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New Chicago Blues

LP (Item 12129) Atlantic, 1972 — Condition: Near Mint-
Also available
Clarence Wheeler — New Chicago Blues ... CD 3.99

No blues at all – despite the title – and a great set of tracks that showcases the southside Chicago tenor roots of Clarence Wheeler! The album's a bit different than the first two Wheeler albums for Atlantic – in that the group's slightly bigger, and more 70s electric overall – opening up a bit from the small combo club mode that Clarence brought into play, but still keeping things soulful and edgey throughout! At times, the backings even get a bit ambitious – almost hinting at a Cadet Records vibe – with arrangements by Wheeler, Reggie Boyd, Ken Chaney, and Sonny Burke. All players are Chicagoans, and include Louis Satterfield on bass, Sonny Burke on organ and electric piano, Henry Gibson on percussion, and Larry "The Lar With The Flair" Frazier on guitar. Titles include "Kuumba", "Miss Gee", "Oblighetto", "How Could I Let You Get Away", and "New Chicago Blues".  © 1996-2022, Dusty Groove, Inc.
(Green and red Broadway label stereo pressing. Cover has light edge and corner wear.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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