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Cool Heat – Anita O'Day Sings Jimmy Guiffre Arrangements

LP (Item 25417) Verve, 1959 — Condition: Near Mint-
Temporarily Out Of Stock

LP, Vinyl record album

❔

Very cool work from Anita O'Day – a session cut with Jimmy Giuffre arrangements, in a style that's a bit different than some of her other 50s work for Verve! Jimmy brings a nice touch of modernism to the record – casting the horns in ways that show his own love of creative colors and careful phrasing, which makes for a bit more sensitivity than you'd hear on some of her dates with Billy May. Anita really responds to this shift with her vocals – stepping around the tunes carefully, and seeming to slide in alongside Giuffre's horn charts in a really fresh way. The vibe's a bit like that of June Christy on Capitol with Pete Rugolo – which is a great recommendation to us – and titles include "Hershey Bar", "A Lover Is Blue", "Mack The Knife", "You're A Clown", and "Orphan Annie".  © 1996-2019, Dusty Groove, Inc.
(80s Japanese Polydor pressing, UMV 2679, with insert. Cover has a cutout notch and a small peeled spot on back.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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