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Why Am I Treated So Bad?

LP (Item 17616) Capitol, Late 60s — Condition: Near Mint-

If you ever needed a key example of the genius of Cannonball on Capitol Records, this tight little set may well be it! The record's got all the best elements of a Cannon classic firmly in place – production by David Axelrod, electric piano by Joe Zawinul, and some tremendously soulful work from Cannon and Nat Adderley on their respective horns – all presented with a sense of relaxed tightness (if we can use such a phrase) that's jaw-droppingly brilliant all the way through! Cannon speaks a bit and pushes the band into action with charisma and warmth caught nicely by Axelrod's recording – and the band grooves on long, snakey tunes that mix equal parts funk and soul jazz together, coming up with the quintessential Adderley groove on nearly every number! Tracks include the seminal "Why Am I Treated So Bad", plus "Mini Mama", "I'm On My Way", "One For Newk", "The Scene", "Yvette", and "The Other Side".  © 1996-2020, Dusty Groove, Inc.
(Mono rainbow label pressing. Cover has staple holes in one corner and some aging on back.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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