Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Mr Peters' Pets (yellow vinyl pressing – with DVD)

LP (Item 914169) Modern Harmonic/Something Weird, 1962 — Condition: New Copy
(reissue)
Temporarily Out Of Stock

LP, Vinyl record album

❔

A very cool soundtrack for a very weird movie – an early 60s nudie film, but one that's a fair bit tamer and sweeter than material from later in the decade! The focus here is on the music – which is surprisingly well-done, and mixes jazz with exotic currents – often with a lot more thoughtfulness than you might expect, at a level that puts some of the best tracks here right up there with the best early 60s Italian noir jazz classics. Nicholas Carras wrote and conducted – but there's a tenorist on the album that really makes the whole thing great, someone who can play with the depth of Plas Johnson at his best. Titles include the eleven-minute "A Happy Turtle" – plus "Jungle Duck", "Three Sporty Ladies", "Petey's Sweeties", "The Happy Animal", "Animal Ambrosia", and "My Little Shasta".  © 1996-2019, Dusty Groove, Inc.
(On yellow vinyl – plus DVD of the feature film, and a bonus zine too!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Modern Harmonic, Late 60s/Early 70s. New Copy 2LP Gatefold
Something weird, and something very cool too – a set that brings together a whole host of strange and unusual tunes from the glory days of exploitation cinema! These cuts are all from a time when the b-movie underground was playing it fast and loose – trying to get more folks into the ... LP, Vinyl record album
Flying Dutchman/Modern Harmonic, 1967. New Copy Gatefold (reissue)
A very wild soundtrack! The film is about The Minx, a crew of lovelies trained in the art of sensual pleasure and corporate espionage – and the original music for the film, by the rock group The Cyrkle, is about as cool as you'd expect from a theme like that! Some cuts are straight trippy ... LP, Vinyl record album
Philips/Universal (France), 1965. New Copy 2LP (reissue)
Fantastic! This is the French pressing of the Michel Legrand score to Jaques Demy's incredible 1965 film The Umbrellas Of Cherbourg. Every word of dialogue in the film is sung, and Legrand came up with an amazing array of themes to carry the emotion of the film. Embedded in here are lines that ... LP, Vinyl record album

Klaus Schulze

Next Of Kin
Roundtable (Australia), 1982. New Copy (reissue)
An obscure Klaus Schulze soundtrack, done for an Australian horror film from the early 80s – all in modes that are a nice condensation of Klaus' longer-form work from the 70s! The tunes here are still heavy on the kind of keyboards that Schulze helped pioneer in Tangerine Dream and his own ... LP, Vinyl record album
Decca/Third Man, 2015. New Copy 2LP
Director Quentin Tarantino has drawn plenty of inspiration from the music of Ennio Morricone over the years – either using short passages of older Morricone music in his films, or evoking the substance and style of the maestro in the way he uses sounds from other sources too! So it's only ... LP, Vinyl record album
GDM/Monte Stella (Italy), 1967. New Copy Gatefold (reissue)
A wonderful western score from Ennio Morricone – less typical than some of his classics, and with a really unique sort of sound! Many of the numbers here have a really low-rumbling quality – sounds that don't blast out with action or violence, but which emerge slowly from the lower end ... LP, Vinyl record album
Digitmovies (Italy), 1968. New Copy Gatefold
A dreamy soundtrack for an obscure Rock Hudson film – one that sports some really wonderful music from Ennio Morricone! The music here is occasionally topped with groovy vocals – often sung wordlessly in a "la la la" sort of mode by I Cantori Moderni, and set to ... LP, Vinyl record album

Gene Page

Blacula
RCA, 1972. New Copy (reissue)
Deadlier than Dracula – and a lot funkier too! This is the original soundtrack for the classic blacksploitation horror flick starring the baaadest Drac ever to grace the screen of all those shabby downtown theaters that were still around in the 70s – a wicked batch of wah-wah tunes ... LP, Vinyl record album
Digitmovies (Italy), 1966. New Copy Gatefold
Music for a film about witches – but handled here with sounds that are a lot more dreamy than they are spooky – thanks to the fantastic 60s talents of maestro Piero Piccioni! There's lots of elements here that are kind of an extrapolation of bossa nova styles – both in terms of ... LP, Vinyl record album

Ennio Morricone

Grazie Zia
CAM/Transversales Disques (France), 1968. New Copy (reissue)
A really amazing soundtrack from Ennio Morricone – presented here with the full range of tracks for the first time ever! The music uses some wonderful vocals – sung in a style that's pop, but very creepy too – that way that Morricone vocals can have of being almost chant-like, ... LP, Vinyl record album
Rhino, 1991. New Copy 2LP Gatefold (reissue)
Great music from the second season of Twin Peaks – and a continuing illustration of the power of Angelo Baldamenti's music for the show! The strength of these simple themes and tunes is clear right from the get-go – as Angelo serves things up in a mode that's subtle, but still filled ... LP, Vinyl record album

Masahiko Sato

Belladonna
Finders Keepers (UK), 1973. New Copy
One of the rarest albums ever from the mighty Masahiko Sato – a Japanese musician we love for his jazz, funk, and psychedelic sounds – all of which come into play on this unusual animated soundtrack! The music is plenty trippy right from the start – very offbeat, from the ... LP, Vinyl record album
 



⇑ Top