Various : Monsieur Gainsbourg Revisited (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Monsieur Gainsbourg Revisited

LP (Item 945648) Universal, 2006 — Condition: Very Good+
2LP Gatefold
An amazing tribute to Serge Gainsbourg – not only because it features some great covers of his most famous tunes, but also because the lyrics to all of these are in English! It's no secret that while Serge's work has been loved for years by English language listeners around the world, few of his tunes have ever been properly translated – a fact that's nicely corrected by this great little package, one of the few Gainsbourg tributes worthy to stand next to his classic catalog! Artists include former Gainsbourg collaborators from the 60s and 70s, plus surprisingly big names from the current global pop scene – and titles include versions of "The Ballad Of Melody Nelson" by Placebo, "Le Poinconneur Des Lilas" by The Rakes, "Je Suis Venu Te Dire Que Je M'En Vais" by Jarvis Coker & Kid Loco, "Je T'Aime Moi Non Plus" by Cat Power & Karen Elson, "Sorry Angel" by Jane Birkin & Franz Ferdinand, "L'Hotel Particulier" by Michael Stipe, "Lola Rastafarique" by Marianne Faithful & Sly and Robbie, "Comme Un Boomerang" by Gonzalez Feist & Dani, "Requiem Pour Un Con" by Brian Molko & Francoise Hardy, "I'm The Boy" by Marc Almond, and "Goodbye Emmanuelle" by Tricky.  © 1996-2024, Dusty Groove, Inc.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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