This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Includes the songs "St. Thomas", "Round Midnight", "Four", "Night And Day", "Just Friends", "My One And Only Love", "Nows The Time", "Don't Stop The Carnival", "You Do Something To Me", "Brownskin ... CD
A very unique album from Sonny Rollins – one that features him blowing tenor over some Latin-based rhythms that have a tight uptempo feel. The core group on the album features Jim Hall on guitar, Bob Cranshaw on bass, and Ben Riley on drums – but they're augmented by larger ... CD
A landmark album from Sonny Rollins – one that marked his comeback in the early 60s, after a brief period of retirement, and which also initiated a string of incredible recordings with guitarist Jim Hall. Given Hall's gentleness and spare modernity on the guitar, a fan of Rollins' hard-blowin ... CD
Early Sonny Rollins work for Prestige – recorded in the years 1951 and 1953, in a variety of settings! 4 tracks on the album features Rollins blowing with the MJQ, one more has him working with a Miles Davis group, and the last 8 feature a quartet with Kenny Drew, Percy Heath, and Art Blakey. ... CD
Quite possibly THE greatest Sonny Rollins album of the early years – or at least the one that has received the most accolades over the years! The record is a brilliant batch of quartet tracks that reinvents bop through Sonny's complicated, yet seemingly automatic solos – an excellent ... CD
Some of the most compelling work that Sonny Rollins recorded in the 60s – served up here in a helping of his 3 albums for Impulse Records! Rollins only stopped at the label briefly – and didn't contribute as much to the Impulse catalog as other 60s tenor heavyweights like John Coltrane ... CD
About as classic as you can get for Sonny Rollins during the 50s – from the cover right down to the incredible solos on the set! The album's got Rollins really stretching out – still not finding the freer trio mode of his Vanguard session, but still bringing in plenty of fresh ideas in ... CD
A landmark album from Sonny Rollins – a record that really lives up to its title, as it shows the maturing tenorist really finding his own voice in jazz – a sound that's unlike any other! Rollins' Riverside work sometimes seems to get overlooked sometimes in light of his freer late 50s ... CD