This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A late songbook entry for Oscar Peterson, and a great one too – a record that really has Peterson setting fire to a host of classic Jerome Kern compositions, in his legendary trio with Ray Brown on bass and Ed Thigpen on drums! Thigpen's unique rhythmic conception brings a lot to the record ... LP, Vinyl record album
Oscar Peterson works his magic on the score to My Fair Lady – giving the whole set of tunes a personal, intimate feel that takes them way past their Broadway roots – yet which also avoids sounding too much like Shelly Manne's session of the same name! The group here features Ray Brown ... LP, Vinyl record album
A great early example of the genius of mixing guitar with the piano of Oscar Peterson – a move that might have been inspired by the success of Ahmad Jamal, but which works equally well for Peterson's sound on the keys! The tracks here feature either Herb Ellis or Irving Ashby on guitar ... LP, Vinyl record album
The West Side Story score – but handled here by the great Oscar Peterson Trio – in ways that really push the tunes past their Broadway roots! The approach is tight, soulful, and filled with strong lines from Peterson on piano – plus bass by Ray Brown and drums from Ed Thigpen ... LP, Vinyl record album
One of the lesser-remembered Oscar Peterson songbooks of the 50s Verve years – but also one of the best, too. The freshness of some of the Jimmy McHugh tunes on the album gives the record a bit less of the staid feel of some of Peterson's other efforts of this nature – and although the ... LP, Vinyl record album
Kind of a companion to the better-known Sound Of The Trio set recorded at London House – an album that features more material from that date, but issued here without the indication of a live album. The style is still as great as before, though – really cooking work from the classic ... LP, Vinyl record album
An amazing little album from the legendary Gil Melle – a set that's billed as the first album of "electronic jazz", and which features Gil working with his Jazz Electronauts combo! Although Melle's perhaps best known for his baritone sax modern sides of the 50s for Blue Note and ... LP, Vinyl record album
An incredibly haunting session that has Stan's edgey alto fronting some of Russ Garcia's arch-modernist string arrangements – similar to those that he contributed to other Verve albums of the same style. Getz maintains a wonderfully breathy tone that floats above the orchestrations, and the ... LP, Vinyl record album
Tracks include "Spooney Sam", "Mama's Bounce", "Shooboody", "Hangover Boogie", "Yancey's Last Ride", and "Bush Street Blues". Nice David Stone Martin cover too! LP, Vinyl record album
Ostensibly simple stuff from Bill Evans, but pretty darn great – and a nice move into a more sophisticated vein than his earlier recordings! The album has him working with bassist Eddie Gomez, a hugely talented bassist that would be one of Bill's best partners during this period, and a ... LP, Vinyl record album
Dizzy really shone in settings like this – working with some of his most able peers, running easily through bop and swing material, and never making a single player feel unwelcome as he outblew them all! The 2LP set features the tune "Jam Blues", recorded in 1953 with a group that ... LP, Vinyl record album
Hardly an "encore" of the first Stan Getz Jazz Samba album – as this set's got a slightly different feel, and lots of great elements that make it really unique! This time around, Brazilian musician Luiz Bonfa is on guitar – already a skilled proponent of the bossa by the time ... LP, Vinyl record album