Various : Studio First – From The Vaults Vol 2 (CD) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Studio First – From The Vaults Vol 2

CD (Item 958856) Studio One, Late 60s/1970s/Early 80s — Condition: New Copy
$13.99 ...

CD

List Price: 18.99
A great collection of rare gems from the Studio One label – one that's filled with unusual material that we've not seen elsewhere! Some of the tracks are alternate mixes, some are unissued recordings – and there's also a nice range of material that goes past the more familiar early period of the label, which is normally the most reissued. Titles include "Hush Up (unreleased stereo mix)" by Larry & Alvin, "I Need You Girl (stereo mix)" by Larry Marshall, "Mr Moses (stereo mix)" by Lloyd Charmers, "I'm In Love With You (original JA mix)" by Lloyd Williams, "Freedom Justice Equality" by Alf & Teep, "Torture & Flames" by Jackie Bernard, "Mark I Word" by Winston Prince, "Give Me True Love (stereo mix)" by The Meditators, "Down In The Bone Yard" by The Three Tops, "Down By The Sore (7" version)" by The Silvertones, and "Jay Dip (stereo mix)" by Prince Jazzbo.  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Soul Jazz/Studio One (UK), Late 1960s/Early 1970s. New Copy
American soul tunes, but served up Jamaican style – on cuts pulled from the classic years of the Studio One label – when the imprint was one of the hippest sources for rocksteady, ska, and early reggae! The package has a great range of tracks – both classics and rare numbers, and ... CD
Studio One/Soul Jazz (UK), Late 70s. New Copy
Rare work from one of the most obscure sides of the Studio One catalog – dub recordings that were issued in small press runs, usually with handmade covers, and which barely saw circulation outside of Jamaica at all! This is Studio one at its most experimental – following the new wave ... CD
Studio One, Mid 70s. New Copy
Very righteous work from the legendary catalog of Studio One – material that includes some early reggae numbers mixed with later roots numbers – served up here with a few unreleased tracks as well! Studio one might be known for more soul-based reggae from the late 60s/early 70s, but ... CD
On-U Sound (UK), Early 1980s. New Copy
Prince Far I issued a number of classic Cry Tuff albums on the On-U Sound label back in the 80s, all under his own name – but this similarly-titled set brings together tracks the legendary Jamaican MC did with other acts on the label – including Singers & Players and Creation Rebel! ... CD
On-U Sound (UK), Late 1970s/Early 1980s/2023. New Copy 6CD
All the great early albums from Creation Rebel – plus their excellent comeback too! The set begins with Dub From Creation – not just the debut album from Creation Rebel, but also a set that marks the first studio work from the young Adrian Sherwood – part of the long On-U Sound ... CD
Studio One, Early 70s. New Copy
Essential work from The Gladiators – exactly the kind of group that did so well in the early Studio One approach! The group are in a familiar mode – a Jamaican soul trio with a strong lead, and warm harmony backup – but there's also maybe a bit more of an edge going on here ... CD

Wailers

Wailing Wailers
Studio One (UK), Late 60s. New Copy
Landmark work from The Wailers – the early trio version of the group, with a legendary lineup that includes Peter Tosh and Bob Marley! The style here is different than both Tosh and Marley's music to come, but the sound is already totally top-shelf – a wickedly soulful blend of ... CD
Studio One, Late 60s/1970s/Early 80s. New Copy
A mighty collection of gems from the Studio One vaults – with really rare material that goes way past the obvious! Titles include "Love" by Bop & The Beltones, "Stand For I" by Roy Tomlinson, "Guess What" by Im & The Sound Dimension, "Dub ... CD

Lee Scratch Perry & The Upsetters

Scratch & Company Chapter 1 (LP sleeve edition)
Clocktower/Get On Down, Mid 70s. New Copy
CD...$6.99 14.98
Pivotal Black Ark material from Lee Perry – with brilliantly tripped out echoey dub production – and scorching instrumentation laid down by the mighty Upsetters! Split roughly in half between Perry's nicely gritty instrumental moodcraft and hazy vocals, this collection features some ... CD

Joe Gibbs & The Professionals

70s Dub Albums Collection (4CD set)
Joe Gibbs/Doctor Bird (UK), 1970s. New Copy 4CD
A massive amount of radical records from the great Joe Gibbs – a producer who forever changed the face of Jamaican music with a legendary run of dub albums in the 70s! Joe was no stranger to the scene by the time of these tracks – but the sessions had him really burrowing in to very ... CD
Joe Gibbs/Doctor Bird (UK), Late 70s. New Copy 2CD
A great overview of DJs from the Jamaican scene of the late 70s – not the big names of international fame, but some of the more underground figures who were really keeping the scene fresh with their lyrical magic! The real star here might well be Joe Gibbs – who produced the whole ... CD
Doctor Bird (UK), Late 1970s/Early 1980s. New Copy 2CDs
A quartet of classic albums, most of which haven't been reissued for decades – presented on a 2CD set with bonus tracks too! First up is Bounty Hunter – a seminal album from Barrington Levy – one that features key work from producer Henry Junjo Lawes, who helps push Levy's roots-s ... CD
 



⇑ Top