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Rhyme & Reason (Atlantic pressing)

LP (Item 8158) Atlantic, 1975 — Condition: Very Good+

One of the most amazing albums ever cut by reedman Herb Geller – a really unique overseas session from the 70s, and quite different than his initial recordings of the 50s! Herb's working here in a cool mix of electric and acoustic modes, with a vibe that's very much in the best funky MPS style – and the set also features some excellent vocals from Mark Murphy, who sings in this spacey, stretched-out way that's some of his hippest work on record – very much at the best level of his early 70s recordings for Muse! Tracks are quite long, and very hip – with long instrumental passages which are then augmented wonderfully by the vocals. Herb himself plays tenor, alto, soprano sax, and a number of flutes – and other players include Rob Franken on Fender Rhodes and Arp, Philip Catherine on guitar, Wolfgang Schluter on vibes, Palle Mikkelborg on trumpet, and Gottfried Bottger on moog and organ! Titles include the wonderfully spacey "Space A La Mode", a nice slow electric builder – and the classic "Power Of A Smile" – plus "Sudden Senility" and "Rhyme & Reason Time" – the last of which features vocals by Earl Jordan, not Murphy.  © 1996-2019, Dusty Groove, Inc.
(Cover has a promo sticker and radio station stamps.)

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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