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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the first hip hop singles that really made the crossover to dancefloor play. By this point, everyone's heard the sample three million times, but it's still holds up better than most of the uptempo cuts from that era. 12-inch, Vinyl record
The mellow classic, plus "Who Falls Apart?", a non-LP track that fits in with that extra low key LA underground sound, along the lines of Aceyalone – who contributes some vocals to "Bus Stops". 12-inch, Vinyl record
Bad Seed, who you may have heard on the Pumpkinhead remix, with his first solo joint. Mid-tempo production from Run Run Shaw with lots of nice samples and dj work. Bad Seed is joined by What?What? of Natural Resourse on "Sh*t Is Hot", that has some funny Beavis/Butthead style narration ... 12-inch, Vinyl record
12" with 4 great mixes of the title track, plus the sublime "Mack Daddy On The Left" which became the theme song for one of our favorite Chicago hip hop DJs. "Mack Daddy On The Left" is as dope as anything on 3 Feet High & Rising, but was only released as a b-side ... 12-inch, Vinyl record