garland, Paul Chambers, and Philly Joe Jones – and apart from the top-shelf solo work, the interplay between the horns is also fantastic. Titles include "Just Squeeze Me", "There Is No Greater Love", "How Am I To Know", "S'Posin", "The Theme", and "Stablemates". CD

Exact matches56
CD, LP, Vinyl record album cover art
Miles DavisNorth Sea Jazz Legendary Concerts (CD & DVD) ... CD
Bop City (Netherlands), 1985. Used CD & DVD ... $19.99
... CD
(Out of print, DVD is NTSC coded, Region free.)

Exact matches57
CD, LP, Vinyl record album cover art
Miles DavisOdyssey ... LP
Prestige, Mid 50s. Very Good+ ... $11.99
Mid 60s issue of earlier work that Miles cut in the 50s – some great tracks that show him breaking from the tighter shorter bop work of the earlier years, and heading into some stretched out sides that have a very open-ended approach. The group on the session is mostly a quartet – with Milt Jackson, Percy Heath, and Art Taylor – but two of the album's four tracks also feature Jackie McLean on alto. Tracks are long and titles include "Dr Jackle", "Bitty Ditty", "Minor March", and "Changes" – and it's great to hear Miles blowing with vibes! LP, Vinyl record album
(Blue label pressing. Cover has staining and peeling along the bottom half.)

Exact matches58
CD, LP, Vinyl record album cover art
✨✧ Miles DavisOn The Corner ... LP
Columbia, 1972. Very Good+ Gatefold ... $34.99
A sublime bit of Miles Davis electric funk – one of the best-remembered electric sets from the 70s, and for good reason too! The tracks are long, the jams are hard, and the whole thing has a lot more funk than some of the noise you'd get on other Miles albums of the time – thanks to killer keyboards from Herbie Hancock and Chick Corea, guitar from John McLaughlin, and reeds from Dave Liebman – plus some standout drums from the legendary Jack DeJohnette – easily at the top of his powers here. These top-shelf players jam together beautifully – really cooking on the album's long tracks – "On The Corner" and "Helen Butte/Mr Freedom X" – and tightening up on the slightly shorter cuts "Black Satin" and "One & One". LP, Vinyl record album
(70s gatefold pressing.)

Exact matches59
CD, LP, Vinyl record album cover art
✨✧ Miles DavisOn The Corner (180 gram pressing) ... LP
Columbia, 1972. New Copy (reissue)... Just Sold Out!
A sublime bit of Miles Davis electric funk – one of the best-remembered electric sets from the 70s, and for good reason too! The tracks are long, the jams are hard, and the whole thing has a lot more funk than some of the noise you'd get on other Miles albums of the time – thanks to killer keyboards from Herbie Hancock and Chick Corea, guitar from John McLaughlin, and reeds from Dave Liebman – plus some standout drums from the legendary Jack DeJohnette – easily at the top of his powers here. These top-shelf players jam together beautifully – really cooking on the album's long tracks – "On The Corner" and "Helen Butte/Mr Freedom X" – and tightening up on the slightly shorter cuts "Black Satin" and "One & One". LP, Vinyl record album
Also available On The Corner ... LP 34.99

Exact matches60
CD, LP, Vinyl record album cover art
Miles DavisPorgy & Bess ... LP
Columbia, 1958. Very Good ... $24.99
Way more than just a simple version of work from Porgy & Bess – and instead, a key collaboration between Miles Davis and Gil Evans – done with a sound that really transforms the tunes! True, the work here is all based on George Gershwin's original compositions – but through his inventively modern arrangements, Gil Evans really pushes the familiar numbers to a whole new place – and Miles glides over the top with some especially shimmering solos! Titles include "Summertime", "The Buzzard Song", "I Loves You, Porgy", and "Fishermen, Strawberry, & Devil Crab". LP, Vinyl record album
(Stereo 6 eye pressing with deep groove. Cover has staining along the spine, minor seam splitting, and light surface wear.)

Exact matches61
CD, LP, Vinyl record album cover art
Miles DavisQuiet Nights ... LP
Columbia, 1963. Very Good ... $6.99
Moody magic from Miles Davis and Gil Evans – one of the pair's most perfectly poised albums together, and a set with a slight bossa nova undercurrent! Evans' shimmering horn patterns are in fine form here – complicated, but never in cold and too-modern ways – just the right sort of backdrop for Miles' muted solo work – blow with a great sense of space and care throughout! There's almost a soundtrack sort of depth to the record, but the solos still keep the jazz element nicely in focus – and titles include "Summer Night", "Wait Till You See Her", "Aos Pes Da Cruz", "Song #1", "Song #2", "Corcovado", and "Once Upon A Summertime". LP, Vinyl record album
(70s pressing. Cover has waviness, stains and peeling along the bottom half.)

Exact matches62
CD, LP, Vinyl record album cover art
Miles DavisQuintet & Sextet ... CD
Essential Jazz (Spain), Late 50s/Early 60s. Used ... $7.99
... CD

Exact matches63
CD, LP, Vinyl record album cover art
Miles DavisRound About Midnight ... LP
Columbia, 1956. Very Good ... Just Sold Out!
Thelonious Monk may have written the title tune, but Miles Davis makes it all his own here – blowing with a subtle moody magic that makes the album one of his true treasures from the early Columbia Records years! John Coltrane's along on tenor sax – helping Davis expand the sound the pair first forged on Prestige – and also present is the rhythm trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – impeccably recorded here with a wonderful sense of space, and almost a bridge between older Miles modes, and the genius to come. Titles include Miles seminal take on "Round Midnight", plus "Tadd's Delight", "Dear Old Stockholm", "Bye Bye Blackbird", and "A Leu Cha". LP, Vinyl record album
(70s pressing. PLEASE NOTE – Cover has staining and peeling on the bottom 4 inches.)
Also available Round About Midnight (Japanese paper sleeve edition) ... CD 9.99

Exact matches64
CD, LP, Vinyl record album cover art
Miles DavisRound About Midnight (Japanese paper sleeve edition) ... CD
Sony (Japan), 1956. Used ... $9.99
Thelonious Monk may have written the title tune, but Miles Davis makes it all his own here – blowing with a subtle moody magic that makes the album one of his true treasures from the early Columbia Records years! John Coltrane's along on tenor sax – helping Davis expand the sound the pair first forged on Prestige – and also present is the rhythm trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – impeccably recorded here with a wonderful sense of space, and almost a bridge between older Miles modes, and the genius to come. Titles include Miles seminal take on "Round Midnight", plus "Tadd's Delight", "Dear Old Stockholm", "Bye Bye Blackbird", and "A Leu Cha". CD
(Out of print mono edition, includes obi.)

Exact matches65
CD, LP, Vinyl record album cover art
Miles DavisRubberband ... CD
Rhino, 1985. New Copy ... On September 6, 2019
Post-Columbia, previously unreleased Miles Davis! CD

Exact matches66
CD, LP, Vinyl record album cover art
Miles DavisRubberband ... LP
Rhino, 1985. New Copy 2LP ... On September 6, 2019
Post-Columbia, previously unreleased Miles Davis! LP, Vinyl record album

Exact matches67
CD, LP, Vinyl record album cover art
Miles DavisSeven Steps To Heaven ... LP
Columbia, 1963. Very Good+ ... $14.99
A key point in the development of the Miles Davis sound of the 60s – his first album to feature work from Herbie Hancock, Ron Carter, and Tony Williams – augmented by some equally nice work on other tracks from Victor Feldman and Frank Butler! The sound here is beautifully spare – a wonderful exploration of ideas that Miles had been putting forth on some other albums for Columbia, but crafted here with a vision that's apparent in the very first note – and which transforms both the tunes and the work of the players into a focused, near-perfect sound all the way through. Titles include "So Near So Far", "Seven Steps To Heaven", "I Fall In Love Too Easily", "Joshua", and "Basin Street Blues" – which even sounds great in this setting! LP, Vinyl record album
(70s pressing. Cover has ring & edge wear.)
Also available Seven Steps To Heaven (Japanese paper sleeve edition) ... CD 8.99

Exact matches68
CD, LP, Vinyl record album cover art
Miles DavisSeven Steps To Heaven (Japanese paper sleeve edition) ... CD
Sony (Japan), 1963. Used ... $8.99
A key point in the development of the Miles Davis sound of the 60s – his first album to feature work from Herbie Hancock, Ron Carter, and Tony Williams – augmented by some equally nice work on other tracks from Victor Feldman and Frank Butler! The sound here is beautifully spare – a wonderful exploration of ideas that Miles had been putting forth on some other albums for Columbia, but crafted here with a vision that's apparent in the very first note – and which transforms both the tunes and the work of the players into a focused, near-perfect sound all the way through. Titles include "So Near So Far", "Seven Steps To Heaven", "I Fall In Love Too Easily", "Joshua", and "Basin Street Blues" – which even sounds great in this setting! CD
(Out of print, includes obi.)
Also available Seven Steps To Heaven ... LP 14.99

Exact matches69
CD, LP, Vinyl record album cover art
Miles DavisSeven Steps To Heaven (with bonus tracks) ... CD
Columbia/Legacy, 1963. Used ... $3.99
A key point in the development of the Miles Davis sound of the 60s – his first album to feature work from Herbie Hancock, Ron Carter, and Tony Williams – augmented by some equally nice work on other tracks from Victor Feldman and Frank Butler! The sound here is beautifully spare – a wonderful exploration of ideas that Miles had been putting forth on some other albums for Columbia, but crafted here with a vision that's apparent in the very first note – and which transforms both the tunes and the work of the players into a focused, near-perfect sound all the way through. Titles include "So Near So Far", "Seven Steps To Heaven", "I Fall In Love Too Easily", "Joshua", and "Basin Street Blues" – which even sounds great in this setting! CD also features bonus tracks "So Near So Far (alternate)" and "Summer Night". CD
(Out of print. Recording date written in pen on booklet cover.)
Also available Seven Steps To Heaven ... LP 14.99

Exact matches70
CD, LP, Vinyl record album cover art
Miles DavisSiesta ... LP
Warner, 1987. Very Good ... $5.99
One of Miles' last great albums – a soundtrack composed in conjunction with Marcus Miller, and recorded with a mix of atmospheric electronics and trumpet solos, coming off in a way that sounds far better than most of his other attempts at this style from the time. Miller plays all the other instruments in the set, apart from some occasional guest work by players that include John Scofield, Earl Klugh, Omar Hakim, and Jason Miles. Titles include "Conchita", "Lament", "Los Feliz", "Lost In Madrid", "Siesta", "Kitt's Kiss", and "Wind". LP, Vinyl record album
(Cover has some wear with suck on paper and peeling along the bottom 3 inches.)

Exact matches71
CD, LP, Vinyl record album cover art
Miles DavisSketches Of Spain ... LP
Columbia, 1960. Very Good ... $24.99
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an important distinction to the way the album progresses.) Evans' arrangements have a majesty that takes the songs to the next level – working them as lush, lively backings for Davis' equally majestic trumpet solos, some of the finest he ever recorded with large group backing. Wonderful all the way through – and with the tracks "Concierto De Aranjuez", "Saeta", "The Pan Piper", and "Solea". LP, Vinyl record album
(2 eye mono pressing! Cover has some light aging, but is nice overall.)

Exact matches72
CD, LP, Vinyl record album cover art
Miles DavisSomeday My Prince Will Come ... LP
Columbia, 1961. Very Good+ ... $19.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". LP, Vinyl record album
(360 Sound stereo pressing. NOTE – Cover is stained and wavy on the bottom half, with flaking on front, and the back paste-on peeled off. Labels are lightly stained.)
Also available Someday My Prince Will Come (Japanese paper sleeve edition) ... CD 9.99

Exact matches73
CD, LP, Vinyl record album cover art
Miles DavisSomeday My Prince Will Come (Japanese paper sleeve edition) ... CD
Sony (Japan), 1961. Used ... $9.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". CD
(Out of print, includes obi.)
Also available Someday My Prince Will Come ... LP 19.99

Exact matches74
CD, LP, Vinyl record album cover art
Miles DavisSorcerer ... LP
Columbia, 1967. Very Good ... $19.99
Another bold new direction for the legendary Miles Davis Quintet of the 60s – a set that has some of the angular styles of earlier albums, but also a bit more of the flowing grace to come in the electric years! A key illustration of this is the leadoff track "Prince Of Darkness" – which has a fluid sensibility that still never fails to floor us, even all these many decades later! The rest of the tracks are equally great – even when subtle – and by this point, the group of Davis, Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams were well earning their acclaim as one of the most groundbreaking groups in jazz. Titles include "Prince Of Darkness", "Masqualero", "The Sorcerer", "Pee Wee", and "Vonetta" – plus the odd inclusion of a vocal version of "Nothing Like You" – recorded 5 years before with singer Bob Dorough and arranger Gil Evans! The tune's an odd cap to this otherwise cohesive set – but we love it plenty too, and it somehow oddly fits! LP, Vinyl record album
(360 Sound stereo pressing. Cover has a large patch of stuck-on paper on the bottom half on front, and the bottom half of the back cover peeled off. Labels have some stains.)

Exact matches75
CD, LP, Vinyl record album cover art
Miles DavisSteamin' With The Miles Davis Quintet ... LP
Prestige, 1956. Near Mint- ... $39.99
An early pairing of Miles Davis & John Coltrane – one of the duo's mid 50s classics for Prestige, as you might guess from the verb in the title! And although "Steamin" might be a word that's a bit too firey to describe the action going on here, the album's got a tremendous sense of presence throughout – as Davis' cooler trumpet is matched with Trane's earthier solo work – all supported by Red Garland trio backing in a style that's as near-classic as it comes for 50s jazz. Titles include "Diane", "Something I Dreamed Last Night", "When I Fall In Love", and "Salt Peanuts". LP, Vinyl record album
(200 gram Analogue Productions pressing, still with the stickered outer sleeve.)
Also available Steamin' With The Miles Davis Quintet (RVG remaster edition) ... CD 5.99

Exact matches76
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSteamin' With The Miles Davis Quintet (RVG remaster edition) ... CD
Prestige, 1956. Used ... $5.99
An early pairing of Miles Davis & John Coltrane – one of the duo's mid 50s classics for Prestige, as you might guess from the verb in the title! And although "Steamin" might be a word that's a bit too firey to describe the action going on here, the album's got a tremendous sense of presence throughout – as Davis' cooler trumpet is matched with Trane's earthier solo work – all supported by Red Garland trio backing in a style that's as near-classic as it comes for 50s jazz. Titles include "Diane", "Something I Dreamed Last Night", "When I Fall In Love", and "Salt Peanuts". CD
Also available Steamin' With The Miles Davis Quintet ... LP 39.99

Exact matches77
CD, LP, Vinyl record album cover art
✨✧ Miles DavisWater Babies ... CD
Columbia, 1967. New Copy ... $4.99 6.99
A much different album than you might expect from the cover – hardly the funky 70s set implied by the Big Fun-styled cover – and instead a lost slice of work from his groundbreaking late 60s years! The set was recorded in 1967, but unissued until Miles late 70s time away from the studio – hence the cover, which attempts to contemporanize the record – and the music is very much in the dark moods and sharp tones of Filles De Kilimanjaro, and features a somewhat similar group! The core quintet of Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums handles the first half of the set – but the group's then expanded to include Chick Corea on electric piano along with Herbie on keys – and Ron Carter steps out so that Dave Holland can bring some more modern tones to the bass. Tracks are all somewhat long, and titles include "Capricorn", "Water Babies", "Sweet Pea", and "Two Faced". CD
Also available Water Babies ... LP 29.99

Exact matches78
CD, LP, Vinyl record album cover art
✨✧ Miles DavisWater Babies ... LP
Columbia, 1967. Near Mint- ... $29.99
A much different album than you might expect from the cover – hardly the funky 70s set implied by the Big Fun-styled cover – and instead a lost slice of work from his groundbreaking late 60s years! The set was recorded in 1967, but unissued until Miles late 70s time away from the studio – hence the cover, which attempts to contemporanize the record – and the music is very much in the dark moods and sharp tones of Filles De Kilimanjaro, and features a somewhat similar group! The core quintet of Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums handles the first half of the set – but the group's then expanded to include Chick Corea on electric piano along with Herbie on keys – and Ron Carter steps out so that Dave Holland can bring some more modern tones to the bass. Tracks are all somewhat long, and titles include "Capricorn", "Water Babies", "Sweet Pea", and "Two Faced". LP, Vinyl record album
(Original 70s pressing, in shrinkwrap with original label sticker stating the contents!)
Also available Water Babies ... CD 4.99

Exact matches79
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Miles DavisWe Want Miles ... LP
Columbia, 1982. Very Good+ 2LP Gatefold ... $19.99
Well, it's not the Plugged Nickel or electric Japan in the 70s – but this is a surprisingly great 2LP set of live work by Miles from the early 80s – recorded in New York and Boston, with a lively full-on concert sort of feel! The group features Marcus Miller on bass, Bill Evans on soprano sax, Al Foster on drums, Mike Stern on guitar, and Mino Cinelu on percussion – and the tracks are long tunes, done with a bit of electricity, and sort of a joyous approach overall. Titles include "Kix", "My Man's Gone Now", "Jean Pierre", "Fast Track", and "Back Seat Betty". LP, Vinyl record album

Exact matches80
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Miles DavisYou're Under Arrest ... LP
Columbia, 1984. Near Mint- Gatefold ... $6.99
Sweeter studio Miles Davis from the 80s – a record that takes the 70s electric experiments and fuses them into a sound that's got a lot more R&B influence than before! The style is a bit poppy at times, but never in a way that's too slick – and often, Davis is using his muted trumpet to state lines boldly in ways that still have a greater sense of depth and craft than most of his contemporaries. A few tracks show some of the gritty New York rock/funk trend of the time, while others are lighter and more lyrical – and titles include covers of "Time After Time" and "Human Nature" – Miles' attempt to find standards in contemporary pop – plus the tracks "Katia", "You're Under Arrest", "Ms Morrisine", and "One Phone Call/Street Scenes". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has a promo stamp and a piece of clear tape at the opening.)

Exact matches81
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✨✧ Miles Davis & John ColtraneMiles & Coltrane Quintet Live ... CD
Get Back (Italy), 1958. Used ... $2.99
... CD
(Out of print.)

Exact matches82
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Miles Davis & John ColtraneMiles Davis & John Coltrane – Konserthuset, Stockholm, March 22, 1960 ... CD
Giants Of Jazz (Sweden), 1960. Used ... $8.99
Fantastic (and now out-of-print) double album set of a stunning live performance by Trane and Miles, recorded in Sweden in 1960. The tracks are all long, with backing by the rhythm section of Wynton Kelly, Paul Chambers, and Jimmy Cobb. Highlights include "Green Dolphin Street", "Fran-Dance", and "So What". Even if you've got most of the studio recordings with Miles and Trane, this session's a key addition to any collection of their work, and features stunning performances that are strikingly different from their studio work of the time. CD
(Out of print.)

Exact matches83
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Miles Davis & Quincy JonesMiles & Quincy – Live At Montreux ... CD
Warner, 1991. Used ... $1.99
... CD
(Out of print.)

Exact matches84
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Miles Davis featuring John ColtraneMiles Davis Quintet With John Coltrane In Copenhagen 1960 (with bonus track) ... CD
Gambit (Spain), 1960/1963. Used ... $9.99
Great live material from one of the most important pairings in modern jazz – recorded during the last months that John Coltrane was working with the Miles Davis Quintet! Davis and Coltrane are working here on a live date from Copenhagen in March of 1960 – playing on 3 long tunes that really let both players open up and unfold in their own unique solo explorations. Titles are all familiar ones from the Davis book – "So What", "All Blues", and "On Green Dolphin Street" – but the extended renditions offer more than a few surprises that make them well worth having. Plus, added to these is one more additional track from 1963 – featuring George Coleman on tenor instead of Coltrane, plus Herbie Hancock, Ron Carter, and Tony Williams – playing "Milestones" on a live date in Juan-les-Pins. CD

Exact matches85
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Miles Davis featuring John ColtraneMiles Davis Quintet With John Coltrane Live In Zurich (with bonus tracks) ... CD
Gambit (Spain), 1958/1960. Used ... $9.99
Key material from the Miles Davis Quintet with John Coltrane – recorded on their famous 1960 European tour, and paired here with some other material from an earlier date! The first 5 tracks on the set feature Davis and Coltrane working with Wynton Kelly, Paul Chambers, and Jimmy Cobb – on a live date from Zurich in April of 1960. Tracks are all quite long, with key Davis and Coltrane solo touches – and include "Fran Dance", "If I Were A Bell", So What", and "All Blues". The last 4 tracks on the CD are from a Cafe Bohemia date in 1958 – and feature a slightly different lineup that includes Bill Evans on piano and Philly Joe Jones on drums – performing shorter, lighter takes on "Walkin", "Four", "Bye Bye Blackbird", and "Two Bass Hit". CD

Exact matches86
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Miles Davis, Lee Konitz, Horace SilverMostly Miles – Newport Jazz Festival 1958, July 3rd-6th – Vol 1 ... CD
Phontastic, 1958. Used ... $9.99
... CD
(Out of print. Please note there is a small stain on the front cover and another along the spine.)

Exact matches87
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Lennie Tristano/Bill Harris/Miles Davis/Buddy De FCool & Quiet ... LP
Capitol, Late 40s. Very Good+ ... $14.99
A great "birth of the cool" album from Capitol – a record that brings together some key recordings from that pivotal jazz year of 1949! Titles include "Imagination" by a large group with Bill Harris in the lead on trombone; "Wow", "Marionette", and "Yesterdays" from a great Lennie Tristano group with Warne Marsh on tenor, Lee Konitz on alto, and Billy Bauer on guitar; "Boplicity" by Miles Davis with JJ Johnson and Lee Konitz; and "Penthouse Serenade", "Extrovert", and "Good For Nothin Joe" by a quintet with Buddy DeFranco on clarinet and Teddy Cohen on vibes. The album's always best known for the work by Davis and Tristano – but honestly, we love the Konitz and Teddy Charles material even better! LP, Vinyl record album
(Early 80s Japanese promo pressing, with insert. Cover has light wear and a promo sticker.)

Exact matches88
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✨✧ John Coltrane & Miles DavisAbstract Impressions ... CD
Mastersong (Australia), Early 60s. Used ... Temporarily Out Of Stock
... CD
(Out of print.)

Exact matches89
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✨✧ Miles DavisAgharta (Japanese pressing) ... CD
Columbia/SME (Japan), 1975. Used 2 CDs ... Temporarily Out Of Stock
A seminal 70s side from Miles Davis – originally a Japanese recording, and one that returns to the solid push of the initial electric years! The record's a completely cooking little session – one that mixes the raw, noisier styles of other Davis albums with a focus, funked-up energy that's really set loose in the freer standards of the Japanese scene – all to come up with a sound that's completely otherworldly, and which is light years ahead of most mainstream fusion from the period. Pete Cosey plays some really wicked guitar and synthesizer, Al Foster kicks tremendous energy on his drums, Sonny Fortune brings a soulful depth on soprano sax and flute, and Michael Henderson creates massive flow on the bass. Titles include "Prelude", "Interlude", and a long version of "Theme From Jack Johnson". CD
(Out of print, includes obi.)

Exact matches90
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✨✧ Miles DavisAmandla ... CD
Warner, 1989. Used ... Temporarily Out Of Stock
Titles include "Cobra", "Big Time", "Hannibal", "Jo Jo", "Amandla", "Jilli", and "Mr Pastorious". CD
(Out of print. Last page of booklet has small initials in pen.)
Also available Amandla ... LP 9.99

Exact matches91
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✨✧ Miles DavisBirth Of The Cool ... CD
Capitol, Late 40s/Early 50s. Used ... Temporarily Out Of Stock
Legendary early work from trumpeter Miles Davis – late 40s sessions for Capitol Records that are completely different than the bop material he was cutting with Charlie Parker and on his own! Instead, these sides have Miles working with a complex, more arranged style – built up with a young Gil Evans, in a mode that prefaces the later famous recordings the pair would make in the late 50s for Columbia. Here, the tracks are shorter, but beautifully blend bop ideas with fuller arrangements – and Davis blows alongside other key young modernists in a variety of larger groups – with work from Lee Konitz on alto, Gerry Mulligan on baritone sax, JJ Johnson and Kai Winding on trombones, Al Haig and John Lewis on piano, and Kenny Clarke and Max Roach on drums. Mulligan contributed plenty, too – his ideas on an overall sound definitely helped shape these sides – and the record's go on to legendary status – even though it's very different than most other Miles Davis from the time. Titles include "Godchild", "Jeru", "Move", "Venus De Milo", "Budo", and "Deception". CD
(Out of print.)

Exact matches92
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✨✧ Miles DavisBitches Brew ... LP
Columbia, 1969. Near Mint- 2LP Gatefold ... Temporarily Out Of Stock
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark by which so many other records would be judged (and fail) in years to come! The double-length set makes full use of all four sides of the record – expanding the flow (as well as the lineup) of the original Davis modal vision – and using all players to amazing effect, so much so that most players here turn out some of their best recorded work ever! The lineup is virtually a whose who for the sound of fusion in the 70s – including Wayne Shorter on soprano sax, Bennie Maupin on bass clarinet, Joe Zawinul and Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Lenny White and Jack DeJohnette on drums – plus Jumma Santos and Don Alias on added percussion. Titles include "Pharaoh's Dance", "Spanish Key", "Sanctuary", "Bitches Brew", "John McLaughlin", and "Miles Runs the Voodoo Down". LP, Vinyl record album
(360 Sound stereo pressing with white text, matrix ending in 1B.)

Exact matches93
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✨✧ Miles DavisBopping The Blues ... CD
Black Lion (Germany), 1946. Used ... Temporarily Out Of Stock
... CD
(Out of print.)

Exact matches94
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✨✧ Miles DavisDouble Image ... CD
Vintage (Japan), 1969. Used ... Temporarily Out Of Stock
Mind blowing work from Miles Davis – an album that moves far past even any of his most adventurous studio work! The album features a live set from 1969, recorded in Paris with Wayne Shorter, Chick Corea, Dave Holland, and Jack DeJohnette – and the sound on here is crazy, and goes waaaay out – farther out than anything we've ever heard by Miles! At times, the tracks break down completely – and get very very noisy – sounding almost like a record by some 80s industrial group than by Miles in his early electric years! Corea goes crazy on the keyboards, and shows his avant side better than anywhere else we've ever seen – and the whole group is really tremendous overall. CD
(Out of print, includes obi.)

Exact matches95
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✨✧ Miles DavisEuropean Tour '56 With The Modern Jazz Quartet & Lester Young ... CD
Definitive (Spain), 1955/1956/1957. Used ... Temporarily Out Of Stock
An assortment of great live work from Miles Davis mid-50s years – some of it with especially noteworthy guest stars and unusual lineups! The first 2 long tracks on the set have Davis working with Lester Young on tenor and rhythm by the Modern Jazz Quartet – in a style that really lets Young stretch out on the openings of both tracks, sounding as beautiful here as on any of his best studio sides from the time! Another 5 tracks feature Davis with European rhythm by Rene Utreger piano, Pierre Michelot bass, and Christian Garros drums – with a bit of tenor again from Young, but mostly in a format that's dominated by Davis' trumpet. 4 more tracks are pulled from a 1955 performance at the Newport Jazz Festival – and feature a group with Davis on trumpet, Zoot Sims on tenor, Gerry Mulligan on baritone, and Thelonious Monk on piano. Last up are 2 more tracks from a 1957 date at Birdland with Bobby Jaspar and Tommy Flanagan – making for a total of 14 tracks that include "How High The Moon", "What's New", "Tune Up", "Four", "Walkin", "Lady Be Good", "Hackensack", "Now's The Time", "All Of You", and "Round Midnight". CD
(Out of print.)

Exact matches96
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✨✧ Miles DavisHis Greatest Concert Ever – Antwerpen October 28th 1967 ... CD
Jazzman (Italy), 1967. Used ... Temporarily Out Of Stock
... CD
(Out of print.)

Exact matches97
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✨✧ Miles DavisJazz Track (with bonus tracks) ... CD
Columbia/Poll Winners Records, Late 50s. Used ... Temporarily Out Of Stock
Although not actually a proper album – this is still one of the greatest Miles Davis albums of all time! Side one features 10 tracks from Miles' amazing soundtrack to the film Ascenseur Pour L'Echafaud – with excellent work by French players Barney Wilen, Rene Urtreger, and Pierre Michelot, on haunting moody tracks like "Generique", "Lassassinat De Carala", "Au Bar Du Petit Bac", and "Dinner Au Motel". Great stuff – and with a wonderful sound that's like no other Miles album! Side 2 is equally great – as it features 3 classic sextet tunes – "On Green Dolphin Street", "Put Your Little Foot Right Out", and "Stella By Starlight" –peformed with Coltrane, Cannonball Adderley, and Bill Evans in that amazing Kind Of Blue mode of perfection. Truly one of our favorite albums of all time. Poll Winners edition includes 3 bonus tracks from a 1956 session with Sonny Rollins. CD
Also available Jazz Track ... LP 14.99

Exact matches98
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✨✧ Miles DavisKind Of Blue (with bonus track) ... CD
Columbia, 1959. Used ... Temporarily Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD

Exact matches99
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✨✧ Miles DavisMan With The Horn ... CD
Columbia, 1980. Used ... Temporarily Out Of Stock
A nice little later album from Miles Davis – one that still has some sharp edges and interesting moments that refine the earlier electric sound of the 70s! Teo Macero's still producing here, and he gives the record a focus that really brings the best sound out of the tunes – and although there's not as much noise, funk, or raw energy as before, there's still a shimmeringly modern style that's quite different from most other electric jazz of the time – proof that Davis was still an innovator even in these years! Other instrumentation includes electric piano, guitar, and soprano sax – and titles include "Fat Time", "Aida", "The Man With The Horn", "Ursula", and "Back Seat Betty". CD

Exact matches100
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✨✧ Miles DavisMiles Davis – Fillmore West 1970 ... CD
Hi Hat (UK), 1970. Used ... Temporarily Out Of Stock
Yet another slice of electric Miles Davis at the the Fillmore West in 1970 – not the material that appeared on the Black Beauty album, but instead a live broadcast that originally appeared on KSAN radio – which captures the group in very similarly firey performance! The lineup features Chick Corea on electric and acoustic piano, Steve Grossman on soprano sax, Dave Holland on basses, Jack DeJohnette on drums, and Airto on percussion – really stretching out on long tracks that are set with a strong Bitches Brew fire – no surprise, as that famous album was issued in the same year! The whole thing marks a seminal moment in Miles' career – as the group stretches out on titles that include "Sanctuary", "Bitches Brew", "Spanish Key", "It's About That Time", "I Fall In Love Too Easily", "This", "Directions", and "Miles Runs The Voodoo Down". CD
 
 
 



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