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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An important early live show for Nina – a move to the classy Town Hall crowd, filled with left-leaning listeners who were the perfect audience to get the unique bag she was working on at the time – heard in very appreciative tones throughout the set! The performance is a great one ... LP, Vinyl record album
A strong back to basics session for Nina, one that featured her piano and vocals only, a very spare approach that was markedly different from her work a few years previously for other labels. Nina's tone on the piano is incredible – and she's working with some striking modern jazz changes ... LP, Vinyl record album
Don't let the "broadway" or the "blues" or the "ballads" in the title put you off – because this album's way more than any of those! As usual, Nina takes tunes that have common roots and she makes them all her own – working here with arrangements by Horace ... LP, Vinyl record album
Classic RCA work from the great Nina Simone – and an album that definitely shows Nina hitting more of the soul spectrum than some of her folk and jazz work of the 60s! The set's got these wonderful arrangements from Harold Wheeler – a bit electric, and done in a way that takes familiar ... LP, Vinyl record album
Amazing is right – as Nina Simone is really taking off here – showing the world that she's way more than just another jazz singer – able to hit some righteous currents that would only explode even more in years to come! Nina's emotion is subtle, but extremely powerful – ... LP, Vinyl record album
Wonderful stuff from Nina Simone – working here still with one foot in the jazzier style of early days, but with haunting elements of the later progressive style to come! The "pastel" in the title shouldn't imply any sort of softness on Nina's part, because if anything, she's ... LP, Vinyl record album
Killer work from Nina Simone's excellent Stroud Productions run – a set that wasn't issued by RCA in the early 70s, but which really matches the fire of her classics for the label! The setting's a live one, as you'd guess from the title – and most tunes are longish, with those key ... LP, Vinyl record album
An album recorded relatively early in the career of singer Nina Simone – but a set that already shows the very unique approach that would make her a legend by the time the 60s moved on! Even the very first tune is a stunner – a haunting reworking of the favorite "Just In Time" ... LP, Vinyl record album
Jimmy sings with the group of Jay McShann – which features Seldon Powell, Hilton Jefferson, Heywood Henry, and Ray Copeland. Titles include "Jumpin The Blues", "Hootie Blues", "Confessin The Blues", "Froggy Bottom", and "Blue Monday Blues". LP, Vinyl record album
A great set of torchy ballads from Lee Wiley – a singer who virtually helped invent the genre on record with her classic sets for Columbia Records! This album's done a few years after those – and features backings by Ralph Burns, who brings a fair bit more sentimental moments to his ... LP, Vinyl record album