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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
With Sonny Fortune on alto, Larry Willis on piano, Walter Booker on bass, and Jimmy Cobb on drums. Includes a great version of "Book's Bossa" – plus "Blue Autumn", "Tallahassee Kid", "Fifth Labor Of Hercules", and "For Duke & Cannon". LP, Vinyl record album
One of the best-ever Nat Adderley albums, and a damn funky set of tracks that has a tight soulful feel! The session's got a similar feel to some of the other rare late 60s Milestone albums (like the 2 killers by Bobby Timmons!) – especially in that it's got a group that plays with the ... LP, Vinyl record album
An excellent early Nat Adderley record that has the funky trumpet player groovin' in the company of a number of bright young players from New Orleans, including Nat Perrilliat on tenor, Ellis Marsalis (yes, that one) on piano, and James Black on drums. Sam Jones plays funky bass, and brother ... LP, Vinyl record album
Really lovely work from guitarist Tal Farlow – recording here long after his famous Verve Records years, but still sounding great! The title refers to the mostly trio format of the date – a session that has Tal on hollow-body electric, Mike Nock on piano, and Lyn Christie on bass ... LP, Vinyl record album
More unusual than you'd expect – thanks to some electric piano from Maurice Vander and guitar from Philippe Catherine! Titles include "Valerie", "Golden Green", "Bowing Bowing", and "Memorial Jam For Stuff Smith". LP, Vinyl record album
A classic live set from trumpeter Marvin Hannibal Peterson – done with two side-long tracks that really let the group stretch out in a very spiritual way! The performance was captured at the Antibes festival in 1977 – and Hannibal's leading a relatively stripped-down group – with ... LP, Vinyl record album
One of Andrew Hill's best records of the 70s – a soulful trio recording performed with Richard Davis on bass and Roger Blank on drums – and a real return to the glory of his 60s material! Hill's piano still has that fresh angular modern approach of his Blue Note sides – but the ... LP, Vinyl record album
An excellent 70s European session recorded by Waldron – featuring a quintet with Steve Lacy on soprano sax, Manfred Schoof on trumpet, Jimmy Woode on bass, and Makaya Ntshoko on drums. The tracks are all long – with an approach that's in that later Waldron modal mode on the rhythms, ... LP, Vinyl record album
A real lost gem – quite different from Archie Shepp's earlier works, especially the late 60s session – and a surprisingly nice album that's filled with warmth and tenderness you wouldn't expect! The set features some excellent long tracks – Ellington's "Solitude", Shepp' ... LP, Vinyl record album
Great album of electric fusion by this breezy jazz group from San Francisco. The sound has a lot of touches of Brazilian jazz, accented with some freer post-Coltrane reed solos, and a nice choppy approach in parts. A few tracks feature some nice wordless vocals by Lin McPhillips – and the ... LP, Vinyl record album
A sweet and loungey set of tunes – played by Don on the Hammond X-77, as he might have before a weekend crowd at Denver's Passport Ltd! Most of the cuts on the album are covers of late 60s pop hits – like "Aquarius", "Look Of Love", "Watermelon Man", and ... LP, Vinyl record album
Amazing late 70s work from Charles Earland – quite different material than his contemporaneous sets for Mercury and Columbia, and much more the rootsy soul jazz he first cut at Prestige! The tracks are long, and filled with rhythms – that undeniable Earland groove, which is laid out ... LP, Vinyl record album