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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Babatunde Olatunji goes even more drum-crazy than before – working here with no less than nine percussionists, plus a host of singers as well! The tunes have a very rootsy groove throughout – instrumentation that only comes from the rhythm instruments, some of which are pointed towards ... LP, Vinyl record album
One of Olatunji's best LPs, and a record that breaks out of his usual straight hard percussion stuff by adding some jazz players like Yusef Lateef, Clark Terry, and George Duvivier. There's also some singers augmenting the ensemble, but they drop out in parts, and the percussion and jazz take over. ... LP, Vinyl record album
A heady tribute to the legendary Malian guitarist Ali Farka Toure – served up here with really wonderful lead guitar lines from his son, Vieux Farka Toure, who gets some fantastic help on the record from the Khruangbin trio! Given the fame of that latter group, the set could end up in ... LP, Vinyl record album
(Plays with surface noise and faint crackle. Vinyl has groove wear on the 2nd track on side 2. Cover has tape on all sides, heavy surface wear, some marker.)LP, Vinyl record album
While in the intervening years Hamza El Din has gone on to great prominence, this Nonesuch recording of his work on the oud was one of the earliest documents of his North African style of music. This recording consists of three pieces, with his virtuoso playing and singing, the first two extended ... LP, Vinyl record album