This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the nice records made by Joe during his funky comeback of the late 60s/early 70s. He's singing here in a setting that's decidedly hipper than on earlier albums – with the early 70s Nat/Cannonball Adderley collective that includes George Duke on piano, Carol Kaye on bass, and ... LP, Vinyl record album
A surprisingly great set of tracks by the sexy Michele Lee – arranged and conducted by Bill Justis with a sweetly groovy 60s bounce that sets the work apart from her sides for her work in films. Includes the original tunes "L David Sloane" and "I Didn't Come To New York To ... LP, Vinyl record album
A great album from the late 70's, featuring the excellent jazz vocalist backed by a totally tight group led by Gildo Mahones. The sound is deep and loud, and there's some nice phat bass on here, particularly on the intro to "Baltimore Oriole", which has a nice break sound at the ... LP, Vinyl record album
Dreamy harmony jazz from the great Hi-Los – one of the hippest groups of the 50s, with a sweet quartet approach similar to The Four Freshmen, and which had a huge effect on pop in the 60s! The tunes on the set feature the group working with Frank Comstock – in an amazing style that ... LP, Vinyl record album
A nice little session that's one of Nat's last great vocal albums – thanks to some solid jazz backing by George Shearing. Shearing's group here is a super-hip west coast Latin one, with Emil Richards on vibes, Al Hendrickson on guitar, Al McKibbon on bass, and Shelly Manne on drums. Most ... LP, Vinyl record album
The fragile genius of Johnnie Ray is beyond compare! Johnnie had this weird wispy voice that was quite uncommon for male singers of the time (although it probably paved the way for countless falsetto acts of the past two decades) – and his strange way of putting over a song was often ... LP, Vinyl record album
One of the greatest records ever recorded by vocalist Lorez Alexandria – and a perfect summation of her rich talents as a singer! Backing is by a small Chicago trio that includes John Young on piano, Vernel Fournier on drums, and George Eskridge on bass – but the arrangements of the ... LP, Vinyl record album