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Rhyme & Reason (Atlantic pressing)

LP (Item 8158) Atlantic, 1975 — Condition: Near Mint-

One of the most amazing albums ever cut by reedman Herb Geller – a really unique overseas session from the 70s, and quite different than his initial recordings of the 50s! Herb's working here in a cool mix of electric and acoustic modes, with a vibe that's very much in the best funky MPS style – and the set also features some excellent vocals from Mark Murphy, who sings in this spacey, stretched-out way that's some of his hippest work on record – very much at the best level of his early 70s recordings for Muse! Tracks are quite long, and very hip – with long instrumental passages which are then augmented wonderfully by the vocals. Herb himself plays tenor, alto, soprano sax, and a number of flutes – and other players include Rob Franken on Fender Rhodes and Arp, Philip Catherine on guitar, Wolfgang Schluter on vibes, Palle Mikkelborg on trumpet, and Gottfried Bottger on moog and organ! Titles include the wonderfully spacey "Space A La Mode", a nice slow electric builder – and the classic "Power Of A Smile" – plus "Sudden Senility" and "Rhyme & Reason Time" – the last of which features vocals by Earl Jordan, not Murphy.  © 1996-2019, Dusty Groove, Inc.
(Cover has a small cutout notch.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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