This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A wonderfully groovy score from Carlo Rustichelli – best known to the world for his famous score for Divorce Italian Style, and working here in a style that mixes tight jazzy numbers with sparer themes in kind of a Nino Rota mode! There's some nice organ in the background on some of the best ... LP, Vinyl record album
A surprisingly nice score from Riddle – and pretty different than most late 50s crime jazz LPs! There's a number of tracks on here that have a period setting, in keeping with the locale of the TV show – but there's others that are really wonderful orchestral numbers, shaded with the ... LP, Vinyl record album
One of the more orchestral of Roy Budd's scores from the 70's, but still with some nice moments that give a good focus to Roy's piano. The score was written for an Eastern thriller starring David Niven and Toshiro Mifune, and the tracks are a mix of easy and action themes – including "Ki ... LP, Vinyl record album
A surprisingly jazzy score – thanks to orchestrations by Ralph Burns, and musical direction by Elliot Lawrence! And of course, the vocals by Sammy Davis Jr are pretty darn nice too! LP, Vinyl record album