Five fantastic albums from the legendary Spanish guitarist – all packaged with original album sleeves too! First up is El Duende Flamenco – a richly personal vision of music – played by Paco with incredible deftness on the guitar, yet with a way that's never trying to show off, or bury feeling with any overdone sense of technique! Instead, De Lucia creates this really special sort of magic on the instrument – unlocking amazing tones and colors with effortless ease – all with the energy you might expect from a free jazz musician on the instrument, yet always directed in a tuneful, musical way. The album's a key early accomplishment from Paco – and although some tracks have light additional strings, these are used very gently to shade in the background, and still leave the set with the feeling of a solo album overall. Titles include "Percusion Flamenca", "Barrio La Vina", "De Madruga", "Cuando Canta El Gallo", "Canestera", "Punta Del Faro", and "Farolillo De Ferria". Fuente Y Caudal is one of our favorite albums ever from the legendary Paco De Lucia – and a set that really has the guitarist coming into his own – stepping past even his rich flamenco roots, and coming up with a new style that's practically a genre unto itself! Paco's sense of imagination here is wonderful – freed up from any previous expectations, and really set loose on the strings of the guitar – coming up with an amazing blend of rhythm and melody in these fast flurries of notes – at a level that's as passionately powerful as it is breathtaking from a sheer technical perspective. Ramon De Algeciras joins Paco on two tracks, but most numbers are solo – and titles include "Fuente Y Caudal", "Entre Dos Aguas", "Plaza De San Juan", "Los Pinares", and "Cepa Andaluza". En Vivo Desde El Teatro Real is a strong live set from the great Paco DeLucia – one that has his sublime acoustic guitar sounds really ringing out in the large space of a theater – which creates a slightly different vibe than some of his more close-up studio records of the 70s! DeLucia is extremely commanding in this space – and seems to reach out with even more majesty than ever – incredibly deft work on the strings of the guitar, full of fire and feeling – on a set of original numbers that reference tradition, then completely dismantle it as well. Ramon De Algeciras joins on a bit of second guitar, and titles include "Solea", "Fandangos", "Rumba", "Guajiras", "Alegrias", and "Tarantas". Almoraima is a brilliant 70s set from guitarist Paco DeLucia – one that really shows him stretching out with even more pride and power than before – finding that really unique groove that was part jazz, part flamenco, but really something very special of his own! Paco's got a highly rhythmic way with his guitar – using the instrument almost as much as a drum in some passages – while still being able to carve out these complicated passages on the strings, with dynamic energy that few American players might be able to match. Ramon De Algeciras plays second guitar on the record, but most of the music is from Paco's own instrument – and titles include "Rio Ancho", "Plaza Alta", "Ole", "Llanos Del Real", "Almoraima", and "Cueva Del Gato". Last up is a beautiful album in which Paco De Lucia Plays Manuel De Falla – songs by the famous composer that include "Danza De La Molinera", "Danza Ritual Del Fuego", "Danza De Los Vecinos", "Escena", and "Cancion Del Fuego Fatuo".