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Night Flight

LP (Item 33491) Pacific Jazz, 1965 — Condition: Very Good

A newly majestic setting for James Moody in the 60s – thanks to the mighty arranging talents of Gil Fuller! The album's similar to one that Fuller did with Dizzy Gillespie at the same time – a blend of large ensemble backings and soulful work by the solo star – which in this case is James Moody on alto, tenor, and flute! Moody's work here is kind of an extension of his 60s recordings with Tom McIntosh – an amazing array of colors, tones, and emotions that would never have been heard in his music a decade or two before – played with sophistication that's simply stunning, and a sense of swing and soul that makes the whole thing move nicely. The ensemble has a great rhythm section that features Mike Wofford on piano, Chuck Berghofer on bass, and Chuck Flores on drums – plus percussion from Francisco Aquabella – and titles include "Latin Lady", "Tin Tin Deo", "Our Man Flint", "A Patch Of Blue", "Night Flight", and "17 Mile Drive".  © 1996-2021, Dusty Groove, Inc.
(80s Capitol reissue in a non-gatefold cover, with edge wear, rounded corners, a cutout notch, and light surface wear.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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