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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Great album of electric fusion by this breezy jazz group from San Francisco. The sound has a lot of touches of Brazilian jazz, accented with some freer post-Coltrane reed solos, and a nice choppy approach in parts. A few tracks feature some nice wordless vocals by Lin McPhillips – and the ... LP, Vinyl record album
A strangely beautiful record recorded during Pee Wee Russell's brief comeback as a modernist folk hero during the 60s. As with a number of his other sessions from the time, Russell's tone is amazingly angular, with strange off-kilter notes that expose the genius that had been lurking for years ... LP, Vinyl record album
A very successful album for Blue Note – and one that took the searing tenor sax of Stanley Turrentine and backed it with some boldly soulful arrangements from Oliver Nelson! Nelson was perfect at this sort of session – able to provide full backings that infused the record with energy, ... LP, Vinyl record album