This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
An incredible album from Tavares – every bit as great on the uptempo end, as you'd expect from their bigger hits, as it is on the sweeter ballad tracks – which step out here as a tremendous surprise! The set was crafted with help from Philly maestro Bobby Martin – and begins with ... CD
Finally – the first major collection of work by Minnie Riperton, one of our favorite-ever soul singers! Minnie's had a lasting influence on the music that matters to us – from her early work as a girl group singer in Chicago, to her groundbreaking baroque soul in the group Rotary ... CD
It's always a sign of how huge Frankie Beverly was during the 80s that Capitol let him cut not one, but two double live albums during the early part of the decade. This one, his first, has the band grooving wonderfully before a crowd going mad in the Crescent City! The songs retain all the charm ... CD
Massive work from Sun – a tightly crafted batch of dancefloor funk that reminds us of some of our favorite work from Fantasy Records at the time – especially some of the more righteous groups that blended equal parts jazz and soul! Sun's got a tightness here that's amazing – ... CD
After issuing a strangely silly remix project of George Clinton's Capitol work from the early 80s, the folks at EMI have finally corrected their mistake by putting together this straight set of Clinton's jammers for the label – all offered in their original versions! The set's not prime P-Fun ... CD
One of our favorite Funkadelic albums ever – a tightly grooving classic that never lets up at all! There's a sense of perfection to everything here – one that really gets the group past their tripped-out early years, and firmly into the sublime territory George Clinton hit with ... CD
One of the greatest albums to ever sum up the genius of Lou Rawls in the 60s – a brilliant live set put together with the talents of David Axelrod! The record perfectly captures the easy-going soul of Rawls in the early years – a natural approach to his music that made him one of the ... CD
Nice 17 track compilation of Minnie's classic work for Capitol! The selection is excellent, and the CD features most of the stuff you'd ever want to have by her, including "Perfect Angel", "Memory Lane", "Lovin You", "Stick Together", "Inside My ... CD
Hi Records perfection from the mighty Al Green – slightly later than some of his key early hits, but a record that shows Green still taking fire on all burners! Production is by the team of Al and Willie Mitchell – in a mode that's slightly fuller and more updated than before, but ... CD
Marvin Gaye's last album ever – and a sensuous batch of grooves that almost return him to the sound of Let's Get It On! The style here is a bit more modern, but the sound is still great – a smoother approach to soul than most of Gaye's contemporaries at the time, recorded in a way that ... CD
While there was no naked bald lady on the cover of Jass-Ay-Lay-Dee, it is actually a move back towards the sweatier funk sounds of their more classic LPs. There's some tight playing and solid songwriting going on here, too, with a bit less of the smooth, sultry grooves with funky touches that ... CD