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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
(MGM stereo pressing. Cover has some ring impressions, bent a bit at the corners, with an ink stamp, vintage price sticker, and original purchase date written in pen in back.)LP, Vinyl record album
A great early example of the genius of mixing guitar with the piano of Oscar Peterson – a move that might have been inspired by the success of Ahmad Jamal, but which works equally well for Peterson's sound on the keys! The tracks here feature either Herb Ellis or Irving Ashby on guitar ... LP, Vinyl record album
Oscar Peterson's living the vida bueno here – returning to the London House in Chicago, over a decade after his famous recording date in the early 60s – and working with a very different style overall! The tracks are long, and quite open – a great way to hear Peterson working out ... LP, Vinyl record album
Oscar follows up the original Night Train album – one of his most famous sessions and best selling albums! The format here is the same – Peterson working with likely suspects Ray Brown and Ed Thigpen (save for 2 tracks, which feature Herb Ellis, Brown, and Buddy Rich) – playing ... LP, Vinyl record album
Strong work from the Peterson Trio's London House gig in Chicago in 1961 – material that offers some slightly longer than usual takes on the group's sound, especially on a few numbers that really let Oscar open up on the keys! The group here is the legendary combo with Ed Thigpen on drums ... LP, Vinyl record album
The first of a series of great "private" recordings that Oscar Peterson did for the MPS label in the late 60s – sessions done at the home of label owner Hans Georg Brunner Schwer, in a laidback and easygoing style that's different than some of his American work of the time! The ... LP, Vinyl record album
An unusual live date for Oscar Peterson – in that it wasn't actually officially recorded by Verve, but done by a fan and handed over to Norman Granz at a later date! Given that origin, though, the material is quite strong – recorded with an edge that's slightly earthier than usual for ... LP, Vinyl record album
One of Oscar Peterson's biggest records ever – one of those albums we turn up time and time again when digging through classic jazz collections – and for good reason too, given the lasting power of the set! The album's got a rock-solid sound that's filled with soul – almost a bit ... LP, Vinyl record album
Long lean groovers from Brian Auger and the Oblivion Express group – recorded with a slightly freer feel than some of the group's earlier albums, and an approach that has them stretching out nicely! Brian still sings a bit on some tracks, but there seems to be more of a focus than before on ... LP, Vinyl record album
A wonderful entry in the Jazz Workshop series on RCA – and proof that the line of releases was definitely worth the promise of its title! Billy Byers was a well-known mainstream arranger at the time of this set – but here, he steps out in territory that's a bit more modern than usual ... LP, Vinyl record album