A great lost crime jazz soundtrack – penned by Elmer Bernstein in the style of some of his best work from the 50s! There's a real Man With The Golden Arm feel here – as the orchestra rises and falls in a mode matching the Staccato title – and solos break out with a fluid and brazen sort of feel – plenty of jazz to show the west coast origin of the recording! Players include Don Fagerquist and Pete Candoli on trumpets, Dick Nash on trombone, Ted Nash and Dave Pell on saxes, John Williams on piano, and Barney Kessell on guitar. The show itself is pretty darn cool – and starred a young John Cassavetes as detective Johnny Staccato – a role that supposedly gave Cassavetes enough money to shoot the film Shadows in his free time! Great all the way through – with tracks that include "Staccato's Theme", "Thinking Of Baby", "Poi & Juice", "Deadly Game", "Night Mood", "Jazz At Waldo's", "Like Having Fun", and "MacDougal Street Special". (Rainbow label pressing. Cover has a half split top seam, two marks from sticker removal on front, and an ink stamp on back.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.