This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Dizzy and strings – a surprisingly great combination! Although it was Charlie Parker who first made famous the modernist "jazz with strings" approach, Dizzy does wonderfully here in the format – working in similar fashion with edgey backing from the "Operatic String ... LP, Vinyl record album
We're never actually sure of the date of this material – and the lack of notes on the cover is no help – but we can say that the recordings are prime Diz, cut in the height of his bop years, hard grooving with a lot of pyrotechnics, a bit of vocalization, and a great sense of humor! ... LP, Vinyl record album
A fantastic bit of late 60's funk, and a surprisingly slammin' record from Dizzy! The album's got tight, hard, choppy funk arrangements from Ed Bland – who went onto to do some great work at the Perception label – and the group features James Moody blowing hard lean funky solos right ... LP, Vinyl record album
Great Dizzy big band LP from the late 50's, with a stellar lineup that includes a young Lee Morgan on trumpet, Billy Mitchell on tenor, and the underrecorded Billy Root on baritone. The band swings hard, and the playing's great both in the ensemble moments and in the solos. Tracks include "DD ... LP, Vinyl record album
Pretty wonderful funky work from Dizzy! The record's an excellent example of the messed-up funk groove that Diz was hitting at the time – a groove that he's never really given credit for, and which kept his records interesting long into the decade. Although the set's on Pablo, it's got more ... LP, Vinyl record album
While actually not as electrifying as some of Dizzy's other albums from the time, this one's still pretty darn great, and features his great group with Leo Wright on alto and Lalo Schfrin on piano. The band grooves with a subtly Latinish vibe, and the tracks are nice and long long long. Titles ... LP, Vinyl record album
One of the strongest sides to feature Diz's mid 50s format – a larger group than usual, an octet, with a more tightly arranged style that showed that he continued to develop as an artist long after the days of his early bop sides. The album's also noteworthy for demonstrating Dizzy's great ... LP, Vinyl record album
Great RCA comp of Dizzy's earlier bop sides for the label, many of which came out first only as singles. Tracks include all the classics like "Cubana Be", "Cubana Bop", "Manteca", "Night in Tunisia", and a whole bunch more that you've heard him reprise a ... LP, Vinyl record album
2 classic Miles/Coltrane albums are compiled here on a nice double LP set with good extra notes on the sessions. Miles and Trane are backed by the classic Red Garland/Paul Chambers/Philly Joe Jones rhythm section, and the set appears to include a few more tracks than the original LPs (although we'r ... LP, Vinyl record album
The first record by vibist Freddie McCoy, and one that's got much more of a straight jazz feel than some of his later Prestige albums. Feddie's vibes are set in a group with a lesser-known group of Prestige players, like Gil Askey on trumpet, Tate Houston on baritone, and James Thomas on organ ... LP, Vinyl record album